Monthly Archives: September 2022

Grants Manager Sought by Cincinnati Playhouse in the Park

PIP_logoCincinnati Playhouse in the Park is an Equal Opportunity Employer (EEO) and is committed to fostering a culture of diversity and inclusion in all areas of its work, both on and offstage.  Qualified individuals who bring diverse perspectives and life experiences to the workplace are especially encouraged to apply. 

Job Title: Grants Manager

Starting Salary: $807.00/weekly

Reports to:  Director of Institutional Giving

Position Overview
The Grants Manager oversees proposal generation for all grant funders, including corporate and private foundations, government entities, and the Playhouse’s yearly Sustaining Impact Grant submissions to ArtsWave.  Additionally, they conduct research, identify prospects, collaborate on the formation of institutional funding strategy, and develop profiles on foundation, corporation, and government funding sources.  They also prepare reports for submission to funders as necessary to fulfill stated requirements in grant agreements.  The Grants Manager is a full-time salaried position with benefits.  Evening and weekend hours as part of department responsibilities are sometimes required.

Position Responsibilities

  • Manages all aspects of the ArtsWave application process, including:
    • Coordination of reporting and surveying needs with marketing, education, production, finance, and other departments to ensure successful data tracking and reporting for ArtsWave’s Blueprint for Collective Action.
    • Writing the application/interim reports and creating appropriate attachments and coordinating the creation of infographics that strengthen and support the argument in collaboration with other departments and Executive Staff.
  • With the Director of Institutional Giving, develops and maintains the annual grant application calendar for all grant proposals and requests.
  • Manages the Foundation and Government grant program, including identification and cultivation of new prospects, proposal writing, reporting, and grant fulfillment for General Operating, Program, and Education support and completing Capital reports. Specific proposals include the Shubert Foundation, the National Endowment for the Arts, and the Ohio Arts Council, among others.
  • Maintains grant administration policies and procedures and manages all reporting requirements in accordance with Playhouse, funder, state, local, and federal regulations.
  • Serves as the department’s lead grants researcher, utilizing third-party prospect research software, Guidestar, and other resources to gather intelligence and prepare an ongoing qualified prospect list of foundation and government funders
  • Manages detailed records on all current funders, both hard copy and electronic, and maintains clear, up-to-date records in Tessitura.
  • Other duties as assigned.

Competencies

  • Exceptional writing skills required.
  • Ability to meet strict deadlines required.
  • Minimum three years of progressive experience in fundraising, preferably in grant writing.
  • Strong verbal and written communication skills.
  • Ability to successfully manage and build relationships with individuals, corporate donors, foundation representatives, government officials, Board leadership, and Playhouse staff.
  • Energetic, flexible and adaptable, and able to multi-task and work independently in an environment with competing deadlines.
  • Ability to work as an effective and collaborative team member in a fast-paced environment.
  • A strong ethical character and the ability to handle sensitive and confidential information appropriately and with discretion.
  • Proficiency with Microsoft Office Suite applications: Word, Excel, PowerPoint and Outlook.
  • Appreciation for the performing arts and theater in particular.
  • Bachelor’s degree required.

Physical Demands:

  • This position is largely sedentary in an office setting.
  • The employee may occasionally lift and/or move 15-20 pounds.

Employment is contingent upon successful completion of a background check.

All employees are required to receive the COVID-19 vaccination unless a reasonable accommodation has been approved.

Cincinnati Playhouse in the Park continues to monitor the pandemic situation.  Qualified candidates will be expected to comply with Playhouse’s health and safety plan – while at work and outside work – that continues to be updated per latest state and Federal guidelines.

The physical expectations described here are representative of those that must be met by an employee to successfully perform the essential functions of the job, with or without a reasonable accommodation.

While this description is intended to be an accurate reflection of the current position, it is not necessarily exhaustive of all responsibilities, duties, requirements, or expectations of this position. Cincinnati Playhouse in the Park reserves the right to revise or amend this description based on business needs or changes to the work environment.

To Apply: Qualified candidates should submit a cover letter, resume, references and writing sample relevant to fundraising work to Mary Kay Koehler, Director of Institutional Giving, at MaryKay.Koehler@cincyplay.com and cc Amy Stier at amy.stier@cincyplay.com. Applications will be reviewed on a rolling basis and the position will be filled as soon as the successful candidate is identified. No phone calls, please.

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HAMILTON Quick Review

HAMILTON presented by Broadway in Cincinnati through Oct. 2. I attended the opening Wednesday performance. 

BIC_Hamilton1

Angelica National Tour Company. Photo by Joan Marcus.

In case you somehow haven’t heard, HAMILTON makes its sophomore stop in Cincinnati for four weeks at the Aronoff Center.

For those who have not seen it yet, HAMILTON is a juggernaut of a show from the opening note to its final gasp. For the performance I attended, several roles shifted to stand-bys and swings, which is always exciting to experience.

This was my second time seeing it on stage and I enjoyed having the opportunity to focus a bit more on the big picture; seeing how all the elements (set, lights, costumes, blocking and choreography) compliment each other so well. Even the precise use of the turntable is incredibly intricate and adds so much visually to the production.

Edred Utomi is very enjoyable in the title role, bringing a great energy to the youthful man we meet in act I and a grounded yet somewhat world-weary older version in act II. There were times I struggled hearing his lighter singing voice. Also strong was Neptune in the role of George Washington. Zoe Jensen is wonderful in her portrayal of Eliza Hamilton. Her vocals in “Burn” and the “Finale” were strong and emotionally moving. Yana Peffault impresses with her smoky, sultry vocals as Maria Reynolds. A special shout-out to the incredibly hard working and talented members of the ensemble that serve as the foundation of this show.

Overall, the production is stunning: in content, in talent and in presentation. The staging and choreography breaks convention and is engrossing for the same reason. Truly a unique show.

My rating: 4.75 out of 5.

Click here for more information on the production.

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Male Actors Needed for Staged Reading

VFPAC_logoSeeking male actors to participate in a staged reading of a new script: THE SMOKING ROOM. We can use any age or race.

The first read through is Sunday 9/11 at 5pm at 2140 Pogue Ave. in O’Brronville at the Beechwood Home.

For more information contact Juan Miller at 513.250.8848 or juan@vulcansforgepac.org.

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Auditions Announced for Season 25 at Know Theatre of Cincinnati

KTC_Lets Play logoThe information below is taken from the Google form available here.

Know Theatre Season 25 Auditions

Thanks for your interest in auditioning for Season 25 with Know Theatre.

We’ll start by asking for some basic information, then let you indicate which roles you’re interested in being considered for.

To be considered for a role you must be available for all performances of that show. Know Theatre performs 5 show weeks, Wednesday-Sunday.  We generally rehearse 6 days and 30 hours per week. Rehearsals can vary between daytime and evenings for productions based upon cast and director availability.

We primarily cast from within the Cincinnati area, but are happy to consider out of town performers who have an interest in reading.

Once you’ve indicated which roles you’re interested in, the form will ask for availability for auditions in the coming weeks!

After you’ve completed this form, please send a head shot and one page theatrical resume to our Operations & Company Manager, Ri Moodie at rmoodie@knowtheatre.com with the Subject Line “Season 25 Auditions.”

Please name your files using the following convention: FullName-headshot and FullName-resume.

Once we’ve compiled all the information, we’ll follow up with audition times and materials.

Thanks again!

Auditions slots options are Sept. 12-22 in hour slots from 3-8pm.

Sign up here.

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Auditions Announced for BOEING BOEING and KISS ME KATE at the Covedale Center

CCPABOEING BOEING and KISS ME KATE

  • Saturday, October 8th from 1-3:30 pm
  • Sunday, October 9th  from 6:30-9pm

Callbacks:

  • Monday, October 10, 2022  6:00pm to 7:30pm (BOEING BOEING)
  • Monday, October 10, 2022  7:30pm to 9:30 pm (KISS ME KATE)    

Audition Location:
The Madcap Education Center
3064 Harrison Avenue
Cincinnati, OH  45211

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at Jenniferperrino@clpshows.org

Important Audition Information

BOEING BOEING
Bob Brunner, Director; Holly Mills, Stage Manager

  • Must be a minimum of 21 years of age to audition.
  • You will read from the script.
  • MUST HAVE A RESUME listing theatrical experience in order to audition.
  • Please bring a headshot and resume.

KISS ME KATE
Genevieve Perrino, Director/Choreographer; Greg Dastillung, Music Director; Cassidy Steele, Asst. Choreographer; Holly McGowan, Stage Manager

  • Must be a minimum of 16 years of age to audition.
  • You may be asked to read from the script.
  • Please prepare a song to sing for 32 measures in musical theatre style.
  • You will be taught a dance combination as well.
  • MUST HAVE A RESUME listing theatrical experience in order to audition.
  • Please bring a headshot and resume.

CLP is actively seeking a diverse cast. Performers of all races and ethnicities, gender identities, sexualities and abilities are encouraged to audition.

BOEING BOEING
By Marc Camoletti
January 26 – February 19, 2023

This 1960’s French farce adapted for the English-speaking stage, features self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each a beautiful airline hostess with frequent layovers – one up, one down, and one pending – until unexpected schedule changes bring all three to Paris, and Bernard’s apartment, at the same time!   Winner of the 2008 Tony Award, 2008 Drama Desk Award and 2008 Olivier Award.

  • Bernard (Mail 30 – 50 yrs.) An American architect and lothario who resides in Paris. Bernard is the quintessential 1960’s playboy who is managing three love affairs at the same time. He is a charming, hustling, lovable rascal who has no idea just how in over his head he really is.  Must have strong comedic timing. Physical comedy is a plus.
  • Gloria (Female 20-40yrs.) An American airline stewardess from New York City and fiancée to Bernard.  She isa go-getter, sexy and works for TWA. Gloria is looking to settle down with the perfect man and Bernard fits the bill, which to her is pure bliss. She is chipper, friendly, and take-charge if not a little on the sensual opportunistic side.  Must have strong comedic timing. Physical comedy is a plus.
  • Gabriella (Female 20 – 40 yrs.) An Italian airline stewardess and fiancée to Bernard.   She is passionate and feisty and works for Alitalia.  Gabriella is in love with Bernard but her jealousy can run deep. She is sentimental, lusty, nurturing, and loving but when her jealousy is aroused her temper can flair in the most dramatic fashion. Italian accent required. Must have strong comedic timing.
  • Gretchen (Female 20 – 40 yrs.) A German airline stewardess, and Gretchen is also engaged to Bernard. She is strong and beautiful and works for Lufthansa.  Gretchen yearns for extreme passion and has found the perfect fix in Bernard, or so she thinks. She is strong, dominating, and caring but can become quite thin-skinned particularly when her feelings of passion are conflicted.  German accent required.  Must have strong comedic timing.  Physical comedy a plus.
  • Berthe (Female 30 – 70 yrs.)  Bernard’s French housekeeper, Berthe is always exhausted and exasperated. She has honed her French existential brand of sarcasm to a T.  She is the classic grumbling, rye, clever and ever-complaining house maid who, in the end, knows how to play her cards right to get what she wants
  • Robert  (Male 30 – 50 yrs.)  An old time friend of Bernard’s from Wisconsin, Robert shows up unexpectedly at Bernard’s Paris home.  Robert has lived a simple somewhat sheltered life in Wisconsin. He is sweet, unobtrusive, and shy but turns quickly nervous and clumsy when trying to help Bernard conceal his secrets when circumstances demand.  Must have strong comedic timing.  Physical comedy is a plus.

KISS ME KATE
Music and Lyrics by Cole Porter, Book by Sam and Bella Spewack  
March 16 – April 8, 2023

The battle of the sexes takes center stage as former spouses feud onstage and off during a musical presentation of The Taming of the Shrew.  Sophisticated, romantic and delightfully hilarious with great songs like:  “Always True to You Darling”, “Tom, Dick and Harry” and “We Open in Venice”. Winner of 10 Tony Awards, five in 1949 and five in 2000!

  • LILLI VANESSI/ KATHERINE FEMALE (30-45) Soprano with metzo/ belt. Vocal range A3-Bb5 A regal diva with a fierce temper and rapier- wit. Must have beauty, poise and the elegance of a 1940s movie star. Prepare to sing “So In Love” and “Wunderbar”
  • FRED GRAHAM/ PETRUCHIO MALE (35-50) classic baritone vocal range Bb2-G4 Leading Man, writer, producer, director, superman with ego as large as his resume. Must be handsome, charismatic, funny and have a physically imposing presence. Should be familiar and comfortable with Shakespearean text. Prepare to sing “So in Love” and “Were Thine that Special Face”
  • BILL CALHOUN/ LUCENTIO MALE (25-45) Bari-Tenor. Vocal Range G2-F4 His compulsive gambling constantly gets him in trouble with girlfriend, Lois. Must be an excellent actor, singer/dancer with irresistible charm. Prepare to sing “Bianca”
  • LOIS LANE/ BIANCA-Female (20-32) Belt/Mix Vocal Range G3-F5 Sexy and charismatic. An expert at employing her feminine wiles. Must be excellent dancer/belter with strong comedic ability. Prepare to sing “Always True to You in My Fashion”.
  • HATTIE Female (25-40) Vocal Range G3-F4 . Belt Lilli’s dresser. She has seen it all. Should be an accomplished singer/dancer. Prepare to sing “Another Op’nin’, Another Show”
  • PAUL Male (26-39) Vocal Range C3-F#4 Fred’s dresser. Cool under pressure. Featured vocalist with jazz styling. Must be excellent and charismatic dancer. Tap required. Prepare to sing “Too Darn Hot”
  • FIRST AND SECOND MAN (25-65) Vocal range B2-F4 Two tough gangsters, who, after six years in the prison library, have developed a unique way with words and an appreciation of Shakespeare and the theater. Must move well and have a great sense of classic vaudevillian comedy. Prepare to sing “Brush up your Shakespeare”
  • GENERAL HARRISON HOWELL Male (40-60) Baritone, Vocal range B2-F4. Highly distinguished U.S. army general with strong political ties to the White House. A rigidly conservative character with military discipline and patriarchal values. Must have excellent comedic skills. Prepare to sing “From this Moment On”
  • POPS-male (45-62) Stage door keeper. Prepare to sing “Another Op’nin’, Another show”
  • PRIEST (40-70) Marries Kate and Petruchio in Taming of the Shrew. Must speak Shakespearean English well
  • HARRY TREVOR/BAPTISTA (45-65) Veteran Actor who plays the father of Kate and Bianca in Taming of the Shrew Prepare to sing “Another Op’nin’, Another show”
  • ENSEMBLE/HORTENSIO: Suitor to Bianca in Taming of the Shrew. Prepare to sing “Tom, Dick or Harry” Must be competent dancer.
  • ENSEMBLE/GREMIO: Suitor to Bianca in Taming of the Shrew. Prepare to sing “Tom, Dick or Harry”
  • ENSEMBLE- Male and Female (22-55) Stagehands, dancers, assistants, various parts in both Kiss Me Kate and Taming of the Shrew Prepare to sing “Another Op’nin’, Another show”

Official page |

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