Monthly Archives: May 2022

Auditions Announced for 101 DALMATIONS KIDS at Rise Up Performing Arts

RUPA_logoAudition dates:

  • May 21 from 9am-2pm
  • May 23 from 5-7pm

Register for an audition slot here: https://www.signupgenius.com/go/70a054faca828a64-101dalmatians

For: ages 7-13

Rehearsals begin May 31st
Show dates: July 22nd-24th
Show Times: Fri at 7:00, Sat at 2:00 & Sat at 5:00

Show Location: Fairfield Freshman Theatre
Director: Sarah Grace McCollough

Audition forms are available here.

The Dalmatians Pongo and Perdita happily raise their Puppies — Penny, Pepper, Lucky, and Patch — in a small, loving home on the edge of Regent’s Park in the city of London (“Dalmatian Conga”). As the Dogs Of London narrate, Nanny cares for all the Dalmatians, including their human “pets”: Roger, a composer, and Anita, an artist. Part of the family’s cherished routine is watching their favorite TV program (“Thunderbolt Adventure Hour”) and singing along to the super-catchy commercial theme song for their favorite snack (“Kanine Krunchies”).

One day, their wealthy neighbor, Cruella De Vil, stops by and, admiring the spotted puppies, realizes they are just what she needs to complete her fabulous fur collection. When Roger refuses to sell the Dalmatian pups, Cruella storms off (“Cruella De Vil”) and plots with Horace and Jasper to steal them (“Cruella’s Scheme”).

With Nanny and Anita out of the house and Roger asleep in front of the TV, Cruella’s henchmen lure the puppies away to her fur vault using Kanine Krunchies as bait (“Kanine Krunchies – Reprise”, “The Fur Vault”). Realizing their beloved puppies were stolen, Pongo and Perdita appeal to the Dogs of London for help (“Twilight Bark”).

Meanwhile, the puppies discover they are not alone in the fur vault. Other Puppies, including Freckles and Spotty, explain to the Dalmatian pups where they are and what’s to become of them. Despite being surrounded by police, Cruella is determined to get her new fur (“My Beautiful Coat”), even as the Dogs of London — headed by the resourceful cat, Sergeant Tibbs — rescue all the puppies from the fur vault (“The Chase”). As a Police Officer and Dogcatcher capture the three thieves, Roger, Anita, and Nanny imagine a puppy-filled happily ever after (“Dalmatian Vacation & Finale”) with their adopted 101 Dalmatians!

Roles Available

  • Cruella De Vil
    Cruella is the rich, fashion-forward antagonist of the story who harbors a penchant for puppy fur. Ruthless and impulsive, she should command the stage with dramatic flair and brassiness.
    Vocal range top: C4
    Vocal range bottom: Ab3
  • Roger
    Roger, married to Anita, is the soft-spoken yet confident composer and owner of Pongo and Perdita. His relaxed form of leadership acts as a contrast to the frenetic Cruella. He should be a strong actor, singer, and mover with an adult bearing that sets him apart from the more immature puppies.
    Vocal range top: B4
    Vocal range bottom: A#2
  • Anita
    Anita, wife of Roger, is a sweet and nurturing painter whose kind disposition acts as a stark contrast to Cruella’s cruelty.
    Vocal range top: C5
    Vocal range bottom: D4
  • Horace and Jasper
    Horace and Jasper, Cruella’s two henchmen for hire, provide the show’s comic relief à la Abbott and Costello or Laurel and Hardy.
    Vocal range top: B4
    Vocal range bottom: Ab3
  • Perdita and Pongo
    Perdita and Pongo, the puppies’ parents, have similar dispositions to their owners, Roger and Anita.
  • Lucky, Patch, Penny, and Pepper
    Perdita and Pongo’s funny and spirited pups.
  • Nanny
    Nanny is the warm yet outspoken housekeeper to Roger and Anita. This is a small role that requires a strong speaking voice (no singing required).
  • Dogs of London
    The Dogs of London include the Boxers, Scotties, Poodles, and Chihuahuas that assist Perdita and Pongo in saving their puppies. All should be comfortable embodying the physical movement of their particular breed.
  • Boxer Narrator, Scottie Narrator, Poodle Narrator, and Chihuahua Narrator
    Boxer Narrator, Scottie Narrator, Poodle Narrator, and Chihuahua Narrator help to tell the story and are part of your Dogs of London ensemble.
  • Dalmatian Ensemble
    Dognapped by Cruella, these Dalmatian pups come in halfway through the play.
  • Freckles and Spotty
    Freckles and Spotty, two Dalmatian puppies stolen by Cruella.
  • Sergeant Tibbs
    Sergeant Tibbs is the army cat that rallies the Dogs of London to rescue the puppies.
    Vocal range top: Bb4
    Vocal range bottom: G4
  • Police Officer
    The Police Officer arrests the villains at the end of the show.
  • Dogcatcher
    The Dogcatcher appears at show’s end to dramatically remove Cruella from the scene.

Official page |

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Two Males Sought for Non-Speaking Roles

MISC_Casting call2Looking for two Caucasian Males, late 40s to late 50s, athletic, handsome, no visible tattoos. $400/1 day. 

Non-Speaking Roles – Hiking and Kayaking scenes – must be able to swim and be comfortable being outdoors and being in kayak on water. We will be faking some rock climbing scenes with close ups, but this does not require actor to actually climb or have climbing experience. 

The pay is $400/1 day. We will be casting from photos and reels.

The planned shoot date is May 26th.

If interested, please contact Amanda Lippert at Amanda_Lippert@comcast.com.

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Costume Coordinator: Fall, Winter, and Spring Productions Sought by Mason High School

MISC_Mason SchoolsThe Mason High School Theater Department is looking for a Costume Coordinator for all three of our productions next year. If you enjoy working with high school students full of enthusiasm with varying levels of skills and experience, working in wonderful facilities, and are yearning to become part of a dedicated and hardworking team of theater teachers, this may be the opportunity you’ve been looking for.    

In this role, you’ll be working after school supervising students designing, building, overseeing rentals, and making alterations of the costumes for each of our productions.  You will need to work closely with the production team to plan budgets, supervise student crews, and keep costumes clean and in good repair.  During the week of the show, you will help supervise costume running crew, hair and make-up crews, and help provide backstage supervision.  After each show, you will be responsible for returning rentals, removing alterations, and making sure costumes are clean before being returned or placed in our stock.

WHAT YOU’LL DO:

Planning and Materials Ordering

  • Work with directors and to cost out materials for costume construction and rentals
  • Order materials needed
  • Be involved in the production planning process.
  • Check with local costume rental shops or stores

Costume Construction 

  • Train students on how to operate costume shop materials safely
  • Supervise students during the construction process 3 or 4 days a week after school.
  • Ensure that the costume shop is clean, organized, and equipment is maintained.

Technical and Dress Rehearsals

  • Attend all dress and technical rehearsals, working with costume running crew and hair and make-up crew to ensure a safe and productive rehearsal.
  • Help provide adult supervision backstage and in the green room.

Performances

  • Attend all performances, helping provide adult supervision for the backstage areas and overseeing costume and hair and make-up crews.

Strike

  • Attend strike, helping provide adult supervision of striking the costumes for the show.  Clean costumes pieces, reverse alterations as needed, and return costumes to stock or the various rental houses. 

WHAT YOU SHOULD KNOW:

    • How to design and create appropriate costumes for a variety of productions. 
    • How to create costumes.
    • The various local costume resources.
    • Hair and make-up techniques.  
    • How to use and instruct students on the safe use of the following tools:
      • Sewing Machines
      • Sergers
      • Hand sewing techniques
      • Theater running crew responsibilities and etiquette.  
    • How to teach young people about the craft and art of producing live theater.
  • The ability to keep on schedule and prioritize tasks.

WHAT EXPERIENCE/EDUCATION YOU SHOULD HAVE BEFORE APPLYING:

The candidate should have practical costuming experience as well as knowledge of generally accepted safety procedures. Excellent communication skills and a positive attitude are important as you’ll be working with students and theater faculty. Preference will be given to candidates with professional or collegiate experience.

These are supplemental positions.  Pay for each is as follows for the 2022-23 school year:

Technical Director, Fall Production: $2991

Technical Director, Winter Production:  $2991

Technical Director, Spring Musical:  $3912

Do you see yourself being the perfect fit for these positions? If yes, then please contact Student Activities Director Lorri Fox-Allen at  allenl@masonohioschools.com.

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FEAR OF HEIGHTS Coming to Irish Heritage Center

IHC_Fear of Heights promoFear of Heights, a one man show by comedian & actor Kevin Flynn, examines the American experience through the lens of his Irish immigrant family. Flynn’s father and grandfather were both steelworkers and inspired the title of this work. Flynn’s grandfather (Paddy Flynn) was featured in the iconic photo from 1932 of 11 workers sitting on a steel beam high above Manhattan, casually enjoying their lunch break. After doing some more research on the Flynn family history, Fear of Heights was born.

Fear of Heights examines what it means to be a man and how one generation measures success relative to their forebears — themes that run throughout this hilarious biographical work.

Kevin Flynn is a stand-up comedian, actor, television host, and Founder/Executive Director of the Nantucket Comedy Festival, which benefits Stand Up and Learn, a comedy education program that teaches kids confidence, creativity, & communication skills through the medium of stand-up comedy.

Performances are Fri-Sat. May 27-28 at 7pm

Tickets are $25 for IHC Members, $27 for IHC Guests & $30 day of performance.

Click here to purchase your tickets!

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MAKE A F*CKIN’ SHOW, YOU P.O.S. at Cincy Fringe

CFF22_Make a Fuckin Show You POS promoTwo Idiots. High Art. F*ckin’
Improvised.

MAKE A F*CKIN’ SHOW, YOU P.O.S. – part duo improv, part workshop showing, part unhinge clown experiment, part trauma bonding and 100% hilarious!

Performer/creator/clown/snake oil salesmen duo, Bradley Kristian Wrenn and Sarah Knittel, are taking over the Cincinnati Fringe Festival with “MAKE A F*CKIN’ SHOW, YOU P.O.S.” Coming to the city from parts unknown (Philadelphia), MAFSYPOS is a mad experiment springing from the darkness of plague times. Birthed from the vital need to spill the duo’s messy process onto the stage and return to live performance as quickly as possible.

Brad and Sarah are long-time collaborators and Fringe Festival royalty with heaps of theatrical accolades and 45 years of improv experience between them. In less than 55 minutes, they will create a live-directed masterpiece from scratch in front of the audience. Will it be an earth shattering opus? A disastrous failure?

About the Artist
Bradley Wrenn – a theater artist dedicated to “joyful play and absurd whimsy”. He is co-artistic director of The Berserker Residents, a company dedicated to original comedic productions that spring from improvisation and curiosity. His work has been hailed as “daft, ephemeral and joyous” by the Scotsman and he has been praised for his “refusal to relinquish that unrefined creative spirit” by the New York Times. The Berserker Residents’ shows include: The Jersey Devil, The Giant Squid, The Annihilation Point (NYTimes Critics Pick), The Lapsburgh Layover (commissioned by Ars Nova, NYTimes Critics Pick
and Village Voice Critic Pick), The Very Merry Xmas Carol Holiday Adventure Show (commissioned by Theater Horizon and published by PlayScripts), It’s So Learning (Presented by FringeArts and ASU Gammage), The Post Show (Presented at The Assembly in Edinburgh, Scotland) and Broccoli, Roosevelt and Mr House (commissioned by FringeArts). His work has been presented nationally and internationally at the Abraham’s Art Center, The San Francisco Mime Troupe, The Annenberg Center, The Assembly in Scotland and ASU Gammage. He has been artist in residence with FringeArts, Drew University, Ars Nova (company in residence) and the University of the Arts. He has also worked as a deviser, writer and producer with Swim Pony Performing Arts, Pig Iron Theater Company and director Nell Bang-Jensen.

Sarah Knittel – A Philadelphia based theater artist, festival co-founder, and clown. She helped found Free Fringe Philly festival, which creates accessibility to Fringe work in Philadelphia by eliminating costs and ticket prices while supporting the artists. Free Fringe Philly won a coveted arts spot on the Best Of 2021 list from Philly Magazine. Sarah on a stage has been described as “totally engaging” and “the work of a pro, fearlessly engaging the audience from start to finish, until we are all practically co-stars, or at least co-conspirators.” (Broad St Review) Hailed “Philly Actors Who Are Better Than You (at acting)…” (Phindie) The creator of Ben Franklin Sex Party and NIGHTMARE FUEL, a brutal clown show, which won the “Spirit of the Fringe” award in 2019 at Cincinnati fringe. It was also one of the recipients of 1812’s Jilline Ringle Fund. It garnered four stars in Edinburgh Fringe and was lauded as “a quintessential niche fringe experience” by the Wee Review. Sarah has also worked as a deviser and writer with Pig Iron Theater Company, Automatic Arts (inaugural artist in residence), Eva Steinmetz, Johnny Showcase and the Kimmel Center of the Arts.

Venue: Art Academy Room 663 (A663)1212 Jackson St Run Time: 55 min

  • 6/4 at 6:45 pm
  • 6/5 at 8:30 pm
  • 6/7 at 6:45 pm
  • 6/9 at 6:45 pm
  • 6/10 at 8:30 pm
  • 6/11 at 3:15 pm
  • 6/12 at 8:30 pm

Instagram: @sarahhmonster @bradleykristian

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