Monthly Archives: January 2022

Cast Announced for ADA AND THE ENGINE at Mariemont Players

MPI_logo 2020Mariemont Players and director Darren Lee are excited to announce the cast of our May production, ADA AND THE ENGINE by Lauren Gunderson:

  • Ada Byron Lovelace – Aimée Ward
  • Charles Babbage – Keith Cassidy
  • Lady Annabella Byron – Traci Taylor
  • Lord Lovelace – Ryan Bowron
  • Mary Sommerville – Susan Smith
  • Byron – Corey Meyer

Performance dates: May 6-22, 2022

Synopsis: As the British Industrial Revolution dawns, young Ada Byron Lovelace sees the boundless creative potential in the “analytic engines” of her friend and soul mate Charles Babbage, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge—a world she might not live to see. A music-laced story of love, friendship, and the edgiest dreams of the future.

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Cincinnati Ballet Names Jodie Gates New Artistic Director

CB_Jodie Gates

Jodie Gates. Hiromi Platt Photography.

Acclaimed Dancer, Choreographer, Innovator will assume artistic leadership August 1, 2022

Cincinnati, OH (January 18, 2022) – Cincinnati Ballet announced today the appointment of Jodie Gates as Cincinnati Ballet’s next Artistic Director, continuing the Company’s trailblazing history of female leadership in the art form. Ms. Gates will also serve as Artistic Director of the Cincinnati Ballet Otto M. Budig Academy effective August 1, 2022. Current Artistic Director Victoria Morgan will retire at the conclusion of the 2021-2022 Season after 25 years as the Company’s artistic leader.

For 35 years, Ms. Gates has contributed to the profession as a visionary leader, artistic director, arts educator, stager, choreographer, and dancer. She is a former principal ballet dancer with the Joffrey Ballet, Pennsylvania Ballet, Frankfurt Ballet, and Complexions Contemporary Ballet. Ms.Gates comes to Cincinnati from Los Angeles, where she is most recently the Founding Director of the University of Southern California’s Glorya Kaufman School of Dance and Artistic Director and Founder of the Laguna Dance Festival in Laguna Beach, California. Ms. Gates is also an accomplished choreographer, as well as an artistic collaborator with choreographer William Forsythe, staging ballets internationally for Forsythe Productions. “Jodie brings with her more than three decades of excellence and innovation on the international stage,” said Scott Altman, Cincinnati Ballet President and CEO. “She has a deep respect for the history of the art form and brings an incredible passion for its future. With the new Cincinnati Ballet Margaret and Michael Valentine Center for Dance, we are at watershed moment in the organization’s history. I am delighted to partner with Jodie and support her vision for the Company.” Ms. Gates will set the artistic direction of the Company that includes 27 Company artists and 12 Second Company – CB2 dancers, as well as the Cincinnati Ballet Otto M. Budig Academy Professional Training Division, and all Academy training divisions. Ms. Gates inherits a Company that has experienced rapid growth during the last five years. Cincinnati Ballet completed and exceeded its $30.8 million dollar capital campaign to fund the state-of-the-art, 57,000-square-foot Cincinnati Ballet Margaret and Michael Valentine Center for Dance in Walnut Hills, which officially opened in September 2021. The Company’s operating budget has also grown to $11.5 million for the 2021-2022 fiscal year.

“I am truly looking forward to contributing to the creative voices of Cincinnati Ballet, a Company I have long admired,” Ms. Gates said. “There is a solid foundation to build on and I enthusiastically embrace the opportunity to evolve the narrative of dance, and curate programs through the lens of inclusion. I envision a future for the art form where ballet is for everyone, for all communities; I would love for people to find themselves in our dances. I would also like to recognize that Cincinnati Ballet has a longstanding commitment to the community through both performance and education, and I am looking forward to deepening and strengthening the identity of the Cincinnati Ballet locally and nationally. I am excited to explore Cincinnati, contribute to the city’s robust cultural fabric, and join the community.”

In June 2021, The Center for Ballet and the Arts at New York University awarded Ms. Gates the distinguished 2021/2022 Residency Fellowship. Her Fellowship acknowledges her most recent work as initiator for the Artistic Directors Coalition for Ballet in America, a group of artistic directors, choreographers, and educators who are addressing systemic racism and inequities within the culture of ballet. “This is a pivotal time for Cincinnati Ballet and the art form,” said Debbie Brant and Joel Stone, co-chairs of the Artistic Director Search Committee. “Jodie has a visionary point of view, along with such an amazing depth of knowledge and international experience. Jodie recognizes the critical need to expand diversity, equity, accessibility, and inclusion.”

Ms. Gates’ professional career began with the mentorship of the visionary director Robert Joffrey. She originated many roles and collaborated with a host of renowned choreographers, including Alonzo King, Agnes de Mille, Paul Taylor, William Forsythe, Martha Clarke, and Mark Morris. She was featured at the 1993 presidential inauguration, and previously had the honor to perform at The Kennedy Center for Presidents Ronald Reagan, George H.W. Bush, and Bill Clinton. Her performing career ranged from full-length productions such as Juliet in Romeo & Juliet, the title roles in Giselle and Cinderella, Aurora in The Sleeping Beauty, Swanhilda in Coppélia, to principal roles in repertoire by George Balanchine, William Forsythe, Dwight Rhoden, Alvin Ailey, Sir Frederick Ashton, and several reconstructions, including dancing the role as The Chosen One in Vaslav Nijinsky’s The Rite of Spring. Her guest appearances include galas at The Maryinsky Theatre in St. Petersburg, Russia, and dancing Odette/Odile with Fernando Bujones in Swan Lake at the Ballet de Monterrey, Mexico, to appearing in well-known festivals in Spoleto Italy, The Edinburgh Festival, The Nijinsky Festival in Hamburg, Germany, and The Melbourne Festival in Australia. “I am thrilled for Cincinnati Ballet to attract such exceptional talent,” said Victoria Morgan. “Jodie has worked closely with our art form’s most influential icons. Dance legends have been her personal coaches and teachers.”

As a recognized female ballet choreographer, Ms. Gates has also created more than 60 original dance works. She has created commissioned work for dozens of dance companies and academic institutions, as well as created work for ad campaigns, commercials, and events including choreography for singer/songwriter John Legend. She has been commissioned by Ballet West, Staatsballett Berlin, Kansas City Ballet, Colorado Ballet, BalletX, Complexions Contemporary Ballet, Sacramento Ballet, Tulsa Ballet, among others. Her teaching credentials include invitations to teach professional companies such as New York City Ballet, Complexions Contemporary Ballet, and Dance Theatre of Harlem, as well as performing arts schools and academic institutions. Ms. Gates’ most recent accomplishment as the Founding Director of the University of Southern California’s Glorya Kaufman School of Dance was a monumental success, creating a hybrid curriculum model that explores performance and choreography while engaging students with rigorous academic studies. Added T. Quinn, Chair of Cincinnati Ballet’s Board of Trustees: “Jodie was the perfect choice to lead the evolution of Cincinnati Ballet. With her experience as an artistic director, choreographer, and educator, she deeply understands the importance of connectivity between the Company and Cincinnati Ballet Otto M. Budig Academy.”

Ms. Gates received a Psychology of Leadership Certificate from Cornell University SC Johnson College of Business and studied with the Higher Education Leadership Program for Women (HERS Institute) at Bryn Mawr College. Her honors include the 2021/22 Residency Fellowship from The Center for Ballet and the Arts at New York University; recognition for Arts Leadership by the American Association of University Women; Altria/ABT fellowship from American Ballet Theatre; honoree from Arts Orange County and a recipient of the esteemed Jerome Robbins New Essential Works program.

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations. With a mission to enrich, expand, and excel in the art of dance through performance, a highcaliber academy, and impactful education and community engagement in local to global communities,

Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

Cincinnati Ballet 2021-2022 Season Sponsors:
Victoria Morgan’s 25th Anniversary Season presented by PNC

Rhonda & Larry A. Sheakley, Margaret and Michael Valentine, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, The Austin E. Knowlton Foundation

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2022-2023 Season Announced by Dayton Theatre Guild

DTGThe Dayton Theatre Guild is pleased to announce our 2022/2023 theatrical season!

THE LIFESPAN OF A FACT
by Jeremy Kareken & David Murrell and Gordon Farrell
Directed by Tim Rezash
Aug 26-Sep 11, 2022
A fresh-out-of-Harvard fact checker for a prominent New York magazine is assigned to fact-check an essay about the suicide of a teenage boy. It is written by a talented and established writer, and publishing his piece can save the struggling magazine from collapse. The two battle over facts versus truth, with the magazine’s editor, who wants to run the story and who assigned the fact-checker to look it over, serving as referee.
Audition dates: Mon & Tue, July 11 & 12, 2022
(2M, 1W)

BROADWAY BOUND
by Neil Simon
Directed by Marjorie Strader
Nov 4-20, 2022
BROADWAY BOUND is one of Neil Simon’s highly acclaimed autobiographical plays, and was a 1987 Pulitzer Prize finalist in Drama. Eugene and his older brother Stanley are trying to break into the world of show business as comedy writers, while dealing with the break-up of their parents. They write what they know, which is what is going on in their household, giving it all a comedic twist.
Audition dates: Mon & Tue August 29 & 30, 2022
(4M, 2W)

FOR THE LOYAL
by Lee Blessing
Directed by Doug Lloyd
Jan 13-29, 2023
Toby and Mia are graduate students with a bright future ahead of them: a baby on the way and a college coaching job for Toby. But when Toby stumbles across a secret that threatens to derail their future, he and Mia must decide between honesty and loyalty, and whether doing something wrong is the only way to do what’s right. Inspired by the Penn State sexual abuse scandal, For the Loyal is an emotional and thought-provoking play.
Audition dates: Mon & Tue November 7 & 8, 2022
(4M, 1W)

RELATIVITY
by Mark St. Germain
Directed by Debra Kent
Mar 17-Apr 2, 2023
In 1902, Albert and Mileva Einstein had a daughter. After 1904, the child was never seen or spoken of again. It is now 1942, and a reporter has come to interview Einstein about his mysterious family history, only to discover far more secrets under the surface. As the reporter questions Einstein about his theory of relativity and personal past, she develops a new, more pressing query: To be a great man, does one first need to be a good man?
Audition dates: Mon & Tue January 16 & 17, 2023
(1M, 2W)

HEDDA GABLER
by Ibsen
adapted by Christopher Shinn
Directed by David Shough
June 2-18, 2023
This Broadway adaptation of Ibsen’s timeless drama presents a sympathetic, yet striking and powerful Hedda in the classic tale of her struggle to find a means of escape from a loveless, ordinary existence. Returning from her honeymoon, Hedda finds herself already bored of her husband, and longing for the days when she was free to exercise her wild and independent whims. With the return of an old flame and a proposition from an amorous judge, she begins a dangerous game, amusing herself by manipulating and destroying everyone around her in an attempt to regain control of her life.
Audition dates: (to be announced)
(3M, 4W)
*all audition dates are subject to change

Stay tuned for ticket information including season ticket memberships.

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2022-2023 Season Announced by Xenia Area Community Theatre

xactSHE KILLS MONSTERS
By Qui Nguyen
Directed by Tanya Kimmet
Sept. 16-25, 2022

THE HAUNTING OF HILL HOUSE
By F. Andrew Leslie
Directed by Mike Taint
Nov. 4-13, 2022

TUNA CHRISTMAS
By Ed Howard, Jaston Williams, and Joe Sears
Directed by Russ Dern
Dec. 2-11. 2022

ARE YOU BEING SERVED?
By Jeremy Lloyd, David Croft
Directed by Nathaniel Beard
Feb. 3-13, 2023

END DAYS
By Deborah Zoe Laufer
Directed by Connie Strait
March 17-26, 2023

THE ADVENTURES OF TOM SAWYER
By Laura Eason
Directed by Julie Hauwiller
May 5-14, 2023

For more information visit www.xeniaact1.org.

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Auditions Announced for THE MUSIC MAN at La Comedia Dinner Theatre

LAC_logoLa Comedia Dinner Theatre in Springboro, Ohio will be holding OPEN CALL local auditions for their upcoming production of THE MUSIC MAN on Saturday January 29, 2022 at 765 W. Central Ave., Springboro, Ohio.

9:00 AM – Children & Teenagers 7-17 Years Old
10:00 AM – Adults (Men and Women 18+)

SEEKING
MEN:

  • Harold Hill (25-45) Charming, articulate actor, sings & dances. Baritone to F
  • Marcellus Washburn (30-50) Comic Actor who sings & dances. Tenor (G to High A)
  • Mayor Shin (40-60) Comic Character Actor
  • The Quartet Dynamic and full of personality. All types. Must be able to hold harmony under any circumstances and must be comfortable with Movement
  • Jacey Squires High Tenor (D to High C)
  • Ewart Dunlop Tenor (C# to High A#)
  • Oliver Hix Baritone (Low A to G)
  • Olin Britt Bass (Low G to High F#)

WOMEN:

  • Marian Paroo (20-30) Accomplished actress, legit voice, minor dancing. Soprano to High A
  • Mrs. Paroo (30-60) Character woman who sings, light Irish accent. Mezzo (A-flat to E-Flat)
  • Mrs. Eulalie Mackecknie Shin (30-60) Comic Actress. Comfortable with movement. Alto (D-D)

YOUNG ACTORS

  • Tommy Djilas (15-17) Teenager. Sings & dances.
  • Zanetta Shinn (15-17) Teenager. Sings & dances.
  • Amaryllis (9-14) Marian’s young piano student. Alto
  • Winthrop Paroo (9-14) Marian’s lisping baby brother.
  • Gracie Shinn (9-14) Mayor Shinn’s younger daughter

ENSEMBLE

  • River City Townspeople Singers who move and Dancers who sing to fill various townspeople and understudy principals.

Be prepared to sing 16 bars of a Musical Theatre song.
Please provide sheet music in your key, a current headshot and resume.
Adults should be prepared to dance.

Rehearsals begin March 21, 2022. Rehearsals are Mon-Sat 10-6.

Children rehearse 4-6 Mon-Fri and 10-6 Saturdays. Will miss some school for tech rehearsal & matinees.

Performances April 7 – May 22, 2022. Thurs-Sun matinees and evenings.

Director/Choreographer is Chris Beiser.

Questions call Kris Byerly (937)746-4554 ext 241 or email productionmanager@lacomedia.com
Non-Equity.

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