Monthly Archives: March 2019

Cast Announced for CHECK PLEASE Trilogy at Milford Theatre Guilde

MTG_logo_newMTG is pleased to announce the cast for our spring shows, CHECK PLEASE, CHECK PLEASE: Take 2 and CHECK PLEASE: Take 3 by Jonathan Rand.

The casts include:

  • Arielle Waller
  • Kelly Geoppinger
  • Stephen Beck
  • Tim Rogers
  • Jamie Ball

The show runs April 26-28 and May 3&4 at the Day Heights Fireman’s Building, 1313 SR 131, Milford, OH.

For more information or to reserve tickets, check out our website at www.milfordtheatreguilde.org.

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Cincinnati Opera’s Patty Beggs to Retire in 2020

CO_Patty Beggs

Patricia K. Beggs.

General Director & CEO Patricia K. Beggs to Retire Following Cincinnati Opera’s 100th Season in August 2020 

Evans Mirageas, The Harry T. Wilks Artistic Director,
Renews Contract Through 2022 

Liz Kathman Grubow Becomes President-Elect of the Board 

Search for New General Director to Begin Immediately 

CINCINNATI, OH—Cincinnati Opera today announced news of a major transition to come in 2020: Patricia K. Beggs, The Harry Fath General Director and CEO, will retire at the close of the company’s 100th anniversary season, after 35 years at the company. A national search for a new general director will begin immediately, to ensure a smooth transition.

“I’ve had a dream job for almost half of my life,” Beggs said. “To go to work at one of the most iconic buildings in the country, to be inspired daily by the glorious music being created in Music Hall, to learn from the best and brightest people who make up the Opera’s staff, Board, Guild, and volunteers, as well as my arts colleagues, and finally to sit in glorious Springer Auditorium on Cincinnati Opera’s opening night, and know that I played a small role in making the magic happen. The best job ever!”

Patty Beggs began her tenure at Cincinnati Opera in 1984 as marketing director, following a successful corporate career. Her creative marketing campaigns helped effect Cincinnati Opera’s remarkable turnaround in attendance in the late 1980s and 1990s, becoming a leading industry standard for new approaches in audience development. She took over management of the company in 1997. Since then, the company’s operating budget has increased from about $4 million in 1997 to $9 million in 2019. Fiscal responsibility has been a hallmark of Beggs’s administration; the company has posted a balanced budget for 21 of those 22 years. Beggs has also led the charge to increase the endowment, which has doubled during her tenure to approximately $30 million. Beggs is committed to developing meaningful partnerships in the community and the belief that collaboration is fundamental to the success of arts organizations.

Cincinnati Opera’s highlights during her tenure are innumerable. The company moved to the Corbett Opera Center, a new, custom-built administrative headquarters in the north wing of Music Hall, in 2005. In 2007, Cincinnati Opera and the University of Cincinnati College-Conservatory of Music formed the first official program between an opera company and a conservatory in the U.S. with the founding of Opera Fusion. In 2013, Cincinnati Opera launched the Opera Campus initiative, expanding the company’s reach beyond Music Hall and into additional venues in Over-the-Rhine, including Washington Park and the Corbett Theater at The School for Creative and Performing Arts. In the past several years, Cincinnati Opera has presented two world premieres and a U.S. premiere, all to critical acclaim, with three more commissioned new works to premiere in 2019 and 2020.

Beggs has served as treasurer on the national board of OPERA America, and was awarded its national service award, BRAVO, in 2010. In 2008, Beggs and the Opera were honored by the NAACP for their extraordinary efforts in building connections to the African American community. Recognized frequently as a distinguished leader, she was a member of Leadership Cincinnati’s Class XVII, and was named a Cincinnati Regional Chamber of Commerce WE Celebrate Woman of the Year-Non Profit in 2015, Woman of Over-the-Rhine Story of Success in 2007, 2006 YWCA Career Woman of Achievement, Woman of the Year by the Cincinnati Enquirer in 1999, and Woman of Distinction by the Great Rivers Girl Scouts in 1992. She is listed in Marquis Who’s Who in America, and is a member of Cincinnati Women’s Executive Forum and Cincinnati Woman’s Club.

“Patty Beggs has been a pillar of American opera, helping guide our art form and industry into the 21st century with the highest artistic and managerial standards,” said Marc A. Scorca, President & CEO of Opera America, the national service organization for opera companies. “Her passionate dedication to Cincinnati Opera, skill as a general director, commitment to the larger opera community, and unflagging grace have been an inspiration to me personally and a model of informed leadership across our field.  We salute her and thank her for her tremendous service.”

“Patty’s tenure at Cincinnati Opera has been extraordinary,” said Gary T. “Doc” Huffman, President of the Cincinnati Opera Board of Trustees and Chairman and CEO of Ohio National Financial Services. “During her time here, the company has commissioned seven world premieres and presented 33 company premieres, including the U.S. premiere of Another Brick in the Wall, which set a new record for ticket revenue. The endowment has more than doubled. Music Hall is revitalized. And—thanks to Patty—we have one of the most highly regarded teams of senior managers in the opera industry. We will be sad to see Patty leave, but we are profoundly grateful for her work.”

“There’s just no one like her,” said Harry Fath, past President of the Board of Trustees. “She’s devoted, tireless, and forward-thinking. She’s built an amazing company—one of the best opera companies in the nation. While I was President, there wasn’t anyone more delightful to work with than Patty Beggs.”

“ArtsWave salutes Patty Beggs, whose 34-year tenure at Cincinnati Opera has shaped the nation’s second-oldest opera company into also one of its most forward-thinking,” said Alecia Kintner, President & CEO of ArtsWave, the nation’s largest community campaign for the arts. “Patty’s leadership has helped bring boundary-busting projects to life, such as the recent productions of Fellow Travelers and Another Brick in the Wall. Her commitment to inclusion and accessibility has manifested itself in innovative ways, such as Opera Goes to Church and the one-of-a-kind Opera Express mobile theater. Her collaborations with Music Hall neighbors, the Cincinnati Symphony Orchestra and Cincinnati Ballet, and her mentoring of smaller groups like concert:nova and ROKCincy, have made for exciting mash-ups across disciplines and inside nontraditional performance spaces. Patty has positioned Cincinnati Opera well for its second century of impact in the Cincinnati region and beyond.”

Evans Mirageas, The Harry T. Wilks Artistic Director of the company since 2005, has renewed his contract through the 2022 season. Mirageas recently stepped down as vice president of artistic planning for the Atlanta Symphony Orchestra, a position he had held since 2012. Mirageas’s varied career in classical music has included radio production with the nationally renowned WFMT radio station in Chicago, Artistic Administrator to Seiji Ozawa at the Boston Symphony, and Senior Vice President of Artists and Repertoire for the Decca Record Company. In addition, he is an award-winning record producer, lecturer, interviewer, presenter, and awards panelist.

“It is an honor to have the privilege to continue serving Cincinnati Opera through and beyond our 100th anniversary,” said Mirageas. “Our first century established us as the premiere summer venue for grand opera in the USA. Our second century builds on that legacy, and moreover sees us already positioned as a leader in the creation and presentation of new works that thrill audiences here, and what’s more, go on to nationwide fame. Patty Beggs has been so much a part of making this company what it is today; she is our fearless leader and a cherished colleague, and I will miss her dearly.”

Longtime Opera board member Liz Kathman Grubow, Vice President and Managing Creative Director at worldwide brand and innovation consultancy LPK, has been voted President-Elect of the Opera Board of Trustees. Grubow’s contributions to the company began decades ago, when she worked with Patty Beggs on the highly successful marketing campaigns of the late 1980s and early 1990s. Over the past decade, Grubow has been a dedicated supporter of the company’s outreach to young professionals, both through sponsorship of YP events and contributing to the development of a young professional level of Board membership. Grubow will take on the role of President of the Cincinnati Opera Board of Trustees in September 2019, and current Board President Gary T. “Doc” Huffman will step into the role of Chairman. 

Founded in 1920, Cincinnati Opera presents a thrilling season of opera every June and July in multiple venues, including the recently renovated historic Music Hall. The company’s repertoire includes beloved classics and contemporary works brought to life by some of the world’s most dynamic performers and creative teams. 

Cincinnati Opera’s 2019 Summer Festival runs June 13 through July 28, featuring Wolfgang Amadeus Mozart’s The Marriage of Figaro, Charles Gounod’s Romeo and Juliet, Richard Strauss’s Ariadne auf Naxos, the world premiere of Blind Injustice by Scott Davenport Richards and David Cote, based on true stories of the Ohio Innocence Project, and The Gershwins’ Porgy and Bess. Cincinnati Opera’s 2019 Season Presenting Sponsor is Huntington Bank. The 2019 season is also made possible with support from ArtsWave, Ohio Arts Council, Macy’s, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

cincinnatiopera.org

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Auditions Announced for AMERICAN IDIOT at The Carnegie

tc_american idiot logoThe Carnegie Announces Auditions for
Green Day’s
AMERICAN IDIOT

Directed and Choreographed by Maggie Perrino
Music Direction by Danny Manning
Assistant Directed by Farley Norman 

Performances: August 10, 11, 16, 17, 18, 23, 24, 25
Friday & Saturday Evenings at 7:30pm, Sundays at 3:00pm

Rehearsals on weekends June 29-July 28, weeknights and weekends July 29-Aug 9
*See full rehearsal schedule at end of notice

Seeking pop/rock singers who play guitar, violin, or cello; Musical theatre singer/dancers; Contemporary and hip-hop dancers.

This two-time Tony Award-winning musical, based on the Grammy Award-winning, multi-platinum album of the same name, is a high-energy rock opera not to be missed. Three disaffected young men, living in suburbia, have dreams of a different life in the city. They embark on their big move, only to find their friendship breaking down over family responsibilities, military enlistment, and the allure of drug abuse. Each young man must make peace with the circumstances of his life to find his way back home and to the friends he left behind.

AMERICAN IDIOT is a non-stop, rock concert of Green Day favorites, including “Holiday,” “Boulevard of Broken Dreams,” “Wake Me Up When September Ends,” and “Time of Your Life.”

Auditions by Appointment Only on the Following Dates:

  • April 8: 6:30 Dance Call, 7:30-9:30 Singing Auditions
  • April 9: 6:30 Dance Call, 7:30-9:30 Singing Auditions
  • April 10: Callbacks, 6:30-9:30

Singers who play instruments are encouraged to bring their instrument or accompany themselves for auditions. Contemporary and Hip-hop dancers auditioning for ensemble only do not need to sing. Actors auditioning for lead roles only do not need to dance.

Please make every attempt to attend the callback if invited.

To schedule a time slot, please contact Alexandra Deaton, adeaton@thecarnegie.com

 

FOR AUDITIONS:

  • If auditioning for Named Roles, please prepare 32 bars of a pop/rock song in the style of the show. Bring sheet music in the correct key for the accompanist or an instrument to accompany yourself. A cappella auditions will not be accepted.
  • If attending the dance call, wear dance attire and be prepared to learn a dance combination.

ALSO NOTE:

  • Resume listing theatrical experience and headshot/picture are required to audition. Please bring with you to the audition, do not send in advance.
  • Cast members do not have to be the actual ages of the characters, but must be able to look age appropriate and act accordingly.
  • All roles are paid. Not AEA eligible.

Auditions will take place at The Carnegie Theatre
1028 Scott Blvd, Covington, KY 41011
Please use Box Office entrance on Robbins St. 

Available Roles: 

Johnny – Male, age 20 to 30, vocal range B2 to B4
The self-proclaimed “Jesus of Suburbia.” Bored of his do-nothing, go-nowhere existence, he takes off for the city to get a new lease on life. He wages an inner war between a budding love for Whatsername and growing dependency on St. Jimmy and drugs.
*must attend vocal call, dance call optional if only auditioning for named role 

Tunny – Male, age 20 to 30, vocal range D3 to B4
Johnny’s friend who follows him to the city and eventually enlists in the army. He travels to the Middle East. A dreamer who is easily swayed, first by Johnny’s ideas and then by patriotism and the American Dream.
*must attend vocal call, dance call optional if only auditioning for named role 

Will – Male, age 20 to 30, vocal range C#3 to A4
Johnny’s friend. He ends up staying in Suburbia to take care of pregnant girlfriend Heather. The more he stays on the couch, the more he becomes slowly disconnected from the world and his own relationships.
*must attend vocal call, dance call optional if only auditioning for named role

St. Jimmy/Ensemble – Any Gender, age 20+ vocal range C3 to F#5
Johnny’s alter ego. Known as the “city badass.” An enigmatic and charismatic enabler who gets Johnny addicted to drugs and grows jealous of his relationship with Whatsername.
*must attend dance and vocal call 

Heather/Ensemble – Female, age 20 to 30, vocal range A3 to E5
A girl in Suburbia and Will’s girlfriend. She discovers she is pregnant but has difficulty telling her boyfriend of the news. Once she settles down with him, she struggles to maintain their relationship with his despondency and eventually leaves him.
*must attend dance and vocal call

Whatsername/Ensemble – Female, age 20 to 30, vocal range F#3 to D#5
A girl in the city who falls for Johnny. A rebellious activist who is willing to follow Johnny to the ends of the earth but fights to have him embrace their authentic relationship rather than pursue his addiction.
*must attend dance and vocal call 

Extraordinary Girl/Ensemble – Female, age 20 to 35, vocal range Bb3 to E5
A girl in the Middle East who appears as a sexual hallucination to injured Tunny. She later appears as his nurse and accompanies him home after the war.
*must attend dance and vocal call 

Ensemble – 5 Dancers who can sing with chorus
A dedicated ensemble of dancers that will be featured throughout the show. Contemporary and hip-hop technique preferred. Will sing in group choral numbers.
*must attend dance call, vocal call optional if only auditioning for ensemble

Rehearsal Schedule:

Date Time
29-Jun 10am-3pm
30-Jun 6-10pm
6-Jul 10am-3pm
7-Jul 6-10pm
13-Jul 10am-3pm
14-Jul 6-10pm
20-Jul 10am-3pm
21-Jul 6-10pm
27-Jul 10am-3pm
28-Jul 6-10pm
29-Jul 6-10pm
30-Jul 6-10pm
31-Jul 6-10pm
1-Aug 6-10pm
2-Aug 6-10pm
4-Aug 11am-4pm
6-11pm
5-Aug 6-11pm
6-Aug 6-11pm
7-Aug 6-11pm
8-Aug 6-11pm
9-Aug 6-11pm

About The Carnegie: The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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Auditions Announced for YOUNG FRANKENSTEIN at Cincinnati Actor’s Studio & Academy

CASA_logoWHEN:

  • March 24th and 31st, 2:00-5:00PM
  • Possible callbacks April 7th, 2:00-5:00PM​

WHERE:

  • CASA, 2511 Essex Place, Studio 282B​

WHAT:

  • Prepare 16 bars of a song (bring sheet music)
  • Memorized monologue under 45 seconds
  • Come dressed to move!​

HOW:

  • Sign up here to audition on March 24th or March 31st from either 2:00-3:30PM or 3:30-5:00PM​

Please email with any questions!

*Video submissions accepted. Must be emailed/sent in by 3/31*

Rehearsals/workshops will begin in early June.

Performance dates: July 26-28th, August 2-4th

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Auditions Announced for MAMMA MIA! at Footlighters Inc.

FLI_logoMAMMA MIA! Staff Announces Auditions

Robert Weidle – Director
Dan Maloney – Asst. Director
Arlene Balzco – Choreographer
Alan Masters – Music & Vocal Director
Janet Wisner – Stage Manager
Cathy Lutts & Clayton Castle – Producers

Sat, April 27 from 1-6pm
Mon, April 29 from 6-10pm

  • Prepare 18 to 32 bars of a up-tempo disco-style song that is NOT From MAMMA MIA!
  • Pianist will be provided.
  • Callbacks will be Friday, May 3rd if needed. Dance combination will be taught at callbacks if needed.
  • To sign up for an audition slot, visit https://www.signupgenius.com/go/10C0448AEAE2BABFC1-auditions3

About MAMMA MIA!
Over 60 million people worldwide have fallen in love with the characters, the story and the music that make Mamma Mia! THE Ultimate Feel-Good Show!

ABBA’s hits tell the hilarious story of a young woman’s search for her birth father. This sunny and funny tale unfolds on a Greek island paradise. On the eve of her wedding, a daughter’s quest to discover the identity of her father brings three men from her mother’s past back to the island they last visited 20 years ago.

The story-telling magic of ABBA’s timeless songs propels this enchanting tale of love, laughter and friendship, creating an unforgettable show. A large cast, non-stop laughs and explosive dance numbers combine to make Mamma Mia! a guaranteed smash hit for any theatre. A mother. A daughter. Three possible dads. And a trip down the aisle you’ll never forget!

Performances run Sept. 19-Oct. 5.

MAMMA MIA! Character Breakdown:

Sophie Sheridan (Born and raised on the island)
Gender: Female
Age: 20 to 25
Vocal range top: E5
Vocal range bottom: F#3

Donna Sheridan, (Sophie’s mother)
Gender: Female
Age: 45 to 55
Vocal range top: A5
Vocal range bottom: E3

Sam Carmichael, (might be Sophie’s father)
Gender: Male
Age: 45 to 55
Vocal range top: Ab4
Vocal range bottom: D3

Bill Austin, (might be Sophie’s father)
Gender: Male
Age: 45 to 55
Vocal range top: F#4
Vocal range bottom: Bb2

Harry Bright, (might be Sophie’s father)
Gender: Male
Age: 45 to 55
Vocal range top: F#4
Vocal range bottom: C#3

Sky, (Sophie’s fiance)
Gender: Male
Age: 20 to 30
Vocal range top: D5
Vocal range bottom: Eb3

Tanya, (Former Dynamo and Donna’s friend)
Gender: Female
Age: 45 to 55
Vocal range top: E5
Vocal range bottom: E3

Rosie, (Former Dynamo. Donna’s Friend)
Gender: Female
Age: 40 to 50
Vocal range top: D5
Vocal range bottom: E3

Lisa, (Sophie’s friend)
Gender: Female
Age: 20 to 25
Vocal range top: Db5
Vocal range bottom: G3

Ali, (Sophie’s friend)
Gender: Female
Age: 20 to 25
Vocal range top: D5
Vocal range bottom: G3

Pepper, (Sky’s friend)
Gender: Male
Age: 20 to 25
Vocal range top: F5
Vocal range bottom: A4

Eddie, (Sky’s Friend)
Gender: male
Age: 20 to 25

Ensemble – Consists of the Islanders, who work at Donna’s, Wedding-Guests.
Male and Female Ages 18 to 80

Dancing Ensemble – Male and Female Ages 18 to 25

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