Monthly Archives: December 2018

CYRANO Will Bring Romance, Comedy and Sword Fighting to Community Centers This Winter

PIP_Cyrano_Visual

Promotional photo by Tony Arrasmith/Arrasmith & Associates.

Off the Hill series production based on Cyrano de Bergerac runs Jan. 18 – Feb. 17, 2019

(CINCINNATI)—CINCINNATI – The Playhouse’s family-friendly, Off the Hill series tours its second production of the season this January and February to community centers in Greater Cincinnati with CYRANO, a youth-oriented adaptation that’s based on the 1897 classic play Cyrano de Bergerac. The production runs Jan. 19 to Feb. 17, 2019.

“This play has endured more than a century because of its beloved, noble hero and the tragicomedy of the story’s love triangle,” explains Daunielle Rasmussen, director of education and community engagement for the Playhouse. “Its themes of virtue, conviction and the conflict between inner and outer beauty make it ideal for younger audiences. It has clever wordplay, exciting swordplay and a really big nose, all of which will keep kids’ and parents’ attention.”

The Playhouse’s Bruce E. Coyle Acting Intern company performs the show, which takes place in France in the 1640s during the Thirty Years War. Cyrano believes having a “Mount Everest of a nose” means he’ll never have his love returned by the beautiful Roxane, and so he hides his feelings for her. A handsome soldier named Christian also has feelings for Roxane but battles insecurities about his cleverness. Cyrano selflessly chooses to help Christian woo Roxane with Cyrano’s own clever words, in an effort to ensure Roxane’s happiness.

“As a parent, I am always hopeful that our plays will open the door to deeper conversations about things that concern children that they don’t always have the words to express,” Rasmussen states. “This story can help children give voice to their own internal struggles.”

Rasmussen says that while the full-length version of this play is traditionally told on “a grand scale,” this adaptation simplifies the story into a production that’s a perfect fit for an Off the Hill show.

“Through this condensed version, we can focus on the relationships between Cyrano, Roxane and Christian as they each yearn to be loved. In this way, the story is about so much more than just inner beauty versus outer beauty,” says Rasmussen.

Playhouse Directing Fellow Katie Baskerville, who is directing the production, says she is most interested in exploring the characters more fully by examining their primary flaws:

“They have such pride in their positive attributes, values and convictions; and yet this same pride holds them back from true happiness due to incredibly human doubts, insecurities and misconceptions.”

This amusing and thought-provoking production is recommended for children ages 8 and up.

For the full list of performances and community centers, visit cincyplay.com.

Off the Hill is sponsored by The John C. Griswold Foundation and KeyBank. Seasonal support of education and outreach by The Robert and Adele Schiff Family Foundation and The Charles H. Dater Foundation. The Bruce E. Coyle Acting Intern Company is supported by Jerry and Betsy Shroat.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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Auditions for VIOLET at Dare to Defy Productions

D2D_logoGENERAL AUDITIONS  & CALLBACKS
JANUARY 5, 2019

LOCATION
The audition location will be provided with your audition packet. For materials contact norgaard@dare2defy.org.

HAVE PREPARED

  • We will be working with materials from the show. You will not need to prepare your own music.​
  • To receive callback materials, please send your headshot/resume to norgaard@dare2defy.org.

VIOLET SHOW DATES
The PNC Arts Annex
March 13 – 23, 2019

REHEARSALS
Tentative rehearsal start date January 28, 2019
Rehearsals will be Mon – Thurs evenings | Some Saturdays.

​​PLEASE NOTE

  • Please provide a list of all known conflicts at your audition.
  • Everyone will not be called to all rehearsals.
  • All roles are paid non-union.

VIOLET CASTING
All roles are available and we are seeking one female to play early teens and 10 adults of any age and ethnicity. Please see casting breakdown below.

  • VIOLET – Female, 20s-early 30s, mezzo
    A young North Carolina woman whose face was scarred in a childhood accident. She is stubborn and prickly but filled with equal parts hope and obsession that she may heal and be made beautiful.
  • FLICK – Male, 20-early 30s, bari-tenor
    African-American soldier; a dreamer and go-getter. There is something gentle, good about him, not to be interpreted or confused with weakness or lack of authority.
  • MONTY – Male, early-mid 20s, tenor
    A paratrooper and Flick’s friend from basic training. Rough around the edges. Self-consumed, but not necessarily purposefully so. Likes being the center of attention.
  • FATHER – Male, 20s-40s, baritone
    A simple, widowed man who lovingly raises his daughter alone doing the best he can with the little knowledge and resources he has to do so. Stern but friendly, smart but uneducated. Accidentally scars Violet’s face while he is chopping wood.
  • YOUNG VI – Female, to play convincingly 11-15, mezzo
    Not quite as guarded or prickly as her older self, but still tough and stubborn. She has a keen curiosity and the rough edges of being brought up solely by her father.
  • GOSPEL SOLOIST – Female, any age, mezzo
    A member of the volunteer choir that sings for the Preacher’s telecast. Sings for God with passion and power. African-American. Actor doubles as Landlady and Woman Knitting.
  • OLD LADY – Female, any age, alto/mezzo
    A former beauty in her heyday. Staunch, tired and frustrated with life. Actor doubles as Hotel Hooker and Old Lady 2.
  • PREACHER – Male, 30-40 yrs old, bari-tenor
    An impassioned, theatrical man who preaches with all the bravado he can muster. Once had a true healing touch but has lost it in his quest to become a showman. Dismissive and egotistical. Actor doublings include Bus Drive, Rufus, Radio Singer, and Bus Driver 4.
  • ADDITIONAL ROLES – Male/Female – any age
    All types, gender, ages, and ethnicities. Roles include Radio Hall Singer, Billy Dean, Virgil, bus drivers, a waiter, members of the gospel choir, passengers on the bus, etc. ​​

AUDITIONING
To receive callback materials, please send your headshot/resume to norgaard@dare2defy.org

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RABBIT HOLE Runs Jan. 18-27

CSP_Rabbit Hole logoRABBIT HOLE
CenterStage Players
Jan. 18-27
Lockland High School 

Directed by Kaleigh-Brooke Dillingham
Produced by Burt McCollom

Cast: Jessie Faye as Becca Corbett, Charlie Rader as Howie Corbett, Anna Hoots as Izzy, Pia Rader as Nat & Tanner McDole as Jason Willette

Becca and Howie Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. RABBIT HOLE charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day.

  • Fri-Sat, Jan. 18-19 at 8pm
  • Sun, Jan. 20 at 2pm
  • Fri-Sat, Jan. 25-26 at 8pm
  • Sun, Jan. 27 at 2pm

Official page |

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ASSASSINS Runs Jan. 18-26

D2D_Assassins logoASSASSINS
Dare to Defy Productions
Jan. 18-26
PNC Arts Annex [Dayton]

Assassins lay bare the lives of nine individuals who assassinated or tried to assassinate the President of the United States, in a one-act historical “revusical” that explores the dark side of the American experience. From John Wilkes Booth to Lee Harvey Oswald, writers, Stephen Sondheim, and John Weidman bend the rules of time and space, taking us on a nightmarish roller coaster ride in which assassins and would-be assassins from different historical periods meet, interact and inspire each other to harrowing acts in the name of the American Dream.

  • Fri, Jan. 18 at 8pm
  • Sat, Jan. 19 at 2pm & 8pm
  • Fri, Jan. 25 at 8pm
  • Sat, Jan. 26 at 2pm & 8pm

Official page |

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Auditions Announced for FIX ME, JESUS at Middletown Lyric Theatre

MLT_logoSun, Jan. 13 at 4-6pm
Mon, Jan. 14 at 7-8:15pm

1530 Central Ave, Middletown, Ohio 45044

AUDITION REQUIREMENTS:
Cold Reading form the script

PRODUCTION DATES:

  • APRIL 5, 6, 12 at 8:00 pm
  • APRIL 13th at 3:00 pm & 8:00 pm

REHEARSAL AND PRODUCTION WEEK COMMITMENT:
Rehearsals begin: March 3
Production Week: March 30 – April 4
Once the show is cast and we have everyone’s conflicts, etc. We will build a rehearsal schedule that will hopefully work for all involved.

CHARACTER DESCRIPTIONS:
Ages are reference points if you think you can pull of the recommended age than please auditions.

  • Annabell Armstrong: Female, late 20’s early 30’s
    Attractive, intelligent, socialite with political ambitions who dreams of making a difference.
  • Young Annabell: Female, 10
    intelligent, precocious, able to do a Texas accent.
  • Annabell’s Mother: Female, mid 30’s to early 40’s
    very attractive, vulnerable, struggling to save her own marriage as well as please her uncompromisingly conservative mother.
  • Annabell’s Grandmother: Female, late 50’s to mid-60’s vigorous, resolute, dressed in black, staunch conservative Texas matriarch determined to maintain her family’s social and political power, right or wrong.
  • Mrs. Craig: Female, Early to mid-50’s
    a long-time sales clerk at Neiman Marcus who always manages to provide a nurturing atmosphere for her stressed-out clients.
  • Dr. Maxwell Feld: Male, late 40’s to mid-50’s attractive, a “pull no punches” New York Jewish psychiatrist struggling with his own marriage and his place in Texas society, a fish out of water.

ABOUT THE SHOW:
In a Dallas Texas, Neiman Marcus changing room, on the most important day of her life, Annabelle Armstrong frantically searches for the perfect dress. A rising star in the Texas Democratic Party, Annabelle is trapped in the Reagan eighties. Her political career, love affair, finances, and family relations are in crisis; and strong-minded characters from her past begin to appear from behind the changing room mirror. FIX ME, JESUS is a dark comedy—the hilarious, timely, and poignant story of a woman who finds herself at the epicenter of history and politics, struggling for personal independence and social justice against the lifelong theft of her own power

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