Monthly Archives: February 2017

Auditions Announced for JEKYLL AND HYDE at Footlighters

FLI_logoFootlighters Inc. announces auditions for JEKYLL AND HYDE

Conceived for the stage by Steve Cuden & Frank Wildhorn
Book and Lyrics by Leslie Bricusse
Music By Frank Wildhorn
Directed by Amanda Emmons Shumate
Music Direction by Alan Masters

Auditions

  • Wednesday, April 5 6:30pm-9:00pm
  • Saturday, April 8 11:00am-1:30pm

Callbacks
Sunday, April 9 1:00pm

Location: Stained Glass Theatre, 802 York St, Newport KY

Performance dates: October 5-21, 2017

Synopsis: The epic struggle between good and evil comes to life on stage in the musical phenomenon, Jekyll & Hyde. Based on the classic story by Robert Louis Stevenson and featuring a thrilling score of pop rock hits from multi-Grammy- and Tony-nominated Frank Wildhorn and double-Oscar- and Grammy-winning Leslie Bricusse, Jekyll & Hyde has mesmerized audiences the world over.

Auditions Requirements: No roles have been precast. Please bring a headshot and resume if possible. Those auditioning are encouraged to sign up for a time slot. Those without appointments will be seen in the next available slot when you arrive. Please bring your conflicts for May through October as well. Please prepare two contrasting pieces (preferably musical theatre) for the audition. Cuts should be clearly marked between 16-32 bars and in the proper key. You may not be asked to sing both, but please have both available. There will be no cold readings, dance or monolog requirements at auditions, however, you may be asked to prepare something for callbacks.

Questions? Contact Amanda at amanda.y.emmons@gmail.com

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Cincinnati Ballet Presents Ballet Toybox: SWAN LAKE, JR.

cb_swan-lake-jr-promoFamily-friendly Ballet Toybox showcases Second Company in one-day-only performances

CINCINNATI, OH. (February 13, 2017) Ballet Toybox returns to the Aronoff Center March 19 with two performances of Swan Lake Jr., one at 2 pm and a sensory-friendly performance at 5 pm. Swan Lake, Jr. is a retelling of the iconic ballet, showcasing the Cincinnati Ballet Second Company, adapted specifically for families with children 10 and younger. The adapted ballet runs less than one hour, features a narrated storyline and includes interactive moments throughout.

Swan Lake is one of the most popular ballets of all time. Dating back to 1875, the famous ballet tells the story of Odette, a princess turned into a swan by a wicked sorcerer, who falls in love with the charming Prince Siegfried. Together, they must defy the sorcerer’s evil magic, and an imposter named Odile, to make Odette human again and live happily ever. The story of romance and mistaken identity is accompanied by the easily recognizable Tchaikovsky score.

Swan Lake, Jr. is performed by the Cincinnati Ballet Second Company, and students of Cincinnati Ballet’s Otto M. Budig Academy and Ballet Moves class. The Cincinnati Ballet Second Company is a group of up-and-coming professional dancers who come from around the world to study at Cincinnati Ballet and perform alongside Cincinnati Ballet’s Company dancers. Second Company dancers rehearse with the company on a full time basis, 9 am-6 pm every weekday, as well as serve as education outreach ambassadors for the organization. With a focus on engaging audiences of all ages, Second Company dancers bring the joy of dance to thousands of students and community members each year through schools, community centers, churches, nursing homes and more.

Second Company dancers often perform roles in large-scale Cincinnati Ballet productions such as Coppélia, The Nutcracker and King Arthur’s Camelot. In addition to introducing the joy of dance to children and families, Ballet Toybox: Swan Lake, Jr. also offers unique opportunities for Second Company dancers. “Swan Lake has always been a showcase for the ballet dancer in both technique and artistry,” says Second Company Director Suzette Boyer Webb. “Many dancers will be showcased in the principal and solo roles, giving the them the chance to learn the demanding choreography and artistry of one of the most beloved classical ballets.”

Swan Lake, Jr. will also provide performance opportunities for young performers from our Otto M. Budig Academy and Ballet Moves, a class designed to foster a love of dance and creative expression for individuals with specific needs. Director of Education and Outreach Julie Sunderland says, “We always strive to bring our programming full circle. The Ballet Toybox program is a great introduction for everyone! We take breaks to move our bodies, and do a ‘little swan boot camp’ between acts. It’s a fun beginning to what will hopefully be a lifelong love of the arts.”

Cincinnati Ballet is proud to continue our sensory-friendly offerings with Ballet Toybox: Swan Lake, Jr. The 5 pm sensory-friendly performance is designed to create an experience that is welcoming and inviting to any patron or child with sensory sensitivities or specific needs. Accommodations include gentle lighting and sound, increased staffing with on-hand specialists, and a flexible, open-door theater environment with designated spaces where you and your child can take a break from the performance.

All tickets are $20. Tickets for the Sensory-Friendly performance are only available via phone. To request admission or additional details, please contact us at 513.621.5282.

PERFORMANCE DATES AND INFORMATION

WHO: Cincinnati Ballet Second Company

WHAT: Ballet Toybox

WHEN: Sunday, March 19 – 2:00 pm Sunday, March 19 – 5:00 pm (Sensory Friendly Performance)

WHERE: Aronoff Center for the Arts 650 Walnut Street Cincinnati, Ohio 45202

HOW: Call 513.621.5282, visit cballet.org or visit the Cincinnati Ballet Box Office at 1555 Central Parkway, Cincinnati, OH 45214 All tickets only $20

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Ballet Toybox: Swan Lake, Jr. Sponsors: Trish & Rick Bryan

Cincinnati Ballet 2016-2017 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, PNC Bank, Austin E. Knowlton Foundation, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, Frisch’s, Mercy Health, Rosemary & Mark Schlachter, Enquirer

Victoria Morgan 20th Season Sponsor: PNC Bank

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org http://www.facebook.com/CincinnatiBallet

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Cincinnati Ballet Explores Groundbreaking Collaboration with BOLD MOVES

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Christina LaForgia Morse Photography: Aaron M Conway • aaconnphoto

The March performances feature Israeli innovators Ohad Naharin and the Ariel Quartet, plus a world premiere by Adam Hougland

CINCINNATI, OH. (February 13, 2017) The Bold Moves series is presented at the Aronoff Center for the Arts with three performances March 17 and 18. The groundbreaking series seeks to explore artistic collaboration while boldly defying the expectations of classical ballet. Internationally renowned choreographic innovator Ohad Naharin brings Minus 16 joined with a world premiere by Cincinnati Ballet Resident Choreographer Adam Hougland, accompanied live on stage by the Ariel Quartet.

Ohad Naharin, contemporary choreographer and artistic director for Tel-Aviv based dance company Batsheva, choreographed Minus 16, a collection of vignettes incorporating improvisation and his acclaimed “Gaga” method. Gaga is a language of movement created by Naharin that challenges dancers to liberate themselves and explore new and inventive ways to use their bodies – by connecting with music, the mind and the space around them. “A choreographer of this stature elevates Cincinnati Ballet’s national reputation,” says Artistic Director and CEO Victoria Morgan. “It is a groundbreaking opportunity for our artists to expand their breadth of movement vocabulary.”

The work features a dynamic score ranging from Dean Martin to mambo, and techno to Israeli folk songs. Irresistible and mesmerizing, Minus 16 breaks down barriers between performers and audience members, making each performance unique and excitedly unpredictable. San Francisco Chronicle notes, “Minus 16 not only delights in its own wackiness, but also celebrates the joy of dancing.”

Naharin’s team arrives in Cincinnati in mid February to begin teaching Cincinnati Ballet dancers the Gaga movement language in preparation for Minus 16 performances. The Cincinnati Ballet artistic team is making several adjustments in order to host special Gaga classes for the dancers. In a departure from the typical rehearsal process, the Gaga method requires closed rehearsals without observation, and all attendees in a Gaga class, including staff, are required to participate. The use of mirrors is not allowed and all studio windows must be covered, allowing the dancers to disconnect from traditional principles of ballet technique and rely solely on sound and sensation to inform improvisational movement.

Naharin is the subject of the critically acclaimed documentary, Mr. Gaga, which premiered in the U.S. earlier this month. In partnership with Mayerson JCC, the film opens in Cincinnati to a sold-out audience at the Kenwood Theatre as part of the Jewish and Israeli Film Festival on February 15, with a post-screening conversation with Victoria Morgan, facilitated by journalist David Lyman.

Adam Hougland’s seventh world premiere for Cincinnati Ballet, includes live onstage accompaniment by the award winning Ariel Quartet. In 2011 Hougland created The Firebird specifically for Cincinnati Ballet, and the same year was named one of Dance Magazine’s “25 to Watch.” He contributed to the collaborative performance of Frampton & Cincinnati Ballet Live, which was performed at the Joyce Theater in New York City in 2014, and the full length Mozart’s Requiem performed in 2015. Most recently Hougland introduced a brand new solo piece performed by Principal Dancer Patric Palkens and Senior Soloist James Gilmer in the Kaplan New Works Series last fall.

Hougland attended The Juilliard School where he choreographed his first ensemble work for Cincinnati Ballet, Beyond, which won the Hector Zaraspe Prize for Choreography. In addition to his extensive work with Cincinnati Ballet, he has created original works for Morphoses/The Wheeldon Company, The American Ballet Theatre Studio Company, The Washington Ballet, Ballet Memphis, Ballet X and The New York Choreographic Institute at New York City Ballet.

Comprised of musicians Alexandra Kazovsky, Amit Even-Tov, Gershon Gerchikov and Jan Grüning, The Ariel Quartet is the faculty Quartet-in-Residence at the University of Cincinnati’s College-Conservatory of Music where they direct the chamber music program and perform their own annual concert series. Originally formed in Israel during the members’ high school years, the quartet now performs widely in Israel, Europe and North America. The group performed at Carnegie Hall in celebration of receiving the distinguished Cleveland Quartet Award.

PERFORMANCE DATES AND INFORMATION

WHO: Cincinnati Ballet Minus 16 Choreography: Ohad Naharin Music: Various artists World Premiere Choreography: Adam Hougland Music: Ariel Quartet

WHAT: Bold Moves WHEN: Friday, March 17 – 8:00 pm Saturday, March 18 – 2:00 pm Saturday, March 18 – 8:00 pm

WHERE: Aronoff Center for the Arts 650 Walnut Street Cincinnati, Ohio 45202

HOW: Call 513.621.5282, visit cballet.org or visit the Cincinnati Ballet Box Office at 1555 Central Parkway, Cincinnati, OH 45214 Tickets start at $32

BALLET & BEER: MEET THE ARTISTS
Join us Thursday, March 9, from 5:15–7 pm at the Cincinnati Ballet Center in Over-theRhine for a casual behind-the-scenes experience. Ballet rock star Adam Hougland is creating a world premiere for our company while they also tackle the “Gaga” dance technique created by legendary Israeli choreographer Ohad Naharin. Our artistic leaders and dancers will give you the inside scoop on the most adventurous program of our season. Ballet & Beer: Meet the Artists events are free, and pre-registration is required! RSVP via phone 513.621.5282 or online at cballet.org/ballet-beer. At the event, Cincinnati young professionals under 40 will get an exclusive opportunity to purchase specially-priced tickets for the next Cincinnati Ballet performance (pending availability).

Bold Moves Sponsors: Production and Community Outreach Sponsor: Jewish Foundation of Cincinnati; Ariel Quartet Sponsor: Rockwern Academy, Sue & Bill Friedlander; Richard Antoine & Dorothy O’Brien, Linda & Gary Greenberg, Lauren & Jimmy Miller, Dianne & J. David Rosenberg, Donald Beck & Lawrence E. Eynon, John & Jennifer Stein, Richard Weiland,; Community Partner: Mayerson JCC

Cincinnati Ballet 2016-2017 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, PNC Bank, Austin E. Knowlton Foundation, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, Frisch’s, Mercy Health, Rosemary & Mark Schlachter, Enquirer

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

http://www.facebook.com/CincinnatiBallet

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AND THEN THERE WERE NONE Up Next at Stagecrafters

SC_logoTen guilty strangers are trapped on an island. Eight guests who have never met each other or their apparently absent host and hostess are lured to the island and, along with the two house servants, marooned. A mysterious voice accuses each of having gotten away with murder and then one drops dead – poisoned. One down and nine to go!

Directed by Karen Vanover, the cast of AND THEN THERE WERE NONE features Esther Cunningham, Patty Grasty, Julie Jordan, Albert Kinnett, Joe Kozak, Russ McGee, Steve Murphy, Glenn Schaich, Doug Tumeo, Jim Waldfogle and Richard Zenk.

Performances are March 4, 10 & 11 at 8:00 p.m. and March 5 & 12 at 3:00 p.m.at the Sharonville Cultural Arts Center, 11165 Reading Rd.

“AND THEN THERE WERE NONE endures with a no-nonsense plot — straightforward and entertaining in a subdued British way.” – News Works

Tickets are available online for a VERY small service fee ($0.50) through the website www.stagecraftersinc.org or tickets may be reserved through the ticket line at 513 909-6918 and will be held at the box office (cash or check only). Seats are not reserved.

Tickets – $17, $12 for students with ID and for groups of 10 or more, prepaid.

Tickets are good for any performance. To reserve group tickets please use the contact form at the website or call the ticket line. Season subscriptions for remaining 2 shows are available for $28 – an $6 savings – by using the contact form at the website or by calling the ticket line at 513 909-6918.

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THE ROCKY HORROR SHOW Review

THE ROCKY HORROR SHOW presented by Warsaw Federal Incline Theater through March 5. Click here for more information on the production. I attended the opening Saturday night performance.

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The Cast. Photo by Mikki Schaffner Photography.

I imagine staging a musical based on a movie, especially one with such a rabid fan base, would present a challenge in finding that balance between the two mediums. Since I’m not part of the film’s fan base, I’ll be talking about the theatrical side of things.

Vocally I thought the cast was really strong, but unfortunately at the performance I attended, there were several issues working against them. The sound execution was clunky. Mics were not hot on entrances and the balance was off between the orchestra and both the backup and lead vocals. I also felt the tempos on several of the rock-n-roll numbers were too fast which made it hard to understand the lyrics if you don’t know them.

wfit_the-rocky-horror-show3

Caroline Schisholm as Janet & Dakota Mullins as Brad. Photo by Mikki Schaffner Photography.

Matt Krieg does well as Frank-n-Furter, but I would like to have seen him be bigger and take command of the stage. Dakota Mullins was fun to watch as Brad and I felt he had a good sense of the character that he maintained well throughout the zany situations of the show. Solos and group numbers aside, it seemed like the bulk of the ensemble spent most of the show standing in small groups upstage, so they tended to fade into the background. Their blocking seemed tied to their characters’ lines so there were stretches where the show seemed visually stagnant.

The pacing also felt slow to me. It almost seemed like the cast was holding for expected laughs that just didn’t come. Other times cast members would make a long cross and hit their mark before speaking. The audience participation aspect of this performance exacerbated the problem when the video cues for the audience callbacks were late. Some of the comic bits were over-milked in the sense that longer doesn’t always translate into funnier.

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Marissa Poole as Magenta, Heather Hale as Columbia, Matt Krieg as Frank-n-Furter, Chris Logan Carter as Riff Raff & Michael Wright as Phantom. Photo by Mikki Schaffner Photography.

I enjoyed the multi-level set design by Brett Bowling. It had several fun surprises with the front door being a personal favorite. I also thought the “machine” was visually a great compilation of mixed/matched found objects. Costumes worked well and I thought the similar but different looks of the bustiers across the cast was great. The one “head scratcher” was Frank’s blood-stained smock which looked like he had tried to “Shout” out the blood stain before returning to the stage.

While I understand the decision to present the cast on video during the curtain call, I’d much rather applaud the actual actors who have worked so hard the past couple of hours.

Overall I found the show fun, but at times uneven. If this is your first time experiencing THE ROCKY HORROR SHOW, I’d strongly advise you to avoid the audience participation performances. Despite the pre-show warnings, we still wound up with alot of “Brads” in the audience.

My rating: 4 out of 5. If you are a Rocky fan, make it 4.25. With corrected sound issues make that a 4.5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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