Monthly Archives: July 2015

2015-2016 Season Announced by Oxford Area Community Theatre

OXACT_logoThe Board of Directors of the Oxford Area Community Theatre is pleased to announce the productions we have chosen for the 2015-2016 season. They include:

THE BELLE OF AMHERST (October) Written by William Luce. Directed by Mike McVey. Featuring Claire Squance.

“In The Belle Of Amherst, Emily Dickinson welcomes audiences into her lifelong Amherst homestead in mid-19th century Massachusetts. While Dickinson found solace in solitude through much of her life, acclaimed playwright William Luce weaves her poems, diaries, and letters into a one-woman portrait of one of America’s greatest and most prolific poets, mixing Dickinson’s encounters with close friends and family with the poet’s own, often amusing observations. ‘Full of passion and poetry and heart’ (New York Daily News), The Belle Of Amherst illuminates a brilliant wordsmith through the words she left behind.” (description fromhttp://belleofamherstplay.com/)

LOST IN YONKERS (February) Written by Neil Simon. Directed by Tyler Gau.

Winner of the Pulitzer Prize for Drama in 1991. “By America’s great comic playwright, this memory play is set in Yonkers in 1942. Bella is 35-years-old, mentally challenged and living at home with her mother, stern Grandma Kurnitz. As the play opens, ne’r do-well son Eddie deposits his two young sons on the old lady’s doorstep. He is financially strapped and taking to the road as a salesman. The boys are left to contend with Grandma, with Bella and her secret romance, and with Louie, her brother, a small-time hoodlum in a strange new world called Yonkers.” (description from http://www.samuelfrench.com/p/2758/lost-in-yonkers)

ALWAYS A BRIDESMAID (May) Written by Jessie Jones, Nicholas Hope, and Jamie Wooten. Directed by Carly Jo Baumgartner.

“In this hilarious comedic romp, four friends have sworn to keep the promise they made on the night of their Senior Prom: to be in each other’s weddings … no matter what. More than thirty years later, these Southern friends-for-life are still making ‘the long walk’ for each other, determined to honor that vow. Libby Ruth, the hopeful romantic with the perfect marriage, believes – in spite of all evidence to the contrary – that her friends can find the very same happiness. Headstrong Deedra’s ‘rock-solid’ union hangs by a thread when she discovers her husband of many years has not only a wandering eye but the hands to match. Monette, flashy, high-spirited and self-involved, continues to test her friends’ love and patience with all-too-frequent trips down the aisle. And salt-of-the-earth, tree-hugging Charlie discovers – the hard way – that marital bliss is not the end of her rainbow and panics in outrageous style when the opportunity presents itself.” (description fromhttp://www.joneshopewooten.com/always.htm)

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2015-2016 Season Announced by Miami University

MU_logoOur 2015-16 Season

A NIGHT OF ONE ACTS
The Last Cigarette
by Steven Fechter

These Seven Sicknesses (Oedipus and Antigone)
by Sean Graney

September 30 – October 3, 2015 at 7:30 p.m.
October 3-4, 2015 at 2:00 p.m.
Studio 88 Theatre

IN THE NEXT ROOM, OR THE VIBRATOR PLAY
by Sarah Ruhl

October 21–24, 2015 at 7:30 p.m.
October 25, 2015 at 2:00 p.m.
Gates Abegglen Theatre

DANCE THEATRE
A dance concert by the Miami University Dance Theatre
Produced by the Department of Theatre

November 19–21, 2015 at 7:30 p.m.
November 22, 2015 at 2:00 p.m.
Studio 88 Theatre

Jane Austen’s
PRIDE AND PREJUDICE
adapted by Melissa Leilani Larson

February 24–27; March 2-5, 2016 at 7:30 p.m.
February 28; March 5-6, 2016 at 2:00 p.m.
Studio 88 Theatre
The 17th Annual John D. Yeck Production

STREET SCENE
Music by Kurt Weill
Lyrics by Langston Hughes
Book by Elmer Rice

Presented by the Departments of Music and Theatre

April 7-9, 2016 at 7:30 p.m.
Gates-Abegglen Theatre

THE LONG CHRISTMAS RIDE HOME
by Paula Vogel

April 27-30, 2016 at 7:30 p.m.
April 30 – May 1, 2016 at 2:00 p.m.
Studio 88 Theatre

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Cincinnati Landmark Productions Seeks Sound Board Operator

CLPCincinnati Landmark Productions, the parent theatrical organization for The Covedale Center for the Performing Arts and the new Warsaw Federal Incline Theater is seeking a Sound Board Operator. We are willing to train the right candidate.

Basic Job Description:  The sound board operator will run the sound board for all Cincinnati Landmark Productions’ performances.

Responsibilities include and are not limited to the following:

  • Run the sound console as directed by the Sound Designer.
  • Attend all technical rehearsals, dress rehearsals and performances in two venues – The Covedale Center for the Performing Arts and the new Warsaw Federal Incline Theater.
  • Run children’s series shows, any and all special events as scheduled.
  • Complete dimmer checks and sound check before the show and correct any problems, including, replacing batteries for wireless mic system, replacement of fixture lamps, touch up focus, check fluids in hazers, fog machines, etc….

Knowledge/Experience:

  • Experience in running a sound board is preferred.
  • Basic knowledge of theatre sound and lighting is preferred.
  • Clear understanding of all functions of sound board and how a system is put together. 

Other Requirements:

  • Must be at least 21 years of age, have high school diploma or equivalency, some college preferred.
  • Have a valid driver’s license and reliable transportation.
  • Candidate would have previous theatrical, technical experience (Preferred).
  • Must be able to work in an unsupervised environment.
  • Must be a self-starter, dependable, and have excellent communication and customer service skills.
  • Basic computer skills required.
  • Must be willing and able to work nights and weekends of all performances.

Covedale Center for the Performing Arts shows run for 4 weeks on Thursdays at 7:30pm, Fridays and Saturdays at 8pm and Sundays 2pm.  Call is 1 and ½ hour prior to showtime.  Tech/dress rehearsals are in the evenings starting on the Sunday before opening.

The Warsaw Federal Incline Theater shows run for 4 weeks on Thursdays at 7:30pm, Fridays and Saturdays at 8pm and Sundays 2pm.  Call is 1 and ½ hour prior to showtime.  Tech/dress rehearsals are in the evenings starting on the Sunday before opening.

Pay rate:  $10.00 an hour.

If interested, please email Denny Reed, Technical Director at dennyreed@clpshows.org.

(NO PHONE CALLS or WALK-INS PLEASE).  When applying, please include a cover letter and resume.

Deadline for submissions:  Saturday, August 1, 2015

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C.S Lewis’ THE SCREWTAPE LETTERS | Oct. 17-18 | Aronoff Center – Jarson-Kaplan Theater |

THE SMASH HIT PRODUCTION OF
CAA_The Screwtape Leters logo
RETURNS TO CINCINNATI BY POPULAR DEMAND

Brent Harris as Screwtape.

Brent Harris as Screwtape.

CINCINNATI, OH  – THE SCREWTAPE LETTERS, the provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view, returns by popular demand  to Cincinnati for four performances at the  Aronoff Center’s intimate Jarson-Kaplan Theater on  Saturday, October 17 at 4:00 PM & 8:00 PM and Sunday, October 18 at 2:00 PM & 7:00PM. The show is part of the Cincinnati Arts Association’s 2015-16 Season, celebrating the 20th Anniversary of the Aronoff Center; CAA’s full season will be announced at a later date.

Tickets go on sale Friday, July 17 at 10:00 AM at http://www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.  Group discount tickets for 10 or more are available at (513) 977-4157.

The National Tour of THE SCREWTAPE LETTERS kicked off after a hit nine-month run at the Westside Theatre in New York City where it entertained 50,000 theatergoers.  Prior to that, THE SCREWTAPE LETTERS was a sold-out hit in Chicago and Washington D. C. where it ran for a combined eight months.

THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities including Los Angeles, San Francisco, Atlanta, Boston, Salt Lake City, Orlando, Seattle, Dallas, and Houston. Over 400,000 people have seen this production on tour, which continues to attract a national following.

Associated Press calls THE SCREWTAPE LETTERS “Devilishly funny!”; The Chicago Sun-Times hails the production as “Smart, sizzling entertainment!”; The Boston Globe raves that it is “Engrossing and Entertaining!”; and The Chicago Tribune says THE SCREWTAPE LETTERS is “Very smart…richly rewarding…exuberant theatricality!”

THE SCREWTAPE LETTERS creates a topsy-turvy morally inverted universe set in an eerily stylish office in hell, where God is called the “Enemy” and the Devil is referred to as “Our Father Below.”  The play follows His Abysmal Sublimity Screwtape, Satan’s top psychiatrist (due to his profound understanding of human nature), and his slavish creature-demon Toadpipe, as they train an apprentice demon, Wormwood, on how to ruin the life and damn the soul of an unsuspecting human on earth.  Screwtape is played by award-winning actor, Brent Harris.

Along with The Chronicles of Narnia (including The Lion, The Witch and The Wardrobe), The Great Divorce, and Mere Christianity, The Screwtape Letters is still one of Lewis’ most popular and influential works.  The book’s piercing insight into human nature and the lucid and humorous way Lewis makes his readers squirm in self-recognition made it an immediate success.  When first published in 1942, it brought worldwide fame to this little-known Oxford don, including the cover of Time magazine.

The idea for Screwtape first came to Lewis after listening to Hitler’s Reichstag Speech on July 19, 1940, while it was simultaneously translated on BBC Radio.  Lewis wrote: “I don’t know if I’m weaker than other people, but it is a positive revelation to me how while the speech lasts it is impossible not to waver just a little… Statements which I know to be untrue all but convince me…if only the man says them unflinchingly.”

Lewis dedicated it to his close friend J. R. R. Tolkien, who had expressed to Lewis that delving too deeply into the craft of evil would have consequences.  Lewis admitted as much when he wrote: “Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one’s mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded.”

THE SCREWTAPE LETTERS is produced by New York City based Fellowship for Performing Arts. Max McLean serves as Artistic Director.  Executive Producer and General Manager is Ken Denison of Aruba Productions. Scenic Design is by Cameron Anderson, Costumes by Michael Bevins, Lighting Design by Jesse Klug, and Original Music and Sound Design by John Gromada.

“Clever and Satirical” -The New York Times

“One Hell of a Good Show” -The Wall Street Journal

“Pure Genius” – National Review

“A Profound Experience” – Christianity Today

CINCINNATI ARTS ASSOCIATION SPONSORS

SEASON SPONSORS:  AMERITAS (Founding Season Sponsor), FIFTH THIRD BANK (Lifetime Endowment Partner), FURNITURE FAIR, LOCAL12 WKRC, TheP&G FUND of The Greater Cincinnati Foundation

SEASON PRESENTING SPONSORS:  21C Museum Hotel, The Berry Company, Cincinnati Herald, CityBeat, Garfield Suites Hotel, Heidelberg Distributing, Hilton Cincinnati Netherland Plaza, Pepsi, Skyline Chili, TriHealth, Ultimate Air Shuttle

Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves upwards of 600,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies. Since the inception of its acclaimed arts education programs in 1995, CAA has reached more than 1.3 million students.

For more information, visit www.CincinnatiArts.org.

#  #  #

CALENDAR INFORMATION

WHAT:                 C.S. Lewis’ The Screwtape Letters

WHEN:                 Saturday, October 17 – 4:00 PM & 8:00 PM

Sunday, October 18 – 2:00 PM & 7:00 PM

WHERE:               Aronoff Center for the Arts – Jarson-Kaplan Theater

PRICES:                 $58 • $46

INFO:                    The Screwtape Letters creates a topsy-turvy morally inverted universe set in an eerily stylish office in hell, where God is called the “Enemy” and the Devil is referred to as “Our Father Below.”  The National Tour of The Screwtape Letters kicked off after a hit nine-month run at the Westside Theatre in New York City where it entertained 50,000 theatergoers.  Prior to that, The Screwtape Letters was a sold-out hit in Chicago and Washington D. C. where it ran for a combined eight months.

TICKET INFORMATION – on sale Friday, July 17 at 10:00 AM

  • www.CincinnatiArts.org
  • (513) 621-ARTS [2787]
  • Aronoff Center Ticket Office
  • Group sales (10 or more): (513) 977-4157

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Single Tickets on Sale Aug. 3 for 2015-2016 Cincinnati Playhouse in the Park Season

TICKETS ON SALE AUG. 3 FOR SOARING, CAPTIVATING 2015-16 SEASON
AT CINCINNATI PLAYHOUSE IN THE PARK

PIP(CINCINNATI) – Single tickets for all of Cincinnati Playhouse in the Park’s 2015-16 season productions will go on sale Monday, Aug. 3. This includes tickets for the Playhouse’s beloved annual holiday classic A CHRISTMAS CAROL, presented by U.S. Bank, which is celebrating its 25th anniversary this year.

Ohio’s only two-time Tony Award-winning theatre boasts a national reputation for excellence, bringing the same actors, directors and designers seen on Broadway, off-Broadway and at other leading professional theatres across the country to Cincinnati’s beautiful Eden Park. A Playhouse season offers something for everyone, from world premieres and classics to musicals, contemporary theatre and Broadway hits. The 56th season features:

  • The soaring, heartwarming season-opener THE SECRET GARDEN, based on one of literature’s most popular family classics by Frances Hodgson Burnett, won three Tony Awards on Broadway. The enchanting musical, with book and lyrics by Marsha Norman and music by Lucy Simon, appeals to audiences of all ages.
  • Christopher Sergel’s sweeping adaptation of Harper Lee’s Pulitzer Prize-winning, timeless tale of innocence lost and honor found, TO KILL A MOCKINGBIRD.
  • Two world premiere comedies – NATIVE GARDENS, a tale of neighbors clashing over gardens and cultures by Karen Zacarías, author ofThe Book Club Play; and Lauren Gunderson’s THE REVOLUTIONISTS, set during the French Revolution and featuring four beautiful, badass women who attempt to change the world.
  • MAD RIVER RISING by Dana Yeaton, a captivating and poignant drama that explores the themes of family responsibility and legacy through the eyes of 85-year-old patriarch Angus Stewart.
  • SATCHEL PAIGE AND THE KANSAS CITY SWING, from Fly! creators Trey Ellis and Ricardo Khan, a jazz-infused drama of America on the brink of great change on and off the baseball diamond.
  • Randal Myler and Dan Wheetman’s LOW DOWN DIRTY BLUES, a celebratory tribute to America’s great blues music tradition.
  • Three provocative contemporary plays in the Thompson Shelterhouse, including the return of Theresa Rebeck’s wildly popular comedy BAD DATES.

All Marx Theatre price zones are available in the lower level, with individual tickets starting at just $35. Returning this season is the popular Sunday College Night, with tickets to all 7 p.m. Sunday performances (not including A Christmas Carol) priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances.

Discounted ticket prices for children and teens are available for all productions — $30 and $45, depending on seat location. Visit our website for content and age advisories for each show.

Patrons also can subscribe to all five Marx Theatre or five Thompson Shelterhouse productions for as little as $157.50 or build their own series of four or more shows from either theatre.

To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2015-16 season is presented by The Otto M. Budig Family Foundation and Heidelberg Distributing Company. The season sponsor of new work is the Lois and Richard Rosenthal Foundation. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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