Monthly Archives: January 2015

NKU Music Professor to Tackle Leading Role in LES MISERABLES

Jason Vest.

Jason Vest.

HIGHLAND HEIGHTS, KY – Jason Vest, Northern Kentucky University Professor, will play the role of Jean Valjean in the Department of Theatre and Dance’s upcoming production of the smash-hit musical, LES MISÉRABLES, directed by Department Chair, Ken Jones. Vest, an accomplished tenor, is on faculty in the Department of Music as an Assistant Professor of Voice.

The department contracts Guest Artists as an opportunity to further student learning by working alongside seasoned professionals. Vest says it is also a learning opportunity for him: “not unlike every performance I give… I’m learning so much from each and every experience. I think if that stops then I have nothing left to give on the stage.”

No stranger to the music of LES MISÉRABLES, Vest first encountered the unforgettable score at age 10 when he traveled to New York City to perform at Carnegie Hall. “…Not long after that I had the cassette tapes. I bought the music and used to sing and play from it fairly often. By high school, I would sing “Bring Him Home” for little performances and it was at that age that I actually saw the show for the first time, a touring production that came through Indianapolis.”

Vest says Valjean is now a bucket-list role, but that wasn’t always the case. “When I was growing up, it was actually Marius that I liked the most… However, I think now as a father, having lived a little bit, I can finally connect to Valjean. His music is also so difficult that I don’t know if I could have done it justice earlier in my life.”

In preparation for the role, Vest has been reading the original novel in French and watching some of the film adaptations of the book. “I speak fluent French and lived in French-speaking countries for two years… I do feel a strong connection to not only the musical but also the places and themes in it… We find the story of Valjean so touching because it is a very human experience that we all live in [our own] way… I just hope to bring whatever of myself that I can to his character.”

Very few tickets remain, but a Wait List will begin 1 hour before each sold-out performance. 

WHAT
LES MISÉRABLES

WHO
Northern Kentucky University | Department of Theatre and Dance
Directed by Ken Jones | Music Direction by Jamey Strawn

WHEN
February 19 – March 1, 2015
Wednesday – Saturday: 8pm | Sunday: 3pm | Saturday, March 28th at 2pm

WHERE
NKU | Corbett Theatre | 100 Nunn Drive, Highland Heights, KY 41099

Ticket prices
General Admission: $14 | Senior (60+): $11 | Student (with a valid ID): $8

For more information call the NKU Fine Arts Box Office at 859.572.5464 or go to theatre.nku.edu

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THE OTHER PLACE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Regina Pugh as Juliana Smithton. Photo by Ryan Kurtz.

Regina Pugh as Juliana Smithton. Photo by Ryan Kurtz.

THE OTHER PLACE presented by the Ensemble Theatre Cincinnati through Feb. 15. Click here for more information on the production. I attended the opening night performance.

Pardon my french, but Juliana Smithton is a bitch. Considering how she treats the people in her life, its no wonder that her husband is divorcing her and her estranged daughter dreads the thought of a simple phone conversation. But there is more to Juliana’s story than meets the eye.

Michael G. Bath as Ian Smithton & Regina Pugh as Juliana Smithton. Photo by Ryan Kurtz.

Michael G. Bath as Ian Smithton & Regina Pugh as Juliana Smithton. Photo by Ryan Kurtz.

Lead Regina Pugh does excellent work in the demanding role of Juliana. The gamut of emotions and the personal motivations of her behavior all make sense, even when that understanding only becomes apparent to the audience later in the script. Also solid is Michael G. Bath as Juliana’s husband Ian. Until the audience is privy to what is really happening, Ian’s responses to Juliana’s behavior comes off a bit psychotic. The complex truth of his struggle to be strong and supportive for his wife, while dealing with this upheaval of their lives together is very well-acted.

Regina Pugh as Juliana Smithton & Kelly Mengelkoch as The Woman. Photo by Ryan Kurtz.

Regina Pugh as Juliana Smithton & Kelly Mengelkoch as The Woman. Photo by Ryan Kurtz.

Kelly Mengelkoch, as The Woman, shows off her versatility in several different characters, As The Man, Billy Chace provides believable characters in his ETC debut. I just wish the script had given him a bit more to do. Late in the show, the emotional payoff plays out at “the other place.” This superbly acted scene, between Pugh and Mengelkoch, is remarkable. Somehow both heart-breaking and strangely heart-warming, the actresses are simply brilliant.

Regina Pugh as Juliana Smithton. Photo by Ryan Kurtz.

Regina Pugh as Juliana Smithton. Photo by Ryan Kurtz.

The over-used (just an observation, not a complaint) contemporary theatrical conceit of time-hopping is handled well by director D. Lynn Meyers and performers. Brian c. Mehring’s lighting design smartly provides the audience with visual clues to help determine “when” we are. I also enjoyed the splash of color added to Juliana & Ian’s costumes (designed by Chad Phillips) for “the other place” flashback. Mehring’s set design is solid as usual, and very much in keeping with his personal style. That being said, I would like to, at some point, walk into the theater to see one of his sets that, at first glance, makes me think there is a guest set designer.

ETC_The Other Place 04

Billy Chace as The Man. Photo by Ryan Kurtz.

Smartly directed and acted, THE OTHER PLACE is compelling theater.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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GREATER TUNA Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Justin Smith as Arles & Matthew Wilson as Thurston. Photo by Mikki Schaffner Photography.

Justin Smith as Arles & Matthew Wilson as Thurston. Photo by Mikki Schaffner Photography.

GREATER TUNA presented by the Covedale Center for the Performing Arts through Feb. 15. Click here for more information on the production. I attended the opening Sunday matinee performance.

The wacky denizens of Greater Tuna, Texas, have taken up residence at the Covedale Center for the Performing Arts. Actors Justin Smith and Matthew Wilson do a good job of defining the nearly two dozen characters that inhibit the small town. For the most part, they were aptly costumed by Caren Young, although some of the character wigs were more successful than others. For the actors, my one complaint would be that the performances were not big enough in personality and physicality to overcome the size of the Covedale stage.

The set for GREATER TUNA. Photo by Mikki Schaffner Photography.

The set for GREATER TUNA. Photo by Mikki Schaffner Photography.

The bulk of the set is quite literally, the side of a barn. The details of the set including the antennas and signage are fun and interesting elements. I also liked the idea of the radio studio behind the hayloft doors. That being said, there does seem to be a disconnect between the design by Brett Bowling and its usage in blocking by director Bob Brunner.

Also confusing to me was the decision to pantomime all but one of the hand-held props, especially when most of the time, the needed prop was a piece of paper. The only prop that made the “cut” was a knife, used in a bit, because it was funny. I would argue that taking props away from the cast deprives the actors the opportunity for similar comic moments. The sheriff using his fingers as a gun comes off more silly, than funny.

Justin Smith as Charlene Bumiller & Matthew Wilson as Bertha Bumiller. Photo by Mikki Schaffner Photography.

Justin Smith as Charlene Bumiller & Matthew Wilson as Bertha Bumiller. Photo by Mikki Schaffner Photography.

The production also stumbled with the quick changes. Aside from a few scripted radio show recordings used to cover some of the bigger changes, the lightning-fast costume switches are a cornerstone of the show. There were times when music queues were added to cover costume change delays, which adversely affected the pacing of the show. The distance the actors had to travel, at times, didn’t seem to help. At the performances I attended, at least one of these stalling sound queues was no longer needed, as we had an actor dressed and on stage waiting for the queue to end.

Overall a visually successful production that is, for me, too small and sedate for the huge play space. To quote a patron behind me after the curtain call, “Well, that was cute.”

My rating: 3.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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FAMILY SHOTS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Colleen Zenk and Randy Brooks. Photo by Scott J. Kimmins.

Colleen Zenk and Randy Brooks. Photo by Scott J. Kimmins.

FAMILY SHOTS presented by Human Race Theatre Company through Feb. 8. Click here for more information on the production. I attended the opening Sunday evening performance.

New year, new play. The Human Race Theatre Company kicks off 2015 with the World Premiere of FAMILY SHOTS by Michael Slade.

Director Kevin Moore has cast a solid ensemble, led by Corbin Bleu, Colleen Zenk & Randy Brooks, in this contemporary look at the compromise of marriage.

Corbin Bleu and Randy Brooks. Photo by Scott J. Kimmins.

Corbin Bleu and Randy Brooks. Photo by Scott J. Kimmins.

Brooks is funny and endearing as the family patriarch, Sam. A wise, self-made man who views negotiation and compromise as essentials to any relationship. Colleen Zenk plays his ever-worryful wife Marsha and Corbin Bleu as their gay, married, successful photographer son, Aaron. At first blush, I got the impression that Marsha was Sam’s second wife and Aaron’s step-mother.  Initially, for me , the relationship between Sam and Marsha didn’t carry their sense of history together. Similarly, Aaron’s annoyance with Marsha’s personality seemed to overpower their relationship. Over the course of the show, these impression did fade for the most part.

Corbin Bleu and Colleen Zenk. Photo by Scott J. Kimmins.

Corbin Bleu and Colleen Zenk. Photo by Scott J. Kimmins.

The arrival of Aaron’s husband, Malcolm, (played by Adam Halpin) later in the show brings the realities of marriage to the forefront, and questions today’s definition of success. While Malcolm’s relationship with Sam seems well-defined, I found myself missing the underlying connection between Aaron and Malcolm, their marital problems not withstanding.

While functional, I thought the use of a rotating platform in Scott J. Kimmins set design a bit of an over-complication, considering the under-used side platforms.

FAMILY SHOTS is a fun and cute production that will grow stronger over the upcoming performances.

My rating: 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Cast Announced for Dayton Playhouse’s FIX ME, JESUS

DPH_logoAnnouncing the cast for FIX ME, JESUS, directed by Brian Sharp, coming this March [13-22].

  • Annabell – Rachel Wilson
  • Young Annabell – Sofia Shannon
  • Mrs. Craig – Tina McPhearson
  • Mother – Cassandra Engber
  • Grandmother – Pam McGinnis
  • Dr. Feld – Mike Beerbower

Thanks to everyone who auditioned, and congratulations to this wonderful cast. Break a leg!

For more information visit http://wordpress.thedaytonplayhouse.com/.

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