Tag Archives: Queen City Productions

Queen City Productions will be holding auditions for their winter production of SPRING AWAKENING!
This powerful musical tells the story of a group of teens as they discover that there may be more to this life that they don’t fully understand than they may have thought. Featuring beautiful songs like, “Mama Who Bore Me,” “My Junk” and “I Don’t Do Sadness.” This is a powerful show you don’t want to miss being a part of.

When:

• Friday, November 4th from 7-10pm
  
• Saturday, November 5th from 1-4pm
  
• Invited Callbacks: Sunday, November 6th from 1-4pm

Where:
St. Bartholomew Parish in the meeting room on the upper level of the Activities Center

Who:
Due to the more mature themes, and the heaviness of the script, all auditionees must be at least 13 years of age. This is the approximate age of the characters in the show, though it is usually performed by actors between 16-24. If you are unsure if this production is right for you, please do some research and be honest when making your decision.

What to Prepare:
All auditioness should come pepared with a song that best represents your vocal ability as well as your ability to hold your own on stage, as the musical numbers in this show are done “concert style.” You can sing acapella or with an accmpaniment track. There WILL NOT be an accompanist. Auditionees may also be asked to read from the script.

What we are looking for:
Strong performers who have the ability to develop a character beyond what is written on the page, as well as being able to draw the audience in with their solo vocal performace. Beyond the named characters in the script, we are looking for TWO, TRAINED FEMALE DANCERS and ONE TRAINED MALE DANCER to tell parts of the story through lyrical dance performance. These roles will also be part of the male or female “ensemble.” If you want to audition for one of the dance roles specifically, please come with a short combination to demonstrate your ability or we can teach one to you.

Other Information:
To schedule an audition time, please email queencityproductions@yahoo.com. Rehearsals will most likely be Mondays, Tuesdays and Fridays from 7-9:30pm at Roger Bacon High School. Performances are January 6-9th at Roger Bacon High School.

Queen City Productions will be holding auditions for its summer musical, Disney’s BEAUTY AND THE BEAST! This tale as old as time features all of the hit songs from the movie, as well as some amazing new numbers. It is a family-friend blockbuster show.

Auditions will be held at Thomas More College:

• Wednesday, May 18th – 7:00-9:30pm
• Saturday, May 21st – 1:00-5:00pm

At Roger Bacon High School

• Sunday, May 22nd – 5:30-6:30pm

Invited Callbacks will be held Sunday May 22nd at 7:00pm

Show Dates: August 12-14
Rehearsals begin Sunday, June 5
Rehearsal and performance location will be at Roger Bacon High School

• Auditionees should prepare a song from a musical that best showcases your vocal ability as well as your personality.
• You can sing acapella or with backing track on your phone/ipod/tablet.
• You may also be asked to read from the script
• There will be a dance audition so please bring/wear appropriate clothing and footwear.

To schedule an audition time, please email queencityproductions@yahoo.com

Queen City Productions will be holding auditions for Disney’s MULAN JR.

Auditions will be held at Thomas More College in the theater!
January 29th from 7:00 pm – 9:30 pm
January 30th from 2:00 pm – 5:00 pm

For ages 7-18.

• Please prepare 32 bars of a Disney song or a song from the Musical Theatre Reperitoure.
• There will be a dance portion of the audition so please wear appropriate clothing and shoes.
• You may also be asked to cold read from the script.

  There will be invited callbacks on January 31st from 2:00 pm – 5:00 pm
  
  All rehearsals and shows will be held in the theater.
  Rehearsals will be,
  Mondays’ from 7:00 pm – 9:30 pm
  Friday’s from 7:00 pm -9:30 pm
  Sunday’s from 5:00 pm – 7:30 pm
  The First rehearsal will be help February 7th from 5:00 pm – 7:30 pm

  Tentative show dates, March 18th and 19th at 7:30 pm and March 20th at 3:00 pm

  Director: Kevin Dunaway
  Assistant Director/Stage Manager: Mary Vosseberg
  Producer/Treasurer: Lisa Dunaway
  Costumes: Gary Robinson

  CHARACTER BREAKDOWNS

  ANCESTORS
  The Ancestors should have strong focus as they are observing the action throughout. They also need to be strong actor/singers that can carry solo work. It is helpful for them to match what they represent in either manner or physical type. Laozi (pronounced LAU-tsi) represents Honor and is the leader of the group. Lin represents Loyalty and is the hardest on Mulan; Lin does not appreciate any challenges to the old-world belief system. ZHANG (ZANG) represents Strength, the strong silent type. Hong represents Destiny and is Laozi’s right-hand man. Yun (YOON) represents Love and is Mulan’s greatest advocate from the beginning – the mother figure that eventually encourages the others to support Mulan for who she is.
  Gender: both
  Vocal range top: D5
  Vocal range bottom: A3

  FA ZHOU
  Fa Zhou (fa ZOO), Mulan’s father, should be cast with a confident and calm performer who has a strong presence and can sing, at least a little. Without playing “older,” his calm strength contrasts with Mulan’s frenetic energy at the top of the show. We see that Mulan is truly her father’s daughter when she grows wise through her journey.
  Gender: male
  Vocal range top: D5
  Vocal range bottom: C4

  FA LI
  Fa Li, Mulan’s mother, is someone who also possesses strength but understands her place in her generation and culture. There is a definite wisdom that she passes on to Mulan, so use a smart actor who is able to carry a tune.
  Gender: female
  Vocal range top: D5
  Vocal range bottom: C4
  Grandmother Fa
  Grandmother Fa – again, age is not the concern here, but cast a performer who can covey wisdom and humor. Grandmother sees greatness in Mulan, but still wants her to achieve it through tradition. Although she does not need to be a strong singer, an actor with mischief in her eye will work well here.
  Gender: female
  Vocal range top: D5
  Vocal range bottom: Bb3

  MULAN
  Mulan should be your strongest performer. She is on stage for most of the show and needs to carry a great deal vocally while telling the story. This young performer needs to have strength and courage in her performance and be convincing in her passion and determination to protect her father and family. Casting against a leading-lady type may help your show deliver the story in a surprising and profound way.
  Gender: female
  Vocal range top: D5
  Vocal range bottom: G3

  MUSHU
  Mushu (MOO shoo) – although comedy is very important for this character (a talking dragon), remember that we have to feel sympathy for Mushu’s struggle to get back into the Temple. Don’t just cast your funniest performer, but one that is comfortable talking to and connecting with your audience.
  Gender: both
  Vocal range top: F5
  Vocal range bottom: D4

  THE MATCHMAKER
  The Matchmaker provides comic relief through the “straight man” approach. Cast someone with an overbearing presence who can maintain her composure through a comic scene.
  Gender: female

  CHI FU
  Chi Fu (chee FU) is your typical “bad guy,” the quintessential political character, manipulative and proud to a fault. Casting someone with tremendous confidence will help you set up Chi Fu’s authority early on. It might be fun to have him model a famous political leader.
  Gender: male
  Vocal range top: E5
  Vocal range bottom: E4

  SHAN-YU
  Shan-Yu (shawn YU) – You want an actor who can command of the stage here – someone with tremendous presence who can convince the audience that he can lead an invasion. Casting an actor of size may be helpful, but is not a necessity.
  Gender: male

  SHANG
  Shang needs to have strength, but also the openness to learn from Mulan. Casting a brawny guy with no heart will weaken the relationship between Mulan and Shang. Remember he is general’s son but has a brain too. He needs to be a strong vocalist and should a good stage presence.
  Gender: male
  Vocal range top: F5
  Vocal range bottom: D4

  YAO
  Yao, Ling and Qian-Po (cheeann-PO) – “the Guys” – should be able to work as a team but be diverse in type to help distinguish them from the other Chinese Soldiers. Yao considers himself to be a big tough guy; he has a bark and bite, but all in all a good person. Casting a trio of actors who are willing to have fun is important. They need to be misfits in the army, like Mulan, and able to really play around while dressing up like maidens during the show’s climax.
  Gender: male
  Vocal range top: A5
  Vocal range bottom: E4

  LING
  Yao, Ling and Qian-Po (cheeann-PO) – “the Guys” – should be able to work as a team but be diverse in type to help distinguish them from the other Chinese Soldiers. Ling is a bit of a scam artist, and not the brightest guy in the world. Casting a trio of actors who are willing to have fun is important. They need to be misfits in the army, like Mulan, and able to really play around while dressing up like maidens during the show’s climax.
  Gender: male
  Vocal range top: A5
  Vocal range bottom: E4

  QIAN-PO
  Yao, Ling and Qian-Po (cheeann-PO) – “the Guys” – should be able to work as a team but be diverse in type to help distinguish them from the other Chinese Soldiers. Qian-Po is a real sweetheart of a monk who would rather have a good meal than a battle scene. Casting a trio of actors who are willing to have fun is important. They need to be misfits in the army, like Mulan, and able to really play around while dressing up like maidens during the show’s climax.
  Gender: male
  Vocal range top: A5
  Vocal range bottom: E4

  ENSEMBLE
  The Ensemble provides sound effects throughout the show, but also steps into the action when needed to play Fathers, Mothers, Daughters, Sons, Dressmakers, Hairdressers, Groomers, Young Hsaio, Older Yi, Young Yi, Magyar, Subar-Tu, Chen, Liu and the Cheongsam Salesperson. The featured roles vary in size and vocal requirements, but the Ensemble will be needed to provide vocal power throughout and dance in the production numbers, so be sure to cast performers with a wide base of ability.
  Gender: both
  Vocal range top: G5
  Vocal range bottom: G3