Tag Archives: Memorial Hall

Live Performance Returns to Memorial Hall with Safe, Soul-Searching Theatrical Reading Series

memo_logoCINCINNATI, OH – Live performance returns to historic Memorial Hall as gifted theatre artists explore vital dialogues of our turbulent times in the Resilience Staged Reading Series. The series will play in repertory October 10 through November 21, 2020, and is comprised of four contemporary plays and adaptations. The first two pieces are being announced at this time:

THE STORY OF KING LEARRegional Premiere Adaptation
Adapted from Shakespeare by Daniel Elihu Kramer | Directed by Gabriella DiVincenzo
A ruler abdicates power, yet demands honor and privilege.
October 10, 17, 20, 23 & 31, 2020; all performances at 8:00pm

CRY IT OUTRegional Premiere Dramedy
By Molly Smith Metzler | Directed by Leslie Goddard
First-time mothers reckon with boundaries of class, economy, and the impossibility of “having it all.”
October 15, 22, 24, 29 & 30, 2020; all performances at 8:00pm

Two shows playing in November will be announced during the week of September 28.

The series takes place in Memorial Hall’s opulent Green Ballroom, which offers a safe setting for up to 24 guests at socially distant tables. Seating is available for socializing groups of two or four; single tickets are not available. Patrons may reserve tables by making a pay-what-you-can donation; the recommended donation is $20.00 per patron. All net proceeds of the intimate productions will directly benefit the theater artists on stage and behind the scenes. Seats may be reserved online at MemorialHallOTR.com, or by calling the Memorial Hall Box Office at 513.977.8838 (Tu – Fr, 12pm – 4pm).

Simple, Safe and Soul-Searching
The COVID-19 pandemic has rendered performing arts venues largely impotent in a time when the unique voice of the arts could further empathy and understanding in a deeply divided America. Recent regulations from the State of Ohio cap performing arts venues at 15% of their maximum capacity, or 300 guests, whichever is lower. The economics of presenting traditional performing arts in this environment are simply untenable. Yet the current moment demanded that something be done, according to Joshua Steele, Memorial Hall Manager.

“As the summer passed with still no end in sight for the pandemic, we saw a mostly empty calendar and nearly uniform unemployment among theatre professionals, yet a pressing need for the kinds of conversations the performing arts create,” says Steele. “As a presenter, Memorial Hall rarely has the opportunity to host acts that speak to the moment. The Resilience Staged Reading Series provides some modicum of support to our theatre community, and offers a forum for the today’s vital issues, all in a safe and lightly-attended environment.”

Safety is a Priority at Memorial Hall
As part of Memorial Hall’s commitment to the health and well-being of our staff, guests and the community, the venue will implement preventive measures consistent with the recommendations of the Centers for Disease Control and Prevention (CDC) and local health agencies. Special safety protocol for the Resilience Staged Reading Series include:

  • Masks are required upon entry and throughout patrons’ time in the venue.
  • Maximum seating of 24 guests in a 1,400 square foot room, which can normally accommodate more than 160 guests seated.
  • Socially distanced seating at tables. Patrons are seated 6’ apart, and 12’ from performers.
  • Socially distanced formation of lines at box office, bar and restrooms.
  • Reduced touch box office and concession interactions, including card-only transactions on site.
  • Plastic shielding at box office and concessions.
  • Ample hand sanitizer throughout venue.
  • Staff, actors and production team will conduct temperature checks at beginning of shifts.
  • Venue staff will wear masks at all times.
  • Hourly disinfecting of high touch surfaces and restrooms.
  • Full disinfection of facility following each performance, including use of electrostatic sprayers.
  • Outside air mix via Dedicated Outside Air System.
  • Digital playbills.
  • No cast larger than five actors.
  • All performances will be presented without intermission to minimize social contact.
    • In addition to pre-show bar service, Memorial Hall will emphasize use of its Noble app, which allows patrons to order drink service at their tables during the performances.

A complete list of COVID-19 protocol at Memorial Hall is available at MemorialHallOTR.com/COVID. Patrons with additional questions may contact the Memorial Hall Box Office at 513.977.8838 (Tu – Fr, 12pm – 4pm).

Productions and Performances
The Resilience Staged Reading Series will feature four contemporary plays and adaptions which each speak to the vital issues of today. Actors will perform at stools with their scripts, situated 12’ away from the nearest audience member and 6’ away from each other. All performances will feature video and/or sound design. The acoustically excellent Green Ballroom does not require amplification. Actors will not be masked when performing, though they may don masks when not actively involved in a scene.

THE STORY OF KING LEAR
University of Cincinnati College-Conservatory of Music (CCM) Drama and Cincinnati Artists’ Theatre co-founder Gabriella DiVincenzo explores the nature of authority and privilege in THE STORY OF KING LEAR, an adaptation of the Shakespearean drama featuring contemporary language and a small cast playing multiple roles. DiVincenzo’s was introduced to the piece by her former professor, Brant Russell, who is a colleague of adapter and Chester Theatre Company (Massachusetts) director Daniel Elihu Kramer. DiVincenzo was attracted to both the utility and timelessness of the re-told classic.

“The story of King Lear is a familiar one,” muses DiVincenzo. “It is about fathers and daughters. It’s about brothers fighting against brothers. It’s a story of war and emptiness—promises left unfulfilled and a kingdom divided in two halves. This play hits closer to home than any of us would have ever expected in the year 2020.”

THE STORY OF KING LEAR is a regional premiere. Anticipated duration is 50 minutes, and there will be no intermission.

CRY IT OUT
Jessie is a corporate lawyer in a Manhattan firm. Lina is a community-college dropout and born-and-bred Long Islander. They don’t seem to have anything in common, but marooned at home with infants, they strike up a fast friendship. In the yard between their houses—as far as their baby monitors will reach—they bond over sleep deprivation, unreliable childcare, and “having it all.” A candid comedy about who gets to make which hard choices in the tinderbox of parenthood and class in the United States.

Broadway veteran Leslie Goddard has been the go-to director for theatrical productions at Memorial Hall, where she has staged THE WHO’S TOMMY and RING OF FIRE over the past two years. At a time when society is grappling with issues around maternity leave, working from home, and pervasive loneliness and depression, Goddard found the 2017 piece fresh and poignant.

“I was drawn to CRY IT OUT because it unapologetically addresses the trials and tribulations that go along with new parenthood,” explains Goddard. “These new moms (and a new dad) navigate so many of the issues facing parents in today’s society – how, when, or IF a new mom should return to work, financial struggles that arise from adding a new baby to the family mix, breastfeeding, and so much more. It’s a hilariously, wild ride through the pain and pleasure of becoming a parent.”

Debuting at Louisville’s venerated Humana Festival of New Plays in 2017, CRY IT OUT will be a Greater Cincinnati premiere. Anticipated duration is 90 minutes, and there will be no intermission. CRY IT OUT IS Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois.

Two Additional Plays to be Announced
The week of September 28, Memorial Hall will announce two additional productions, playing in repertory in November:

  • The world premiere reading of a new play by a lauded Cincinnati playwright. The piece follows a time travelling protagonist who encounters the dark corners of American history, featuring an exceptional cast of actors of color. Northern Kentucky University’s Daryl Harris directs.
  • Air Force veteran and theatre artist Phillip Webster directs the regional premiere reading of an award-winning play about a veteran returning from Afghanistan, who works to recuperate her injuries and save the domestic life she knew.

Reservations & Complete Schedule
The Resilience Staged Ready Series takes place in Memorial Hall’s opulent Green Ballroom, which offers a safe setting for up to 24 guests at socially distant tables. Seating is available for socializing groups of two or four; single tickets are not available. Patrons may reserve tables by making a pay-what-you-can donation; the recommended donation is $20.00 per patron.

Seats may be reserved online at MemorialHallOTR.com, or by calling the Memorial Hall Box Office at 513.977.8838 (Tu – Fr, 12pm – 4pm).

Artist Biographies

MEMO_Gabriella DiVeincenzo headshot

Gabriella DiVeincenzo.

GABRIELLA DIVINCENZO is a Boston native who earned a BFA in Acting from the University of Cincinnati, College Conservatory of Music (CCM). Gabriella has been working consistently as a director and producer in Cincinnati since moving to the Queen City in 2015. She is a Co-Founder, Resident Director and the Project Coordinator/Director of Artist Relations at the Cincinnati Artists’ Theatre (CAT). The Liberty Exhibition Hall is home to C.A.T. and where Gabriella has directed a number of her productions including TOO MUCH LIGHT MAKES THE BABY GO BLIND, MEN ON BOATS, LUNGS, and LEMONS LEMONS LEMONS LEMONS LEMONS. She has also worked at the Know Theatre as a director in the One Minute Play Festival, and Assistant Director to Brant Russell on the world premiere production of DARKEST NIGHT AT THE GNARLY STUMP. Gabriella has also directed THE FLICK by Annie Baker which was voted a 2020 Staff Pick in CityBeat at The Esquire Theatre. www.gabrielladivincenzo.com

MEMO_Leslie Goddard headshotLESLIE GODDARD (Director, CRY IT OUT) has been performing, directing, and choreographing for over 25 years. She was last seen on stage in SONDHEIM ON SONDHEIM at The Lex and as Bridgit in LIZZIE at The Human Race Theatre Company. Other credits include Brenda/ Penny u/s in HAIRSPRAY on Broadway, Francine et.al. in JERSEY BOYS (Las Vegas), and roles on many local stages including Gerogie Bukatinsky in THE FULL MONTY at HRTC, Missy in THE MARVELOUS WONDERETTES: CAPS AND GOWNS at Ensemble Theatre Cincinnati, Gemini in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM at Cincinnati Shakespeare Company, Roxie in CHICAGO at The Carnegie, and Deb in ORDINARY DAYS at Short North Stage. Among the numerous shows she has choreographed, Leslie had the great pleasure of staging and choreographing THE WHO’S TOMMY and RING OF FIRE at the newly renovated Memorial Hall in Cincinnati. Her most notable accomplishments to date are her two daughters, Jocelyn and Mika.

DARYL HARRIS (Director, Play To Be Announced) is a Full Professor in the Theatre and Dance Program in the School of the Arts (SOTA) at Northern Kentucky University. He is a 52-year veteran of traditional,
experimental, educational, and applied theatre. He has studied and worked throughout North America, Europe, Africa, Asia and Australia. In addition to teaching diverse interdisciplinary theatre courses, Daryl also acts in, directs and costume-designs theatrical productions. His primary passion: engaging scholars and communities transculturally and transnationally across disciplines.

PHILLIP WEBSTER (Director, Play To Be Announced) is a musician, actor and all-around dilettante who’s been onstage and behind the scenes at the Horizon Theatre (Atlanta), the Georgia Shakespeare Festival, Prince George’s Co. Shakespeare in the Park, The Carnegie and New Stage Collective, among others. He is also veteran of the US Air Force and a graduate of the Defense Language Institute’s Arabic program. Phillip is the creator of two podcasts, a historical news program called Queen City Bulletin and the upcoming Froghammer Shakespeare Radio Hour, a behind the scenes look at Northern Kentucky’s longest-running and most bizarre classical theatre company.

# # #

About Memorial Hall: Memorial Hall, managed and programmed by 3CDC, is conveniently located in the heart of the revitalized arts district of Over-the-Rhine. This exquisite venue overlooks Washington Park, and is adjacent to Music Hall in addition to being down the street from both the School for Creative and Performing Arts and the Cincinnati Shakespeare Company. Designed by Samuel Hannaford, the hall features marble staircases adorned with intricate wrought iron that lead to the 550-seat proscenium theater, dubbed the Annie W. and Elizabeth M. Anderson Theater. Exceptional acoustics, decorative murals and Tiffany chandeliers enhance this historic theater. Memorial Hall offers an elegant setting for performances and unique spaces for social and business events.

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Auditions Announced for RESILIENCE STAGED READING SERIES at Memorial Hall

memo_logoMemorial Hall presents
The Resilience Staged Reading Series

Memorial Hall is seeking audition video submissions for two staged reading productions:

CRY IT OUT
By Molly Smith Metzler | Directed by Leslie Goddard
Playing October 15 – 31, 2020; all performances at 8pm
Tech and Dress Rehearsals Tentatively Scheduled for October 10 & 13

UGLY LIES THE BONE
By Lindsey Ferrentino | Directed by Phillip Webster
Playing November 6 – 17, 2020; all performances at 8pm
Tech and Dress Rehearsals Tentatively Scheduled for on November 2 & 5

Productions are in staged reading format, with actors seated in front of their scrips. Productions include video and sound design, but no significant costuming.

Performances take place in Memorial Hall’s Green Ballroom, where socially distanced seating will allow for a maximum of 24 patrons. Patrons will be seated a minimum of 12’ away from actors, and are required to wear masks. Actors will be seated 6’ apart from each other, and will not wear masks when performing. Memorial Hall is implementing COVID-19 protocols for the protection of patrons, performers and staff.

Actors may receive financial support via a revenue pool. After the venue meets its modest direct expenses (staff, licensing and production expenses), all net revenue will be donated to actors, directors, designers and stage managers, based on a shares system. Please expect that any donations passed on to actors will be consummate with the very low venue capacity. AEA actors may be considered, with the understanding that this project is a benefit, and that there are no ticket sales, only donations by patrons; subsequently, there will not be AEA contracts available.

TO SUBMIT:

  • Review the roles and sides available for each show, listed below.
  • Please record a video audition for each role for which you’d like to be considered. Upload to a location from which link sharing is available.
  • Complete the Audition Form here. It is not necessary to complete the form multiple times for multiple submissions. 

Video submissions are due by 8am on Wednesday, September 16.

Questions? Contact Joshua Steele at jsteele@3cdc.org, or 513.977.8037.

Resilience Staged Reading Series
Character Descriptions and Sides

Memorial Hall strives for racial diversity in casting. With the exception of the role of LINA in CRY IT OUT, all of the roles listed may be portrayed by actors of any race or ethnicity.

CRY IT OUT
By Molly Smith Metzler | Directed by Lesley Goddard
Playing October 15 – 31, 2020
Tech and Dress Rehearsals Tentatively Scheduled for October 10 & 13

Click here for sides

– CHARACTER DESCRIPTIONS –

JESSIE (mid-30s) – Married to a North Share native; recently relocated to Port (from Manhattan) to raise her family. Educated, articulate, lovely, warm. From the Midwest, and has that Midwestern ready-smile. Beloved by every teacher she’s ever had. Always gives the perfect toast; always organized the group gift. But in private, Jessie bends towards anxiety. She doesn’t like empty days on calendars, or being alone. Works 90-hour weeks in the city as a corporate lawyer – or did, until her child was born. Now she’s in yoga pants.

LINA (late 20s / early 30s) – From Long Beach, and you can tell immediately – she is very South Shore. Acrylic nails, big hoops, velour track suits, Mets trucker hats, and a huge Italian family. Lina failed out of community college, curses too much, and blasts Kanye too loudly in the car. But she is also fantastically winning. She’s fun, funny, and refreshingly genuine. Works at St. Francis Hospital.

MITCHELL (late 30s / early 40s) – Adrienne’s husband, works in investment capital. A math nerd who is amazing with numbers, but not people. Serious, shrewd, sensitive. The kid who ate lunch in the library because he was so shy. Mitchell grew up in a touch house in a tough part of Utica, and scholarshipped his way to where he is now, so grades, status and success are his currency. But becoming a father has changed him. He makes goofy faces now. He stares out windows during meetings. His sentences end in question marks.

ADRIENNE (mid / late 30s) – Mitchell’s wife. Elegant, powerful, aloof and slightly rock ‘n’ roll. Has eyes that are cat-like and assessing. The kind of woman you see climbing out of a dark sedan at an airport and headed somewhere more glamorous than you. Adrienne grew up on Central Park West, attended posh boarding schools, studied art abroad, and could give you the best-ever guided tour of MoMA. She has never signed an email with an x or o, but she is loyal and ferocious in both business and life. A successful jewelry designer.

UGLY LIES THE BONE
By Lindsey Ferrentino | Directed by Phillip Webster
Playing November 6 – 17, 2020
Tech and Dress Rehearsals Tentatively Scheduled for on November 2 & 5

Click here for sides

– CHARACTER DESCRIPTIONS –

JESS (early 30s) – US Army veteran, three tours in Afghanistan. Severely distorted by third degree burns, uses a walker. Quick witted, intelligent, tough. Trying to have strength in her body, vulnerability in her life. This role has been cast.

KACIE (mid 30s) – Jess’ older sister by a few years. Was probably beautiful once. Sweet, and trying hard for positivity.

STEVIE (early 30s) – An inviting smile that makes you want to live in it. Life just keeps happening to him.

KELVIN (late 30s / early 40s) – Older than Kacie, too comfortable in his own skin.

VOICE / MOM (60s) – Passionate, powerful, maternal. A strong vocal quality.

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trueSH*T on Jan. 23

TRUE_logotrueSH*T
trueTHEATRE
Jan. 23
Memorial Hall [Over-the-Rhine]

Some take it (and some can’t). Some give it (and some couldn’t). Some have shoveled it, are full of it, or have been emptied of it (intentionally or quite by “accident”). One thing is for sure… you do not want to step in it! Yes, we’re talking about “sh*t” and so will our storytellers in January! ..and that’s no bull!

Now in their 10th season, True Theatre continues to produce quarterly one-night-only events featuring five people, from all walks of life, sharing true, personal stories, based on the theme of the evening.

  • Thu, Jan. 23 at 7:30pm

Official page |

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THE LYIN’ KINGS Presented by The Capitol Steps at Memorial Hall

MISC_The Lyin Kings loogThe Capitol Steps: THE LYIN’ KINGS
March 7 at 5pm & 8pm

“They’re the best. There’s no one like them, no one in their league.”
— Larry King, CNN

“The Capitol Steps make it easier to leave public life.”
— Former President George H. W. Bush

OVER 30 YEARS AGO, the Capitol Steps began as a group of Senate staffers who set out to satirize the very people and places that employed them. In the years that followed, many of the Steps ignored the conventional wisdom (“Don’t quit your day job!”), and although not all of the current members of the Steps are former Capitol Hill staffers, taken together the performers have worked in a total of eighteen Congressional offices and represent 62 years of collective House and Senate staff experience.

Since they began, the Capitol Steps have recorded over 35 albums, including their latest, THE LYIN’ KINGS. They’ve been featured on NBC, CBS, ABC, and PBS, and can be heard twice a year on National Public Radio stations nationwide during their Politics Takes a Holiday radio specials.

The Capitol Steps were born in December, 1981 when some staffers for Senator Charles Percy were planning entertainment for a Christmas party. Ronald Reagan was President when the Steps began, so co-founders Elaina Newport, Bill Strauss and Jim Aidala figured that if entertainers could become politicians, then politicians could become entertainers! Their first idea was to stage a nativity play, but in the whole Congress they couldn’t find three wise men or a virgin! So, they decided to dig into the headlines of the day, and created song parodies & skits which conveyed a special brand of satirical humor that was as popular in Peoria as it was on Pennsylvania Avenue.

Most cast members have worked on Capitol Hill; some for Democrats, some for Republicans, and others for politicians who firmly straddle the fence. No matter who holds office, there’s never a shortage of material. Says Elaina Newport, “Typically the Republicans goof up, and the Democrats party. Then the Democrats goof up and the Republicans party. That’s what we call the two-party system.”

ALTHOUGH the Capitol Steps are based in Washington, DC, most of their shows are out-of-town or for out-of-town audiences, whether it’s the National Welding Supply Association, a University audience, High Schoolers, or State Legislators. In fact, the Capitol Steps have performed for the last 5 Presidents (6, if you include Hillary). The only complaints the Steps seem to get are from politicians and personalities who are not included in the program!

No matter who or what is in the headlines, you can bet the Capitol Steps will tackle both sides of the political spectrum and all things equally foolish. What more would you expect from the group that puts the “MOCK” in Democracy?!

Click here to purchase tickets.

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WHO IS AMOS OTIS? Runs Sept. 27-29

MEMO_Who is Amos Otis promoWHO IS AMOS OTIS?
Sept. 27-29
Memorial Hall [Over-the-Rhine]

Written and directed by Greg Newberry

Cast: Michael G. Bath, Josh Katawick, Rico Reid, Derek Snow, A.J. Ford, Abi Esmena, Don Volpenhein, Carol Brammer, Fred Murrell & Moulay Essakalli

An assassin confounds the courtroom with a defense that puts the country on trial and leaves everyone wondering, “Who is Amos Otis?”  This provocative new play from award-winning writer/director Greg Newberry is a courtroom drama that confronts today’s political climate head-on in the spirit of the Twilight Zone or Black Mirror.  Its world premiere is at Memorial Hall for three performances only and features local stage favorite Michael Bath.  The audience will act as the jury to decide if Amos Otis is a mad man or savior and vote on his fate.  Trial begins Sept. 27.  Join the jury for this must-see theater experience of the year.

  • Fri-Sat, Sept. 27-28 at 8pm
  • Sun, Sept. 29 at 2pm

Official page | Facebook event |

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