Tag Archives: Footlighters

Auditions Announced for MURDER ON THE ORIENT EXPRESS at Footlighters, Inc.

FLI_logoThe Footlighters, Inc. announces auditions Murder on the Orient Express, Adapted for the stage by Ken Ludwig

Director: Becky Collins
Producers: Alan Masters & Charles McClinon

Auditions

  • Sunday, October 15, 2023, from 7:00 PM to 9:30 PM.
  • Tuesday, October 17, 2023, from 7:00 PM to 9:30 PM.

Callbacks (if needed)

  • Thursday, October 19, 2023, from 7:00 PM to 9:30 PM.

This production staff is committed to bringing together a diverse group of people dedicated to bringing this story to life. We encourage performers of all races, ethnicities, gender identities, sexualities, abilities, body types, and ages to audition. We hope to unite a group of people looking to enhance the arts in our community. No roles have been precast.

We are committed to the safety of all members of this production. Please bring proof of your COVID-19 Vaccination. We do require that the cast, crew, and production team be fully vaccinated.

Performances: February 15, 2023 – March 3, 2023

Location: The Stained Glass Theatre, 802 York Street, Newport, KY 41071.

What to Prepare
Please sign-up for an audition time. Walk-ins are welcomed but will be assigned to the first available audition slot.

Auditionees will be asked to read sections from the script. Audition packets and sides will be made available before the audition dates so that auditionees will have time to fill out audition forms and prepare sides for the roles for which they are interested in being considered. Many of the characters have strong accents, where appropriate, you may be asked to perform the sides with an accent.

Rehearsals begin in early January but will include some meetings in mid-December for table work and early blocking concepts.

Please contact beckykcollins@gmail.com for any accommodation requests.

Hercule Poirot
Masculine Presenting. 55-65
A famous Belgian detective; a “Big” personality; authoritative, witty, charismatic and slightly pompous; driven to find the answers, good or bad, with a strong moral sense; very aware of his ability and his well deserved reputation.

Monsieur Bouc
Masculine Presenting. 30-59
A Belgian man of good humor; playful, proud, generous; a predilection for grandeur; a whirlwind of energy; must be an excellent comedian.

Mary Debenham
Feminine Presenting. 30-40
An English beauty; a governess, capable yet romantic; a sadness around her eyes and a hardness about her person.
*Please note this character kisses the Arbuthnot character

Colonel Arbuthnot / Ratchett
Masculine Presenting. 35-59
One actor will play two roles. Samuel Ratchett: middle-aged American businessman, evil at heart and frightening, brusque, unforgiving, stern demeanor; pushy, domineering; Colonel Arbuthnot: Scotsman, also middle aged, handsome, very matter of fact, occasionally tender; must have great comic timing.
*Please note this character kisses the Mary character

Hector MacQueen
Masculine Presenting. 30-40
Tightly wound, edgy and nervous; he seems to always be on the verge of falling apart or coming unwound.

Michel the Conductor/Marcel
Masculine Presenting. 35-59
One actor will play two roles: Michel: a good-looking Frenchman, about 40, a quiet, almost grave sense of humor; unfailingly polite; Marcel: a Turkish waiter, snooty, smooth; must have great comic timing.

Princess Dragomiroff
Feminine Presenting. 55-79
A Russian dowager; very formal, a sweeping, impressive presence; imperial, impatient.

Greta Ohlsson
Feminine Presenting. 25-60
Inherently odd, and very devout Swedish woman; a frightened, sheeplike quality; must be an excellent comedienne with an impeccable Swedish accent.

Countess Andrenyi
Feminine Presenting. 25-39
Brilliantly beautiful, like something out of a fairytale; impeccably put together, with a warmth that wins over everyone she meets; her delicacy belies a steely edge; she is no wilting flower; Hungarian accent.

Helen Hubbard
Feminine Presenting. 35-60
An outspoken and flamboyant American from the Midwest; jovial, obnoxious, domineering, deliciously nosy and brash; unapologetic; must be an excellent comedienne. *Note this character sings and dances

Voice-Over Roles: Mother, Little Girl, Nanny, Father, Announcer, Radio, The Man
One to two actors will pre-record voice overs. These will be recorded near the end of the rehearsal period in January.

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The Footlighters, Inc., Kicks Off Its 60th Anniversary Season with The Mel Brooks Musical YOUNG FRANKENSTEIN

FLI_Young FrankensteinNEWPORT, KY — “IT’S ALIVE!” Join the Frankenstein family business in this gut-busting musical comedy filled with abby-normal brains, tap-dancing monsters, and laughs of monstrous proportions as The Footlighters, Inc., presents The Mel Brooks Musical Young Frankenstein as the first show of its 60th anniversary season, based on Mel Brooks’ famous movie of the same name.

Grandson of the infamous Victor Frankenstein, Frederick Frankenstein inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor, and a leggy lab assistant, Inga, Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously aboundsin this monstrously funny musical from comedic genius Mel Brooks. You’ll be rolling in the hay from laughter!

Veteran award-winning actor and longtime Footlighters Board member and stalwart Chuck Ingram busts out his platform boots and reprises his role as The Monster in Young Frankenstein after first portraying the iconic character in Cincinnati Music Theatre’s 2014 production. Chuck’s Footlighters debut was the 2009 production of 1776, which also featured his son—the first of many shows where he would share the stage with members of his family. In fact, the Ingrams have made Footlighters a “family affair,” with Chuck treading the boards with his wife and daughters in 2016’s How to Succeed in Business Without Really Trying and 2019’s Mamma Mia!

Performances:

  • Thursday – Saturday, September 14 – 16 at 7:30 p.m.
  • Sunday, September 17 at 2:00 p.m.
  • Thursday – Saturday, September 21 – 23 at 7:30 p.m.
  • Sunday, September 24 at 2:00 p.m.
  • Thursday – Saturday, September 28 – 30 at 7:30 p.m.
  • Sunday, October 1 at 2:00 p.m.

Tickets: $25 each and available online at footlighters.org/tickets or by contacting the box office at 859.652.3849 or FootlightersTickets@gmail.com.

The Footlighters, Inc., has been producing quality community theater shows in Greater Cincinnati for 60 years. The group was established in 1963 by a small group of community theater volunteers who wanted to bring theater opportunities to the west side of Cincinnati.

In 1987, the group bought the Salem United Methodist Church in Newport and transformed it into The Stained Glass Theatre. The theater is on the National Register of Historic Places and is designated a Kentucky landmark. In September of 2021, Footlighters completed the third and final phase of their accessibility project by adding ADA-compliant seating in their theater to complement the ADA ramp and elevator installed in 2017 and 2018, allowing access for all patrons with limited mobility.

For more information, please visit footlighters.org or like The Footlighters, Inc., on Facebook.

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STILL CRAZY AFTER ALL THESE YEARS Cabaret on July 21

FLI_Still CrazyONE NIGHT ONLY!
Mark your calendars!
Coming to the Stained Glass Theatre

STILL CRAZY AFTER ALL THESE YEARS
A fundraiser cabaret devised by Sherry McCamley & Diana Rogers

Friday July 21 AT 7:30 PM (doors open at 7).
Refreshments available + silent auction!
Suggested donation of $10.

RSVP at this link – www.signupgenius.com/go/10c0448aeae2babfc1-still/57163230#/
*Seating is limited, please arrive early to the show to guarantee your spot!*

Featuring the talents of:

  • Diana Rogers
  • Lesley Taylor
  • Deb Schubert
  • Cathy Lutts
  • Forrest Fairley
  • John Simpson
  • Sherry McCamley

We hope to see you there!

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2022-2023 Orchid Awards for Footlighters Inc.

FLI_logoA GENTLEMEN’S GUIDE TO LOVE AND MURDER

  • Excellence in Costume Design – Kristie Marasch & Carolyn Martinez
  • Excellence in Direction – Chad Brinkman assisted by Amanda Marasch
  • Excellence in Ensemble – The Cast of ‘A Gentleman’s Guide to Love and Murder’
  • Excellence in Lighting Design – Chad Brinkman
  • Excellence in Lighting Execution – Eric Day
  • Excellence in Musical Direction – Alan Masters
  • Excellence in Musical Theatre Performance – Alex DeVore
  • Excellence in Musical Theatre Performance – Delaney O’Toole
  • Excellence in Musical Theatre Performance – Hope Pauley
  • Excellence in Musical Theatre Performance – Wayne Wright
  • Excellence in Orchestral Performance – Alan Masters & Orchestra
  • Excellence in Producing – Jennifer Day & Cathy Lutts
  • Excellence in Set Décor – Wes Ledyard
  • Excellence in Set Design – Chad Brinkman
  • Excellence in Stage Management – Janet Wisner, Sophia Heller, and Chris Ball
  • Excellence in Vocal Direction – Joshua Goins & Alan Masters
  • Excellence in Hair/Wigs – Jim Percival
  • Excellence in House – Cathy Lutts
  • Excellence in Musical Theatre Performance – Elizabeth Beiting-Lipps
  • Excellence in Overall Performance Quality – The Cast of ‘A Gentleman’s Guide to Love and Murder’
  • Excellence in Overall Technical Quality – The Crew of ‘A Gentleman’s Guide to Love and Murder’
  • Excellence in Properties – Wes Ledyard
  • Excellence in Set Construction – Alan Masters, Gregg Dietrich, Mark Donaghy, Scott Ledyard, Don Phillips, Ken Rominger, and Rob Workley
  • Excellence in Sound Design – Forrest Goodwin
  • Excellence in Sound Execution – Forrest Goodwin
  • Excellence in Video Production Design – Eric Bardes & Chad Brinkman

FABULATION, OR THE RE-EDUCATION OF UNDINE

  • Excellence in Acting in a Play – Jasimine Bouldin
  • Excellence in Acting in a Play – Tamara Jackson-McClinon
  • Excellence in Direction – Derek J. Snow
  • Excellence in Producing – Chad Brinkman & George Fee
  • Excellence in Stage Management – Sally Flint & Jacqlyn Schott
  • Excellence in Acting in a Play – Alfred Gover, Jr.
  • Excellence in Costume Design – Beth Joos
  • Excellence in Ensemble – Derek J. Snow & Cast
  • Excellence in Ensemble – Paige Krei Adkins, Amanda Cumming, Phillip Latham, Rachel O’Reilly, Jacqlyn Schott, Geoff Simmons, Colette Noel Thomas
  • Excellence in House – Cathy Lutts
  • Excellence in Lighting Design – Chad Brinkman
  • Excellence in Lighting Execution – Caroline Goff
  • Excellence in Overall Technical Quality – Chad Brinkman, George Fee, and Tech Crew
  • Excellence in Set Construction – Alan Masters & Crew
  • Excellence in Set Décor – Chad Brinkman
  • Excellence in Set Design – Chad Brinkman

NEXT TO NORMAL

  • Excellence in Direction – Kaleigh-Brooke Scheiding
  • Excellence in Musical Theatre Performance – Evan Blanton
  • Excellence in Musical Theatre Performance – Jeff Weinkam
  • Excellence in Musical Theatre Performance – Madelaine Wilkerson
  • Excellence in Musical Theatre Performance – Will Ellis
  • Excellence in Orchestral Performance – Jon Scheiding and Orchestra
  • Excellence in Set Construction – Alan Masters & Crew
  • Excellence in Set Design – Chad Brinkman, Alan Masters, & Kaleigh Brooke Scheiding
  • Excellence in Vocal Direction – Jon Scheiding
  • Excellence in Choreography – Maddy Weinkam
  • Excellence in Costume Design – Amanda Marasch & Kristie Marasch
  • Excellence in Ensemble – The Cast of ‘Next To Normal’
  • Excellence in Lighting Design – Chad Brinkman
  • Excellence in Lighting Execution – Sarah Halvorson
  • Excellence in Musical Theatre Performance – Stephanie Ridgeway Johnson
  • Excellence in Overall Performance Quality – Kaleigh-Brooke Scheiding & The Cast of ‘Next To Normal’
  • Excellence in Producing – Amanda Marasch & Madelaine Wilkerson

PIPPIN

  • Excellence in Choreography – Robert Fields
  • Excellence in Direction – Amanda Emmons Shumate
  • Excellence in Ensemble – The Cast of ‘Pippin’
  • Excellence in Musical Theatre Performance – Allison Evans
  • Excellence in Musical Theatre Performance – Kristin Santeler
  • Excellence in Musical Theatre Performance – Sharisse Vernelle Santos
  • Excellence in Set Design – Amanda Emmons Shumate & Alan Masters
  • Excellence in Costume Design – Elaine Michael
  • Excellence in Lighting Design – Chad Brinkman
  • Excellence in Lobby Display – Amanda Emmons Shumate
  • Excellence in Makeup – Madelaine Wilkerson
  • Excellence in Musical Direction – Alan Masters
  • Excellence in Musical Theatre Performance – Gabe Schenker
  • Excellence in Orchestral Performance – The Pippin Orchestra
  • Excellence in Other – Patrick Thernes – Illusion Design
  • Excellence in Overall Performance Quality – Amanda Emmons Shumate & The Cast of Pippin
  • Excellence in Producing – Adrianna Boris, Amanda Emmons Shumate, and Alan Masters
  • Excellence in Set Construction – Alan Masters & Crew
  • Excellence in Set Décor – Wes Ledyard
  • Excellence in Stage Management – Aubrey Wilson

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Cast Announced for YOUNG FRANKENSTEIN at Footlighters, Inc.

fli_logoFootlighters, Inc. is proud to announce the first cast of our 2023-2024 season, YOUNG FRANKENSTEIN!

  • Robert Breslin – Frederick
  • Royce Louden – Igor
  • Sarah Gidley – Inga
  • Chuck Ingram – The Monster
  • Scout Grass – Elizabeth
  • Mary Vosseberg – Frau Blucher
  • Evan Blanton – Kemp/Hermit
  • Jonah Human – Ziggy
  • Trey Finkenstead – Victor
  • Kimmie Anne Thierauf – Ensemble
  • Elizabeth Travnik – Ensemble
  • Cassidy Perme – Ensemble
  • Erin Speno-Stout – Ensemble
  • Rachel Scardina – Ensemble
  • Brett Price – Ensemble
  • Tony Nguyen – Ensemble
  • Joe George – Ensemble

Mel Brooks’ electrifying musical comedy, directed by John Siedenberg, will be brought to life this fall, with performances running September 14-October 1. More information can be found at Footlighters.org

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