Tag Archives: Cincinnati Playhouse in the Park

Playhouse’s Provocative Production of BUZZER Pushes Timely Hot Buttons, March 21-April 19, 2015

CINCINNATI PLAYHOUSE IN THE PARK’S PROVOCATIVE PRODUCTION OF TRACEY SCOTT WILSON’S BUZZER PUSHES TIMELY HOT BUTTONS , MARCH 21 – APRIL 19, 2015

PIP_Buzzer(CINCINNATI) – Tracey Scott Wilson’s provocative new play BUZZER, set in a gentrifying neighborhood, takes up residence in the Cincinnati Playhouse in the Park’s Thompson Shelterhouse Theatre March 21 through April 19. By turns darkly funny and heartbreaking, BUZZER pushes many timely hot buttons of race, class, sex and real estate.

Wilson brings three longtime friends together to live in an apartment in a rapidly changing community: Jackson, a successful black attorney who grew up in the neighborhood and views acquiring the upscale apartment as his triumphal return “home”; Suzy, his white girlfriend, who teaches at an inner-city school; and Don, Jackson’s white prep-school friend, who squandered his birthright of wealth and privilege on a drug habit he’s trying to overcome. For Jackson, it’s a complicated homecoming to a neighborhood that’s only partially familiar. For Suzy, the location’s tensions shadow its potential charm. And for Don, whose addiction immersed him in the neighborhood’s dangerous past, it’s a balancing act that leaves him tottering.

BUZZER’S triangle of 20-somethings — who have grown up in a multicultural world that is sometimes declared to be “post-racial” — have a different experience of race relations from previous generations, but it quickly becomes apparent that they still haven’t figured out how to handle them openly. Their apartment is an uneasy sanctuary, and the perils of the neighborhood soon come through the door despite the barriers set up to keep them out.

“Any three individuals who share a complicated history and who are living in close quarters are bound to reignite the prickly, unresolved issues among them … that’s just human nature,” says Playhouse Associate Artist Timothy Douglas, who is directing BUZZER. “Add to

that BUZZER’S scrutinizing look across the lines of marriage, culture and class — and the result is a real-time example of the well-made play.”

BUZZER was commissioned by Pillsbury House Theatre, where it debuted in 2012, and Guthrie Theater, where it ran in 2013. BUZZER will make its off-Broadway debut this spring at The Public Theater. Wilson’s other works include The Story, The Good Negro, Order My Steps, Exhibit #9 and Leader of the People. She has also worked as a television writer, on the FX spy drama The Americans and NBC’s Do No Harm.

“BUZZER is my first directing encounter with Tracey Scott Wilson’s work,” says Douglas, “though I was an immediate fan when I saw the New York productions of her plays The Story and The Good Negro. What most attracts me to Ms. Wilson’s work is its ability to distill the innumerable angles and often confounding conversations surrounding issues of race in America in a progressive and clarifying way.”

The BUZZER cast features Cincinnati native Eric Lynch as Jackson, Alec Shaw as Don and Carly Zien as Suzy. The creative team, in addition to Douglas, includes set designer/costume designer Junghyun Georgia Lee, lighting designer Peter Maradudin and sound designer Matthew M. Nielson. Jenifer Morrow is the production stage manager.

BUZZER is sponsored by Sallie and Randolph Wadsworth. TriVersity Construction is the design sponsor. The honorary producer is The Crawford Family Foundation.

Ticket prices for BUZZER start at $30. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is recommended for adult audiences.

New for the 2014-15 season is Sunday College Night, with tickets to all 7 p.m. Sunday performances priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances. In advance, student tickets are $30.

Previews for BUZZER are at 8 p.m. Saturday, March 21; 7 p.m. Sunday, March 22; 7:30 p.m. Tuesday, March 24; and 7:30 p.m. Wednesday, March 25. The official opening night is Thursday, March 26, at 8 p.m. Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays. Because BUZZER is a show that is designed to foster discussion, the Playhouse will host talkback sessions after each performance. There will also be a Playhouse Perspectives event at 6:30 p.m. Saturday, March 28, which is free and open to the public. Participants will include Timothy Douglas as well as representatives from HOME (Housing Opportunities Made Equal), a Greater Cincinnati fair housing organization. Playhouse Perspectives is supported by Roderick and Barbara Barr.

Additionally, free Meet the Artists programs that allow audiences to interact with the cast and others associated with the production will be held after the following performances: 2 p.m. Sunday, March 29; 2 p.m. Sunday, April 5; 7:30 p.m. Wednesday, April 8; and 8 p.m. Thursday, April 16.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available. Tickets to BUZZER are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2014-15 Thompson Shelterhouse Theatre Series is presented by the Heidelberg Distributing Company, and Humana is the Thompson Shelterhouse season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation. The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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CHAPATTI Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Dan (Jonathan Gillard Daly) and Betty (Sarah Day) take turns telling the story of how they met. Photo by Sandy Underwood.

Dan (Jonathan Gillard Daly) and Betty (Sarah Day) take turns telling the story of how they met. Photo by Sandy Underwood.

CHAPATTI presented by Cincinnati Playhouse in the Park through March 8. Click here for more information on the production. I attended the opening night performance.

“All that matters, is love.” -Betty

Just in time for Valentine’s Day, Cincinnati Playhouse in the Park opens this Irish gem of a love story.

Sarah Day as Betty. Photo by Sandy Underwood.

Sarah Day as Betty. Photo by Sandy Underwood.

On entering the theater, the audience is greeted by Scott Bradley’s excellent and detailed set of an Irish pub. As the play begins, the Barman, played by Jay Hobson, is busied with various tasks as two patrons enter the pub. Dan (Jonathan Gillard Daly) and Betty (Sarah Day), who greet the audience as fellow bar patrons, order their respective drinks, and take seats near the fireplace to tell their story.

The play is delivered mostly as narrative, as the leads take turns recounting their lives leading up to their meeting and the events that follow. This gives surprising strength to those moments when the two interact directly, and quite the emotional punch to the final few scenes.

Jonathan Gillard Daly as Dan. Photo by Sandy Underwood.

Jonathan Gillard Daly as Dan. Photo by Sandy Underwood.

Their story unfolds at a leisurely pace and at first feels a bit mundane. As in life, as the characters (and the audience) gain a more intimate knowledge of each other, and their respective pasts, the story that unfolds is anything but.

Smartly directed by Anne Marie Cammarato, both Daly and Day do excellent work in their roles, individually and together. Their characters are easily likable and relate-able. Dan carries the burden of the recent loss, of the love of his life, while Betty quietly yearns for a true love she has never known. I have to admit, as the play neared its conclusion, I was taken by surprise by how emotionally vested I became in their story.

Overall a simple, yet beautifully-told and emotionally-satisfying love story.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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VIDEO: Fall in love with CHAPATTI at Cincinnati Playhouse

Jonathan Gillard Daly as Dan and Sarah Day as Betty. Photo by Sandy Underwood.

Jonathan Gillard Daly as Dan and Sarah Day as Betty. Photo by Sandy Underwood.

Two seniors bond over their shared affection for animals in this warm, gentle and offbeat Irish love story. Betty spends most of her time alone, when she’s not acting as a caregiver to her friend or her 19 cats. Still grieving for the love of his life, Dan finds his most faithful friend is his trusty dog, Chapatti. When their paths cross unexpectedly, these two lonely hearts find their lives and expectations for the future change in surprising ways as they rediscover the joy that comes with human companionship.

Performances continue through March 8. For more information click here.

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Stage Notes for Feb. 13

 

Sarah Day as Betty. Photo by Sandy Underwood.

Sarah Day as Betty in CHAPATTI at Cincinnati Playhouse in the Park. Photo by Sandy Underwood.

A potpourri of arts news items from local and national sources.

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PETER AND THE STARCATCHER Reveals The Never Knew at Cincinnati Playhouse in the Park, March 7-April 4, 2015

PIP_Peter and the Starcatcher logo(CINCINNATI) – PETER AND THE STARCATCHER continues the Cincinnati Playhouse in the Park’s Marx Theatre season with an inspired, hilarious and epic Peter Pan prequel that mixes grown-up fun for adults, ample silliness for children and storytelling magic for the kid in us all. The captivating winner of five Tony Awards, adapted for the stage by Rick Elice from the Dave Barry and Ridley Pearson novel, will bring Neverland to new life March 7 through April 4.

The story centers on Molly, the insatiably curious daughter of a British lord on a secret mission for Queen Victoria to the remote kingdom of Rundoon. What is supposed to be a standard voyage turns instead into a daring sea mission, during which Molly meets an orphan boy longing for a home. The two embark on the adventure of a lifetime, one complete with not-so-swashbuckling pirates, a breathtaking shipwreck and even singing mermaids.

PETER AND THE STARCATCHER sprang from the imagination of Pearson’s then 5-year-old daughter, who, while they were reading J.M. Barrie’s classic Peter Pan, asked her father how Peter met Captain Hook. From there, Pearson and fellow author Dave Barry joined forces to create Peter’s backstory in a series of bestselling books published by Disney.

The inventive tale was then adapted for the stage by Rick Elice, premiering at California’s La Jolla Playhouse in 2009. In 2011, the show took the East Coast by storm, first in an off-Broadway production at New York Theatre Workshop and then a critically-acclaimed Broadway run that earned five Tony Awards the following year.

“When we speak of multi-generational or family-friendly theatre, it’s very hard to find plays that work for all age levels equally well,” says Playhouse Artistic Director Blake Robison, who is directing the Playhouse production. “I’m fond of saying that a good family play is like a Pixar film: accessible and sophisticated, funny and emotional, filled with physical humor that appeals to kids and language-based humor for more literary-minded adults. PETER AND THE STARCATCHER is all that and more. It’s a great way to share the joy of live theatre with all of the kids in your life — whether they’re 8 or 80!”

The delight in both the books and the play is in discovering the backstories of beloved and iconic characters. You get to know the Neverland you never knew.

“In much the same way that Wicked makes you watch The Wizard of Oz differently, PETER AND THE STARCATCHER shines new light on the boy who refused to grow up,” says Robison.

The production asks audience members to use their own imaginations to help create the world of the play and employs stagecraft and other techniques that would have been familiar to audiences of Barrie’s day in 1904.

“PETER AND THE STARCATCHER celebrates the art of theatrical storytelling,” explains Robison. “It’s an ensemble piece, narrated by the entire company, in which places and effects spring to life before your eyes through simple and evocative staging and props. A sense of joy and wonder permeates the play. Scenically, we’ve created a simple, open space in which the actors can play. There’s a bare stage, a big curtain, a ladder and some trunks. From those few items, we make magic. Through the power of language and the manipulation of stage props, the stage becomes a ship, a dungeon, the ocean or an island. It’s a giant theatrical playground.”

The cast for PETER AND THE STARCATCHER features Andrew Carlyle (Ted), Ollie Corchado (Grempkin/Mack/Sanchez/Hawking Clam), Jamal Crowelle (Captain Robert Falcon Scott), Joanna Howard (Molly Aster), Josh Landay (Lord Leonard Aster), Sean Mellott (Prentiss), Andy Paterson (Mrs. Bumbrake/Teacher), José Restrepo (Smee), Arturo Soria (Bill Slank/Fighting Prawn), Tom Story (Black Stache), Nick Vannoy (Alf) and Noah Zachary (Boy). In addition to Robison, the creative team includes set designer James Kronzer, costume designer David Kay Mickelsen, lighting designer Kenton Yeager, sound designer/orchestrator Matthew M. Nielson, movement coach Casey Sams and music supervisor/pianist Patrick Sulken. Andrea L. Shell is the stage manager, and Jenifer Morrow is the second stage manager.

PETER AND THE STARCATCHER production co-sponsors are Johnson Investment Counsel and Ohio National Financial Services. The design sponsor is Skidmore Sales and Distributing; Atkins & Pearce, Inc., is the artist sponsor for Molly and Peter; and Rosemary and Mark Schlachter are the artist sponsors for Black Stache. The production honors the support of The Lemmerman Family.

Ticket prices for PETER AND THE STARCATCHER start at $30. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Child, teen and student tickets are $30 each. The show is appropriate for adults and young people ages 8 and up.

The Playhouse is offering a Spring Break Special for PETER AND THE STARCATCHER performances at 7 p.m. Sunday, March 29; 7:30 p.m. Tuesday, March 31; 1 p.m. and 7:30 p.m. Wednesday, April 1; and 8 p.m. Thursday, April 2. Patrons may purchase half-price children’s tickets with the purchase of regular-price adult tickets on those dates, for a savings of $15 per ticket with the promotion code Spring Break. The special is valid for any section on the above dates. There is a limit of two half-price children’s tickets per adult regular-price ticket purchased (not valid in conjunction with other discounts; tickets subject to availability).

New for the 2014-15 season is Sunday College Night, with tickets to all 7 p.m. Sunday performances priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances.

Previews are at 8 p.m. Saturday, March 7; 2 p.m. Sunday, March 8; 7:30 p.m. Tuesday, March 10; and 7:30 p.m. Wednesday, March 11. The official opening night is Thursday, March 12, at 8 p.m. Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Free post-show Meet the Artists programs that allow audiences to interact with cast members and others associated with the production will be offered at 2 p.m. Sunday, March 15; 7:30 p.m. Wednesday, March 25; 2 p.m. Sunday, March 29; and 8 p.m. Thursday, April 2.

PETER AND THE STARCATCHER will be audio described for those with visual impairments at 4 p.m. Saturday, March 28, and signed for persons with hearing impairments at 2 p.m. Sunday, March 29.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to PETER AND THE STARCATCHER are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2014-15 Robert S. Marx Theatre season is presented by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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