Tag Archives: Cincinnati Playhouse in the Park

ERMA BOMBECK: AT WIT’S END Runs May 6-June 24

PIP_Erma Bombeck promo

ERMA BOMBECK: AT WIT’S END
Cincinnati Playhouse in the Park
May 6-June 24
Eden Park

Directed by David Esbjornson

From her home outside Dayton, Ohio, bestselling author Erma Bombeck gave a hilarious voice to ordinary suburban housewives everywhere, using humor to tell the reality of her life and theirs. At Wit’s End chronicles Bombeck’s fascinating story, beginning in 1964 with the launch of her groundbreaking newspaper column through her emergence as America’s favorite mother, with top billing on kitchen refrigerators from coast to coast. Filled with Bombeck’s own wit and wisdom, this new play paints a warm and funny portrait of the woman who dared to ask, “If life is a bowl of cherries, what am I doing in the pits?”

  • In preview Sat, May 6 at 8pm & Sun, May 7 at 7pm
  • In preview, Tue-Wed, May 9-10 at 7:30pm
  • Thu, May 11 at 7:30pm
  • Fri, May 12 at 8pm
  • Sat, May 13 at 4pm & 8pm
  • Sun, May 14 at 2pm & 7pm
  • Tue-Thu, May 16-18 at 7:30pm
  • Fri, May 19 at 8pm
  • Sat, May 20 at 4pm & 8pm
  • Sun, May 21 at 2pm & 7pm
  • Tue-Thu, May 23-25 at 7:30pm
  • Fri, May 26 at 8pm
  • Sat, May 27 at 4pm & 8pm
  • Sun, May 28 at 2pm & 7pm
  • Tue, May 30 at 7:30pm
  • Wed, May 31 at 1pm & 7:30pm
  • Thu, June 1 at 7:30pm
  • Fri, June 2 at 8pm
  • Sat, June 3 at 4pm & 8pm
  • Sun, June 4 at 2pm
  • Tue, June 6 at 7:30pm
  • Wed, June 7 at 1pm & 7:30pm
  • Thu, June 8 at 7:30pm
  • Fri, June 9 at 8pm
  • Sat, June 10 at 4pm & 8pm
  • Sun, June  11 at 2pm
  • Tue-Thu, June 13-15 at 7:30pm
  • Fri, June 16 at 8pm
  • Sat, June 17 at 4pm & 8pm
  • Sun, June 18 at 2pm
  • Tue-Thu, June 20-22 at 7:30pm
  • Fri, June 23 at 8pm
  • Sat, June 24 at 4pm

Official page |

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ALL THE ROADS HOME Review

ALL THE ROADS HOME presented Cincinnati Playhouse in the Park through April 23. Click here for more information on the production. I attended the opening night performance.

ALL THE ROADS HOME follows the stories of mother, daughter and granddaughter in three thirty-minute pieces to form one over-arching story.

In the first third of the play, we meet Madeleine, a 17 year-old small-town Massachusetts girl who runs away to New York City with dreams of becoming a dancer. But “runs away” is actually an open-ended visit that drops her into the middle of her sister’s strained marriage. And “dreams of being a dancer” is more of a pipe dream since Madeleine has never taken a dance lesson in her life. It only takes one mention of her attraction to her brother-in-law to know how this part of the story is going to end.

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Tramell Tillman as Michael & Rebecca S’manga Frank as Madeleine. Photo by Mikki Schaffner.

The play then jumps two decades in the second arc, where Madeleine’s daughter (who renames herself Max) is obsessed with both being a cowboy and Dolly Parton (apparently because she is a lesbian in the 1970s, I guess). It all just seems random and unmotivated. Several earnest talks with her mother and multiple visits from “Dolly” does little to advance the story or offer much insight into Max’s character. A friendship with transfer student, Phoenix, offers Max an escape to a more open-minded San Francisco, which she decides not to pursue.

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Libby Winters as Dolly Parton & Tina Chilip as Max. Photo by Mikki Schaffner.

Finally, three more decades later, we have Madeleine’s granddaughter Nix. She has realistically pursued her dream of becoming a performer in that she can actually play a guitar and sing. She travels the country from one city to the next, performing anywhere that will have her. A chance encounter with a three-person act of two sisters and a brother offers Nix a chance at a “family” she didn’t know she wanted, but this leaves her questioning the life she has chosen.

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Tramell Tillman as Trace, Tina Chilip as Mercy, Libby Winters as Nix & Rebecca S’manga Frank as Ade. Photo by Mikki Schaffner.

The official description of the shows talks about “three generations of women and the legacies they inherit”. Personally I’m pressed to find any legacy between the characters aside from blood. Perhaps, if the topic of Max’s parentage had been pursued in some form, it could have provided a through line that carried into Nix’s story. I also found the lack of connection between the three generations strange.

The small ensemble shows good range in multiple roles, but as written I found the characters to be mostly superficial. Director Lee Sunday Evans staged the play heavily forward, creating many less-than-ideal sight lines for the audience to the left and right of the stage.

Overall, I found the script to be clichéd and lacking in characterization and substance.

My rating: 3.75 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE LION, THE WITCH AND THE WARDROBE Wraps up the Arts Center at Dunham’s Free Family Fun

PIP_The Lion the With and the Wardrobe promo

CINCINNATI, OH – March 24, 2017 — Walk through the wardrobe into Narnia for the Cincinnati Playhouse in the Park’s Off the Hill Productions of THE LION, THE WITCH AND THE WARDROBE on Saturday, April 22 at 2 p.m. at The Arts Center at Dunham (1945 Dunham Way, Cincinnati, OH 45238).

Courtesy of a grant from Price Hill Will and supported by The Robert and Adele Schiff Family Foundation and John C. Griswold Foundation, the adaptation by Le Clanché du Rand introduces audiences to a vast array of C.S. Lewis’ classic literary characters played by two actors from the Playhouse’s 2016-17 Bruce E. Coyle Acting Intern Company, including Richard Buchanan, Ernaijsa Curry, Tatum Hunter and Taha Mandviwala.

Brian Isaac Phillips, Artistic Director of Cincinnati Shakespeare Company, is directing the play. “The thing that excites me the most about working with the team is the variety of imaginations coming together to work on the same story,” says Phillips. “The script is minimal in what it demands, but it inspires many different takes on how to tell the story. I was first exposed to this story in elementary school. My hope is that our production will be an introduction for a new generation and make the same lasting impression.”

THE LION, THE WITCH AND THE WARDROBE tells the story of Narnia, beginning when the Pevensie children are taken to Professor Digory Kirke’s house in the height of the World War II Blitz. Though they’ve escaped the dangers that lurk over London, England, the siblings grow bored in the quiet house. Trying to make the most of their dreary situation, their adventures begin with an innocent game of hide-and-seek. Lucy Pevensie stumbles upon a land she never could have dreamed of when she chooses a lone wardrobe as a hiding place from her siblings.

The original C.S. Lewis novel was published in 1950 after the tough times of the war ended. Lewis takes the audience’s imaginations to their full capacities with mythical characters, including fauns, dwarves and talking lions. The adaptation begins with Lucy and Peter talking about what happened to them in Narnia. Lucy then prompts Peter to share their experiences with the audience.

With only two actors and a traveling set, the show is a performance in trunk-style theatre, with wardrobe and props emerging from a single place throughout the show. Even very young children can see themselves in the characters, as the structure of this adaptation mimics children at play.

Daunielle Rasmussen, Director of Education and Community Engagement says, “This adaptation will be a completely magical experience for little ones. It definitely meets them on their level because the way that our team is going to play is how they play: with their imaginations.” 

The show is recommended for ages 5 and up.

Reservations are recommended for the FREE Family Fun Series and can be made online (www.sunsetplayers.org) or by calling 513-588-4988.

The Arts Center at Dunham is a fine arts center for the west side of Cincinnati and its vision is to provide affordable creative and performing arts for Price Hill and surrounding communities. Housed in one of the three remaining buildings of what was the first municipally owned tuberculosis sanatorium in the United States, the Arts Center includes a 350-seat performance venue as well as extensive studio and programming space. The Arts Center is in the Dunham Recreation Complex. See what is happening at the Arts Center at Dunham on Facebook.

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Ken Ludwig’s BASKERVILLE: A SHERLOCK HOLMES MYSTERY Runs April 22-May 20

The Cleveland Play HouseKen Ludwigs Baskerville Photo by Roger Mastroianni

Rafael Untalan as Sherlock Holmes & Jacob James as Doctor Watson in Ken Ludwig’s BASKERVILLE: A SHERLOCK HOLMES MYSTER. Photo by Roger Mastroianni.

Ken Ludwig’s BASKERVILLE: A SHERLOCK HOLMES MYSTERY
Cincinnati Playhouse in the Park
April 22-May 20
Eden Park

Directed by Brendon Fox

Cast: Jacob James as Doctor Watson, Brian Owen as Actor One, Evan Alexander Smith as Actor Two, Nisi Sturgis as Actress One & Rafael Untalan as Sherlock Holmes

With equal parts comedy and adventure, Baskerville’s fast-moving, pulse-pounding and murderously funny ride plays out in grand scale, proving just how far from elementary the truth can be. The world’s favorite detective returns in the most famous case of his career. This time it’s the gloomy and foreboding world of fog, quicksand, moors and monsters that combine to create a dizzying web of clues. Sherlock Holmes and his faithful companion Doctor Watson must unravel them quickly if they hope to save the latest heir to the Baskerville fortune from a centuries-old curse. Grab your deerstalker and cape— the play’s afoot! Appropriate for adults and young people ages 11 and up. It’s a thrilling whodunit, so there’s talk of murder and mayhem, but no graphic violence and just mild adult language.

  • In preview Sat, April 22 at 8pm & Sun, April 23 at 2pm
  • In preview Tue-Wed, April 25-26 at 7:30pm
  • Thu, April 27 at 7:30pm
  • Fri, April 28 at 8pm
  • Sat, April 29 at 4pm & 8pm
  • Sun, April 30 at 2pm & 7pm
  • Tue-Thu, May 2-4 at 7:30pm
  • Fri, May 5 at 8pm
  • Sat, May 6 at 4pm & 8pm
  • Sun, May 7 at 2pm & 7pm
  • Tue-Thu, May 9-11 at 7:30pm
  • Fri, May 12 at 8pm
  • Sat, May 13 at 4pm & 8pm
  • Sun, May 14 at 2pm & 7pm
  • Tue May 16 at 7:30pm
  • Wed, May 17 at 2pm
  • Thu, May 18 at 7:30pm
  • Fri, May 19 at 8pm
  • Sat, May 20 at 4pm & 8pm

Official page |

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Local Equity Auditions at Cincinnati Playhouse in the Park

PIP_logoAnnual Local Equity Principal Auditions

Cincinnati Playhouse in the Park will be holding their Local Equity Principal Auditions on March 27, 2017, 9:30 a.m. – 5:30 p.m. We will be seeing Equity members and Equity Membership Candidates. Non-union/Non-EMC actors are asked to submit their photo and resume for consideration.

To schedule an appointment, contact Playhouse at 513-345-2242 during the hours of 9 a.m. – 5 p.m., Monday through Friday. We will be scheduling appointments by phone only during these stated hours.

One or two (contrasting) monologue(s) not to exceed three minutes, OR, for musical audition, one monologue and one song not to exceed three minutes. If interested in a musical audition, please schedule an afternoon audition slot. An accompanist will be provided between 1:30 p.m. and 5:30 p.m. Clearly marked music will be required for the accompanist. No pre-recorded music please. Please bring a headshot and resume.

 

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