Tag Archives: Cincinnati Playhouse in the Park

PRIDE AND PREJUDICE Runs March 8-April 5

PIP_Pride and PrejudicePRIDE AND PREJUDICE
Presented by Cincinnati Playhouse in the Park
March 8-April 5
Eden Park

Directed by Artistic Director Blake Robison

Cast: Kate Cook as Elizabeth Bennet, Alan Dronek as Mr. Wickham, Loren Dunn as Mr. Darcy, John Feltch as Mr. Bennet, Annie Fitzpatrick as Lady Lucas/Mrs. Gardiner, Kate Goehring as Mrs. Bennet, Jared Joplin as Fitzwilliam/Mr. Denny, Lindsey Kyler as Lydia Bennet, Matt Leisy as Mr. Bingley, Deanne Lorette as Lady Catherine de Bourgh, Gracyn Mix as Miss Caroline Bingley, Barry Mulholland as Sir William Lucas/Mr. Gardiner, Kevin Orton as Mr. Collins, Elizabeth Sargent as Charlotte Lucas/Mrs. Reynolds, Shayna Schmidt as Mary Bennet/Anne de Bourgh, Britian Seibert as Kitty Bennet/Georgiana Darcy & Katya Stepanov as Jane Bennet, 
Ensemble: Meggy Hai Trang, Chelsea D. Harrison, Jon Kovach, Rico Reid, Sam Rueff & Justin Weaks

Girl meets boy. Girl loathes boy. Girl and boy fall in love. It is a truth universally acknowledged that Jane Austen’s most popular novel is also one of the greatest romances of all time. In this lavish, full-scale production, you’ll fall in love all over again with the headstrong and independent Elizabeth Bennet, the arrogant but honorable Mr. Darcy and all of Austen’s other beloved characters as they navigate the rocky road of manners and matrimony. Advisory: PRIDE AND PREJUDICE is suitable for general audiences. Because of the full-length nature of the play, it is recommended for ages 10 and up.

  • In preview Sat, March 8 at 8pm & Sun, March 9 at 2pm. $30 seats available.
  • In preview Tue-Wed, March 11-12 at 7:30pm. $30 seats available.
  • Thu-Fri, March 13-14 at 8pm
  • Sat, March 15 at 4pm & 8pm
  • Sun, March 16 at 2pm & 7pm
  • Tue, March 18 at 7:30pm
  • Thu-Fri, March 20-21 at 8pm
  • Sat, March 22 at 4pm & 8pm
  • Sun, March 23 at 2pm & 7pm
  • Tue-Wed, March 25-26 at 7:30pm
  • Thu-Fri, March 27-28 at 8pm
  • Sat, March 29 at 4pm & 8pm
  • Sun, March 30 at 2pm & 7pm
  • Tue, April 1 at 7:30pm
  • Wed, April 2 at 1pm & 7:30pm
  • Thu-Fri, April 3-4 at 8pm
  • Sat, April 5 at 4pm & 8pm

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PIP’s Jane Austen/PRIDE AND PREJUDICE Celebration

PIP_Pride and PrejudicePlayhouse JANE AUSTEN/PRIDE AND PREJUDICE Celebration

Join us Wednesday, February 19, at 7pm at Joseph-Beth Booksellers in Rookwood Pavilion for a special event celebrating the Playhouse’s production of PRIDE AND PREJUDICE.

We’ll cover all things Jane Austen – from the enduring legacy of her books to her influential role in pop culture today – with a panel discussion featuring Playhouse Artistic Director (and PRIDE AND PREJUDICE director) Blake Robison; Austen enthusiast Ashley Tongret; and Austen scholar Dr. Barbara Wenner.

Test your own Jane Austen knowledge, earn prizes and more!

Festivities begin at 6pm with a happy hour. The panel starts at 7pm. No reservations are necessary.

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Daniel Beaty: Free Performance and Book Signing‏ at PIP

Daniel Beaty embodies the stories of six African-American men in THROUGH THE NIGHT at Cincinnati Playhouse in the Park.

Daniel Beaty embodies the stories of six African-American men in THROUGH THE NIGHT at Cincinnati Playhouse in the Park.

Daniel Beaty, who wowed Playhouse audiences last season in THROUGH THE NIGHT, will return for ONE evening only for a free book signing on February 24 at 6:30PM. This event will include a performance in our Marx Theatre, followed by a Q&A session and book signing in the Rosenthal Plaza.

Daniel (who grew up just to the north of us in Dayton) has worked throughout the US, Europe, and Africa, performing on programs with artists such as Ruby Dee, Ossie Davis, Jill Scott, Sonia Sanchez, MC Lyte, Mos Def, Tracy Chapman, Deepak Chopra and Phylicia Rashad. Daniel holds a BA with Honors in English & Music from Yale University and an MFA in Acting from the American Conservatory Theatre. He has performed at The White House and has graced the stage of The Kennedy Center in tribute to Ruby Dee and Ossie Davis.

The Playhouse performance and book signing are free, but reservations at the Box Office are required. Call 513-421-3888 for more information and to reserve your spot.

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4000 MILES, Obie Award Winner & TIME Magazine’s No. 1 Play of 2012 Debuts at PIP

4000 MILES, OBIE AWARD WINNER AND TIME MAGAZINE’S NO. 1 PLAY OF 2012, DEBUTS AT THE CINCINNATI PLAYHOUSE FEB. 8 – MARCH 9

PIP_4000 Miles(CINCINNATI) – Vera Joseph and her grandson Leo discover connections both humorous and touching in Amy Herzog’s acclaimed play 4000 MILES, an intimate comedy-drama which runs in the Playhouse’s Thompson Shelterhouse Theatre from Feb. 8 through March 9.

“I’ve loved this play since I saw it in New York,” says Playhouse Artistic Director Blake Robison, who will direct 4000 MILES. “It’s simple and honest. There are no tricks. It doesn’t play with theatrical form. It’s just a moving story about a 21-year-old guy and his 91-year-old grandmother helping each other in a time of need.”

In the Playhouse production, Vera Joseph will be played by stage and television veteran Rosemary Prinz, who comes to the role with a wealth of acting experience. She is best known in the world of soap opera television for her portrayal of Penny Hughes in the daytime show As the World Turns — a role she played from 1956 to 1968 to much recognition and popularity. Prinz has also performed in more than 300 plays around the world. On Broadway, she made her debut in The Grey-Eyed People in 1952 and appeared with Jack Lemmon in the 1978 production of Tribute. Other Broadway credits include Prisoner of Second Avenue, Three Men on a Horse, Tonight in Samarkand and Late Love. Off-Broadway, she originated the role of M’Lynn in Steel Magnolias, and her national tours have included Driving Miss Daisy, Last of the Red Hot Lovers and California Suite.

It’s the middle of the night when Leo arrives unannounced at Vera’s Greenwich Village apartment at the terminus of a cross-country trip, carrying far more weight than his bicycle gear. Despite their 70-year age gap, a comradeship grows between them as they spend time together as two adults at divergent stages of life. Leo is running from recent events, while Vera is anchored somewhat in her past. Dramatic elements of each of their stories unfold in layers — without undue sentimentality, yet with poignancy and heart.

For Robison, what makes 4000 MILES compelling is that “theirs is a relationship that you don’t see on stage very often. It’s unusual for kids to really know their grandparents these days, so the coming together of these two lonely souls is beautiful and touching.”

4000 MILES premiered off-Broadway as a Steinberg New Works Program production in June 2011, presented by Lincoln Center Theatre/LCT3 in New York City. It then moved to New York’s Mitzi E. Newhouse Theater in April 2012, garnering an Obie Award for Best New American Play. 4000 MILES was named Time magazine’s No. 1 Play or Musical of 2012 and was also a finalist for the 2013 Pulitzer Prize for Drama. “No one currently writing for the theater has a sharper grasp of character, or more sheer storytelling technique,” Time wrote of Herzog.

Herzog has included semi-biographical elements in 4000 MILES. Vera is inspired by her real-life grandmother Leepee Joseph, whom Herzog has described as “funny, dry, sassy and devastating.” The characters of Vera and Leo also appeared, in smaller roles, in Herzog’s play After the Revolution, which explored the radical leftist politics of her forebears. Herzog’s other plays include The Great God Pan and Belleville.

In addition to Rosemary Prinz, the cast for 4000 MILES includes Robbie Tann as Leo Joseph-Connell, Adina Verson as Bec and Christine Lin as Amanda and Lily. The play’s creative team includes set designer James Kronzer, costume designer David Kay Mickelsen, lighting designer Matthew Richards and sound designer Matthew M. Nielson. Jenifer Morrow is the production stage manager.

4000 MILES is sponsored by Fifth Third Bank. The design sponsor is The Geiler Company. The production honors the support of Gary and Linda Greenberg. Prices range from $30 to $80, depending on performance date and seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, Feb. 8; 7 p.m. Sunday, Feb. 9; 7:30 p.m. Tuesday, Feb. 11; and 7:30 p.m. Wednesday, Feb. 12. The official opening night is Thursday, Feb. 13, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artists programs that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, Feb. 16; 2 p.m. Sunday, Feb. 23; 7:30 p.m. Wednesday, Feb. 26; and 8 p.m. Thursday, March 6. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to 4000 MILES are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Thompson Shelterhouse Theatre Series is sponsored by the Heidelberg Distributing Company, and Humana is the Thompson Shelterhouse season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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CLYBOURNE PARK Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

CLYBOURNE PARK presented by Cincinnati Playhouse in the Park through Feb. 16.

Photo by Sandy Underwood.

Photo by Sandy Underwood.

The 2014 season continues its momentum with another talented ensemble taking to a local stage, this time at Cincinnati Playhouse in the Park. Due to the two acts of the play taking place 50 years apart inside the same house, we get to see some fun character work, especially from the ladies. Strong direction by Timothy Douglas keeps the play moving well and takes advantage of the space available, especially when nearly the entire cast is on stage. The script is smart and funny with some clever parallels between the acts, in characters and staging, that I really enjoyed.

Both acts start off Seinfield-esque in tone before the script addresses the weightier issues. There were times in both acts where these conversations seemed a bit slow in pick-up and pacing. I’m sure this will work itself out quickly with a few more performances. It was also unclear to me what the meeting in Act II was regarding until a bit later in the act.

Tensions flare in the Cincinnati Playhouse in the Park’s production of Bruce Norris’ CLYBOURNE PARK, a razor-sharp satire of race and real estate.

Tensions flare in the Cincinnati Playhouse in the Park’s production of Bruce Norris’ CLYBOURNE PARK, a razor-sharp satire of race and real estate.

The set design by Tony Cisek is truly impressive, especially the transition into Act II where the attention to detail is phenomenal and easy to get lost in. I did find the wallpaper in Act I to be a bit visually overwhelming, mainly due to the square footage of it on the walls.

Lena (Deonna Bouye) expresses her frustrations to Steve (Rex Young) about his plans to tear down her aunt’s former home. Photo by Sandy Underwood.

Lena (Deonna Bouye) expresses her frustrations to Steve (Rex Young) about his plans to tear down her aunt’s former home. Photo by Sandy Underwood.

I was also unclear about the epilogue at the end of Act II. It seemed a bit confused linearly to me.

Overall a well-done and thought-provoking production. The topic of racism (like many that plague our nation) evokes such extreme reactions that its hard to find middle ground to even discuss it. At least for two hours we experienced laughter together, even when we saw aspects of ourselves on stage that struck a little to close to home.

More information |

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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