Tag Archives: Cincinnati Playhouse in the Park

A DELICATE SHIP World Premiere at PIP March 22-April 20

A DELICATE SHIP RECEIVES ITS WORLD PREMIERE AT CINCINNATI PLAYHOUSE IN THE PARK, MARCH 22 – APRIL 20

PIP_A Delicate Ship(CINCINNATI) – The Cincinnati Playhouse in the Park launches the third world premiere of its 2013-14 season, Anna Ziegler’s humorous and heartbreaking memory play, A DELICATE SHIP, March 22 through April 20 in the Thompson Shelterhouse Theatre.

On Christmas Eve, Sarah and Sam are wrapped up in their still-new love when a knock on the door shatters their relationship fog. The arrival of Nate, Sarah’s friend and former neighbor from childhood, embodies the third point of a complicated love triangle. The emotional tides then turn in unexpected ways that permanently change the lives of all three of them.

“It’s an adult play for thoughtful and adventurous audiences,” says Playhouse Artistic Director Blake Robison. “Many of our patrons look to the Shelterhouse for just this sort of serious work. Anna is one of a group of young, female playwrights who are taking the American theatre by storm. She brings her own delicate and unique perspective to character, story and relationships on stage.”

Anna Ziegler’s A DELICATE SHIP is the ninth mainstage world premiere by a female playwright that the Playhouse has produced in the 21st century.

“It’s important to support women artists — to tell their stories and to hear their voices on stage,” says Robison. “Historically, theatre has championed plays by male writers. I’m very proud that the Playhouse has produced works by many of today’s most exciting female playwrights, from Anna to Deborah Zoe Laufer, Carson Kreitzer, Melanie Marnich, Theresa Rebeck and others.”

Ziegler’s plays include Photograph 51, Dov and Ali, Another Way Home, The Minotaur, BFF, Novel, Evening All Afternoon and Life Science. Photograph 51, which explored real-life physicist Rosalind Franklin’s contributions to the discovery of the DNA double helix, won the 2008 STAGE International Competition for the best script about science and technology. Ziegler also has been honored with the Edgerton New American Play Award, for Another Way Home, and the Douglas T. Ward Playwriting Prize, which was awarded by New York University’s Tisch School of the Arts, from which she earned an MFA.

“One of the things that drew me to A DELICATE SHIP is the way Anna plays with time,” says Playhouse Associate Artist Michael Evan Haney, who is directing the play. “One of the themes she explores is how the past, present and future are all happening within us at the same time. The play is realistic with surreal overtones.”

“I find this form really freeing,” Ziegler says of the memory play structure of A DELICATE SHIP. “It allows me to tell a story that’s happening in real time without being limited by what dialogue and information would be naturally spoken and revealed during the specific window of the story. I can reach back into the past, or steal from the future, to give the present day more dimension and meaning. It’s a bit more like a novel in that sense, which, in turn, is more similar to the way we actually live — we never truly exist, frozen, in a particular time; every experience harkens back to something else, or makes us hope for, or fear, something in the future.”

Making their Playhouse debuts in A DELICATE SHIP are Janie Brookshire as Sarah and Karl Miller as Nate. Ben Diskant, who portrays Sam, was seen as Frank Jr. in the Playhouse’s 2012 production of Merrily We Roll Along. The creative team includes Narelle Sissons as the set designer, Gordon DeVinney as the costume designer, Kirk Bookman as the lighting designer and Fabian Obispo as the sound designer/composer. Becky Merold is the stage manager.

A DELICATE SHIP is sponsored by Bartlett & Co. The artist sponsor is Gallagher SKS, and additional support is provided by The Harold and Mimi Steinberg Charitable Trust. The production honors the support of Leon Meyer. Prices range from $30 to $80, depending on performance date and seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, March 22; 7 p.m. Sunday, March 23; 7:30 p.m. Tuesday, March 25; and 7:30 p.m. Wednesday, March 26. The official opening night is Thursday, March 27, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artists programs that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, March 30; 2 p.m. Sunday, April 6; 7:30 p.m. Wednesday, April 9; and 8 p.m. Thursday, April 17. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to A DELICATE SHIP are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Thompson Shelterhouse Theatre Series is presented by the Heidelberg Distributing Company, and Humana is the Thompson Shelterhouse season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Leave a comment

Filed under Press Releases

A DELICATE SHIP Runs March 22-April 20

PIP_A Delicate ShipA DELICATE SHIP
Presented by Cincinnati Playhouse in the Park
March 22-April 20
Eden Park

Directed by Michael Evan Haney

Cast: Janie Brookshire as Sarah, Ben Diskant as Sam & Karl Miller as Nate

A haunting love triangle triggers an unexpected chain of events in this poetic world premiere play. In the early stages of a new relationship, Sarah and Sam are lovers happily discovering each other. Sarah and Nate know everything about each other, best of friends since childhood and maybe something more. But when Nate shows up unannounced on Sarah’s doorstep, she’s left questioning what and who she wants in this humorous and heartbreaking look at love, memory and the decisions that alter the course of our lives. Advisory: A Delicate Ship is appropriate for adult and older teenage audiences. There is adult language and mature content. Please contact the Box Office if you have questions or require additional information.

  • In preview Sat, March 22 at 8pm & Sun, March 23 at 7pm. $30 seats available.
  • In preview Tue-Wed, March 25-26 at 7:30pm. $30 seats available.
  • Thu-Fri, March 27-28 at 8pm
  • Sat, March 29 at 4pm & 8pm
  • Sun, March 30 at 2pm & 7pm
  • Tue-Wed, April 1-2 at 7:30pm
  • Thu-Fri, April 3-4 at 8pm
  • Sat, April 5 at 4pm & 8pm
  • Sun, April 6 at 2pm & 7pm
  • Tue-Wed, April 8-9 at 7:30pm
  • Thu-Fri, April 10-11 at 8pm
  • Sat, April 12 at 4pm & 8pm
  • Sun, April 13 at 2pm & 7pm
  • Tue, April 15 at 7:30pm
  • Wed, April 16 at 1pm & 7:30pm
  • Thu-Fri, April 17-18 at 8pm
  • Sat, April 19 at 4pm & 8pm
  • Sun, April 20 at 2pm

Official page |

Leave a comment

Filed under On Stage

4000 MILES Quick-Review

Vera Joseph (Rosemary Prinz) and her grandson, Leo Joseph-Connell (Robbie Tann), get reacquainted after years apart. Photo by Sandy Underwood.

Vera Joseph (Rosemary Prinz) and her grandson, Leo Joseph-Connell (Robbie Tann), get reacquainted after years apart. Photo by Sandy Underwood.

4000 MILES presented by Cincinnati Playhouse in the Park through March 9.

Veteran actress Rosemary Prinz shines as feisty grandmother Vera Joseph is this cute and offbeat comedic play. Robbie Tann also does well as Leo, but there were times he came off more caricature than character. Prinz and Tann have a believable relationship as grandmother and grandson. Opening night, Tann’s scenes with the other two actresses (Adina Verson as Bec & Christine Lin as Amanda/Lily) still felt a bit rough around the edges.

The set design by James Kronzer is well done. Director Blake Robinson’s blocking does have the actors side by side on the couch a bit too often for my tastes. It creates less-than ideal sight-lines for the four seats against the upstage wall of the side sections.

I also found the staging of the final scene to be a bit stagnant. For a show about continuing to move forward, it felt strange to have it end with the characters simply sitting on the couch.

Overall, a laugh out loud, funny script with some nice touching moments. Rosemary Prinz steals the show and our hearts.

More information

My rating: 3.75 out of 5

Leave a comment

Filed under Reviews

PRIDE AND PREJUDICE Shines in Lavish Production at PIP, March 8-April 5

PRIDE AND PREJUDICE SHINES IN LAVISH, FULL-SCALE PRODUCTION AT CINCINNATI PLAYHOUSE, MARCH 8 – APRIL 5

PIP_Pride and Prejudice

(CINCINNATI) – Romance is in the air at the Cincinnati Playhouse in the Park as Jane Austen’s masterpiece PRIDE AND PREJUDICE, adapted for the stage by Joseph Hanreddy and J.R. Sullivan, comes to life on the Robert S. Marx Theatre stage March 8 to April 5.

“Austen fans will appreciate the size and scope of this production,” says Artistic Director Blake Robison, who is directing the Playhouse production. “It’s epic. It includes all of the fun, secondary characters that make the story such a pleasure.” While the full-scale production is lavish, the story itself is simple: Girl meets boy. Girl loathes boy. Girl and boy fall in love. But for the headstrong and independent Elizabeth Bennet and the arrogant but noble Mr. Darcy, the journey to happily ever after is far from effortless. As they navigate the rocky road of manners and matrimony, audiences, too, will fall in love with the wit, warmth and wisdom of Austen’s timeless tale.

Robison knows how easy it is to be swept under Austen’s spell. “I adore Austen’s world. It’s filled with manners and propriety, but within that world, people are exposed for their ridiculousness,” he says. “The story is a satire of the marriage market and an exploration of true love. What could be more fun than that?”

It’s easy to understand why generations of readers (and now theatregoers) get wrapped up in the love lives of PRIDE AND PREJUDICE’S main characters. “At its core, PRIDE AND PREJUDICE is about the true nature of love,” says Robison. “This is my third production of this script. My one constant has been Kate Cook, the extraordinary actress who plays Elizabeth Bennet (and who appeared as Ana in last season’s Playhouse production of THE BOOK CLUB PLAY). For me, she captures Lizzie’s intelligence and vulnerability.”

Audiences will also be enchanted by the beautiful designs being created for the show by the Playhouse’s extraordinary production team. That includes more than 40 costumes, 13 wigs and at least 15 bonnets designed by Bill Black, whose work was last seen at the Playhouse in THE THREE MUSKETEERS. Props artisans are building a pianoforte and wiring a chandelier with 32 individual flicker candles that can be “lit” during the show’s prelude.

One of the most striking aspects of the set by Joe Tilford (who has designed more than 30 productions at the Playhouse, including AS YOU LIKE IT, AROUND THE WORLD IN 80 DAYS and BLUES FOR AN ALABAMA SKY), is its wall of 39 salon-style paintings, so pervasive in homes of the period. In a unique collaboration, the works Playhouse audiences will see onstage include 12 paintings being reproduced from originals in the collections of the Cincinnati Art Museum and The Taft Museum of Art.

In addition to Kate Cook as Elizabeth Bennet, the cast for PRIDE AND PREJUDICE features Alan Dronek as Mr. Wickham, Loren Dunn as Mr. Darcy, John Feltch as Mr. Bennet, Annie Fitzpatrick as Lady Lucas/Mrs. Gardiner, Kate Goehring as Mrs. Bennet, Jared Joplin as Fitzwilliam/Mr. Denny, Lindsey Kyler as Lydia Bennet, Matt Leisy as Mr. Bingley, Deanne Lorette as Lady Catherine de Bourgh, Gracyn Mix as Miss Caroline Bingley, Barry Mulholland as Sir William Lucas/Mr. Gardiner, Kevin Orton as Mr. Collins, Elizabeth Sargent as Charlotte Lucas/Mrs. Reynolds, Shayna Schmidt as Mary Bennet/Anne de Bourgh, Britian Seibert as Kitty Bennet/Georgiana Darcy, Katya Stepanov as Jane Bennet, and Meggy Hai Trang, Chelsea D. Harrison, Jon Kovach, Rico Reid, Sam Rueff and Justin Weaks as soldiers, maids, party guests and townspeople. In addition to Joe Tilford and Bill Black, the creative team also includes lighting designer Kevin Rigdon, sound designer Joe Payne, vocal/dialect coach Jack Greenman and choreographer Dee Anne Bryll. Andrea L. Shell is the stage manager, and Becky Merold is the second stage manager.

PRIDE AND PREJUDICE is sponsored by Leading Ladies. Johnson Investment Counsel is the design sponsor, and Atkins & Pearce is the artist sponsor (Elizabeth Bennet and Mr. Darcy). The production honors the support of Keith and Terry Lemmerman.

Tickets for PRIDE AND PREJUDICE range from $30 to $80, depending on seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, March 8; 2 p.m.

Sunday, March 9; 7:30 p.m. Tuesday, March 11; and 7:30 p.m. Wednesday, March 12. The official opening night is Thursday, March 13, at 8 p.m. Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays. In honor of PRIDE AND PREJUDICE’S British lineage, Playhouse audiences are invited to indulge in a classic afternoon tea by BonBonerie, which will be served before each 4 p.m. Saturday matinee. The cost is $20 per person, and space is limited; to make a reservation, call the Playhouse Box Office at 513-421-3888.

Free post-show Meet the Artists programs that allow audiences to interact with cast members and others associated with the production will be offered at 2 p.m. Sunday, March 16; 7:30 p.m. Wednesday, March 26; 2 p.m. Sunday, March 30; and 8 p.m. Thursday, April 3. PRIDE AND PREJUDICE will be audio described for those with visual impairments at 4 p.m. Saturday, March 29, and signed for persons with hearing impairments at 2 p.m. Sunday, March 30. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to PRIDE AND PREJUDICE are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility. The 2013-14 Robert S. Marx Theatre season is sponsored by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation. The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Leave a comment

Filed under Press Releases

4000 MILES Earns 4 Stars from LCT

Robbie Tann as Leo Joseph-Connell &  Rosemary Prinz as Vera Joseph. Photo by Sandy Underwood.

Robbie Tann as Leo Joseph-Connell & Rosemary Prinz as Vera Joseph. Photo by Sandy Underwood.

Amy Herzog’s play, 4000 MILES, has earned 4 Stars from the panelists of the League of Cincinnati Theatres. Panelists described it as a “delightful, lovely play” intersecting “youthful tragedy with the struggles of the elderly as friends die off.”

Panelists raved, “The acting is stellar. The costumes were spot on…The set was home. It’s Herzog’s language that gives us such a ride. Double thumbs up.”

Another comment, “a beautiful little jewel …It felt as if Herzog had invaded my personal memories and stolen actual conversations I have had with my great-aunts, my grandmother. Her characters are so finely wrought that I wept with recognition… It’s fantastic across the boards.”

The panelists singled out the performance of Rosemary Prinz as Vera, stating her performance “is untouchable” and “phenomenal in her role as a 91-year old leftist in Manhattan, weaving comic charm with tragic moments in a moving, powerful manner.”

“4,000 Miles” continues through March 9 at the Shelterhouse in Cincinnati’s Playhouse in the Park. For tickets and more information go to cincyplay.com or call 513-421-3888.

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to promote, nurture and celebrate Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

Leave a comment

Filed under Press Releases