Category Archives: Press Releases

CCM and The Carnegie In Stitches Over BOEING BOEING

CCM AND THE CARNEGIE IN STITCHES OVER TONY AWARD WINNING SEX FARCE BOEING BOEING

TC_Boeing BoeingCOVINGTON, KY- How does one man stay secretly engaged to three sexy flight attendant fiancées at the same time? Make sure they work for different international airlines. Make sure to know the flight timetables. And make sure it’s the 60s.

The Carnegie proudly continues its 2013-14 Theatre Series with the Tony Award winning comedy BOEING BOEING, playing weekends November 8 – 24, 2013 at The Carnegie in Covington, KY. Co-produced with The University of Cincinnati College-Conservatory of Music Drama Program (CCM Drama), the show is directed by new faculty member Brant Russell in his Greater Cincinnati debut. Tickets are $17 – $24 and are available online at http://www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

“Boeing Boeing” is presented by special arrangement with SAMUEL FRENCH, INC.

The Plot Plot of BOEING BOEING
Bernard is engaged to Gloria. And to Gabriella. And to Gretchen. Three beautiful flight attendants kept secret from each other only by Bernard’s precise timetables of flights in and out of Paris. But when Boeing invents a faster engine, Bernard’s three foxy fiancées converge on his flat at the same time, igniting a mad dash of hidden women and nick-of-time maneuvers as Bernard tries desperately to save his perfect bachelor fantasy. Throw in a surprise visit by Bernard’s amorous old school chum, Robert, and Berthe, the reluctant housekeeper, and the New York Times writes that BOEING BOEING “soars right out of its time zone and into some unpolluted stratosphere of classic physical comedy.”

Gina Gershon, Jerry Lewis, Tony Awards and World Records
Debuting in France in 1962, Marc Camoletti’s BOEING BOEING enjoyed its 1965 English language premiere in London, where it ran for seven years and 2,000 performances on its way to becoming the most performed French play worldwide. In the same year, BOEING BOEING crossed the pond to the United States, where it had a brief stint on Broadway, but more memorably was adapted to a film of the same title, starring Tony Curtis as Bernard and Jerry Lewis at Robert.

Revived in 2008 at New York’s Longacre Theatre, BOEING BOEING played 279 performances on the strength of a revised script and all-star cast including screen actors Christine Baranski (Cybill, The Big Bang Theory) and Gina Gershon (Face/Off, Killer Joe, Rescue Me) and lauded Shakespearean actor Mark Rylance. The show would take home the Tony Award for “Best Revival of a Play,” as well as a “Best Actor” win for Rylance as Robert.

Script, Director Make Regional Debuts with CCM Talent
The Carnegie’s staging of BOEING BOEING will mark the regional premiere of the Broadway revival script, as well as the local debut of new CCM faculty member Brant Russell. An accomplished theatre artist and Chicagoland native with extensive experience as a director, actor and playwright, Russell joined the CCM staff this past fall.

“Coming to a place like CCM is exhilarating,” says Russell. “The talented, driven students, my gifted colleagues, the international reputation, the insistence on excellence all combine to provide a supportive and challenging atmosphere. I’m very grateful to be here.”

Despite impressive credentials working with nationally renowned playwrights, and staff experience with companies including Chicago Shakespeare Theatre, Writers’ Theater and Steppenwolf, Russell admits “BOEING is totally outside of my experience. Staging it will be a bit of an experiment for me, but it’s just the kind of fun experiment that a director really relishes.”

CCM’s co-production with The Carnegie is the fourth collaboration between the two organizations, following recent stagings of IN THE NEXT ROOM OR THE VIBRATOR PLAY and the musical PARADE, the latter receiving the League of Cincinnati Theatres award for “Best Musical of 2012-13.”

Dine Under the Dome
On Saturday, November 9 at 6pm, The Carnegie will host Dine Under the Dome, a ticketed dinner in The Carnegie Galleries, to precede the performance. Tickets are $40 per person, and include a themed gourmet dinner by Jeff Thomas Catering, wine, dessert and gratuity. Dinner tickets do not include admission to the performance.

A full menu will be available at www.thecarnegie.com by October 9.

Reservations may be made by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

Ticketing
Tickets to The Carnegie’s production of BOEING BOEING are $17 – $24 and may be purchased online at www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

BOEING BOEING will include nine performances over three weekends:

  • Friday, November 8, 7:30pm
  • Saturday, November 9, 7:30pm
  • Sunday, November 10, 3pm†
  • Friday, November 15, 7:30pm
  • Saturday, November 16, 7:30pm
  • Sunday, November 17, 3pm†
  • Friday, November 22, 7:30pm
  • Saturday, November 23, 7:30pm
  • Sunday, November 24, 3pm 

† Performance includes open captioning

Subscriptions
Subscriptions are still available for 2013-14:

Pick Three Subscription: Patrons attend the remaining three 2013-14 Theatre Series offerings, selecting one performance of their choice for each. Pick Three Subscriptions are $67 each ($3 off each of the three remaining performances).

Single Ticket Pricing

  • $24 Adults
  • $22 Carnegie and Enjoy The Arts Members
  • $19 Groups of 8 or More
  • $17 Students

About The Carnegie
THE CARNEGIE is a multidisciplinary arts venue serving the Northern Kentucky and Greater Cincinnati community. Over the course of the past ten years The Carnegie has “morphed” from a grassroots gallery with an education component into an all-inclusive arts organization offering professional theatre, art exhibitions showcasing the best of local and regional artists, and a comprehensive arts education program.

The Carnegie is home to The Carnegie Galleries, comprised of more than 6,000 square feet of gallery space where emerging and established artists exhibit in multiple shows throughout the year; the Eva G. Farris Education Center, which provides arts education to thousands of children, many of whom are at or below the poverty level; and the newly renovated 447-seat Otto M. Budig Theatre, which offers an affordable theatre space for local, up-and-coming and established production companies and is home to The Carnegie’s Theatre Series and Carnegie in Concert series. The Carnegie is the largest arts venue in Northern Kentucky.

The Carnegie receives ongoing operating support from ArtsWave, Kenton County Fiscal Courts, the Kentucky Arts Council, the Greater Cincinnati Foundation and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

About the College-Conservatory of Music
The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy. In the most recent rankings by U.S. News and World Report, CCM was honored as the sixth top program in the country for pursuing a graduate degree in music. CCM ensembles have performed internationally, recorded for major labels and won ASCAP awards for excellence and programming.

CCM is the largest single source of performing arts presentations in the state of Ohio. Its annual calendar boasts nearly 1,000 events, ranging from solo recitals to fully staged opera and musical theatre productions.

In 1999 CCM celebrated the completion of the CCM Village, the renovated and expanded home of the college. Its stunning, comprehensive performance and educational facilities are unrivaled in the nation. Designed by architect Henry N. Cobb, the CCM Village received a National Honor Award from the American Institute of Architects in 2001.

In 2011, CCM was officially recognized by the Ohio Board of Regents as the state’s first Center of Excellence in Music and Theatre Arts.

More than 150 internationally recognized faculty members work with students from around the world, specializing in one of eight academic divisions: Composition, Musicology, Theory; Dance; Electronic Media; Ensembles and Conducting; Keyboard Studies; Music Education; Opera, Musical Theatre, Drama, Arts Administration, Theatre Design and Production; and Performance Studies.

For more information, visit http://ccm.uc.edu. Experience the sound of synergy at UC’s College-Conservatory of Music.

BOEING BOEING Cast and Production Team List

Cast

Bernard Spencer House (CCM)
Bertha Hannah Halvorson (CCM)
Robert Shaun Sutton (CCM)
Gabriella Fabiola Rodriguez (CCM)
Gloria Sarah Vargo (CCM)
Gretchen Megan Marshall (CCM)

Production Team

Director Brant Russell (CCM)
Scenic Designer Christina Chester (CCM)
Lighting Designer Ethan Peterson (CCM)
Costumer Janet Powell
Sound Designer Cory Wills (CCM)
Properties Alex Kuntz (CCM)
Wig & Makeup Designer Taylor Malott (CCM)
Stage Manager Clare Jaymes (CCM)
Production Manager Bleu Pellman
Technical Director Richard R. Sillen, Jr.
Producer Joshua Steele

Director Biography
Brant Russell (director) teaches at the University of Cincinnati College-Conservatory of Music, and is Resident Director at the Kenyon Playwrights Conference. Last year at KPC, he developed new plays with Tracey Scott Wilson, Rona Munro, and Craig Lucas. He has directed in Chicago at Next, Steep, Collaboraction, Strawdog, Theater Seven and others. His acting work has been seen at Steep / Naked Angels, Next, TheaterHikes and Strawdog. His short plays have been produced by Collaboraction and American Blues Theater. He has been on staff at Chicago Dramatist, Chicago Shakespeare Theater, Writers’ Theater and Steppenwolf. He lives in Pleasant Ridge with his wife, Marta, son, Foster, and cats, Jackson and Pearl.

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Revival of CARRIE: THE MUSICAL Opens CCM’s 2013-2014 Studio Series

A CHILLING REVIVAL OF ‘CARRIE: THE MUSICAL’
OPENS CCM’S 2013-14 STUDIO SERIES 

From outcast to prom queen to mass murderer with paranormal abilities, Carrie isn’t exactly your typical high school student. CCM resurrects this Stephen King classic just in time for Halloween with a modern twist and more terror (and singing) than ever before.

Jennifer Hickman as Margaret White & Hannah Freeman as Carrie White. Photograph by senior Lighting Design major David Seitz.

Jennifer Hickman as Margaret White & Hannah Freeman as Carrie White. Photograph by senior Lighting Design major David Seitz.

Cincinnati, OH — The University of Cincinnati College-Conservatory of Music (CCM) opens its 2013-14 Studio Series with a newly reworked and fully re-imagined musical adaptation of Stephen King’s CARRIE running Oct. 10-12 in CCM’s Cohen Family Studio Theater. Under the direction of Aubrey Berg, Chair of CCM’s Department of Musical Theatre, with musical direction by Steve Goers and choreography by Vince DeGeorge, this Carrie promises to be both riveting and terrifying!

A pariah at school and a victim at home, Carrie is the story of a girl who, when pushed too far, discovers just how special she really is. Her paranormal abilities allow her to take matters into her own hands and strike back at those who have wronged her. But this isn’t the same old Carrie that you’ve seen before; this is Carrie modernized with a terrifying rock n’ roll edge, and there’s no escape!

CARRIE: THE MUSICAL was adapted from Stephen King’s 1974 bestselling novel by screenwriter Lawrence D. Cohen, who also authored the classic screenplay. New music by dream-team Michael Gore (composer) and Dean Pitchford (lyricist) will dazzle audiences. Gore and Pitchford garnered accolades for their previous collaboration on the Broadway play, Fame, together winning an Oscar, a Golden Globe and a Grammy nomination for Song of the Year.

A unique configuration of CCM’s Cohen Family Studio Theater presents seating on all sides and on every level of the performance space, allowing the audience to literally become part of the production. This intimate style of seating will have audience members twisting and turning in their seats at Carrie’s terrifying transformation, as the carefully choreographed chaos it creates happens all around. With live music, shocking special effects and spectacular acting, singing and choreography, Carrie is sure to amaze and frighten.

Tickets for all Studio Series productions are extremely limited, so get in line early. You don’t want to miss this performance of a lifetime! Recommended for mature audiences.

Learn more about CCM’s 2013-14 Studio Series of Opera, Musical Theatre, Drama and Dance productions by visiting uc.edu/news/NR.aspx?id=18288.

Performance Times

  • 8 p.m. Thursday, Oct. 10
  • 8 p.m. Friday, Oct. 11
  • 2 and 8 p.m. Saturday, Oct. 12 

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission is free but reservations are required. Tickets become available at noon on Monday, Oct. 7. Visit the CCM box office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation 

Community Partner: ArtsWave

The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy.

All event dates and programs are subject to change. For a complete calendar of events or to view CCM’s 2013-2014 season brochure visit our website at ccm.uc.edu.

UC’s College-Conservatory of Music – Define Your Inspiration

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Playhouse’s CABARET Brings Big Broadway Musicals Back to the Marx

PIP_CabaretCINCINNATI PLAYHOUSE’S PRODUCTION OF CABARET
BRINGS THE EXCITEMENT OF BIG BROADWAY MUSICALS
BACK TO THE ROBERT S. MARX THEATRE, OCT. 19 – NOV. 16

(CINCINNATI) – Show-stopping choreography. Unforgettable songs. Playhouse audiences are invited to take a seat at the Kit Kat Club as the excitement of big Broadway musicals returns to the Robert S. Marx Theatre stage with CABARET, from Oct. 19 through Nov. 16. English singer Sally Bowles and American novelist Clifford Bradshaw fall into a stormy romance as Nazi influence rises in pre-war Berlin and the political axis shifts.

Marcia Milgrom Dodge, best known for helming the acclaimed Broadway revival of Ragtime (for which she earned a 2010 Tony Award nomination for best director), is the director and choreographer for the Playhouse’s production of CABARET. For her, the musical’s enduring popularity is not surprising.

“We are swept into the world of 1930s Berlin with one of the best Broadway scores of the 20th century,” said Milgrom Dodge. “I believe a musical that draws you in by packing a wallop of entertainment while giving you meaningful themes to examine is the best kind of theatre, and CABARET does both, making it always relevant through the decades.”

CABARET began life as two separate novels by English writer Christopher Isherwood that were published collectively as The Berlin Stories. The vignettes came from diaries Isherwood kept while living in Berlin from 1929 to 1933, and one of them — “Sally Bowles” — was adapted into the 1951 play and 1955 film, I Am a Camera.

While legendary director and producer Harold Prince was not the first person to consider adapting The Berlin Stories into a musical, he did connect Isherwood’s fable of a nation blind to the rising propaganda of the Nazi Party with the 1960s American parallels of the Civil Rights Movement and the escalation of the Vietnam War. Prince recruited Joe Masteroff to write the book and turned to the up-and-coming composer/lyricist team of John Kander and Fred Ebb to create the musical’s unique sound. CABARET was just the third collaboration for Kander and Ebb, but it cemented their place in musical theatre history with such iconic songs as “Don’t Tell Mama,” “Two Ladies,” “If You Could See Her” and the much-imitated title number.

The original Broadway production of CABARET opened on Nov. 20, 1966, and ran for 1,165 performances, making it one of the most successful musicals of the decade. The show won the New York Drama Critics’ Circle Award for best musical of the season, as well as eight Tony Awards, including best musical. The subsequent 1972 film relaunched the career of director/choreographer Bob Fosse and made a star of Liza Minnelli, both of whom won Academy Awards for their work.

CABARET features some of the most iconic characters in musical theatre history. The cast is headed by Broadway and New York stage veterans Nathan Lee Graham (The Wild Party and Priscilla Queen of the Desert as well as blockbuster films Sweet Home Alabama, Hitch and Zoolander) as the Emcee, Hunter Ryan Herdlicka (the recent revival of A Little Night Music) as Clifford Bradshaw, Liz Pearce (Billy Elliot; she is also a University of Cincinnati College-Conservatory of Music graduate) as Sally Bowles, Mary Gordon Murray (whose many Broadway credits include Hands on a Hardbody, Footloose and the revival of Little Me, for which she received a best actress Tony nomination) as Fräulein Schneider and Michael Marotta (whose New York credits include the bicentennial salute to Noel Coward, Mad About the Boy) as Herr Schultz. The cast also includes Bradley Benjamin as Rosie/Ensemble/Assistant Choreographer/Dance Captain, Blake Clendenin as German Sailor/Ensemble, Carl Draper as Bobby/German Sailor/Ensemble, Blake Ellis as Ernst Ludwig, Timothy Hughes as Customs Officer/Max/Ensemble, Jolina Javier as Frenchy/Ensemble, Dennis Kenney as German Sailor/Ensemble, Sean Maddox as Victor/German Sailor/Ensemble, Angelica Richie as Lulu/Ensemble and Dana Winkle as Fritzie/Fräulein Kost/Ensemble. All are making their Playhouse debuts.

The creative team for CABARET includes Christy Crowl (music supervisor/music director/orchestrations), Henry Palkes (associate music director), Michael Schweikardt (set designer), Angela Wendt (costume designer), John Lasiter (lighting designer) and Acme Sound Partners (sound designer). Becky Merold is the stage manager, and Jenifer Morrow and Denise Cardarelli are the second stage managers.

The production is sponsored by David C. Herriman. The orchestra sponsor is Ohio National Financial Services, design sponsor is Skidmore Sales and Distributing Co. and artist sponsor is Barbara and Bill Weyand.

Prices for CABARET range from $30 to $80, depending on seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, Oct. 19; 2 p.m. Sunday, Oct. 20; 7:30 p.m. Tuesday, Oct. 22; and 7:30 p.m. Wednesday, Oct. 23. The official opening night is Thursday, Oct. 24, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artists programs that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, Oct. 27; 7:30 p.m. Wednesday, Oct. 30; 2 p.m. Sunday, Nov. 10; and 8 p.m. Thursday, Oct. 14. The production will be audio described for those with visual impairments at 4 p.m. Saturday, Nov. 9, and signed for persons with hearing impairments at 2 p.m. Sunday, Nov. 10. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to CABARET are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Marx Theatre Series is sponsored by The Otto M. Budig Family Foundation, and the Robert S. Marx season design sponsor is Macy’s. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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The Tommy Dorsey Orchestra | Wed., Oct. 30 | Music Hall Ballroom

WMKV 89.3FM and WLHS 89.9FM present
THE TOMMY DORSEY ORCHESTRA
Wednesday, October 30, 2013, 7-10pm
at the Music Hall Ballroom
to Benefit Public Radio

CAA_Tommy Dorsey OrchestraCINCINNATI, OH – Classic big band music returns to one of its true Cincinnati homes on October 30, 2013 from 7-10pm as WMKV 89.3FM and WLHS 89.9FM bring The One and Only Tommy Dorsey Orchestra to the Music Hall Ballroom. The event will be a concert and dance with a large open dance floor.

Tickets are $30 per person and are on sale now at www.CincinnatiArts.org, (513) 621-ARTS [2787], or at the Aronoff Center and Music Hall Ticket Offices. Discount parking is available for $3 for the October 30 event.

“We’re excited to bring this unique music to an historic location,” says WMKV Development Director Bob Hanneken, “Our goal is to preserve big band music, and if this has good attendance, there are some other big bands we’d love to bring in.”

The One and Only Tommy Dorsey Orchestra is the national touring big band that travels the U.S. They are appearing for the three-hour concert and dance to benefit public radio WMKV 89.3FM, which is simulcast on 89.9FM WLHS. The stations offer big bands and standards, plus classic radio shows, and talk for seniors and families.

This is WMKV’s first effort to bring a big band to the Music Hall Ballroom. WMKV and WLHS have continued to present national touring orchestras, including the Glenn Miller Orchestra, the Harry James Orchestra, and the Artie Shaw Orchestra, in recent years. The larger venue can accommodate enough audience so that WMKV can entertain the notion of bringing in possible future concerts with the Duke Ellington and Count Basie Orchestras.

“This has been a great home for so many music events over the years, it’s a natural fit,” adds WMKV Station Director George Zahn, “This is classic big band music in a classic venue.”

WMKV is an independent public radio station in Cincinnati, Ohio, celebrating its 18th year of operation and the only station in the country owned by a continuous care retirement community (CCRC), Maple Knoll Village, and serves as a mission-oriented feature of parent Maple Knoll Communities, Inc. The station has carved a niche as a local broadcast and worldwide-streaming audio leader for nostalgia, including music (now oldies, standards, and big bands), classic radio comedy and drama, and information programs. The station can be heard at 89.3FM (now also simulcast on 89.9FM WLHS in Butler and Warren Counties) and streams audio worldwide 24/7 at www.wmkvfm.org.

The 22,000 square-foot Music Hall Ballroom is Cincinnati’s largest event room outside of those in the Duke Energy Convention Center in downtown Cincinnati. When it opened in January of 1928 on the second floor of the south wing of Music Hall, it quickly became the place to socialize and celebrate events and has hosted countless concerts, dances, and celebrations. Renovated in 1998, the Music Hall Ballroom features many art deco fixtures from the old RKO Albee, and now also hosts a Mighty Wurlitzer Organ which was once housed in the RKO Albee and later in the Emery Theatre.

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Summerfair Cincinnati Accepting Small Arts Organizations Award Applications

Special awards to assist local small and mid-sized arts organizations in 2014

SFC_logoCINCINNATI, Sept. 30, 2013 – Summerfair Cincinnati has announced the availability of the 2014 Small Arts Organizations Awards Applications.

These awards grant up to $2,500 to assist various local, small and mid-sized arts organizations with the creation of new programs, expansion of current programs and assistance with production or presentation expenses.

“These awards help increase opportunities to all members of the Cincinnati community regardless of age, ability, income or location,” said Sharon Strubbe, executive director of Summerfair Cincinnati. “These awards help many small to mid-sized organizations bring more works of art to fruition in their local communities. Summerfair Cincinnati is about access to art, and this is right at the heart of our mission.”

Criteria for consideration of funding requests include the quality of the art performed or produced, diversity of the target audience, the number of people benefiting from the program or project, the impact of Summerfair Cincinnati’s contribution and the potential for the program or project to attract a new audience.

Summerfair Cincinnati requests that awards be utilized for a project or program that will be completed by the end of the calendar year during which the funding is received. Organizations may receive an award for two consecutive years. However, one award cycle must pass before another application will be considered.

Some recent recipients include Cincinnati Chamber Orchestra, Cincinnati Landmark Productions, Lloyd Library and Museum, and Pones, Inc.

Applications need to be postmarked no later than Jan. 24, 2014 and the awards will be announced in early March and allocated by March 17, 2014. Applications can be found by visiting http://summerfair.org/year-round-outreach/small-arts-org-award-application.

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