Category Archives: Press Releases

MPI Annouces THE LION IN WINTER

MPI_Lion in WinterMariemont Players presents John Goldman’s dramatic comedy The Lion in Winter at the Walton Creek Theater, 4101 Walton Creek Road (just East of Mariemont), November 8th through November 24th, 2013.

Set during Christmas 1183, this epic story plays out the spectacular strategies for power and love between two of England’s most formidable and yet very human rulers, King Henry II and Queen Eleanor of Aquitaine, and their three sons, hungry for the crown. Motivated by spite as well as sense of duty, Henry and Eleanor maneuver against each other to position their favorite son in line for succession.

The Lion in Winter is directed by Dee Dunn, produced by NancyAnn & Tom Storey, and features Clayton Castle, Matthew Hannifin, Bett Kooris, Kate Powell, Matt Schnuth, Jeff Simon and Jack Williams.

Performances will be at 8:00pm on November 8th, November 9th, November 15th, November 16th, November 22nd and November 23rd; at 2:00pm on November 10th and November 24th; at 7:30pm on November 14th and November 21st; 2:00pm & 7:00pm on November 17th; and at 3:00pm & 8:00pm on November 23rd.

For more information or to order tickets for THE LION IN WINTER, call Betsy at 513-684-1236. All seats are reserved and cost $18 each.

www.mariemontplayers.com

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SOUTH PACIFIC Comes Alive at NKU

The cast of NKU's SOUTH PACIFIC.

The ladies of NKU’s SOUTH PACIFIC.

HIGHLAND HEIGHTS, KY – The Department of Theatre & Dance at Northern Kentucky University is proud to present Rodgers & Hammerstein’s SOUTH PACIFIC directed by Mike King in the NKU Corbett Theatre. This production runs Oct. 24 – Nov. 3, 2013.

Set on an island military base during World War II, SOUTH PACIFIC follows two parallel love stories that are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Meanwhile, the handsome Lt. Joe Cable falls in love with an innocent Tonkinese girl. To find happiness these young lovers will have to challenge the values their society has “carefully taught” them.

Mike King is at the helm, directing this classic Rodgers & Hammerstein masterpiece. We asked King to elaborate on the show and the process with his cast.

What is your favorite aspect of South Pacific?
It’s hard to say, but I think my favorite part of the show is the score. It contains so many memorable songs: Some Enchanted Evening, There is Nothing Like a Dame, Younger than Springtime, Cockeyed Optimist…and the list goes on and on. But I also really love the show’s book. It is a very serious story for this time period, with a subject—racism— that was especially difficult to deal with. Rodgers and Hammerstein are so well known for The Sound of Music, that many people don’t realize how innovative and edgy they were for their time period. They were pressured by producers to soften South Pacific’s message, but fortunately they stood their ground.

With such an iconic musical, what did you look for in your actors when they auditioned?
I looked for the things I usually look for. I looked for actors who could sing the songs. I looked for performers with strong dance skills. And, since the book scenes in this musical are so important, I looked for people with strong acting skills. It was exciting to find so many performers with all those skills.

What research did you do to prepare for directing South Pacific?
One of the most important pieces of research I did was reading James Michener’s Tales of the South Pacific, the source material for the show. I felt that really helped me understand the thoughts of some of the characters, their backgrounds, and the importance of the events that ended up being dramatized in the show. The extra insights from the book helped a great deal in directing the show.

Is there anything about the process of SOUTH PACIFIC that surprised you?
The process has been full of wonderful surprises. The production staff is full of new faces (or at least folks I hadn’t worked with before)—music director Damon Stevens, choreographer Jay Goodlett, lighting designer Jonathan Fuchs, and costume designer Ronnie Chamberlain. It’s been great to work with such talented artists. And the cast is full of new faces too, along with performers audiences have seen in other shows

Allysun (Ally) Mellick, one of the many talented actors in the cast, plays the role of Nellie Forbush. Ally is no stranger to the musical having fallen in love with the show and with performing after her mother took her to see SOUTH PACIFIC when she was a kid. Now she gets to take on the role of the fun and sassy Nellie. “Nellie is a very complex character but I do feel that I share similar traits with her. She is a country girl from a small town just like me and we are both fun- loving and easy going. I would even like to say that we are both Cockeyed Optimists! Becoming Nellie Forbush has been a blast because I do get to put a little of myself into the role.”-Mellick

Come relive the beauty and majesty of this one of a kind golden age musical. The show times are based on the days of the week. Wednesday – Saturday performances are at 8pm. Sunday performances are matinees and will start at 3pm.

For more information call the NKU Fine Arts Box Office at 859.572.5464 or go to www.Theatre.nku.edu.

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THE COMPLETE HISTORY OF COMEDY (ABRIDGED) Debuts At Playhouse Nov. 9 – Dec. 29

THE REDUCED SHAKESPEARE COMPANY IS BACK!
THE COMPLETE HISTORY OF COMEDY (ABRIDGED)

DEBUTS AT CINCINNATI PLAYHOUSE IN THE PARK NOV. 9 – DEC. 29

PIP_Complete History of Comedy(CINCINNATI) – The Reduced Shakespeare Company (RSC) is pulling out all of the comedy weapons in its oversized arsenal to set off a laugh riot at the Cincinnati Playhouse in the Park. The RSC, which has been rapidly reducing expectations since 1981, is premiering its ninth stage show, THE COMPLETE HISTORY OF COMEDY (abridged), from Nov. 9 to Dec. 29 in the Playhouse’s Thompson Shelterhouse Theatre.

The show is a look at the evolution of comedy from cavemen telling “rock-rock” jokes all the way to Chris Rock and everything in-between. You can expect the entire shebang from the rule of threes to falling down, vaudeville to silent movies and commedia to stand-up in this fast-paced production.

RSC managing partners and performers Reed Martin and Austin Tichenor team up for the eighth time to write and direct THE COMPLETE HISTORY OF COMEDY (abridged). They have discussed the show and its development in episodes of their weekly podcast, touching on everything from their research on humor to their writing process and why they think the art of comedy is underappreciated.

People seem to think that everyone can be funny, but that’s not the case. “Comedy isn’t brain surgery; you can learn brain surgery,” Tichenor said. “You can’t learn comedy. You’ve either got it or you ain’t!”

THE COMPLETE HISTORY OF COMEDY (abridged) is unlike previous RSC shows in that the subject does not define the structure of the production. In The Bible: The Complete Word of God (abridged), content was divided according to the Old Testament and New Testament; in The Complete History of America (abridged), it made sense to organize chronologically. But comedy has no innate organizing principle. This show gives Tichenor and Martin an enormous amount of freedom to play with the order of the sketches and create a rhythm.

This is the third time the RSC members have visited the Playhouse. Their first visit was in 2002 to workshop All the Great Books (abridged), and the second was in 2005 to perform The Complete History of America (abridged) and All the Great Books (abridged) in the Thompson Shelterhouse Theatre. The Playhouse has also produced its own versions of several RSC shows, including The Complete Works of William Shakespeare (abridged) and The Bible: The Complete Word of God (abridged). THE COMPLETE HISTORY OF COMEDY (abridged) has been rehearsing and workshopping since mid-July at the Napa Valley Playhouse in California.

In classic RSC fashion, the play will consist of three characters — the archetypes of the intellectual, the enforcer and the man-child. Martin and Tichenor will be joined onstage by Dominic Conti, who appeared in the Playhouse’s productions ofThe Complete History of America (abridged) and All the Great Books (abridged).

Martin says, “People should come see THE COMPLETE HISTORY OF COMEDY (abridged) because tickets cost less than a day at the amusement park, but you’ll come away with the same feeling of nausea and motion sickness. This show is a high-speed, roller-coaster type condensation of the history of comedy and is not recommended for people with heart ailments, back problems, inner ear disorders or who are humor-impaired. The Reduced Shakespeare Company cannot be held responsible for expectant mothers.” The show is recommended for adult and teenage audiences.

The creative team for THE COMPLETE HISTORY OF COMEDY (abridged) includes costume designer Skipper Skeoch, puppet designer Barbara McFadden, lighting designer Catherine Girardi and sound designers Zach Moore and Joe Winkler. Jenifer Morrow is the production stage manager. The production is sponsored by Clark, Schaefer, Hackett & Co. The design sponsor is Stable Two Financial, LLC.

Prices for THE COMPLETE HISTORY OF COMEDY (abridged) range from $30 to $75, depending on seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, Nov. 9; 7 p.m. Sunday, Nov. 10; 7:30 p.m. Tuesday, Nov. 12; and 7:30 p.m. Wednesday, Nov. 13. The official opening night is Thursday, Nov. 14, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artistsprograms that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, Nov. 17; 2 p.m. Sunday, Nov. 24; 7:30 p.m. Wednesday, Nov. 27; and 8 p.m. Thursday, Dec. 5. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to THE COMPLETE HISTORY OF COMEDY (abridged) are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Thompson Shelterhouse Theatre season is sponsored by Heidelberg Distributing Company, and Humana is the Thompson Shelterhouse Theatre season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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Covedale’s DRACULA Recognized by LCT

Cliff Nunley as Dracula & Miranda McGee as Lucy.

Cliff Nunley as Dracula & Miranda McGee as Lucy.

Panelists for the League of Cincinnati Theatres (LCT) have recognized lead actor Mike Sherman and fight choreographer Melissa Bennett Murphy for their work in Covedale Theatre’s production of the classic horror show DRACULA.

Panelists praised Mike Sherman’s as a standout in his portrayal of a “grounded, activated Van Helsing with flawless accent, tactical clarity and focused energy…he added a conviction which made him a formidable and believable foe of Dracula.” The panelists also appreciated Melissa Bennett Murphy’s “excellent, athletic fight choreography.”

DRACULA continues through November 10th. Tickets can be obtained online at www.cincinnatilandmarkproductions.

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

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BCT’s Edge of the Creek Productions presents DOG SEES GOD

BCT_Dog Sees GodBeavercreek Community Theatre’s Edge of the Creek Productions will present DOG SEES GOD: Confessions of a Teenage Blockhead,” by Burt V. Royal, on the weekends of October 25 and November 3. Friday and Saturday performances are at 8 p.m.; Sunday matinees are at 3 p.m. at the Beavercreek Community Theatre, 3868 Dayton-Xenia Road in Beavercreek. For ticket information, call the box office at 429-4737 or e-mail boxoffice@bctheatre.org.

DOG SEES GOD is a story told from the view point of an unfamiliar Peanuts Gang. It is a window into how they could have evolved if they’d been allowed to grow into adolescence. This play shows us just how hard it is to be stuck between childhood and adulthood,” said Director Matt Curry. “When Charlie Brown’s dog dies he starts questioning his family and friends about what they think happens after death. Nobody can provide him with any solace, save for one–the target of the groups’ harsh bullying and torment. This relationship, forged from hope and love, has disastrous consequences careening towards a poignant and heartfelt ending.”

The cast includes:

CB- Timothy Moore, CB’s Sister — Kaleigh-Brooke Dillingham, Van–Jordan Adams, Matt–Jimmy Mallas, Beethoven–Aaron Brewer, Marcy–Janelle Chamness, Tricia–Lisa Glover & Van’s Sister—Sara Naderer

The show explores strong themes and parental discretion is advised.

“This play’s subject matter requires a certain level of maturity and tolerance. The audience must be willing to let these character’s lives develop. There is strong language, sexuality, intense bullying, explosive emotions, drug use, and rebellion,” Curry said.

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