Category Archives: Press Releases

Know Theatre and dog and pony dc Announce ASL and Spoken English Interpreted Performance of BEERTOWN on March 19

“Creating a community and revising its history nightly”

KTC_Beertown1

Mike Hall, Sean Mette, Andrew Ian Adams, Daryl Harris, Eileen Earnest, Wyckham Avery & Mindy Heithaus. Photo by Daniel R Winters.

Know Theatre and dog & pony dc are pleased to announce that on March 19, we will be offering an American Sign Language and Spoken English Interpreted performance of Beertown.

Part theatrical pageant, part civic ceremony, part Choose Your Own Adventure – Beertown is a thoroughly unique theatrical experience.

Beertown, entering its second week of performances this week, is already garnering critical acclaim.

CityBeat’s Rick Pender says Beertown is “both thoughtful and entertaining” and “sneaks up on you with profound messages when you least expect them.”

Grace Eichler of the League of Cincinnati Theatres says “I heartily enjoyed opening night, and I’m sure that audiences will continue to do so, as each night brings a new bout of opinions and rationales,” while Abby Rowald declared that “Once again, The Know is staying true to its mission of being “Cincinnati’s Theatrical Playground,” and this is an exciting direction for Cincinnati theatre to be moving towards.”

In keeping with the missions of both companies, Know Theatre and dog & pony dc are proud to make the experience of Beertown accessible to more of the Cincinnati community by providing ASL and Spoken English interpretation at our March 19th performance at 8PM.

About the show: Cincinnati is the latest stop of Beertown Takes America, a national touring project where dog & pony dc artists collaborate with local artists and the greater communities of cities across the country to craft new and locally-relevant versions of the company’s signature show Beertown.

dog & pony dc’s ensemble-devised Beertown is an interactive exploration of history, civic ritual, identity, community, and memory incorporating live music, dance, group song…and it all starts with a  dessert potluck.

At Beertown, audiences join the 20th Quinquennial Beertown Time Capsule Day celebration, where every five years the imagined American town unearths its beloved Time Capsule and decides what stays, what goes, and what new symbols of Beertown should be interred this time.

Which tells the story of our town better: A campaign button or a family bible? A license plate or a movie projector? You, the audience, help them decide each night!

Visit a place where remembering is a communal act, and everyone’s voice is counted: Beertown.

For tickets and more information, call 513-300-5669 or visit www.knowtheatre.com.

ABOUT dog & pony dc
dog & pony dc (dpdc) is an ensemble of artists who devise performances that incorporate new ways for audiences to experience theatre. We create (“devise”) new plays as a collective (“ensemble”). 
dpdc shows playfully extend the elastic relationship between artist and audience while asking big, sometimes strenuous, questions about the world in which we live.

Since 2008, dpdc has devised ten shows that span a wide stylistic range: from PUNCH!, an ultra-violent live-action version of the Punch and Judy puppet show, to TOAST, the convening of a 200 year old secret society of inventors trying to save the world through technology (starting with the electric toaster).

We currently work in two languages, English and American Sign Language.

BEERTOWN was the first ensemble-devised show to receive a Helen Hayes Award nomination for Outstanding New Play (2011) and made top 10 shops list in DC (Washington Post, 2012) and Omaha (World-Herald, 2015). A KILLING GAME won “Dr. Robert J. Thierauf Producers’ Pick of the Fringe Award” at Cincinnati Fringe Festival (2013) and Best Production 2013 (DC Metro Theatre Arts). In 2015, we were 1 of 15 recipients of DC Commission on the Arts & Humanities Innovate DC grants.  www.dogandponydc.com

ABOUT Know Theatre of Cincinnati

Know Theatre is Cincinnati’s Theatrical Playground.
The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience.

Since 1997, Know Theatre has sought to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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Cincinnati Playhouse Extends Hit Production TO KILL A MOCKINGBIRD Through April 10

PIP_To Kill A Mockingbird1

John Feltch as Atticus & Brooke Chamberlin as Scout. Photo by Mikki Schaffner.

(CINCINNATI) – The Cincinnati Playhouse in the Park is extending its thought-provoking, visually exciting production of Harper Lee’s beloved story TO KILL A MOCKINGBIRD due to ticket demand. Christopher Sergel’s timeless and timely adaptation, which had been set to close on April 3, now will run through April 10. The extension adds five new performances: 7:30 p.m. Thursday, April 7; 8 p.m. Friday, April 8; 4 and 8 p.m. Saturday, April 9; and 2 p.m. Sunday, April 10.

TO KILL A MOCKINGBIRD is sponsored by Leading Ladies. American Modern Insurance Group is the design sponsor; the Morse and Betty Johnson Family is the artist sponsor/Atticus, Huntington National Bank is the artist sponsor/Scout and Barbara and Bill Weyand are the artist sponsor/director Eric Ting.

Ticket prices for TO KILL A MOCKINGBIRD start at $35. Discounted prices are available for children, teens and students. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is appropriate for adults and children ages 11 and up.

Tickets to TO KILL A MOCKINGBIRD are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2015-16 Robert S. Marx Theatre season is presented by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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PYGMALION Marks Final NKU Production Directed by Retiring Professor Sandra Forman

NKU_PygmalionHIGHLAND HEIGHTS, KY – Northern Kentucky University | School of the Arts | Program of Theatre and Dance presents PYGMALION March 29 – April 3, 2016.

Performances will take place in the Stauss Theatre in the Fine Arts Center. All performances are sold out. The wait list policy can be found online at theatre.nku.edu on the Box Office page.

PYGMALION
By George Bernard Shaw
March 29 – April 3, 2016 | NKU Robert and Rosemary Stauss Theatre

PYGMALION—written over a century ago—continues to provide hilarious entertainment and sharp social commentary that resonates today. A chance encounter between Eliza Doolittle, a Cockney flower girl, and Henry Higgins, a world expert on speech, inspires a bet that he can transform her into a lady. As Higgins strives to do the impossible, Shaw employs his trademark wit to examine issues of class and independence. Later adapted into the hit musical My Fair Lady, Shaw’s original tale is not one of romance, but of transformation and self-identity.

Sandra Forman, professor of performance, directs the production. This will be the final NKU production directed by Ms. Forman, who is set to retire at the end of the spring semester. In addition to directing and performing on the NKU stage, she has served for many years as the director of the Y.E.S. Festival of New Plays.

Sandra Forman (Director)
NKU:  Favorite directing credits include The Bacchae, As You Like It, Nunsense, Nuncrakers, The Prime of Miss Jean Brodie, Bus Stop, Twelfth Night, Macbeth, Little Women – the Musical and the Y.E.S. Festival world premieres of Dorian, The Musical, Nightjars and One Good Turn. Performance credits include Amanda in The Glass Menagerie, Liz in Ladyhouse Blues, Mary in The Rimers Of Eldritch and Jean Louise in To Kill a Mockingbird. She has also served as the project director for the Y.E.S. Festival of New Plays.

Elsewhere: Ms. Forman has appeared as “Queen Eleanor” in The Lion In Winter at Bas Bleu Theatre in Colorado, “Meg” in The Hostage with North Carolina Shakespeare, “Lady Alyce” in A Man For All Seaons for Downtown Theatre Classics in Cincinnati. She has directing credits with Virginia Shakespeare, as well as in Spain, Austria and France. Ms. Forman has appeared in outdoor dramas, dinner theatres and toured Europe with the USO in the 60s entertaining our military. She is the author of three books.

For more information call the NKU School of the Arts Box Office at 859.572.5464 or visit theatre.nku.edu.

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Xavier University Theatre Announces 2016-17 Production Season

XUT_logoFOR IMMEDIATE RELEASE

(CINCINNATI, March 3, 2016) – In its third year as a degree program, Xavier University Theatre continues to forge ahead with its most ambitious season to date. Featuring two Broadway musicals, a Cincinnati Fringe favorite, a classic Shakespeare, a haunting small-town tragedy, a hilarious comedy and an edgy contemporary drama, Xavier Theatre’s 2016-17 season continues to be an exciting place for educational and professional collaboration.

“We’ve had an incredible year, ending next month with our production of RENT,” says Xavier Theatre Director Stephen Skiles. “Next year should prove to be even more dynamic. We will continue to work with some of the best directors in the region and put on the stage a diverse set of shows, engaging our community with challenging, fun and thought-provoking productions. I honestly cannot wait to see the work our students will do with next year’s season.”

The season opens with the Artists’ Pick of the 2014 Cincinnati Fringe Festival, SLUT SHAMING. Lauren Lucas, time traveler, views her attack, the trial, the aftermath and her life-at-large simultaneously. She sees the woman she will become and the undamaged girl she once was. She learns how far into the future this event will consume her. And then she wakes up in the present, in high school, and she knows the struggles that wait ahead. Written by Trey Tatum and directed by Bridget Leak, SLUT SHAMING explores how small town communities aggravate teenage sexual assault. SLUT SHAMING will run Aug. 24-28, 2016, in Xavier’s onstage space in Gallagher Student Center Theatre.

Xavier Theatre will welcome Dee Anne Bryll and Ed Cohen back to campus to direct Meredith Willson’s THE MUSIC MAN from Oct. 20-22, 2016. Follow fast-talking traveling salesman Harold Hill as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys’ band he vows to organize — despite the fact that he doesn’t know a trombone from a treble clef. By turns wicked, funny, warm, romantic and touching, THE MUSIC MAN is family entertainment at its best. With classic songs such as “Ya Got Trouble,” “Seventy Six Trombones” and “Till There Was You,” this six-time, Tony Award-winning musical comedy is a story to be shared with every generation. The New York Times raves, “If you’re a musical comedy buff, THE MUSIC MAN will show you just why.”

From Nov. 11 to 19, 2016, Xavier Theatre will present the small-town drama THE DIVINERS, by Jim Leonard Jr. THE DIVINERS is the story of a mentally disturbed young man and the unlikely, and ultimately life-changing, friendship he develops with a disenchanted preacher in early 1930s Indiana. As the small town of Zion searches to find its way through the economic struggles of the Great Depression, CC Showers seeks to find his redemption through the eyes and trust of Buddy Layman. A story of vulnerability, loss and the redemptive power of faith, THE DIVINERS is a harrowing drama full of humor, heartbreak, hope and love. THE DIVINERS is directed by Stephen Skiles.

In February, Xavier Theatre will continue the repertory format by presenting a Shakespeare classic and a contemporary comedy. Craig Wesley Divino (co-artistic director of Fault Line Theatre in New York City) and Joy Farmer-Clary will co-direct William Shakespeare’s HAMLET, running Feb. 912, 2017. A country on the brink of war. A family torn apart. A son tortured by secrets. What does it mean to live? What does it mean to die? How far will we go to remain true to those we love? Shakespeare’s timeless masterpiece, HAMLET remains one of the greatest stories of all time. Craig Wesley Divino and Joy Farmer-Clary will also star as Gertrude and Claudius in the Xavier Theatre production.

The following week, Xavier Theatre will present The Reduced Shakespeare Company’s THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] from Feb. 16-19, 2017. All 37 plays in 97 minutes! An irreverent, fast-paced romp through the Bard’s plays, THE COMPLETE WORKS OF WILLIAM SHAKESPEARE: (ABRIDGED) was London’s longest-running comedy! Join three madcap men in tights as they weave their way through all of Shakespeare’s comedies, histories and tragedies in one wild ride that will leave you breathless and helpless with laughter. THE COMPLETE WORKS will be directed by Stephen Skiles.

Stephen Sondheim and James Lapine’s musical INTO THE WOODS will round out the mainstage season. What if Cinderella, Rapunzel, Jack and the Beanstalk, Little Red Riding Hood and the Baker and his Wife lived in the same story? All must venture into the woods to seek fulfillment of their deepest wishes, but what they find there is that dreams are rarely simple and wishes are not often granted free of complications. This charming story is at once hilariously funny and deeply moving, a fractured look at the flip side of classic fairy tales as only master storyteller Stephen Sondheim (composer of Sweeney Todd and Company) could imagine. INTO THE WOODS will run April 20-22, 2017. The director is soon to be announced.

Finally, Xavier Theatre will offer a season extra with Annie Baker’s THE ALIENS. Two angry young men sit behind a Vermont coffee shop and discuss music and Bukowski. When a lonely high school student arrives on the scene, they decide to teach him everything they know. From the Pulitzer Prize-winning writer of Circle Mirror Transformation and The Flick, THE ALIENS is a play about friendship, art, love and death. THE ALIENS is also a new collaborative venture with Xavier’s Center for Innovation. The show will be staged at Xavier’s new XHaus space, located at 1123 Walnut Street in Over-the Rhine, and will run April 4-8, 2017. Limited seating will be available. The show is directed by Stephen Skiles.

Tickets for the 2016-17 season productions will be available starting July 1, 2016, through the Xavier University Theatre Box Office. Tickets are $17 each for adults and $12 each for students, as well as Xavier faculty and staff. Tickets for THE ALIENS are $15. Subscription packages also are available. To purchase tickets, visit www.xavier.edu/theatretickets or call 513-745-3939.

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The Carnegie 2015-16 Theatre Series Closes with THE LAST FIVE YEARS

TC_The Last Five Years promo

Leslie Kelly as Cathy & Wes Carman as Jamie. Photo by Mikki Schaffner.

WHAT: The Carnegie presents THE LAST FIVE YEARS

WHEN: Weekends April 9 – 24, 2016

Saturday, April 9, 7:30pm ● Sunday, April 10, 3pm Friday, April 15, 7:30pm ● Saturday, April 16, 7:30pm ● Sunday, April 17, 3pm Friday, April 22, 7:30pm ● Saturday, April 23, 7:30pm ● Sunday, April 24, 3pm

WHERE: The Carnegie | 1028 Scott Boulevard | Covington, KY 41011

TICKETS: Tickets $28, $25 for Carnegie Members and Enjoy the Arts Members, $21 for students. Tickets to Carnegie Theater Series performances are available at The Carnegie Box Office, open Tuesday through Friday 12 p.m. – 5 p.m., online at http://www.thecarnegie.com, or by phone at (859) 957-1940.

DESCRIPTION: THE LAST FIVE YEARS follows the joys and sorrows of Jamie and Cathy, a young couple struggling to find balance between career and relationship. In a creative twist that makes this show pure magic, we venture through their story following Jamie from the beginning of their romance to the end and following Cathy from the end to the beginning. However, their storytelling overlaps for just a moment, on the day of their wedding, for one of the most beautiful duets ever written for the musical theatre.

Beloved American composer, Jason Robert Brown, creates an extraordinarily captivating score that has been staged and sung the world over, and is now featured in the 2015 feature film starring Anna Kendrick and Jeremy Jordan. This romantic drama is a night of theatre not to be missed. The Carnegie cast boasts the talents of Leslie Kelly as Cathy and Wes Carman as Jamie. THE LAST FIVES YEARS is directed by Lindsey Augusta Mercer and music directed by Erin McCamley.

About The Carnegie
The Carnegie is northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre; and the Eva G. Farris Education Center. More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from ArtsWave, Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

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