Category Archives: Press Releases

The Children’s Theatre of Cincinnati Presents SLEEPING BEAUTY

World-premiering at the Taft Theatre this spring!

CT 2018-19 Season Poster 02

Aurora as imagined by Nate Xopher: illustrator, cartoonist, and creator of the comic, The Wyld.

CINCINNATI:  The Children’s Theatre of Cincinnati’s world-premiere production of SLEEPING BEAUTY wakes up the Taft Theatre April 27-May 6, 2019.

A clever take on the classic fairy tale, this new rock musical comedy is packed with humor, heart and a powerful message!

The impulsive but courageous Princess Aurora (who prefers “Rory”) doesn’t quite fit in with the other princesses in ‘Princess School.’  After meeting her prince by kissing a frog (because how else do you meet guys in Princess School) Rory sets out on her own to discover all the Kingdom has to offer. Along the way, she encounters her evil Fairy Godmother, the Magnificent Magnilda, who placed a curse on Rory when she was a child, causing her to fall into a deep sleep. This sleeping beauty will awaken only with a kiss from her prince. Once she is fully awake and ready to rock, the feisty Princess Rory begins a whirlwind quest to save her Princess Schoolmates: Snow White, The Little Mermaid, Cinderella, the Snow Queen and Rapunzel, and defeat Magnilda.

Story and book by Ken Jones, music by Jamey Strawn and lyrics by Christine Jones.  The show will be directed by Ken Jones and choreographed by Eric Byrd.  In addition, Kevin Frisch and the Frisch Marionette Company are designing at 20-foot dragon appearing in the production.

The creators of Sleeping Beauty previously wrote TCT’s 2016 production of Snow White and the Dancing Dwarfs, and TCT’s 2013 holiday production of The Day Before Christmas as well as other successful shows including:  Burgertown, CHURCH GIRLS, and A. LINCOLN: A Pioneer Tale.

Showtimes for SLEEPING BEAUTY include:

  • Saturday, April 27 at 2 PM* (this performance is signed for the hearing impaired)
  • Sunday, April 28 at 2 PM and 5 PM
  • Friday, May 3 at 7:30 PM
  • Saturday, May 4 at 2 PM and 5 PM
  • Sunday, May 5 at 2 PM

All of The Children’s Theatre of Cincinnati’s Broadway-style MainStage productions, including SLEEPING BEAUTY, are performed in the historic Taft Theatre, 5th and Sycamore Streets in Downtown Cincinnati. Tickets start at $10.  1-800-745-3000 and www.ticketmaster.com.

School performances of SLEEPING BEAUTY will be held April 30-May 3 and May 6, 2019 during the daytime hours.  For details about how to purchase tickets to TCT’s school performances, visit www.thechildrenstheatre.com.

The Children’s Theatre of Cincinnati’s production of SLEEPING BEAUTY is made possible by the generosity of Production Sponsor P&G; Season Sponsors H.B., E. W. and F. R. Luther Foundation and the Charles H. Dater Foundation; and ArtsWave and the generosity of almost 40,000 contributors to the ArtsWave Community Campaign.  The Ohio Arts Council helped fund this program with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.  Media sponsors are LOCAL 12 and Q102. 

CAST

  • Narrator/Bishop…Brandon Bentley
  • Ensemble…Evan Blust
  • Ensemble…Cammi Caldwell
  • Grinhilda, Little Mermaid…Jordan Collins
  • Trinhilda, Cinderella…Lauren Everett
  • Prince Phillip …George Ivan
  • Ensemble…Alyssa Johnson
  • Prince Christopher…Sam Johnson
  • Prince Edward…A. James Jones
  • Prince Charming…Evan Koons
  • Prince William…Matt Krieg
  • Ensemble…Kevin Lausche
  • Ensemble…Caleb McKenzie
  • Prinhilda, Snow Queen…Ashley Morton
  • Ensemble…Claire Northcut
  • Brinhilda, Snow White…Mikayla Renfrow
  • Queen Genevieve …Ella Rivera
  • Ensemble…Kara Scullin
  • King Charles, Prince Frederick…Spenser Smith
  • Drinhilda, Rapunzel…Renee Stoltzfus
  • Aurora…Jenna VanWeelden
  • Magnilda the Magnificent…Michelle Wells

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New Music Ensemble Celebrates Imagery and Artistry at NKU SOTA

NKU_Zohn Collective

Zohn Collective.

HIGHLAND HEIGHTS, KY – Northern Kentucky University’s School of the Arts welcomes new music ensemble Zohn Collective on March 20, who will be performing an evening of modern piano trios in collaboration with videographer José Camacho and famed, Mexican cartoonist, José Ignacio Solórzano (a.k.a. “Jis”).

All works on the program relate to the idea of music as a powerful gateway to memory. Audience members may recognize the Ives Trio, which is flecked with numerous quotations of American folk and popular music. Ives evokes memories from his own personal life as well as memories from the collective American consciousness. Other works on the program were written by Daniel Pesca and Ricardo Zohn-Muldoon, both members of Zohn Collective, and also deal with the idea of music and memory.

“The performance will stimulate audiences to respond more creatively to contemporary and 20th-century chamber music while creating an experience to reflect on the relationship between music, imagery, and memory,” said Hanna Hurwitz, co-director of Zohn Collective and lecturer of violin at NKU SOTA. “The information about the works will be integrated as an artistic, rather than descriptive, component of the event. The intention is to refract that information through a combination of visual and auditory means that gives space for individualized reflection and fluid interpretation.”

Founded in 2017, Zohn Collective is a contemporary music collective, which seeks to produce and perform artist-driven projects generated by its members. For this reason, the diversity of backgrounds, interests, and expertise of each member is an essential and vibrant element of the group’s model. The ensemble core is comprised of nine members, which includes instrumental performers, composers, and a conductor, however, the group may expand or contract as dictated by the repertory of each project. The group recently performed with internationally recognized puppet company, La Coperacha, at the Festival de Mayo in Guadalajara, Mexico, and has given performances and workshops at the University of Kentucky, Belmont University, Oberlin Conservatory, Notre Dame, and University of Chicago.

“Jis” José Ignacio Solórzano is a renowned cartoonist, conceptual artist, and radio personality born in 1963 in Guadalajara, México. He has been a longstanding contributor to many of the preeminent newspapers and magazines in Mexico (La Jornada, Milenio, Galimatías, among others) and is co-author of the fabled comic strip “El Santos”. He has presented numerous exhibits of his work at noted galleries in Mexico and abroad and published several books with his drawings, comic strips, and cartoons, for including one in English, titled Cats don’t exist for Fantagraphics.

Zohn Collective will perform Wednesday, March 20, 2019 at 7 p.m. in Greaves Concert Hall at NKU. Admission is free and open to the public. Parking is available for patrons in Lots D & I on campus. For more information about NKU’s School of the Arts, please visit nku.edu/sota or follow on social media @NKUSOTA.

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Casts Announced for NKU Play Festival

NKU_Yes Festival 19 logoHIGHLAND HEIGHTS, KY – Northern Kentucky University’s School of the Arts Theatre and Dance Program has announced the casts for three plays that will receive their world-premiere productions in the 19th Biennial Year-End Series (Y.E.S.) Festival. Performances will take place April 3-14, 2019 at the NKU Fine Arts Center.

FAST YOUNG BEAUTIFUL by Ethan Warren
New to Hollywood, a naive young actor named Dennis is cast in the new James Dean film, and though he’s at first unimpressed with his idiosyncratic co-star, he’s soon seduced by Dean’s mysterious talent. Dean agrees to mentor Dennis, but as they co-star in two films across the spring and summer of 1955, both find themselves struggling to understand what it means to be a great actor, and a good man, before they lose their chance to be either.

Cast:

  • James Dean: Landis Helwig
  • Dennis: Charles Adams
  • Natalie: Rachel Kazee
  • Liz / Natalie’s Mother: Sarah Hack
  • Rock / Corey: Austin Adams
  • Nick / Stevens: Alex Slade
  • Mary: Katie Tierney
  • Bobby: Brayden Glass
  • Reporter / Asst. Director: Kylie Flick
  • Figment A: Jerrod Gruber
  • Figment B: Raven Burns-Gibson
  • Figment C: Brooke Hardin
  • Figment D: Tyler Rosenblatt
  • Figment E: Nick Palazzolo

Performances (in Corbett Theatre):

  • Wednesday, April 3, 7:30 p.m.
  • Friday, April 5, 7:30 p.m.
  • Saturday, April 6, 2 p.m.
  • Sunday, April 7, 2 p.m.
  • Wednesday, April 10, 7:30 p.m.
  • Friday, April 12, 7:30 p.m.
  • Saturday, April 13, 7:30 p.m.
  • Sunday, April 14, 2 p.m.

INITIATIVE by Jacob York
Dave has a particularly aggressive form of cancer. He looks at his life and all he sees are holes; the moments he won’t be able to have, if this cancer is successful in its malign task. He only sees one way out: Dungeons and Dragons. The only way he’ll experience all the memories he counted on having is through his friends creating them around him at the gaming table. A play about friends and the lengths you’ll go for them, Initiative examines stories and why we tell them. And what unexpected demons can lie within.

Cast:

  • Dave: Brandon Critchfield
  • Meg: Piper Bates
  • Tyrone: James Dawson
  • Sky: Kali Marsh
  • Benny: Trevor Browning
  • NPC #1: Reagan Ruth
  • NPC #2: Timothy Belton

Performances (in Stauss Theatre):

  • Thursday, April 4, 7:30 p.m.
  • Saturday, April 6, 7:30 p.m.
  • Sunday, April 7, 5 p.m.
  • Thursday, April 11, 7:30 p.m.
  • Saturday, April 13, 2 p.m.
  • Sunday, April 14, 5 p.m.

THE BLACK BOY IN PINK by Isaiah Reaves
The year is 1959. Wyatt Frost is a young black man who has been forced to make hard choices to survive. Flickering across his fuzzy RCA Victor television set comes the possibility of a different existence. As his life becomes entangled with the legacy of a picturesque local wealthy family, will Wyatt be able to choose the life he has always wanted? Will he be able to color pink his otherwise black and white existence? The Black Boy in Pink is a bold new work by a young provocative playwright set in his hometown of Cincinnati.

Cast:

  • Wyatt: Je’Shaun Jackson
  • Rudolph: Thomas Smith
  • Douglas: Nathaniel Clifford
  • Iris: Sally Modzelewski
  • Vincent: Cameron Myers
  • Blair: Haley Gillman
  • Wyatt’s Mother (Off Stage Voice): Gabriela Barbosa Gonzalez

Performances (in The Henry Konstantinow Studio Theatre):

  • Friday, April 5, 7:30 p.m.
  • Saturday, April 6, 2 p.m.
  • Sunday, April 7, 2 p.m.
  • Wednesday, April 10, 7:30 p.m.
  • Friday, April 12, 7:30 p.m.
  • Saturday, April 13, 7:30 p.m.
  • Sunday, April 14, 2 p.m.

Single tickets are $15 general admission or 2-show package for $25. Student tickets are $10 or 2-show package for $15. The Black Boy in Pink will have free admission, but reservations are required due to limited seating. Please visit the YES Festival website at nku.edu/yesfestival for more information or call the Box Office at (859) 572-5464.

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The Royal Shakespeare Company’s Associate Artist, Christopher Luscombe to Director THE WINTER’S TALE Opening March 1 at Cincinnati Shakespeare Company

csc_winterstale8

Brent Vimtrup as Leontes & Courtney Lucien as Perdita

Cincinnati Welcomes UK Director to the Queen City!

The production has been extended for another week, now playing March 1-23, 2019

Cincinnati, February 1, 2019 – Cincinnati Shakespeare Company continues its 25th Anniversary Season at The Otto M. Budig Theater with William Shakespeare’s The Winter’s Tale. The production is directed by The Royal Shakespeare Company Associate Artist, Christopher Luscombe and features an 18 person cast featuring CSC Resident Ensemble Members Brent Vimtrup as Leontes, Kelly Mengelkoch as Hermione, Courtney Lucien as Perdita, and Josh Katawick as Polixenes. The Winter’s Tale is generously sponsored by Calvin & Patricia Linnemann, Julia Meister, Judge (ret.) Mark P. Painter & Sue Ann Painter as well as Dinsmore & Shohl LLP, Huntington Bank and Matson Money

CSC is very pleased to welcome Christopher Luscombe Cincinnati, OH to direction this production.  Mr. Luscombe arrives from the UK where here is an Associate Artist of the prestigious Royal Shakespeare Company (RSC).  His directorial work for the RSC includes Love’s Labour’s Lost, Much Ado About Nothing, and Twelfth Night. He directed A Midsummer Night’s Dream at Regent’s Park; for Shakespeare’s Globe his productions include The Comedy of Errors, The Merry Wives of Windsor and Nell Gwynn, which transferred to the West End and won the Olivier Award for Best New Comedy. His work in the US includes his own Shakespeare Revue at the Oregon Cabaret Theatre, Hay Fever at the Guthrie in Minneapolis and Henry V for Chicago Shakespeare Theater. When he returns to the UK he will be directing his first opera – Falstaff, at the Grange Festival.

The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and produces around 20 productions a year. The RSC plays regularly in London, Newcastle upon Tyne and on tour across the UK and internationally.  As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists and develops creative links with theatre-makers from around the world, as well as working with teachers to inspire a lifelong love of William Shakespeare in young people and running events for everyone to explore and participate in its work.  The RSC celebrated its 50th birthday season in 2011.  In 2013, the company began live screenings of its Shakespeare productions – called Live from Stratford-upon-Avon – which are screened around the world. In 2016, the company collaborated with Intel and The Imaginarium Studios to stage The Tempest, bringing performance capture to the Royal Shakespeare Theatre for the very first time.

Cincinnati Shakespeare Company’s production of The Winter’s Tale is set against the backdrop of Regency England in two worlds, that of Sicilia and Bohemia. An irrational and unfounded jealousy has consumed Leontes, the king of Sicilia. Convinced his wife Hermione has been carrying on an affair with Polixenes, the king of Bohemia, he unleashes his rage upon her and their newborn child, whom he banishes to the wilderness. The consequences of his actions unfold over many years, in ways no one, most of all Leontes could have anticipated.

The creative team is made up of Shannon Moore (Scenic Designer), S. Watson (Lighting Designer), Douglas J. Borntrager (Sound Designer), with music composition by Cary Davenport and choreography by Darnell Pierre Benjamin. They are joined by newcomer Rainy Edwards making her CSC debut as the Costume Designer for the production.

“The Winter’s Tale” runs March 1-17, 2019 with performances on Thursdays, Fridays, and Saturdays at 7:30 PM and Sundays at 2:00 PM, as well as Saturday March 17 at 2:00 PM.  Preview performances are Wednesday, February 27 and Thursday, February 28 at 7:30 PM and tickets are $30.  Advance sale single ticket prices start at $28.  Day-of Student Rush tickets are $14 and may be purchased thirty minutes before a show with a valid student ID if available. This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees apply.  To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at www.cincyshakes.com.

On Saturday, Mar. 16 and Sunday, Mar. 17 bring your younger kids (4+) for artist-led childcare DURING the performance! The “Playdate” program is only $15 and free for subscribers. The option to add this program will be available as you are buying tickets for either of these show dates. Activities will range from storytime to theatre games and crafts. Share the great benefits of CSC’s programming with your children: Playdate will style activities to correspond with each production, so even your youngest can join in the discussion on the ride home!

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  There are many parking spaces available on the street and in nearby lots and garages- for more information visit http://www.otrchamber.com/pages/WheretoPark.

CSC also offers Valet Parking for every performance! Make reservations for $15 in advance when purchasing tickets or visit www.cincyshakes.com/parking. Purchasing in advance guarantees a spot at the discounted rate of $15 (vs. $20+ at the curb).  Valet is available right at the corner of 12th and Elm Street in front of the theater and begins approx. 1.5 hours before a performance. Cars can be picked up for up to one hour following a performance. (After one hour, you will need to arrange pick up with the valet service directly.) The valet will have your name on the list after you purchase- it’s that easy!

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theatre Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2018-2019 25th Anniversary Season:
The season is generously sponsored by The Otto M. Budig Family Foundation.  The 25th Anniversary sponsor is the The Carol Ann and Ralph V. Haile, JR./U.S. Bank Foundation.  This season is funded by ArtsWave.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation.  The season’s marketing design sponsor is POSSIBLE. The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

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Cancellation of TO KILL A MOCKINGBIRD Announced by Dayton Playhouse

DPH_logoToday, the Board of Directors of The Dayton Playhouse, Inc. (DPI) announced the cancellation of the March 8-17, 2019 production of TO KILL A MOCKINGBIRD due to circumstances beyond the organization’s control.

DPI did everything correctly to acquire the rights to the Sergel adaptation of TO KILL A MOCKINGBIRD; such rights were secured, and paid for properly, 14 months ago. However, the opening of the new production in New York has changed the business landscape and appears to have rendered DPI’s rights no longer valid.

The Board of Directors in partnership with legal counsel have thoroughly explored avenues to overcome these obstacles and present our production, but under threat of substantial legal action from Rudinplay the decision was made to cancel the production. Rudinplay holds the rights to the new production currently running on Broadway, also inspired by Harper Lee’s 1960 novel. The Board of Directors determined that DPI is not in a position to risk an expensive legal battle that could threaten the corporation’s future viability.

“We are in complete shock,” stated Matt Lindsay, Chair of the DPI Board of Directors. “I and the whole Board of Directors are devastated by this situation. I feel terrible for our artists, on stage and backstage, who poured their hearts into making something beautiful and meaningful, only to have it ended so suddenly.” The cast and crew have been hard at work on the production for weeks.

The Dayton Playhouse box office will be reaching out to purchasers of tickets to offer alternatives including tickets to another show, tax donation or simply a refund. DPI holds itself to a high standard of quality and professionalism. Please do not reach out to the box office – as DPI will be in touch with patrons within the next weeks.

The Board of Directors sincerely hopes this will not tarnish the theatre’s relationship with any of its patrons, who we value deeply. We are disappointed to be unable to present this beautiful play to our audiences. We will work tirelessly to retain their trust and patronage.

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