Category Archives: Press Releases

Young Performers’ Benefit Concert 2 for Theaters from Equality Productions

EP_logoTalented young performers recorded Broadway songs to benefit theaters as part of Equality Productions’ mission to encourage donations to theaters during the pandemic.

To view the concert on YouTube, send a donation to the following email: equalityproductionscincy@gmail.com through Paypal or Venmo. The suggested donation is $10, but donate what you can. Specify which theater should receive your donation.

Once your donation is received, you will be emailed a YouTube link to watch the concert for those in your household. Equality Productions will distribute 100% of the donations to the theaters chosen.

The second concert includes these performers (listed with the song and theater they chose for donations):

  • Locke Hargis sings “What If” from THE ADDAMS FAMILY benefiting Redline Performing Arts in Louisville, KY.
  • Abby Guinigundo sings “Alyssa Greene” from THE PROM benefiting Greater Hamilton Civic Theater.
  • Adeleke Goring sings “I’d Rather Be Sailing” from A NEW BRAIN benefiting Mason Community Players in Mason, OH, and Beechmont Players in Cincinnati, OH.
  • Elsa Hargis sings “Dead Mom” from BEETLEJUICE: The Musical” benefiting Sacred Heart School of the Arts in Louisville KY.
  • Kennedy Smith – Waiting for Life” from ONCE ON THIS ISLAND benefiting Andrews Osbourne Academy in Willoughby, OH.

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Cincinnati Ballet Announces Updates to the 2020-2021 Season

CB_2020-2021 Season logoReimagined season includes new choreography and classic favorites

CINCINNATI, OH (August 10, 2020) – Cincinnati Ballet is excited to announce our modified 2020-2021 Season. While this unexpected schedule looks different than first envisioned, it is a season of surprises sure to delight dance lovers in the region. When the COVID-19 pandemic postponed the remainder of the 2019-2020 Season in March and April, Cincinnati Ballet did not anticipate programming changes well into our upcoming season. However, Cincinnati Ballet’s dedicated staff pivoted quickly to reimagine the 2020-2021 season with varied performance options. “The health and safety of our dancers, staff, patrons, and community remain our top priority,” said Scott Altman, Cincinnati Ballet CEO. “As we continue to navigate the unique challenges of social distancing, our commitment to health and safety has guided us as we created a season that delivers the world-class dance you expect from Cincinnati Ballet. We have had to make some difficult decisions, but we know, thanks to our community’s deep commitment to the arts and Cincinnati Ballet, we are safeguarding the future of our organization.” Cincinnati Ballet has adapted the 2020-2021 Season based on recommendations from government and health officials and in line with sister organizations both regionally and nationally.

CB_Nutcracker2

Photo provided by Cincinnati Ballet.

Cincinnati Ballet invites you to come celebrate dance and our vibrant community next month as we kick off the season with a free, socially distanced production in partnership with Cincinnati Parks at the P & G Pavilion September 25-27. This program will feature the return of our dancers with outdoor performances showcasing selections of favorite solos and pas de deux from our rich repertoire. In November, Cincinnati Ballet will present an intimate workshop performance. “Right now, our artists are busy creating thoughtful pieces for this performance,” said Artistic Director Victoria Morgan. “Our dancers and artistic staff are developing a celebratory program. The return of this art form to an indoor stage with audiences and dancers socially distanced will proudly highlight the talents of your Cincinnati Ballet artists, as dancers, as choreographers, and innovators of our time. While the world is an unsettled place, we are focused and moving forward in our mission to share the love and healing power of dance with our community.”  As we move into December, keeping in mind appropriate social distancing, we will offer a re-imagined Nutcracker presented by Frisch’s Big Boy in an hour-long program in the Music Hall Ballroom, December 17-23.

Our second half of the season begins in a NEW and surprising way. For the first time in our history, The Kaplan New Works Series moves from the Jarson-Kaplan Theater at Aronoff Center to Springer Auditorium at Music Hall. This audience favorite will replace Jewels previously scheduled in February. To highlight the intimate setting for these contemporary world premieres, Cincinnati Ballet will perform New Works like never seen before in front of the proscenium, performing in the space you would typically see Cincinnati Symphony Orchestra musicians perform. New Works as always continues to highlight the raw, powerful athleticism of dance. In this series we reflect on these unique times, addressing today’s challenges with gravity, humor, and hope.  To celebrate springtime, we have shifted our Family Series regional premiere of Snow White from February to April. This treasured fairytale will showcase Cincinnati Ballet Second Company and Otto M. Budig Academy students and for the first time, will feature live actors narrating the story, April 8-18. April will also feature a mixed-repertoire program, Bold Moves Plus. The anchor will be the return of Ohad Naharin’s wildly popular, Minus 16. Artistically, Bold Moves Plus will serve as a precursor to our inaugural festival which will debut in the 2021-2022 Season and will celebrate legendary contemporary choreography. Artistic Director Victoria Morgan’s whimsical Cinderella is now slated to close the 2020-2021 Season with a two-week engagement June 10-20 at Aronoff Center. As audiences enjoy the magical Cinderella, Cincinnati Ballet will also be celebrating the opening of the new Cincinnati Ballet Margaret & Michael Valentine Center for Dance in Walnut Hills. Cincinnati Ballet’s new home is slated to open in Summer 2021.

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and engagement in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education and community engagement programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

Cincinnati Ballet 2019-2020 Season Sponsors: Rhonda & Larry A. Sheakley, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, John A. Schroth Family Charitable Trust, Frisch’s Big Boy, Knowlton

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The Carnegie Announces Cast, Production Dates for GODSPELL

TC_Godspell logoSocially Distant Performance at Pyramid Hill Sculpture Park

COVINGTON, KY – The Carnegie is set to present the uplifting musical extravaganza that is GODSPELL … And it will be presented in an innovative format where audiences can experience the performance at a safe, social distance.

GODSPELL
A Musical Based Upon The Gospel According to St. Matthew
Music and Additional Lyrics by Stephen Schwartz
Conceived by John-Michael Tebelak

Come sing about love! This uplifting musical, featuring songs from Stephen Schwartz (PIPPIN, WICKED), will be presented in an innovative format across Pyramid Hill Sculpture Park’s three-acre campus. Featuring physically distant staging and walk-through format, this will be like no production of GODSPELL you’ve experienced before!

Each performance features two start times, 4:30 p.m. and 6:30 p.m., to allow for social distancing within walking audience groups. This format does require sustained walking and standing throughout the show. If you need a more accessible way to view the show, please call the box office to set up an art cart ticket, allowing you to slowly drive between scenes and sit for the duration of the show in one of Pyramid Hill’s custom golf carts.

  • September 12 performance – Tour start times 4:30 p.m. and 6:30 p.m.
  • September 13 performance – Tour start times 4:30 p.m. and 6:30 p.m.

“With the inherent unique visuals of Pyramid Hill Sculpture Park serving as the backdrop, this production of GODSPELL will be as creative, inventive, experimental and fun as anything The Carnegie has ever done” said Maggie Perrino, Theatre Director for The Carnegie.

This socially distant production of GODSPELL has been organized by The Carnegie’s Creative Disruption Committee (The Carnegie CDC), the volunteer consortium launched in response to the COVID-19 pandemic. The Carnegie CDC acts as a creative engine and rapid response team to the current struggles of the entertainment industry. It also provides a new community-based structure for performing arts programming, such as safe, socially distance live experiences like GODSPELL.

The cast and production team for The Carnegie CDC production of GODSPELL is listed below.

CAST LIST

  • Jesus – Joshua Carandang
  • Judas/John the Baptist – Kyle Taylor
  • Socrates/Day by Day Soloist – Kaylee Michael
  • DaVinci/Turn Back O Man Soloist – Maddie Vaughn
  • Thomas Aquinas/Lessons Well Soloist – Kara Hancock
  • Gibbon/By My Side Soloist – Ashley O. Morton
  • Martin Luther/All Good Gifts – Je’Shaun Jackson
  • Sartre/Bless the Lord Soloist – Mackenzie Ruff
  • Ensemble – Royce Louden, Eric Klear, Elizabeth Taylor, Sam Johnson, Andi Angel, Maria Zierolf, Ethan Brooks Baker, Jordan Darnell, Logan Weinfurtner, Liam Sweeney, Savannah Boyd, Julia Olinger, Ezra Crist

 

PRODUCTION TEAM:

  • Maggie Perrino
  • Farley Norman
  • Caleb Redslob
  • Maddie Sensenstein
  • Genevieve Perrino
  • Christine Orr
  • Ria Viallaver Collins

Tickets for GODSPELL are $35 for adults ($32 for Carnegie members), $25 for students and $15 for children age 10 and under. To purchase tickets, visit The Carnegie Box Office (open Tuesday-Friday noon to 5 p.m.) in person, call (859) 957-1940 or visit www.thecarnegie.com.

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ABOUT THE CARNEGIE
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at thecarnegie.com or by calling (859) 491-2030. 

The Carnegie receives ongoing operating support from Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the City of Covington. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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Broadway in Cincinnati Announces Rescheduling of Fall Shows

BIC_My Fair Lady 99

Shavey Brown, Mark Aldrich, Shereen Ahmed (center), William MichalsandColin Anderson in The Lincoln Center Theater Production of Lerner & Loewe’s MY FAIR LADY.

Pretty Woman and My Fair Lady
will now play Aronoff Center in Summer of 2021

Cincinnati, OH (August 5, 2020) – Broadway in Cincinnati has announced that due to the challenges of scheduling touring Broadway shows across the country during this unprecedented time, both fall shows scheduled for the 20/21 Fifth Third Bank Broadway in Cincinnati series presented by TriHealth have been rescheduled for summer of 2021.

The Cincinnati engagements of PRETTY WOMAN: THE MUSICAL originally scheduled for November 10 – 22, 2020 will now be presented August 17 – 29, 2021. MY FAIR LADY originally scheduled for December 1 – 13, 2020 will now be presented July 13 – 25, 2021.

Season Ticketholders for both of these shows will retain their same seats for the rescheduled engagements.

Broadway in Cincinnati continues to work diligently to navigate the challenges of scheduling shows and touring Broadway as guided by medical and public health advice to comply with local government regulations.  The touring industry depends on an interconnected network of presenters in cities throughout the country and the Broadway in Cincinnati is prepared to make any necessary adjustments for the well-being of audiences, staff, cast and crew.

While there may be additional unforeseen scheduling changes in the season, ticket holders will be notified if any future productions need to be rescheduled or canceled. Additional updates will be provided at BroadwayInCincinnati.com.

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Fifth Third Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center. The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year, and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. Fifth Third Bank is the sponsor of the Cincinnati 20/21 Season and the season is presented by TriHealth. 

Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com and Group Sales Box Office.  Led by 14-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 47 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, The Phantom of the Opera and Hamilton. Current and past productions include Ain’t Too Proud, Beautiful, Cats, Chicago, Dear Evan Hansen, Mean Girls, Moulin Rouge! and To Kill A Mockingbird. 

The John Gore Organization is the leading developer, producer, distributor and marketer of Broadway theatre worldwide. Under the leadership of 14-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, and Group Sales Box Office. The company presents shows in 47 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk and Olivier awards.

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Let’s Build a Theatre Where Everyone is Welcome to Play

KTC_Lets Play logoAn Action Plan for Equitable Theatre 

CINCINNATI, OH – This is an extraordinary time to be a theatre artist. The entire theatre sector has spent the last three months soul-searching about how we can keep our art and our community whole while a global pandemic prevents us from performing our most basic function: bringing people together for the shared experience of live performance.

But the spectacular displays of civil disobedience and impassioned protest in the wake of the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery have put these existential questions about the nature of live theatre into even clearer relief.

Because the truth is that the American theatre has done a poor job of bringing our whole community together for a very long time.

And that includes Know Theatre of Cincinnati.

Though many of us have proclaimed a commitment to diversity, we remain complicit in the establishment and maintenance of environments that do not value or foster Black voices. We have participated in racist structures and failed to recognize the voices in our own community that we should have been lifting up. We have prioritized efforts including gender parity and economic accessibility without giving the same energy or resources to anti-racist work.

It’s time to own that history, and take action.

Some of this work has already been going on behind the scenes – but solidarity cannot be silent, and it is important now to make plain the work we have quietly been undertaking, as well as the next steps we will take to make the Know a more expressly anti-racist organization.

The work already underway in support of an equitable Know Theatre includes:

  • Ensuring our board of directors better represents the Cincinnati community at large, which has taken us from a 6-person board with only 16% representation of people of color to a 15 person board with 27% representation of people of color. Our goal is to continue thoughtful recruitment until we reach at least 40% representation of people of color.
  • Forming a board-lead committee of staff, Diversity, Equity, & Inclusion professionals, and local artists, to define policies, review vendors to prioritize BIPOC-owned partnerships, and discover ways in which this artistic community can collectively liberate us all from the constraints of systemic racism and economic inequality.
  • Our staff is instituting a system of education and anti-racist training to acknowledge and interrogate existing biases and lack of education around anti-blackness and white supremacy. This is an ongoing learning and unlearning process necessary for us to fully engage with anti-racist work as a company; and our work in this space will focus on harm reduction, harm prevention, and relationship repair.
  • Sourcing funds specifically for hiring artists of color. This is a continuation of an effort we quietly undertook in the 2019-2020 season, with support of the David C. Herriman Foundation of the GCF, to enable us to bring visiting designers and directors of color to work with us, be paid competitively for their artistry, be offered housing to support their stay in Cincinnati, and give all of our artists the chance to work with rising artists they would otherwise not have had the chance to collaborate with.

It is clear that there is much, much more work to be done to ensure that members of our community who are Black, Indiginous, and People of Color (BIPOC) feel welcome and embraced as artists, as patrons, as board members, and as staff.

So as we launch into a new season, we commit to the following actions:

  • Over 22 seasons, we have maintained an average of just under 20% of shows on our MainStage by BIPOC writers, which we recognize is simply not good enough. To reflect the fact 40% of the Cincinnati population identifies as black or African American, we pledge to produce an average of 40% plays by BIPOC writers on our MainStage, and work to maintain that level of representation in future seasons.
  • We also pledge to not only cast BIPOC performers in BIPOC stories, but also seek to cast at least 50% of our roles across a season with artists of color. Our casting representation over the last 6 seasons has ranged from a high of 50% BIPOC actors to a low of 28% – we pledge to meet and maintain an average of 50% from now on.

  • The low salaries of small nonprofit theatre reinforce racial and economic privilege in hiring – unless you have inherited wealth or alternate sources of income, job opportunities in companies including the Know have not been open to you. We will work to raise full-time staff salaries to at least $30,000 so that job postings become more welcoming and viable for BIPOC applicants.

  • We will rewrite our artist and employee handbooks to ensure that we are no longer creating a hostile environment – intentionally or unintentionally – for BIPOC artists and staff members. We will use the guidance from the #dearwhiteamericantheatre petition and Stratford Festival’s #inthedressingroom conversations as starting points, as well as conversations with local artists who have come to us with concerns.
  • We will be open to criticism and we will not meet criticism with defensiveness. In all things, we will strive to honor our history as the Know Theatre Tribe and a voice for inclusion and change in Cincinnati’s theatre community.

Know Theatre began 22 years ago as the Know Theatre Tribe, a multicultural and nomadic arts collective committed to bringing the voices of diverse artists into Cincinnati communities.

As we launch into what already, due to the pandemic, will be an unprecedented season full of experimentation in how to deliver art in digital forms, we will no longer backburner the work that needs to be done to honor that history and take us toward an equitable, anti-racist theatre.

We will proclaim with both our work and our words that Black Lives Matter.

We welcome your thoughts and ideas about the theatre you want to see evolve across Cincinnati in this moment. We invite your stories and your criticisms. We look forward to building a theatre that better represents and celebrates all of our stories – not just the stories of a few.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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