Category Archives: Events

The Mersey Beatles | Thu., October 22 | Aronoff Center – Jarson-Kaplan Theater

MISC_The Mersey Beatles promoAll-Liverpool-born Beatles tribute band to perform in Cincinnati

The Mersey Beatles to appear at the Aronoff Center’s Jarson-Kaplan Theater on October 22, 2015

MISC_The Mersey Beatles quick facts(Cincinnati, OH) – The Mersey Beatles, the world’s only all-Liverpool-born Beatles tribute band and the house band for ten years at the world famous Cavern Club will perform at the Aronoff Center’s intimate Jarson-Kaplan Theater on Thursday, October 22, at 7:30 p.m. 

Tickets are $71.75, $51.75, and $41.75, and go on sale Friday, July 31 at 10 a.m. at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office. 

John Lennon’s sister Julia Baird will also be in attendance. She says, “There are a lot of Beatles tribute bands from all over the world and I have seen them all, but The Mersey Beatles are the best I’ve heard.” 

Baird will be signing copies of her book “Imagine This: Growing Up with My Brother John Lennon.” 

Since 1999, The Mersey Beatles have played sell-out shows in more than 20 countries, recreating The Beatles’ most popular hits. Their show spans the Fab Four’s catalogue and recreates The Beatles’ sound and image with amazing accuracy. 

The Mersey Beatles are no ordinary cover band. From 2002 to 2012, they were the resident tribute band at The Cavern Club, the nightclub in Liverpool, England, where The Beatles perfected their act before launching a global rock music revolution in the 1960s. They also are the official Beatles tribute band representing the City of Liverpool and have sold out shows worldwide.

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Sufjan Stevens | Fri., November 13 | Aronoff Center

FOLLOWING CRITICALLY-LAUDED SPRING TOUR, SUFJAN STEVENS CONFIRMS U.S. FALL DATES

CARRIE & LOWELL CONTINUES TO RECEIVE UNIVERSAL CRITICAL ACCLAIM

CAA_Sufjan Stevens logoFollowing a critically-lauded, national tour this spring, Sufjan Stevens is set to embark on a tour of the U.S. this fall, playing dates in Santa Barbara, Nashville, Atlanta, Miami, Cincinnati, and more.

The tour will make a stop at Cincinnati’s Aronoff Center on Friday, November 13 at 8:00 PM.

Tickets go on sale Friday, July 24 at 10am at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.

Stevens continues to celebrate the success of Carrie & Lowell, named to best of 2015 lists byRolling Stone, the Los Angeles Times, The Guardian, The A.V. Club, Billboard, SPIN, Paste, Complex and ranked #1 on Stereogum’s “50 Best Albums of 2015 So Far.” 

Carrie & Lowell continues to receive universal acclaim:

“I think it’s safe to say that Sufjan Stevens is one of the most prolific and absolutely gifted American songwriters of the 21st century.” “…a life-changing performance—one we’ll all remember for many years.” -NPR

  • “Sufjan Stevens’ new album, Carrie & Lowell, is his best…it feels like his most classic and pure effort…a masterpiece” – Ptichfork, 9.3, Best New Music
  • “…his most gorgeous effort to date—a dauntlessly intimate song cycle that wrestles with the specters of abandonment and disconnection, all inside transcendent electro-meets-acoustic pop arrangements” -The New York Times
  • “Stevens remains at the height of his powers—capable of work as individual, compassionate and powerful as any American composer working today.” -The Washington Post
  • Best Albums of 2015 So Far,  “…impossibly pretty…Even when Stevens goes all happy memories and gentle melodies on the title track and “Eugene,” you’ll be holding back tears.” -Rolling Stone
  • Essential albums of 2015, “…a breathtaking work…” -Los Angeles Times
  • #1 Best Album of 2015 So Far, “The best is not behind Sufjan Stevens. He has never been better than this…” -Stereogum
  • Best Albums of 2015—So Far, “…a fall-down gorgeous and emotionally devastating masterpiece…It features some of the most beautiful music ever made about loss, and some of the most direct explorations of death ever recorded. It is a brutal, extremely sad, relentlessly wrenching record that, because it’s so exquisitely crafted, you might keep on a loop for days.”—Dave Eggers -The Guardian
  • 10 Best Albums of 2015 (So Far), “Stevens doing what he does best” -Billboard
  • 50 Best Albums of 2015 So Far, “Easily his best and most powerful album…” -Spin
  • Best Albums of 2015 so far, “Near-perfect…” -AV Club
  • Best Albums of 2015 (So Far), -“Spoiler Alert: Sufjan Stevens made the best album of 2015” -Paste
  • Best Albums of 2015 So Far, “Stevens’ most personal album ever” – Flavorwire
  • Best Albums of 2015 (So Far), “One of the year’s most coherent, albeit heartbreaking, efforts…” -Pigeons and Planes
  • “…as always, Stevens deals with the complicated subject matter with literary aplomb and musical finesse.” – The Wall Street Journal
  • “Stevens gave us a fearless, open-handed new look at the impossible soul guiding one of the greatest songwriters of our time.” – KEXP

Carrie & Lowell was recorded by Stevens alongside Casey Foubert, Laura Veirs, Nedelle Torrisi, Sean Carey, Ben Lester and Thomas Bartlett. Named for Stevens’ mother and stepfather, the 11 songs address life and death, love and loss, and the artist’s struggle to make sense of the beauty and ugliness of love. The album debuted at #6 on the Billboard 200, selling 50,538 albums in its first week and marking Stevens’ highest chart debut to date.

A singer-songwriter currently living in Brooklyn, NY, Stevens’ preoccupation with epic concepts has motivated two state records (Michigan & Illinois), a collection of sacred and biblical songs (Seven Swans), an electronic album for the animals of the Chinese zodiac (Enjoy Your Rabbit), two Christmas box sets (Songs for Christmas, vol. 1-5 and Silver & Gold, vol. 6-10),  a BAM-commissioned programmatic tone poem for the Brooklyn-Queens Expressway (The BQE), two collaborations with New York City Ballet choreographer and dancer Justin Peck, and an instrumental accompaniment to slow-motion rodeo footage—a second BAM-commission. In 2010 Stevens released an expansive EP (All Delighted People) and the full length The Age of Adz.

SUFJAN STEVENS LIVE – Tour dates/locations

  • July 25                            Newport, RI                           Newport Folk Festival
  • August 14                       Lyons, CO                              Rocky Mountain Folks Festival
  • October 24                      Santa Barbara, CA                  The Arlington Theatre
  • October 25                      Phoenix, AZ                           Orpheum Theatre
  • October 26                      Albuquerque, NM                  Popejoy Hall
  • October 28                      Omaha, NE                            Orpheum Theatre
  • October 30                      Buffalo, NY                           University of Buffalo Center for the Arts
  • October 31                      Jersey City, NJ                       Loews Jersey Theatre
  • November 1                    Baltimore, MD                       Joseph Meyerhoff Symphony Hall
  • November 3                    Pittsburgh, PA                        Heinz Hall
  • November 4                    Charlotte, NC                         Ovens Auditorium
  • November 5                    Atlanta, GA                            Cobb Energy Center
  • November 6                    Orlando, FL                            Walt Disney Theater at Dr. Philipps Center
  • November 7                    Miami, FL                              Olympia Theater Miami
  • November 9                    Charleston, SC                       NCPAC
  • November 10                  Birmingham, AL                    Alabama Theatre
  • November 11                  Nashville, TN                         Ryman Auditorium
  • November 12                  Louisville, KY                        Whitney Hall
  • November 13                  Cincinnati, OH                       Aronoff Center – Procter & Gamble Hall

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Bo Burnham ‘Make Happy Tour 2015’ | Tue., November 10 | Aronoff Center

Comedian Bo Burnham Announces Second Leg of
MAKE HAPPY TOUR 2015
presented by AEG Live

November 10, 2015 – 8:00 PM
Aronoff Center – Procter & Gamble Hall

******

2015 US tour dates kick off September 29 in Philadelphia, PA 

Tickets on sale Friday, July 24th at 12:00 PM

Bo Burnham.

Bo Burnham.

[July 21, 2015, New York, NY] – Bo Burnham has announced a second leg to his extremely successful 2015 MAKE HAPPY TOUR.  Following on the heels of a sold-out spring tour, this leg will hit 31 cities and kicks off September 29th at Keswick Theatre in Philadelphia, PA. The tour will make a stop at Cincinnati’s Aronoff Center on Tuesday, November 10 at 8:00 PM.

Tickets go on sale Friday, July 24 at 12:00 PM at http://www.CincinnatiArts.org, (513) 621-ARTS [2787], the Aronoff Center Ticket Office, and www.AXS.com.

Bo Burnham became the youngest person to ever record a half-hour Comedy Central special at the age of 18.  He has released two hour-long specials since then: Words, Words, Words in 2010 and what. in 2013.  The latter, what., was released on Netflix and YouTube simultaneously, and has since received over 8 million views on YouTube alone.  Bo recently created and starred in the MTV series Zach Stone is Gonna Be Famous and wrote a book of poetry, EGGHEAD, which became a New York Times Bestseller.

Bo’s live shows are a unique blend of stand-up, music, and theatre.

Bo Burnham’s MAKE HAPPY Tour 2015

9/29                Philadelphia, PA                    Keswick Theatre

10/02              Providence, RI                        Veteran’s Memorial Auditorium

10/05              New York, NY                         Best Buy Theatre

10/06              Red Bank, NJ                          Count Basie Theater

10/10              Washington, DC                     Lincoln Theatre

10/13              Richmond, VA                        Carpenter Center

10/15              Tampa, FL                               Straz Center – Ferguson Hall

10/16              Jacksonville, FL                       Florida Theatre

10/17              Birmingham, AL                     Alabama Theater

10/19              Nashville, TN                          War Memorial Auditorium

10/20              Cedar Rapids, IA                    Paramount Theatre

10/21              Minneapolis, MN                   State Theatre

10/22              Winnipeg, MB                        Pantages Playhouse Theatre

10/24              Calgary, AB                             MacEwan Hall

10/27              Regina, SK                              Conexus Arts Centre- Shirley Bell Theatre

10/28              Saskatoon, SK                        TCU Place

10/30              Denver, CO                             Paramount Theatre

10/31              Salt Lake City, UT                   Capitol Theater

11/01              Sacramento, CA                     Sacramento Community Center Theater

11/03              San Jose, CA                           Center for the Performing Arts

11/04              Anaheim, CA                          The Grove

11/05              Phoenix, AZ                            Celebrity Theatre

11/08              Cleveland, OH                        State Theatre- Playhouse Square

11/09              Columbus, OH                        Palace Theater

11/10              Cincinnati, OH                        Aronoff Center- Procter & Gamble Hall

11/11              Pittsburgh, PA                       Carnegie Music Hall of Oakland

11/13              Ithaca, NY                               State Theatre

11/14              Syracuse, NY                          Crouse-Hinds Theater

11/15              Northampton, MA                Calvin Theater

11/16              Portland, ME                          State Theatre

11/18              Boston, MA                            Shubert Theatre

12/11              Port Chester, NY                    The Capitol Theatre

More on Bo:

Website: http://boburnham.com/

YouTube: https://www.youtube.com/user/boburnham

Facebook: https://www.facebook.com/pages/Bo-Burnham/10947828617

Twitter:  https://twitter.com/boburnham

Instagram:  https://instagram.com/boburnham/

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C.S Lewis’ THE SCREWTAPE LETTERS | Oct. 17-18 | Aronoff Center – Jarson-Kaplan Theater |

THE SMASH HIT PRODUCTION OF
CAA_The Screwtape Leters logo
RETURNS TO CINCINNATI BY POPULAR DEMAND

Brent Harris as Screwtape.

Brent Harris as Screwtape.

CINCINNATI, OH  – THE SCREWTAPE LETTERS, the provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view, returns by popular demand  to Cincinnati for four performances at the  Aronoff Center’s intimate Jarson-Kaplan Theater on  Saturday, October 17 at 4:00 PM & 8:00 PM and Sunday, October 18 at 2:00 PM & 7:00PM. The show is part of the Cincinnati Arts Association’s 2015-16 Season, celebrating the 20th Anniversary of the Aronoff Center; CAA’s full season will be announced at a later date.

Tickets go on sale Friday, July 17 at 10:00 AM at http://www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.  Group discount tickets for 10 or more are available at (513) 977-4157.

The National Tour of THE SCREWTAPE LETTERS kicked off after a hit nine-month run at the Westside Theatre in New York City where it entertained 50,000 theatergoers.  Prior to that, THE SCREWTAPE LETTERS was a sold-out hit in Chicago and Washington D. C. where it ran for a combined eight months.

THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities including Los Angeles, San Francisco, Atlanta, Boston, Salt Lake City, Orlando, Seattle, Dallas, and Houston. Over 400,000 people have seen this production on tour, which continues to attract a national following.

Associated Press calls THE SCREWTAPE LETTERS “Devilishly funny!”; The Chicago Sun-Times hails the production as “Smart, sizzling entertainment!”; The Boston Globe raves that it is “Engrossing and Entertaining!”; and The Chicago Tribune says THE SCREWTAPE LETTERS is “Very smart…richly rewarding…exuberant theatricality!”

THE SCREWTAPE LETTERS creates a topsy-turvy morally inverted universe set in an eerily stylish office in hell, where God is called the “Enemy” and the Devil is referred to as “Our Father Below.”  The play follows His Abysmal Sublimity Screwtape, Satan’s top psychiatrist (due to his profound understanding of human nature), and his slavish creature-demon Toadpipe, as they train an apprentice demon, Wormwood, on how to ruin the life and damn the soul of an unsuspecting human on earth.  Screwtape is played by award-winning actor, Brent Harris.

Along with The Chronicles of Narnia (including The Lion, The Witch and The Wardrobe), The Great Divorce, and Mere Christianity, The Screwtape Letters is still one of Lewis’ most popular and influential works.  The book’s piercing insight into human nature and the lucid and humorous way Lewis makes his readers squirm in self-recognition made it an immediate success.  When first published in 1942, it brought worldwide fame to this little-known Oxford don, including the cover of Time magazine.

The idea for Screwtape first came to Lewis after listening to Hitler’s Reichstag Speech on July 19, 1940, while it was simultaneously translated on BBC Radio.  Lewis wrote: “I don’t know if I’m weaker than other people, but it is a positive revelation to me how while the speech lasts it is impossible not to waver just a little… Statements which I know to be untrue all but convince me…if only the man says them unflinchingly.”

Lewis dedicated it to his close friend J. R. R. Tolkien, who had expressed to Lewis that delving too deeply into the craft of evil would have consequences.  Lewis admitted as much when he wrote: “Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one’s mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded.”

THE SCREWTAPE LETTERS is produced by New York City based Fellowship for Performing Arts. Max McLean serves as Artistic Director.  Executive Producer and General Manager is Ken Denison of Aruba Productions. Scenic Design is by Cameron Anderson, Costumes by Michael Bevins, Lighting Design by Jesse Klug, and Original Music and Sound Design by John Gromada.

“Clever and Satirical” -The New York Times

“One Hell of a Good Show” -The Wall Street Journal

“Pure Genius” – National Review

“A Profound Experience” – Christianity Today

CINCINNATI ARTS ASSOCIATION SPONSORS

SEASON SPONSORS:  AMERITAS (Founding Season Sponsor), FIFTH THIRD BANK (Lifetime Endowment Partner), FURNITURE FAIR, LOCAL12 WKRC, TheP&G FUND of The Greater Cincinnati Foundation

SEASON PRESENTING SPONSORS:  21C Museum Hotel, The Berry Company, Cincinnati Herald, CityBeat, Garfield Suites Hotel, Heidelberg Distributing, Hilton Cincinnati Netherland Plaza, Pepsi, Skyline Chili, TriHealth, Ultimate Air Shuttle

Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves upwards of 600,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies. Since the inception of its acclaimed arts education programs in 1995, CAA has reached more than 1.3 million students.

For more information, visit www.CincinnatiArts.org.

#  #  #

CALENDAR INFORMATION

WHAT:                 C.S. Lewis’ The Screwtape Letters

WHEN:                 Saturday, October 17 – 4:00 PM & 8:00 PM

Sunday, October 18 – 2:00 PM & 7:00 PM

WHERE:               Aronoff Center for the Arts – Jarson-Kaplan Theater

PRICES:                 $58 • $46

INFO:                    The Screwtape Letters creates a topsy-turvy morally inverted universe set in an eerily stylish office in hell, where God is called the “Enemy” and the Devil is referred to as “Our Father Below.”  The National Tour of The Screwtape Letters kicked off after a hit nine-month run at the Westside Theatre in New York City where it entertained 50,000 theatergoers.  Prior to that, The Screwtape Letters was a sold-out hit in Chicago and Washington D. C. where it ran for a combined eight months.

TICKET INFORMATION – on sale Friday, July 17 at 10:00 AM

  • www.CincinnatiArts.org
  • (513) 621-ARTS [2787]
  • Aronoff Center Ticket Office
  • Group sales (10 or more): (513) 977-4157

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Human Race Launches Its First Festival of New Works, Aug. 7 & 8

THE HUMAN RACE LAUNCHES ITS FIRST FESTIVAL OF NEW WORKS, AUGUST 7 AND 8
Two-day festival presents a combination of five new plays and musicals in development

HRTC_logo(Dayton, OH)—This August, The Human Race Theatre Company begins a new chapter in its commitment to the development of new theatre with its first-ever Festival of New Works. This new festival combines the efforts of The Race’s Musical Theatre Workshops and its Marsha Hanna New Plays Workshops into a unified program. “It allows us to showcase what we do—musicals and plays—at one time of year,” says Human Race President and Artistic Director Kevin Moore. “It’s a better use of our resources and personnel. Plus, it creates a greater, more diverse experience for our audiences.” The 2015 Festival of New Works presents a collection of readings of five scripts—three plays and two musicals—by local, national and international writers. Readings will be held in the 60-seat Caryl D. Philips Creativity Center of The Human Race and The 212-seat Loft Theatre in downtown Dayton.

The 2015 Festival of New Works lineup includes full readings of Have You Ever Played, Dayton?, a play by Robb Willoughby and Mann…and Wife, a musical Douglas J. Cohen and Dan Elish based on Elish’s novel Nine Wives, plus three 30-minute “snapshot” readings of Karen Righter’s play, The Day After Epiphany, Central Park Tango, a musical by Nicky Phillips and Robert Gontier, and Resident Artist Scott Stoney’s adaptation of Some Self-Evident Truths, a play based on the journals of Lucille Wheat and Lois Davies. Open talkbacks with the creative teams follows the readings. The three “snapshot” readings will be presented and ticketed as a group.

ABOUT THE FESTIVAL SELECTIONS

Have You Ever Played, Dayton?
Friday, August 7 at 7:00 p.m. in The Caryl D. Philips Creativity Center

Yellow Springs resident Robb Willoughby’s play follows three Broadway “has-beens” who, after having been tricked by a scheming agent, head out-of-town to resurrect their careers and turn “possibly the worst play ever written” into a hit…despite themselves.Dayton? is presented as a full-length table reading directed by Kevin Moore with a seven-member cast featuring Resident Artists Patricia Linhart, Michael Kenwood Lippert and Scott Stoney, Saul Caplan, Jackie Darnell, Mathys Herbert and Kate Young.

Tickets for Have You Ever Played, Dayton? are $15.

“Snapshots” – A collection of three 30-minute readings from two new plays and a new musical
Saturday, August 8 at 2:00 p.m. in The Caryl D. Philips Creativity Center

The Day After Epiphany

Dayton playwright Karen Righter’s play takes place in 754 AD as Pope Stephen II crosses the Alps on January 6 to convince King Pepin to take up arms to save Rome. But Pepin has his own problems with a marriage on the rocks and a rebellious daughter in this fictional telling of an actual historic encounter. The reading features Jared Joplin, Scott Stoney and Kate Young (Other Desert Cities).

Central Park Tango

It’s a penguin musical about the modern day family by the Canadian writing team of Nicky Phillips and Robert Gontier, inspired by the real life story of Roy and Silo, two male chinstrap penuins who drew worldwide attention when they became mates at the Central Park Zoo. Prior to the festival, Phillips and Gontier join The Human Race for a 10-day residency where they will rework previous versions of theCentral Park Tango script under the guidance of director Kevin Moore and musical director Sean Michael Flowers and the support of a cast of actors which includes Resident Artists Katie Pees and Scott Stoney, and Jackie Darnell, Rebecca MacDougall, Jacob McGlaun and Ray Zupp. Moore will then select material to present to festival audiences.

Some Self-Evident Truths

Scott Stoney adapts and directs a new script based on the personal journals of Lucille Wheat and Lois Davies, two Troy, Ohio women—one white, one black—written from 1946 to 1951. This play chronicles their lives, their friendship and a community’s awakening to racial equality with performances by Terrilynn Meece, Stoney and Torie Wiggins.

Tickets are $15 for the group of three readings.

Mann…and Wife
Saturday, August 8 at 7:00 p.m. in The Loft Theatre

From Douglas J. Cohen (No Way to Treat a Lady) and Dan Elish (13) comes this new musical based on Elish’s novel, Nine Wives, about one man’s struggle to find love, happiness and the perfect date for his ex-fiancée’s wedding. Michael Baron, Artistic Director of Lyric Theatre of Oklahoma, helms this staged reading with musical director Scot Woolley and cast members Jamie Cordes, Scott Hunt and Annie Kalahurka. The song “It’s Only a First Date” from Nine Wives (Mann…and Wife’s earlier title) was an audience favorite at last summer’s Songwriter Showcase, leading Kevin Moore to include the full script in this year’s festival as it prepares for  further development at Lyric Theatre of Oklahoma in 2016. Cohen and Elish will have two weeks to work on the script and songs with Baron, Woolley and the cast before the final presentation at the festival.

Tickets for Mann…and Wife are $20.

ABOUT THE FESTIVAL
In addition to the combining of musicals and plays, the 2015 Festival of New Works marks another change from past festivals in how The Human Race presents such new works. Scripts are no longer automatically produced as fully staged readings, but rather the level of production is determined on a script by script basis. “Each script comes to us in a different stage of the development process,” explains Kevin Moore. “One of the first things I asked the writers is, ‘What do you need?’ and we proceed from there.” The questioning lead to the development of a variety of presentation styles – “snapshot”-style highlights, table reading and the fully staged reading. “Some scripts may benefit more from just a table reading at this point. We strive to be flexible.”

This year’s festival does retain one critical component to the development process – audience feedback. At the end of every reading, patrons are encouraged to stay and participate in a talkback with the creative teams. “The comments from the audience are just as important for the writers as hearing their words spoken by actors,” says Moore. “The reactions and responses help them in determining what works and what doesn’t.”

The 2015 Festival of New Works is sponsored by the Jesse & Caryl Philips Foundation Fund for the Development of New Works and The Producers’ Circle.

Readings are at The Caryl D. Philips Creativity Center of The Human Race, located at 116 North Jefferson Street and the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. General admission tickets are $15 and $20, depending on the reading, and are on sale atwww.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and in person at the Schuster Center box office. 

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, a summer Festival of New Works, and special event programming. The Human Race, under the direction of President and Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation Fund for the Development of New Works, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

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