Category Archives: Casting Call

ACT Cincinnati is Now Accepting Applications for 2025 Performance Scholarship Competition​

Deadline for Application Submission is January 31, 2025 at 11:59pm ET.
Late application submissions cannot be accepted.

INFORMATION ON 2025 SCHOLARSHIPS

WHO: The Performance scholarships are open to college Freshman, Sophomore, and Junior students currently enrolled in an accredited bachelor’s degree program. Students must attend a college within 50 miles of the greater Cincinnati area and/or have a connection to one of our ACT Cincinnati member groups.

WHAT: This year, six (6) scholarships will be awarded in amounts ranging from $1,000 – $3000.

WHEN: Submissions are due no later than January 31, 2025 at 11:59pm ET.

WHERE: Auditions will be held in person on Saturday, February 15, 2025 (with an alternate snow date of Saturday, February 22, 2025) between 10:00am to 3:00 pm ET at the Stained Glass Theatre, 802 York Street Newport, KY 41071.

PREPARE: Students are to present two (2) contrasting pieces of either Voice, Dance, Instrumental, Acting, or a combination of any two.

All portions of the application must be completed and uploaded at the same time.

Required items to be submitted digitally:

  1. Theatre Resume (Word or pdf)
  2. Biography (Word document, one paragraph, third person)
  3. Current Headshot photo with your full name visible (.jpg or .png file)
  4. Valid email address and phone number​

For a list of scholarships, details about criteria, and other information including the online application link, go to www.actcincinnati.org/scholarships.

Questions should be directed to scholarships@actcincinnati.org

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Full-Time Scene Shop Coordinator Sought by NKU School of the Arts

Working Title Scene Shop Coordinator
Department School of the Arts
Compensation Title Coordinator, Theatre Arts/ Scene Shop
Position Number 30011553
Position Status Regular
Work Schedule
8:15 am – 4:30 pm
May require some evening or weekend work.
Hours per Week 37.5
Months per Year 12
Commitment to Inclusive Excellence
Northern Kentucky University is an Equal Opportunity/Equal Access institution. We embrace inclusiveness, equity, and global awareness in all dimensions of our work and seek excellence through diversity among our students, administrators, faculty, and staff. Application by members of diverse groups is encouraged.
Purpose of Position
The Scene Shop Coordinator works closely with the Technical Director to manage and maintain all facilities and equipment for all theatrical productions. The Coordinator also works closely with the Scenic Designer to service and execute designs for the construction of all scenery for Theatre & Dance productions and special events. Additionally, the Scene Shop Coordinator monitors the rental of theatre spaces/equipment and serves as the on-site representative as needed for rental events.

The Scene Shop Coordinator establishes, teaches, and enforces safety procedures which include abiding by OSHA standards, maintenance of equipment, and cleaning and organizing the scene shop, furniture/props storage, and paint shop. Under the Occupational Safety and Health Act of 1970, employers are responsible for providing a safe and healthy workplace for their employees.

The Scenic Shop Coordinator’s role is to promote the safety and health of all faculty, staff, and students working in our spaces by setting and enforcing standards; providing training for students; establishing partnerships with local stage unions and scenic houses; and encouraging continual process improvement in workplace safety and health in the school’s spaces, shops, and backstage areas.

Primary Responsibilities
    • Safely execute and build all sets based on designs and drafting provided by staff/faculty/guest designers according to the theatrical industry standards and best practices.
  • Maintain OSHA standards for all faculty, staff and students working with lifts, rigging, pyrotechnics, carpentry, welding, and electricity.
  • Train students, faculty, and staff working in the scene shop in the fundamentals of construction with a wide variety of tools along with the care and maintenance and safe operations of machines, tools, and laboratory equipment including special instruction for students in rigging, scene construction, welding, and pyrotechnics as needed.
  • Effectively collaborate with the Technical Director to determine a weekly, monthly, semester, and year-long calendar which includes build schedules for each production, deadlines for ordering materials, load-in, and technical schedules, as well as plans for summer projects and construction.
  • Establish and maintain schedules for organizing, cleaning, and operations in the Fine Arts Center scene and paint shop, reviewing safety protocols, updating, inspecting, and repairing equipment, and shop inventory.
Qualifications
Bachelor’s degree in technical theatre, theatre design, or related field.
Five years of professional experience or Masters Degree in Theatre and 2 years of professional experience.

Stage carpentry, welding, rigging, ability to read and understand construction drawings, regular equipment maintenance practices, as well as electrical, pyrotechnic, or sound equipment skills as needed.

This role must comply with and understand OSHA standards and regulations, as well as practices developed by USITT.

Application review will begin 9/27

Minimum Education Bachelor’s Degree
Preferred Education Bachelor’s Degree
Minimum Experience 5 years
Salary Minimum $20.67/hr
Pay Grade S69
Posting Detail Information
Requisition Number 2024S2089
Job Open Date 09/13/2024
Job Close Date
Quick Link
Is this an internal only posting?

Supplemental Questions

Required fields are indicated with an asterisk (*).

  1. * What is your highest level of education?
    • Bachelor’s degree
    • Master’s degree or higher
  2. * Why are you interested in this position?(Open Ended Question)

Documents Needed to Apply

Required Documents

  1. Resume
  2. Cover Letter/Letter of Application

Optional Documents

  1. Letter of Recommendation 1
  2. Letter of Recommendation 2
  3. Letter of Recommendation 3
  4. References

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Broadway Across America Now Accepting Applications for BAA•BTC Regional Apprenticeship

For College Students / Early Career Professionals

New York, NY – Applications are now being accepted for the fourth annual Broadway Across America (BAA) BTC Regional Apprenticeship program through October 18th.  This nationwide, educational paid apprenticeship takes place over 14 weeks in the spring of 2025 and is offered to applicants with a demonstrated passion to increase the involvement of those that have been historically underrepresented in American Theater. The program showcases the inner workings of the commercial theater business and Broadway touring.

This intensive educational program begins with 13 weeks of in-depth learning in one of the following Broadway Across America offices: New York City, Atlanta, Baltimore, Boston, Cincinnati, Fort Lauderdale, Houston, Louisville, Minneapolis, Ottawa, Salt Lake City, and Seattle, where Apprentices will learn about topics like Presenting, Ticketing, Marketing Strategy, Operations, and more. To close out the semester, the Apprentices will travel to New York City for a week of networking, on-the-job learning, and to see Broadway shows.

“Everyone at Broadway Across America and the John Gore Organization is very happy to be launching applications for the fourth year of this program,” said John Gore Organization President Lauren Reid. “We have seen many brilliant early career professionals enter our industry after completing the apprenticeship, and we can’t wait to welcome a new cohort of Apprentices to the program.  We are proud to partner with BTC to create more pathways for the future workforce of the theater community.”

“We’re excited to continue our partnership with Broadway Across America, offering opportunities that uplift underrepresented voices. Through our partnership with BAA, we’re building a more equitable industry,” said co-founders of BTC T. Oliver Reid and Warren Adams. “This program provides crucial, hands-on experience for those usually left out of the conversation and helps ensure that the future of American theater reflects the diversity of its artists and audiences.”

The BAA•BTC Regional Apprenticeship works to equip participants with the tools necessary to be successful in the industry. It also provides a foundation of mentors and colleagues to whom they can turn to for support as they pursue a career beyond the stage. Past alumni of the BAA•BTC Regional Apprenticeship program have gone on to work at Tony Awards Productions, Foresight Theatrical, Daryl Roth Productions, Disney Yellow Shoes, Broadway Across America, and more.

“The BAA/BTC Regional Apprenticeship gave me the opportunity to be an insider in an industry that, under ordinary circumstances, had been just out of reach” said, Trey Robinson, Communications Coordinator for Broadway Across America.  “This Apprenticeship has proven a pivotal moment in my professional journey, allowing me a front row seat to witness and learn about the intricacies, challenges, and innovations that shape the theater industry.”

Students pursuing degrees in fields like Arts Administration, Business Administration, Marketing, Public Relations/Communications, Theater Studies, Finance/Accounting, Human Resources, Pre-Law, Arts Ticketing/Sales/Operations, and other fields of study that relate to commercial theater presenting are welcome in the program. A variety of perspectives, backgrounds, abilities, and opinions are very much encouraged to apply.

Interested applicants can find the application form and more information at http://www.broadwayacrossamerica.com/apprenticeship

BTC
BTC was founded by T. Oliver Reid and Warren Adams during the Summer of 2019. They identified the disparity between the growing inclusivity onstage, versus the almost non-existence of diverse professionals off stage. They invited their colleague, Reggie Van Lee, to join them as Co-Founder in their march towards dismantling the systemically racist and biased ideology in the theatrical job space. BTC officially filed as a nonprofit 501(c)(3) in June of 2020. BTC provides emerging, mid-career, and career-changing diverse professionals opportunities to learn the theater-making process from leaders at the highest levels in executive, creative, producing, and administrative areas while developing a strong network for continued success and employment in the industry. For more information about BTC, visit their website www.BlackTheatreCoalition.org where eligible candidates can explore and apply for current and upcoming positions.

BROADWAY ACROSS AMERICA
Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office, and Broadway Brands.  Led by 22-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 48 markets with over 450,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, and Hamilton. Current productions include &Juliet, Hadestown, Hamilton, Hell’s Kitchen, MJ: The Musical, Moulin Rouge! The Musical, The Outsiders and Stereophonic. BroadwayAcrossAmerica.com

JOHN GORE ORGANIZATION
The John Gore Organization is the leading presenter, distributor, and marketer of Broadway theater worldwide. Under the leadership of 22-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office and Broadway Brands. The company presents shows in 48 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk, and Olivier Awards.  The John Gore Organization is committed to supporting theater access and education programs that introduce Broadway to the next generation of audiences and theater professionals. JohnGore.com.

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Submission Wanted for Playwrights Script Reading Season 2025 at Lumos Players

Lumos Players is excited to announce our second season of our Playwrights Script Reading Season 2025 Winter/Spring Edition.

CALLING ALL PLAYWRIGHTS! We understand writing a play be a journey. This is a great opportunity to have your plays read aloud and have a constructive group discussion to help further you in your playwrights process. All script reading sessions will be over ZOOM. We accept all kinds of play; 10min, 1 act, full plays, musicals, comedy’s, dramas, etc.

If interested in submitting a play for this edition please email lumosplayers@gmail.com with your script attached. Deadline for submissions is December 1, 2024. We will be announcing the 2025 Playwrights Script Reading Series on January 1, 2025.

All readings and discussions will take place the 2nd Wednesday of the month at 7:30pm and will be over ZOOM.
DATES FOR READINGS:

  • February 12, 2025 @ 7:30PM
  • March 12, 2025 @ 7:30PM
  • April 9, 2025 @ 7:30PM
  • May 14, 2025 @ 7:30PM

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Play Submissions Open for 2025 NEW WORKS FESTIVAL at Cincinnati Lab Theatre

Cincinnati LAB Theatre is now planning its twelfth producing season and accepting submissions to fill productions for its 2025 New Works Festival. Cincinnati LAB Theatre will be producing these scripts over two weekends in a rotating festival format summer of 2025.

To be considered for a play reading a playwright must submit an original, unpublished, fully realized script of at least 30 minutes in length. To be considered for a fully staged workshop production a playwright must submit an original, unpublished, fully realized script of at least 45min in length to no longer that 90 minutes in length that has previously had at least one verifiable staged reading. Only plays allowing for 6 actors or less will be accepted. Erotica and pornography will not be considered. Playwrights must be available in person and/or by video conference for the entirety of the rehearsal/workshop process. Only those playwrights willing to engage in a workshop process should submit. All playwrights must be present for at least one performance. Plays previously produced as play readings by Cincinnati LAB Theatre will be given special consideration for fully staged workshop productions. Once scripts are chosen playwrights will be paired with a director and cast to fulfill the rehearsal/workshop process. Directors and cast will be chosen by Cincinnati LAB Theatre.

Submissions for the summer festival productions will be accepted between August 28, 2024 and December 31, 2024. Submissions will be accepted by Jotform here: https://form.jotform.com/223286773604057

There is a $5 submission fee. This fee covers the cost to pay readers.

Please feel free to contact one of the artistic directors directly by emailing us at cincinnatilabtheatre@gmail.com if you have any questions for concerns.

We look forward to reading your pieces!

Sincerely,
Cincinnati LAB Theatre

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