Category Archives: Casting Call

Actors Needed for THE ARSONISTS at Know Theatre of Cincinnati

KTC_logoHEADS-UP! We’re looking for a couple actors for THE ARSONISTS, MainStage production rehearsing August 28 – September 21 and performing September 22 – October 15.

Audition window: June 25 – 30, by appointment only.

Know Theatre of Cincinnati seeks one man and one woman for upcoming rolling world premiere of THE ARSONISTS by Jacqueline Goldfinger.

Know seeks to represent diverse perspectives, voices, and individuals on our stages. Actors of all ethnicities and backgrounds are encouraged to submit!

Characters –

  • H – man, must read as late 40s – mid 50s (has daughter in her 20s), rough around the edges, plays acoustic guitar and sings.
  • M – woman, 20s. Has lived by the skin of her teeth up to now. Plays acoustic guitar and sings.

Guitar skills are a must! The show is interwoven with traditional and folk tunes, played live onstage.

***Please only respond to this notice if you have guitar experience.***

If you have experience with other instruments such as banjo, mandolin, or ukelele, please let us know.

Audition Requirements

  • All applicants should be prepared to play a brief song, folk/country/gospel style, accompanying themselves on acoustic guitar. Know Theatre can provide a guitar for audition purposes.
  • All applicants should come prepared to read a side or two from the script, in addition to your prepared material.

Compensation
Know Theatre acting positions are competitively paid positions for both AEA and non-union roles. Know Theatre productions rehearse six days per week, an average of 30 hours per week. Rehearsal schedules vary from production to production.

Contact Know’s Associate Artistic Director Tamara Winters at twinters@knowtheatre.com with the subject line “Arsonists Audition” for questions and to schedule an audition.

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Actor Needed for Ernst Ludwig in CABARET at Warsaw Federal Incline Theater

WFIT_Sign at nightThe Role: Ernst Ludwig
(Non-Dancing/Spoken role – Adult male – 30s to 50s years of age)
Ernst is Cliff’s first German friend, whom he meets on a train car traveling from Paris to Berlin.

Please note: Brief singing vocals, tenor or bari range but is mostly a spoken role.

If interested, please send your headshot and resume to Jennifer Perrino at jenniferperrino@clpshows.com.

Please note: Rehearsals will take place The Warsaw Federal Incline Theater. Rehearsals will begin Sunday, August 20th. Weekdays 6:30 – 10:30 pm; Sundays at 6 to 9:30 pm.

The rehearsal schedule will be based on specific portions of the show to be rehearsed. Please note: Rehearsal dates are subject to finalization based upon cast selections/availability.

You may not miss more than 2 rehearsals.

  • Sun. Aug. 20
  • Mon. Aug. 21
  • Tues. Aug. 22
  • Wed. Aug. 23
  • Thurs. Aug. 24
  • Sun. Aug. 27
  • Mon. Aug. 28
  • Tues. Aug. 29
  • Wed. Aug. 30
  • Thurs. Aug. 31
  • Sun. Sept 3
  • Mon. Sept. 4 (Off )
  • Tues. Sept. 5
  • Wed. Sept. 6
  • Thurs. Sept. 7
  • Sun. Sept. 10
  • Mon. Sept. 11
  • Wed. Sept 13
  • Fri. Sept 15
  • Sun. Sept. 17
  • Mon. Sept 18
  • Wed. Sept 20
  • Fri. Sept. 22
  • Sun. Sept. 24 (TECH)
  • Mon. Sept 25 (TECH)
  • Tues. Sept. 26 (TECH)
  • Wed. Sept. 27 (FINAL TECH)
  • Thurs. Sept. 28 OPENING!

Performance times: Wed. Thurs. @ 7:30pm Fri., and Sat. @ 8:00 pm Sun. at 2 pm.
CABARET
(Performances September/October, 2017)
Thurs. Sept. 28 – Fri. Sept. 29 – Sat. Sept. 30 – Sun. Oct. 1
Wed. Oct. 4 – Thurs. Oct. 5 – Fri. Oct. 6 – Sat. Oct. 7 – Sun. Oct. 8
Wed. Oct. 11 – Thurs. Oct. 12 – Fri. Oct. 13 – Sat. Oct. 14 – Sun. Oct. 15

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Resident Artist Company Music Director Sought by The Children’s Theatre of Cincinnati

TCTC_new logoOrganizational Overview:

TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through four primary programs:

  • TCT MainStage – We welcome 107,000 children, teachers, and family members from across the region, to one of our four family-friendly and professional musical theatre productions at the historic Taft Theatre.
  • TCT On Tour – We see over 47,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 750 children will be provided fine arts instruction, including the group that participates in summer intensive STAR summer programs through which we offer professional musical theatre training to some of the region’s most talented youth.
  • TCT Showtime Series – Our newest division, creating a premium theatrical experience in an intimate theatrical setting, located at our new facility on Red Bank Road.

Vision: To awaken a lifelong love of theater in children and the young at heart.

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview

The Resident Music Director/ Teaching Artist is part a team of production assistants in the TCT Resident Artist Company.  Each Artist is responsible for the quality and success of assigned projects, and/or theatrical productions, including but not limited to MainStage, The Showtime Stage Series, TCT on Tour, TCT Academy, or special outreach projects.  The Production Assistant, Artist teaches with the TCT Academy, as assigned.  Depending on the Production Assistant project track for the season, the Production Assistant/Artist, may be asked to take on into a variety of creative and administrative duties as schedules would allow.  The Production Assistants works closely with teachers, students, and the other members of the Production department, but each report directly to a different branch within the organization.

The Resident Music Director reports directly to the Producing Artistic Director.

Essential Duties and Responsibilities:

  • Identifying scripts for development in TCT Academy, TCT MainStage, TCT on Tour, and The Showtime Series.
  • Developing and implementing new projects/events associated with TCT Divisions.  (ie: Theatrical College Prep Convention)
  • Working with Marketing Department to cultivate audience growth.
  • Scouting potential for collaborations with other organizations or companies.
  • Representing TCT at industry events.
  • Teaching between 2-4 classes per session, unless excused to focus on a larger project.
  • Acting as the Resident Music Director for the organization.
  • Assisting with casting for musicals.
  • Playing piano for auditions.
  • Assisting TCT on Tour with production needs.
  • Compose/arrange music.
  • Create orchestrated tracks for new works.

Desired Qualifications:

A gifted collaborator with demonstrated ability to oversee projects. You must possess a high degree of integrity and transparency, a strong problem solver with a win/win attitude. We are seeking someone who is skilled at managing successful teams, with excellent interpersonal skills, both written and oral.  You must possess the ability to connect with young audiences and students to teach valuable lessons pertaining to the performing arts.

Must be able to compose and arrange music.  Must be proficient in orchestrating tracks.

Job Type:

Full-time, Full Benefits

Ideal experience:

2 years of teaching experience, 2 years of project management experience.

Starting Salary:

$25k

To apply, please take the assessment test by July 5th, 2017 by visiting:
http://tinyurl.com/TCT-RAC

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2017-2018 Properties Master Sought by The Chidren’s Theatre of Cincinnati

TCTC_new logo2017-2018 Properties Master
(10 Month Contract)

Organizational Overview:

TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through four primary programs:

  • TCT MainStage – We welcome 107,000 children, teachers, and family members from across the region, to one of our four family-friendly and professional musical theatre productions at the historic Taft Theatre.
  • TCT On Tour – We see over 47,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 750 children will be provided fine arts instruction, including the group that participates in summer intensive STAR summer programs through which we offer professional musical theatre training to some of the region’s most talented youth.
  • TCT Showtime Series – Our newest division, creating a premium theatrical experience in an intimate theatrical setting, located at our new facility on Red Bank Road.

Vision: To awaken a lifelong love of theater in children and the young at heart. 

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The 2017-2018 Season Properties Master will assist the organization in fulfilling its mission of educating, entertaining and engaging audiences of all ages through professional theatrical productions and arts education programming.  The Properties Master will be directly responsible for researching, designing, developing, and otherwise obtaining all props and rehearsal props for TCT MainStage, Showtime, and TCT on Tour divisions in collaboration with directors and stage managers of the productions, and the designated scenic designer of each show.  The Properties Master is also responsible for any prop needs associated with promotional appearances and photo shoots.

The Properties Master will report directly to the Technical Director, and will be responsible for maintaining and organizing future additions to our property stock.

Much of the props required for TCT on Tour can be pulled from our stock, located in our scenic shop facility in St. Bernard.  The ideal candidate will have experience creatively blending existing stock with their own design, building props from scratch, and purchasing creative solutions to satisfy the director’s vision.

Responsibilities and Qualifications:    

The Children’s Theatre of Cincinnati Properties Master’s duties include the following responsibilities and qualifications:

  • Creating or otherwise obtaining props and rehearsal props for all MainStage, Showtime, and Touring Productions.
  • Shopping for necessary materials
  • Working with power tools
  • Altering existing props to fit the director’s vision
  • Transporting props to and from the shop or renting company, rehearsal studio, and performance location. (Please note Taft Load-in dates for MainStage)
  • Repairing damaged props as necessary
  • Tracking a materials budget and promptly turning in receipts
  • Creating a master prop matrix for each show with Stage Management Team
  • Reading and responding to rehearsal reports in a timely manner
  • Ability to produce within a given deadline and in adherence with the production schedule
  • Building relationships with other arts organizations, share prop stock
  • Working knowledge of electrics and implementing electronic functions
  • Must have a background in carpentry, wood-working and welding
  • Artistic painting experience
  • Sewing, hemming, and upholstery skills

Systems and Operations:            

The TCT Properties Master will have access to tools, stock, and facility use in our Scenic Shop, located in St Bernard, as well as space in our facility on Red Bank Road.

The TCT Properties Master will have access to a tax-exempt form and a company credit card for purchases.

The TCT Properties Master will have access to use a TCT van, to transport items to and from the performance venue.  Contractor must schedule the van with the Operations Manager. If the van is unavailable, the Properties Master may need to use their own mode of transportation.  Per TCT policy, a $.40 per mile reimbursement will be in effect between a TCT location and a third party location.

TCT locations include: our headquarters on Red Bank Road, our scene shop in St. Bernard, and Downtown at the Taft Theatre.

Third party locations include:  retail locations, rental pick-up locations, or donation pick-up locations.

TCT does not reimburse for miles to or from the contractor’s home and any location, or between two TCT locations.  The contractor must keep a detailed log of mileage.

The TCT Properties Master is covered under worker compensation.

The TCT Properties Master position is treated as a contractor and is paid a stipend.

Commitment:                                                                                                                                  

The TCT Properties Master contract begins August 1st 2017.  The Properties Master must be available for production meetings prior to and during the rehearsal process, technical and dress rehearsals as assigned, and to meet the following deadlines for completed show designs: (Note:  rehearsal props should be present by first blocking rehearsal and final performance props are due by load-in or first dress.)

  • The Cat in the Hat (Tour):  Rehearses August 7st-18th, 2017
  • Young Abe Lincoln (Tour): Rehearses August 21st-September 2nd, 2017
  • Peter Pan Jr (MainStage): Rehearses September 18th-October 20th, 2017 (Taft Load in October 16th, Load out October 30th)
  • Cinderella (MainStage): Rehearses November 5th– December 8th, 2017 (Taft Load in December 4th, Load-out December 18th) NOTE: Cinderella requires a partial prop rental with The Children’s Theatre Company in Minneapolis.
  • Celebrate the Season (Tour): Rehearses November 8th– 22nd, 2017
  • Maya: A Writer’s Legacy (Tour): Rehearsals January 2nd– 12th, 2018
  • DreamWorks Madagascar (MainStage): Rehearses January 8th-February 9th, 2018 (Taft Load in February 5th, Load out February 19th)
  • Polkadots (Showtime Series): Rehearses February 5th-21st, 2018 (Strike: March 26th)
  • Mary Poppins Jr. (MainStage): Rehearses March 5th – April 6th, 2018 (Taft Load in April 2nd, Load out April 16th)

Minimum and Ideal Qualifications:

Education Level – Bachelor of Fine Arts or equivalent work experience.

Compensation/Payment Schedule:

  • A generous 10-month stipend of $22,000 will be paid to the contractor.
  • Contractor will be paid bi-monthly on the 1st and 15th of each month beginning August 15th, 2017 and ending May 31st, 2018.  $21,492 will be divided into 18 payments of $1,194.00.  A final payment of $508.00 will be paid upon strike of all TCT on Tour props on May 31st, 2018.

To apply, send your cover letter and resume, with any work samples to submissions@tctcincinnati.com.  Please use the subject:  “PROPERTY MASTER SUBMISSION”

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Deaf/Hard of Hearing Actors Needed for TRIBES at CenterStage Players

CSPOH_logoDirector Richard Zenk is seeking two actors for the upcoming production of TRIBES at CenterStage Players on March 23-31, 2018. Auditions are by appointment through Oct. 31, 2017.

Billy (stage age 20-30) – deaf since birth. Brought up Oral. Wears hearing aids. He meets Sylvia who teaches him to sign, opening him up to the world he never knew before. Sheltered, considerate, a gentle spirit.

Sylvia (stage age 20-30) – born with hearing but now rapidly going deaf. While she hasn’t wanted to let someone in, she falls for Billy. While Billy might see her as a vibrant new light in his life the rest of the family sees her as “nice and funny”. Experience with ASL and the piano a plus.

TRIBES is the story of Billy, the only deaf member of a loving yet comically dysfunctional British-Jewish family living in London. Along with Daniel, his depressive older brother and Ruth, his cosmically adrift older sister, Billy lives with his parents, Christopher and Beth, in their cluttered and yet comfortingly worn-in home. None of the family’s (Generation Y) children seem to be certain of the next step: Daniel attempts to write his thesis, Ruth half-heartedly tries to procure opera gigs, and Billy makes frustrating attempts to reintegrate himself into family life after having been away at University. Billy’s world is opened up, however, when he encounter’s Sylvia, a young woman who has grown up as the only hearing member of a deaf family. He quickly realizes how sheltered from the deaf world he has been by his family, and how, in their attempts to avoid making him feel like an “other,” they have actually made it impossible for him to take pride in his deafness. Much to his father’s chagrin, Sylvia begins teaching Billy sign language and introducing him to the deaf community. As he grapples with his own identity, we, too, are forced to ask questions about the meaning of belonging, community, and family.

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