Category Archives: Auditions

Auditions Announced for THE NERD at Fairfield Footlighters

fflTHE NERD
Directed by James C. Davis

Monday and Tuesday, January 4 & 5, at 6:30 p.m.
Auditions will be held in the Classroom on the 2nd floor of the Arts Center

AUDITION REQUIREMENTS:

  •   Cold readings from the script.
  •  Bring your calendar and be prepared to list all conflicts.
  •   All roles are available. Color-blind casting.

IMPORTANT DATES:

  • Performances:   February 19-20 & 26-27 at 8PM, February 21 & 28 at 2PM

About the Play
One of the funniest plays ever written, this extraordinarily inventive, side-splitting comedy was first presented by the Milwaukee Repertory Theatre, then produced in Great Britain, then went on to Broadway. The action centers on the hilarious dilemma of a young architect who is visited by a man he’s never met but who saved his life in Vietnam—the visitor turning out to be an incredibly inept, hopelessly stupid “nerd” who outstays his welcome with a vengeance. “Shue delivers a neatly crafted package that uses some classic comic forms to bring the audience to its knees, laughing.” —The Milwaukee Journal. “…the audience almost never stops laughing—handkerchiefs wiping away tears of merriment…” —Variety. “…a spring tonic of side-bruising laughter…” —The Milwaukee Tribune.

Role Breakdowns

  • Willum Cubbert (age: 30’s): Willum is an architect, currently designing a hotel for Mr. Waldgrave, and a pushover. He’s kind and intelligent, but Tansy says he “could use a little gumption.” He lacks the backbone to stand up for himself. He rents two rooms in his house to Tansy and Axel.
  • Thor Waldgrave (age: able to look 11 or younger): The Waldgraves’ terror of a son. “Poster child for planned parenthood,” as Axel calls him. Spends most of the play hiding in a closet or bedroom.
  • Clelia Waldgrave (age: 40’s): Mr. Waldgrave’s high-strung, put-upon wife. She holds back all of her emotions, and only releases her stress when she can break “something small.”
  • Warnock Waldgrave (age: 40-50’s): A boisterous, slightly dim businessman, owner of eight hotels, with no creativity and no tact. He never smiles.
  • Rick Steadman (age: 30-40’s): The titular “nerd.” He’s oblivious to insult and lacks manners or sensitivity. He tells Willum that he works as an inspector at a chalk factory in Wisconsin.
  • Axel Hammond (age: 30-40’s): Willum’s best friend and Tansy’s ex. He’s a pretentious, often-inebriated drama critic, always ready with a sarcastic comment.
  • Tansy McGinnis (age: 25-30s): A smart woman who is as attracted to Willum as he is to her, but who has been offered her dream job as a television weather forecaster in Washington, D.C., and feels guilty for leaving Willum behind. Idealistic, perky, and just as kind as Willum.

Note: Color-blind casting

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Auditions Announced for 2016-2017 Season at Cincinnati Shakespeare Company

CSC_logoThe Cincinnati Shakespeare Company is excited to announce its auditions for the 2016-2017 season. The auditions will be held at our theatre, located at 719 Race St in downtown Cincinnati on the following dates:

  • Saturday January 23rd                       12:00pm – 5:00pm
  • Sunday January 24th                         12:00pm – 5:00pm
  • Tuesday January 25th                          2:00pm – 7:00pm

AVAILABLE POSITIONS:

Touring Company- This is the entry level position to the ensemble. It’s a group of 6 actors that tour to schools, colleges, community centers, etc., within a two-hour radius of the city (these tours are almost never overnight). They perform a variety of programming, including 3 full length Shakespeare plays. They are also called on to go into schools and lead workshops on particular plays or performance techniques. In addition, they play a variety of supporting roles in our larger mainstage productions. It is a ten month contract running from July to May. The weekly salary is $200 and housing is provided. Must be Non-Equity.

Guest Artist- This is an artist brought in for a specific production or sometimes multiple productions. Contract and pay scale varies dependent on union status, size of role, etc. May be Equity or Non-Equity.

AUDITION REQUIREMENTS:

Please prepare two contrasting classical pieces, at least one of them Shakespeare. The combined pieces should not exceed 3 minutes; and if you have any additional classical pieces in your repertoire, it couldn’t hurt to dust them off, as you may be given an opportunity to perform them. Those auditioning for a Touring Company position may also have a very brief interview with the Education Director.

MATERIALS TO SUBMIT:

Once you’ve scheduled an audition (see below), please submit a current Headshot/Resume, as well as a cover letter. Please specify in the cover letter whether you are interested primarily in a Touring Company or Guest Artist position. For those interested in a Touring Company position, the cover letter should also include the following:

  • Why you are interested in CSC
  • Your interest in/experience with education
  • 3 references with contact information

We are endeavoring to go entirely electronic this year, so please upload all materials to Jotform via the following link:AUDITION MATERIAL SUBMISSION

We ask that all materials be submitted by Monday, January 11th.  If there are any issues, or you need to submit your materials via snail mail, contact Artistic Associate Jeremy Dubin at jeremy.dubin@cincyshakes.com

TO SCHEDULE AN AUDITION:

You can sign-up for an audition slot via the following link: SCHEDULE AN AUDITION

We ask that, if at all possible, you schedule your audition by Monday, January 11th. If you sign-up for a slot, but later find you will be unable to attend, please remove your name from the list. If there are any issues or questions, please contact Jeremy Dubin at jeremy.dubin@cincyshakes.com

AN EXCITING BONUS!

Since you are being kind enough to share your work with us, we’d like to do the same and offer you a complimentary ticket to see HENRY VI, which will be running during the time of the auditions. Once you’ve scheduled your audition, simply contact the box office (513-381-BARD). Mention your name and that you’re an auditioner, and we’ll be happy to set you up with a ticket to see the show.

FAQs

  • I’m interested in becoming a part of the Resident Ensemble. What’s the process?

    Members of the Resident Ensemble usually either graduate up from the Touring Company, or are Guest Artists that we have worked with a number of times. This gives both parties a chance to get to know each other before committing to a more long-term arrangement- in other words, go on few dates before getting hitched.

  • Are EMC points available?

    Yes.

  • I can’t make it to any of the allotted audition dates. Can I still audition?

    If you absolutely can’t make it on any of the days listed, let us know and we can try to arrange an audition at a different time. It’s best to try to audition before the dates listed, as the casting process will begin very shortly after those dates. If you are from out-of-town, and are going to be in the area prior to the official auditions, we’re happy to try to set up an audition while you’re here to save you some travel costs.

 

  • Should I bring physical copies of my Headshot/Resume to the audition?

    While we are trying to go all digital, we occasionally experience some glitches (hard to believe, I know), so it couldn’t hurt to bring along a couple of physical copies.

 

  • Do you accept video auditions?

    We’re happy to take a look at video submissions, though we will almost always want to see an actor in person before casting them.

IF YOU HAVE ANY OTHER QUESTIONS PLEASE E-MAIL THEM TO: jeremy.dubin@cincyshakes.com

Thanks so much, and we’ll hope to see you in January!

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Auditions Announced for WILL ROGERS FOLLIES at Loveland Stage Company

LSC_logoAuditions for THE WILL ROGERS FOLLIES: A Life In Review are being called by the Loveland Stage Company for Sunday, December 13 from 2:00 to 4:00 PM and Monday, December 14 from 7:00 to 9 PM.

Please come prepared with a song with recorded music or sheet music (show tunes preferred) and shoes suitable for dance. There are four children’s roles…ages 6 to 12 yr. that require singing.

Will Rogers was a unique American who, though he died many years ago, remains a beloved figure remembered for his humor, his wisdom, and his plain common sense. The curtain rises on a Follies-style tribute to the man whose daily newspaper column sent America on its way each morning with a smile on its face. Between rope tricks which entertain the audience while the show girls are changing their costumes for The Follies, Will soothes us with his old-fashioned common sense. The songs Never Met a Man I Didn’t Like and Give a Man Enough Rope are parables set to music. This musical is an upbeat celebration of this folk hero who made the world a whole lot better place than it was before he entered it.

Show dates are March 4 to 19, 2016 with rehearsals beginning in January 2016. The Loveland Stage Company Theater is located at 111 South 2nd Street in Loveland, Ohio 45140. For more information, visit www.lovelandstagecompany.org of call Pat Furterer at 513-683-9687 or K Buckler at 513-683-0130.

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Auditions Announced for AMERICAN IDIOT at Sunset Players

SSP_logoGreen Day’s AMERICAN IDIOT The Musical
Book and Lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and Lyrics by Green Day

Directed by Jerry Yearout
Musical and Vocal direction by Allen Lindsey
Choreography by Jessica Stringfield

Auditions
Sunday, January 10th – 7:00 to 10:00 pm
Tuesday, January 12th – 7:00 to 10:00 pm
Callbacks Thursday, January 14th 8:30 to 10:00 pm

Facebook event |

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Auditions Announced for SPRING AWAKENING at Beavercreek Community Theatre

bctOpen auditions for SPRING AWAKENING at Beavercreek Community Theatre
3868 Dayton-Xenia Rd.
Beavercreek, OH 45432

Auditions are December 14-15 at 7PM

Directed by Chris Harmon
Performance Dates: March 4-13, 2016

Please prepare a short Broadway style song, an accompanist will be provided. You will be taught and asked to perform a short dance routine so dress appropriately or bring a change of clothes. There will be cold readings from the script.

The winner of 8 TONY Awards, including Best Musical – told by Duncan Sheik and Steven Sater through “the most gorgeous Broadway score this decade” (Entertainment Weekly) – Spring Awakening explores the journey from adolescence to adulthood with poignancy and passion that is illuminating and unforgettable. The landmark musical is an electrifying fusion of morality, sexuality and rock & roll that is exhilarating audiences across the nation like no other musical in years.

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