Category Archives: Auditions

Video Auditions Announced for LITTLE SHOP OF HORRORS at The Carengie

TC_logo_new(COVINGTON, KY) – The Carnegie is pleased to announce auditions by video submission for the first show of their 2020-21 theatre season, LITTLE SHOP OF HORRORS. The show that has devoured the hearts of theatregoers for more than thirty years hits The Carnegie stage in August.

Seymour is a down-on-his-luck floral assistant living on Skid Row and pining for the love of his co-worker, Audrey. But his fortunes change when he meets a fast-talking plant who promises him wealth, fame, and the love of his dream girl to boot. There’s just one problem. In exchange for his wildest dreams coming true, Seymour must follow the plant down a murderous path to world domination.

Directed and Choreographed by Maggie Perrino
Music Direction by Steve Goers
Book and Lyrics by Howard Ashman | Music by Alan Menken

Performances: August 8, 9, 14, 15, 16, 21, 22, 23

Show Times: Friday & Saturday Evenings at 7:30pm, Sundays at 3:00pm

Rehearsals: Evenings and Weekends July 5-August 6

AUDITIONS BY VIDEO SUBMISSION ONLY. WHAT TO SEND:

  • 32 bars of a Motown or musical theatre song in the style of the show.
  • Comedic or serio-comic monologue no longer than 1 minute in length
  • Movement reel or 32 counts of improvised movement to a Motown song. Please try to incorporate some 60s social dance moves such as the pony, the jerk, the twist, etc.

Please send video with resume and headshot attached to Maggie Perrino, mperrino@thecarnegie.com by May 8th @5pm to be considered for the show.

ALSO NOTE:

  • You will be asked to turn in a full list of conflicts for dates July 5-Aug 6 if being considered for a role. Please have that prepared if asked to provide this info.
  • No performance conflicts will be accepted.
  • Cast members do not have to be the actual ages of the characters, but must be able to look age appropriate and act accordingly.
  • You do not need to include a movement submission if only interested in the role of The Voice of the Plant.
  • All roles are paid. Not AEA eligible. No housing provided. 

AVAILABLE ROLES:

  • Seymour Krelborn: (Age 25 to 35. Vocal range G4 – A2) An insecure, put-upon florist’s clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills.
  • Audrey: (Age 25 to 35. Vocal range D5 to G#3) Bleached-blond, Billie-Dawn-like, secret love of Seymour’s life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor.
  • Mr. Mushnik: (Age 55 to 65. Vocal range F4 to G2) The seasoned owner of the failing East Side flower shop and Seymour’s nosy boss. He is profit-driven, greedy, and manipulative.
  • Orin Scrivello: (Age 30 to 40. Vocal range G4 to G2) An egotistical dentist with a passion for leather and sadistic tendencies. Audrey’s abusive boyfriend, who is targeted by Seymour.
  • Voice of The Plant: (Vocal range G4 to G2) An actor/vocalist located offstage. The voice is that of a conniving, street-smart ‘villain.’ Rhythm and Blues styling with a touch of Soul.
  • Crystal: (Female, age 20 to 35. Vocal range F5 to Ab3) Crystal, Ronnette, and Chiffon are African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
  • Ronnette: (Female, age 20 to 35. Vocal range F5 to Ab3) Crystal, Ronnette, and Chiffon are African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
  • Chiffon: (Female, age 20 to 35. Vocal range F5 to Ab3) Crystal, Ronnette, and Chiffon are African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
  • The Plant (Audrey II) (2 Roles): Puppeteers and Ensemble members. An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Puppeteers will focus on all sizes of the plant and appear in chorus numbers as ensemble performers.
  • Ensemble (2 Roles): Strong singers/actors with capable movement ability; they portray various people on the street, bums, and florist shop customers; these actors will also understudy the principals.

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About The Carnegie

The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the City of Covington. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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Online Auditions Announced for 2020-2021 Touring Company at The Children’s Theatre of Cincinnati

TCTC_new logoTCT is holding online auditions for the 20-21 TCT On Tour Acting Company!

All roles are paid positions. All roles are open to all ethnicities.

How to Audition
Auditions and Callbacks will be conducted via video submissions.

To be considered, email a PDF of your current headshot and resume, as well as a YouTube or VIMEO link with a 1-minute song selection (Pop/Rock or Contemporary Musical Theatre) that shows off your range and personality.  Email to eric.byrd@tctcincinnati.com with subject line “ACTOR SUBMISSION-TCT On Tour.”  PLEASE SUBMIT BY APRIL 20, 2020.

You must follow all instructions above to be considered.  If we are considering you for our touring company, we will reach out with additional submission instructions and may ask you to put sides from the show on tape.

About TCT On Tour
The Children’s Theatre of Cincinnati is seeking a diverse company of actors for the 2020-2021 TCT On Tour season, a division of the organization that brings the magic of live theatre to schools, libraries, event spaces, and beyond, with company members responsible for all aspects of production including tour management, travel and load in/out.

The ideal candidate is flexible, hard-working, and passionate about their craft and the organization’s mission.  They should be able to lift 50 lbs. safely and have a valid driver’s license.   Contract dates vary per casting needs. Local Actor Salary $400+ per week.  TCT On Tour rehearses each show for two weeks and performs 5 days a week with two guaranteed days off each week.

Seeking the Following
[ACTOR 1] – Male identifying, any ethnicity, versatile comedic singing actor to play multiple roles in Rapunzel’s Hairy Fairy Tale, and to play all roles in TCT on Tour’s Holiday Production of BAH HUMBUG! A one-person Christmas Carol.  Puppeteering ability a PLUS! Contract dates on/about August 10, 2020 –December 22, 2020.

[ACTOR 2] – Female identifying, any ethnicity, versatile singing actor to play Rapunzel in Rapunzel’s Hairy Fairy Tale and multiple roles in Nutcracker Rocks as well as understudy one-person show offerings. Puppeteering ability a PLUS! Contract dates on/about August 10, 2020 –December 22, 2020.

[ACTOR 3] – Male identifying, any ethnicity, versatile singing actor to play multiple rolesin Nutcracker Rocks.  Puppeteering and musical instrument ability a PLUS! Contract dates on/about November 9, 2020 –December 22, 2020.

[ACTOR 4] – Male identifying, any ethnicity, versatile singing actor to play multiple roles in Nutcracker Rocks. Puppeteering ability a PLUS! Contract dates on/about November 9, 2020 –December 22, 2020.

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Auditions Announced for Livecast of PYGMALION

MISC_Auditions2Richard Zenk is excited to announce auditions for PYGMALION Livecast. PYGMALION “inspired” the musical – My Fair Lady. The production will be live cast and made available on YouTube.

https://en.wikipedia.org/wiki/Pygmalion_(play)

As easy as 3, 2, 1:
3 rehearsals (or less)
2 recordings (or one)
1 live performance

All auditions, rehearsals and the performance will be done from your home. To participate in auditions, rehearsals and performances, you must have a device (PC, Mac, cell phone) that fits the audio and video requirements of Zoom (www.zoom.us) and a room that is well-lit without glare from windows and quiet. Finally, you must audition and perform in one or more of the British accents referenced in the play.

The script is available to read (and reference during rehearsals and the performance) at https://www.gutenberg.org/files/3825/3825-h/3825-h.htm

Have tech skills and/or sound effects skills? Contact me. 🙂

Patrons who view the show will be encouraged to donate to their favorite community theater.

Live Video Auditions: Saturday, April 4 and Sunday, April 5 from 4-5pm. Acting talent of any race, ethnicity, disability, size, sexual identity, age, and gender/gender identity are encouraged to audition.

Sign up at https://www.signupgenius.com/go/10c0a4ea4ae29abfb6-pygmalion

Rehearsals are to be scheduled weekday evenings and weekends between April 8 to 17th. Live performance will be on April 18 or 19.

PYGMALION
George Bernard Shaw

Roles:

  • Eliza Doolittle – a common flower girl, feral and feisty, all instinct, determined to better herself and not get kicked in the process. She is a strong-willed street urchin whose journey to a more refined young woman has many stops along the way, from the patina of elegance that hasn’t become inherent, to an educated, far-seeing young woman who suddenly discovers both longing, other ambitions, and appetite, along with a new understanding that far from being elevated and set free she has simply exchanged one kind of box for another.
  • Professor Henry Higgins– He is a bachelor who specializes in phonetics and who is an acclaimed authority on the subject of dialects, accents, and phonetics.
  • Colonel Pickering– A distinguished retired officer and the author of Spoken Sanskrit. He has come to England to meet the famous Professor Henry Higgins. He is courteous and polite to Eliza, and he shares in Higgins’ experiments in phonetics in teaching Eliza to speak as a duchess.
  • Mrs. Pearce – the long-suffering housekeeper for Henry Higgins. Tart, can be intimidating, keeps his house running amid the chaos, but can also be charmed by her irascible, unpredictable boss. She waivers between horror and wild pity for the waif of a young woman who has been thrust under her roof.
  • Alfred Doolittle – Eliza’s father, a dustman, a cockney rogue, cocky, brilliant in his own understanding of his own morality and code of ethics, exceedingly clever with language and the cat who always lights on his feet, proud of being one of the undeserving poor, and as a result, finds himself elevated to middle-class respectability with, to him, horrifying consequences..
  • Mrs. Higgins – Henry’s mother, wise, intelligent, with a wry, dry sense of humor, she is herself broad- minded in her thinking, but likes to observe societal conventions and is constantly challenged by her son’s unconventional, occasionally boorish ways. Not above going against her son when his blind arrogance deserves it.
  • Mrs. Eynsford Hill – financially of the middle-class, but perhaps used to belong to the upper class, and still behaving as though that’s her milieu. She longs to still be part of good society, and her financial strictures very much get in her way. The mother of Freddy and Clara, she is trying to do her best for her children, with great compassion for their youth and situation.
  • Freddy Eynsford Hill – somewhat bumbling, ineffectual, but charming in an earnest, young gentlemanly British sort of way, henpecked a bit by his sister, eager to please, well-meaning, eventually bowled over and utterly charmed by the vision that is the new Eliza Doolittle.
  • Clara Eynsford Hill – the daughter of Mrs. Eynsford-Hill, she feels the financial restrictions keenly and this constant need to grasp for what they can’t quite reach makes her shrill, occasionally unkind, and preoccupied with fitting in with the latest trends in both society and fashion. By turns petulant, yearning, snobbish, and gullibly charmed.
  • Ensemble – two men and two women to play bystanders, servants, and others of various classes, ages – so facilities with accents and characters a plus.

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Now Accepting Video Auditions for THE SOUND OF MUSIC at Kincaid Regional Theatre

KRT_color logoDeadline for video submissions TBA.

In-person auditions for Kincaid Regional Theatre’s Production of THE SOUND OF MUSIC are currently on hold due to COVID-2019. We are now accepting video submissions!

VIDEO SUBMISSION INFO:

  • Please submit a 16-32 bar cut of a song in the style of the show, a resume, and a headshot to kincaidtheatrecasting@gmail.com.
  • If you have dance experience, please provide an example.
  • We will accept downloadable videos. A clickable link, however, is preferred.

Thank you!​

In Person – Auditions – Dates TBA
KRT Main Street
220 Main St, Falmouth, KY 41040
DATE TBA

Northern Kentucky University
Louie B Nunn Dr, Highland Heights, KY 41076
DATE TBA

Callbacks
TBA
Audition Requirements

What to Prepare: Please prepare a 16-32 bar cut of a song in the style of the show. An accompanist will be provided at in-person auditions. You may use backing tracks on video submissions. Please no acapella sinigng.

Roles available for all ages. Please bring a resume and a headshot.

Reservations not required.

Materials to Submit

  • Please bring a resume, headshot, and music in the correct key.

Roles available for all ages.

FAQs
Rehearsal Dates
June 15th – July 9th | Monday-Friday 6:30pm-10pm, Saturday 2pm-7pm | Staggered Call

Times
KRT Presents The Sound of Music

Evenings at 7:30pm: July 10, 11, 17, 18, 24, 25
Weekday matinees at 3:00pm: July 15, 16, 22, 23
Sunday matinee(s) at 2:00pm: July 19 (no show July 12)

Performances played at Stonewood Gardens

Is this a paid position?
Yes. All roles PAID.

Production Team
Directed by Farley Norman
Choreography by Christina Jeans
Dramaturg by Emily Borst
Produced by Brett Price
More TBA

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Auditions Announced for CHARLOTTE’S WEB at Beechmont Players

BPI_logoBeechmont Players announces audition for their summer production of CHARLOTTE’S WEB. 

Auditions are available for children ages 12 – adult. Rehearsals will begin in May and performances will be July 31 – August 8. 

We are going to do auditions online only. Please follow the information below:

  1. Fill out the audition form by clicking this link: http://tinyurl.com/bpicweb
  2. Please make sure you fill out the conflict form completely, as this will determine the rehearsal schedule. The conflict form is on the audition form.
  3. Please prepare a video with the following:
    a. sing 16 – 32 bars of a contemporary theatre song with accompaniment. The accompaniment can be live or recorded.The song needs to be memorized.
    b. 30 seconds to a minute of you dancing to a song. The video needs to show your whole body. You don’t need to do anything choreographed, just dance. We want to see how well you move.
    c. Please email the video to: bpiauditions@gmail.com
  4. Callbacks, if needed, will be done through Zoom. If you are needed for callbacks, we will contact you and send you via email what you need to prepare.
  5. All auditionees will receive a yes or no either via phone call or email.

ALL VIDEOS ARE DUE BY MONDAY, APRIL 20 AT 10 PM. If you have questions/problems, please email us before the deadline.

Looking for music? The link leads you to preview some of the music (scroll down to audio/video) https://www.dramaticpublishing.com/charlotte-s-web-24998

The music was composed by Charles Strouse, who also wrote the music for Annie and Bye Bye Birdie.

We look forward to seeing your talent! Any questions, please email us at bpiauditions@gmail.com or kpwtheatre@gmail.com

Karen Wiebe, Director/Vocal Director
Cathy Roesener, Producer
Amy Waldfogle, Choreographer/Vocal Director
Doug Bruening, Stage Manager

Current conditions require that we leave open the possibility that this show will not be produced. However, we are going forward, hoping that we will be able to present this show as scheduled.

Auditions for CHARLOTTE’S WEB are April 19th at 3pm and April 20th at 7pm.

Auditions will consist of singing your song (accompanist will be provided, no recorded accompaniment), learning a dance combination, and possibly reading from the script.

Please bring a headshot, resume, and come dressed to move.

Roles available for ages 12 and up.

Production dates: July 31-Aug. 8.

If you want more information, contact director Karen Wiebe at kpwtheatre@hotmail.com or producer Cathy Roesener at c.a.roesener@gmail.com.

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