Category Archives: Auditions

Auditions Announced for IF THIS ISN’T LOVE at Mason Community Players

MCP_sm logoMason Community Players is holding auditions for its second virtual show of 2021.

MCP is presenting IF THIS ISN’T LOVE, two one-acts that explore the intricacies of relationships and the allure of love. Directed by Jay Fultz, the show will be aired as a live Zoom event July 9-11, 2021. Friday and Saturday performances will be at 8:00 PM with the Sunday matinee at 2:00 PM.

The first one-act, A Tale of Two Spectators, has two characters – one male, one female. Set in the course of one evening, these two individuals share their feelings as they watch their partners developing a relationship with each other. Will their visits to the same park bench over the past few months lead to a loving relationship for them, as well?

The second one-act, Why We Like Love Stories, weaves a tale of blooming love relationships and how they can become intertwined. This cast includes two males and two females and is best suited for younger performers, teens through early 30s.

If you would like to be a part of IF THIS ISN’T LOVE, please send an e-mail to masonplayers@masonplayers.org expressing your interest before Saturday, May 8, 2021. You will be contacted by Jay and he will schedule a time for you to audition with others via a Zoom setting.

Please consider joining MCP in this summer offering.

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Auditions Announced for CINCYDANCE! for Second and Third Graders at Cincinnati Ballet

CB_CincyDance promoCALLING ALL SECOND AND THIRD GRADERS FOR OPEN AUDITION MAY 15
Free summer classes will introduce children to ballet and other dance styles

FOR IMMEDIATE RELEASE: (Cincinnati, OH, April 25, 2021) — Join Cincinnati Ballet for a FREE summer dance experience connecting your second or third grader to the joy and discipline of dance! Any second or third grader in the tri-state area is invited to audition Saturday, May 15 at Cincinnati Ballet. To accommodate as many students as possible, there will be two audition times at 4 pm and 5 pm. (All details below) Following the audition, select dancers will be chosen to join CincyDance’s Ballet Foundations class, a nine-week program this summer that will teach children ballet fundamentals in a safe, structured, and supportive environment. Classes are 2 hours with a 20-minute snack and water break provided by Cincinnati Ballet. The first hour of class will focus on a warm-up and ballet technique and the second half of class will include a guest teacher to introduce the students to dance styles including street, modern, and musical theater.

CincyDance! is a fully scholarshipped program designed to remove barriers and encourage racial, gender and economic diversity within the Otto M. Budig Academy. After the Ballet Foundations experience, five to six students will be given the opportunity to receive full, lifetime tuition scholarships to Cincinnati Ballet’s Otto M. Budig Academy. The Academy’s pre-professional training program provides students with a world-class dance education as well as performance opportunities with the Academy and Cincinnati Ballet’s professional company. Students may go on to pursue dance as a career pathway or as a personal passion. The May 15th audition is the beginning to a student’s exciting journey with Cincinnati Ballet and high-quality dance training.

DATE: May 15, 2021
CHECK-IN: 3:30-4 PM or 4:30-5 PM
AUDITION: 4 PM or 5 PM
WHERE: 1555 Central Parkway, Cincinnati
WHO IS ELIGIBLE: Any second and third grader in the tri-state area
WHAT TO WEAR: Comfortable clothes you can dance in. Dancers will audition in bare feet.
HOW TO PREPARE: Show up and bring your best self! No previous dance training or audition materials are required.
HOW TO REGISTER: Register here or by call us at 513-562-1124. Due to the limited capacity, we encourage all participants to pre-register online or by phone. Limited registration will be available on day of audition.
SAFETY: Anyone who enters the Ballet Center must wear a mask, maintain a safe distance, answer health questions, and respect all health and safety protocols as stated by Cincinnati Ballet. Class space is limited.

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About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and engagement in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

Cincinnati Ballet 2020-2021 Season Sponsors: Rhonda & Larry A. Sheakley, Margaret and Michael Valentine, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, Frisch’s, The Austin E. Knowlton Foundation

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Auditions Announced for TUCK EVERLASTING at INNOVAtheatre

INNOV_logoTUCK EVERLASTING the Musical

Directed by Aaron Washington
Music Direction by Sarah Plaugher
Produced by Denise A. Schnieders

TUCK EVERLASTING is based on the novel of the same name by Natalie Babbitt. It tells the story of a family who drink water from a magical spring and become immortal. When they encounter a young girl who lives in their rural New England town, she becomes friends with one of the sons, who soon offers her the secret to everlasting life. She then has to decide if she wants to join her new friends in immortality, or if she will live out her normal life. TUCK EVERLASTING premiered in Atlanta, Georgia, in 2015 and began playing on Broadway in 2016. It received positive reviews, especially praising the “dazzling ballet” in the second act. A timeless story of family, loss, friendship, and love, Tuck Everlasting is sure to become a classic favorite

Characters:

  • Mae Tuck
  • Angus Tuck
  • The Man In the Yellow Suit
  • Winnie Foster
  • Jesse Tuck
  • Miles Tuck
  • Constable Joe
  • Betsy Foster
  • Nana
  • Hugo
  • Ensemble
Rehearsals will be virtual beginning July 7th with in person rehearsals beginning shortly thereafter. There will be a small meet and greet with the director and select cast on June 26th. An in depth rehearsal schedule will be provided before the first rehearsal after all conflicts are received. All rehearsals will be conducted per COVID-19 safety guidelines. 
Performance weekend will be September 23rd – 26th. There will be a double on Saturday the 25th. All performances and rehearsals will be at The Historic Sorg Opera House in Middletown, Ohio.
 
Please submit all video submissions to AUDITIONS@INNOVAtheatre.com.
Video submissions must be submitted no later than Midnight June 7th.
 
Video Submissions begin: May 7th, 2021
Video Submissions end:
June 7th, 2021
 
In person auditions will be held: June 22nd & 23rd at 6:30pm
 
Callbacks will be held: June 24th starting at 6:30
 
Material To Prepare:
  • Anyone auditioning via video submission or in person is asked to prepare:
  • 1 verse and 1 chorus of a Broadway song in the style of the show but NOT from the show itself.
  • If you have any sort of special tumbling, gymnastics or juggling skills we will ask that you please come prepared to show those skills or provide a segment on your video submission showing that skill(s)
  • No acapella auditions will be accepted.
  • Please provide your song with either a backing track or an accompanist.
  • Also please do not wear clothing for your audition that is representative of the style of clothing worn in the production.
  • *Please submit the video and/or link to auditions@INNOVAtheatre.com along with any additional audition materials (eg: audition form, headshot, resume).
Who is eligible: Ages 10-19
  • All schools, races, sexualities & identities. All are welcome.
Rehearsals will be Monday, Wednesday & Thursday from 6:30-9pm

Performances at Sorg Opera House in MIddletown:

  • September 23rd – 26th
  • 8pm on the 23rd, 24th & 25th
  • 3pm on the 25th & 26th
     
Price: $150 per child which includes a show poster and t-shirt.
If you have more than one child in the production we do offer a family discount.
If, for some reason, this price is not available to you, please contact us privately and we will do our best to make it work for both your child and the company.

Questions can be sent to Aaron Washington at INNOVAtheatre@gmail.com.

Links to the Audition Form, Submit or Sign Up for an audition are located at the bottom of this page: www.innovatheatre.com/tuck-everlasting-auditions.

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Auditions Announced for FUTUREFEST 2021 Virtual Festival at Dayton Playhouse

DPH_logoOnline Zoom Auditions (by appointment only). Auditions will consist of cold read sides from the scripts.

Sunday, May 16, 2021

Appointments for Zoom auditions will be made directly with the Director(s) of the show(s) for which you wish to audition. All auditions for TALK OF THE TOWN, and TRUTH BE TOLD will be via Zoom. Zoom auditions for other shows may be arranged by appointment with the director.

ALL THE OXYTOCIN IN YOUR FINGERTIPS will be directly cast by the Director, Fran Pesch. Contact Fran at fpesch3@hotmail.com if interested and for more information.

In-Person, Socially Distanced Auditions. Auditions will consist of cold read sides from the scripts.
Monday, May 17 and Tuesday, May 18, starting at 7:00 PM each evening. Three scripts: OTIS, SHYLOCK THE FIRST, and TALL WOMAN WITH RED FAN will be auditioned over these two nights.

Auditioners will sign up for audition time slots to minimize the numbers of people in the theater at any one time. Links for audition signups will be posted soon; Auditioners may sign up for both evenings. ALL persons in the theater building will be required to wear a facial covering (Covid-19 mask) at all times – including during their audition.

Auditioners are encouraged to arrive 15 minutes prior to your timeslot to complete an audition form. Be prepared to note all scheduling conflicts between May 19 and July 18.


CASTING REQUIREMENTS

  • FILMED STAGINGS – to be filmed on the Dayton Playhouse stage
  • ZOOMED READINGS – recorded over Zoom

PROCEDURES FOR AUDITIONING  

  • Staged productions – SIGN UP ON SIGNUPGENIUS (Link to come).
  • Readings – Email the Director to schedule appointment time

ALL THE OXYTOCIN IN YOUR FINGERTIPS*   3 m, 3 f, several gender neutral  (plus TUT team) 

ZOOMED READING Directed by Fran Pesch

Synopsis:  ASL. ASMR. TUT. A Deaf of Hearing individual, raised in a caustic 1990s household where sign language is forbidden, secretly navigates three different communities that are united by a passionate belief that communication (and love) can ignite from all the sparks alive in your fingertips. This coming-of-age story poses the question: “Would you rather be a ‘different’ person in a ‘normal’ world… or a ‘normal’ person in a different world?”

  • CAL. 20s.  Deaf of Hearing, following a childhood bout of Meningitis. Tentative signer at first, but gradually reveals hands that hunger for knowledge, fingertips seemingly bursting forth with electricity and Oxytocin.
  • CAL’S TRANSLATOR.  Gender Neutral. An actor who speaks Cal’s signed lines to the Hearing audience.
  • MOTHER. 40s.+.  Hearing. An advocate of oralism.
  • FATHER. 40s+.  Hearing. An advocate of ASL.
  • LYDIA SCOPES.  Female, late teens-20s.  “The ASMRtist / Queen Tut.” Deaf of Deaf. Fluent in ASL.
  • MARGO WICKHAM.   Female, 20s.  Captain of “Great Big Tuts!” Deaf of Deaf. Fluent in ASL. Engineering Student.
  • LYDIA’S/MARGO’S TRANSLATOR.  Gender Neutral. An actor who speaks Lydia’s/Margo’s signed lines to the Hearing audience. This can be a single performer or one translator for each character.
  • A PEDIATRICIAN, A HEARING PERSON, A DEAF ROOMMATE, REMY.  Gender Neutral.
  • A DEAF TUT TEAM

*Those individuals interested in auditioning for OXYTOCIN or working on the production, please email Fran Pesch (fpesch3@hotmail.com).

OTIS   3 m, 2 f

FILMED STAGING Directed by Dawn Roth Smith

Synopsis:  Five characters inhabit a beautiful urban oasis at 43rd Street and First Avenue, and though they have shared a building, a doorman and common spaces (and some for a very long time), they have lived in their own separate domains as well, unaware of the true depths of each other’s joys and sorrows…Questions arise about whether the elevator has something to do with why, when and how people cross paths and are forced to deal with one another in an enclosed space.

  • NICHOLAS. 30’s. Caucasian. Sensitive. Struggling to find a way to come out of his grief.
  • BERENICE. 70’s. Elegant, chic, worldly Jewish older woman with a mash of an accent that is part Jewish, part upper crust New York. She is direct, confrontational and imperious. She knows better than anyone. Funny without realizing it.
  • STARLA. 30’s. African-American. A free-spirited, voluptuous, plus size woman who is very comfortable with her body. She has grown up on the streets of New York and has managed through sheer will to become a very successful fashion maven. Funny and vulnerable. A big generous spirit.
  • ALFRED. 70’s. A rascal. Been there done that. Quick witted. Salt of the earth.
  • BODHI. 20’s. Indian or Middle Eastern. Gay, with a secret desire to be a dance club DJ. A little overly dramatic and self-centered but also very empathetic.

SHYLOCK THE FIRST  6 m, 5 f  (with doubling: cast – 8)

FILMED STAGING Directed by David Shough

Synopsis: Will the real Shylock please stand up? Who played him? Why did Shakespeare invent him? History doesn’t say.  So . . . London, 1598. Twenty-one-year-old Will Hatcher, Shakespeare’s beloved protege, has been cast to play a Jew called Shylock. With two days till the play opens, Will struggles over this character who seems more monster than man. He pleads with Shakespeare to revise Shylock. Why? He is in love with Sosannah Lopez, a converso whose family remains proud of its Jewish ancestry. Complications abound, as comedy and drama propel us through a story of forbidden love.

  • WILL HATCHER. 21.  Shakespeare’s protege, an actor in the Lord Chamberlain’s Men; charismatic and idealistic, demanding and a bit bratty with his mentor
  • WILLIAM SHAKESPEARE. 34.   A bit high-handed with WILL, but also sensitively engaged
  • SOSANNAH LOPEZ.  20.   A daughter in an affluent family of converted Jews; sincere and intelligent
  • ROB HEDGES. 24.   Old friend of Will Hatcher; a shallow opportunistic aristocratic
  • ELIZABETH WITTLESLY. 21.   Cousin of Sosannah Lopez; a shallow aristocrat
  • SARAH LOPEZ.  15.  Younger sister of Sosannah, ardent, romantic
  • RICH. 25-35.   An actor in the Lord Chamberlain’s Men, self-involved
  • RODGE. 25-35.   An actor in the Lord Chamberlain’s Men, short and hefty, sympathetic
  • DARK LADY.  late 20s-early 30s.   Mistress of Will Hatcher, enthraller of Shakespeare erotically alluring, assertive but kind
  • SIR LOPEZ.  late 40s-50s.   Father of Sosannah; a stern but not unkind authority figure
  • MADAM LOPEZ.  late 40s-50s.    Mother of Sosannah; a sympathetic but old-fashioned parent

TALK OF THE TOWN   6m, 4f  (with doubling: cast – 6)

ZOOMED READING Directed by Annie Pesch

Synopsis:  TALK OF THE TOWN is a full-length comedy adapted from James Thurber’s classic novel ‘The Years With Ross.’ It tells the story of the birth of The New Yorker magazine in the 1920’s and paints a portrait of its eccentric creator and editor, Harold Ross. It also chronicles the rise of James Thurber from the small time Ohio newspaper man he was to the world famous humorist and cartoonist he became. Most of all ‘TALK’ is a loving tribute to the importance of laughter, especially during dark and troubling times.

  • JAMES THURBER (32), a visually challenged, iconic writer and illustrator
  • HAROLD ROSS (34), an exasperating and eccentric editor-in-chief
  • E.B. WHITE (28), a dapper writer, editor and confirmed bachelor
  • KATHERINE ANGELL (31), a literate, New England force of nature
  • WOLCOTT GIBBS (29), a highly competent, high-strung jack of all trades
  • ELSIE DICK (27), Ross’ unflappable, flapper of a secretary
  • EUGENE SAXTON (40), a fussy editor at Harper Collins publishing
  • HELEN WISMER (27), a woman of letters and great humor
  • BARTENDER (30), a cocktail shaker in a speakeasy
  • PHOEBE (27), a good time girl in the roaring 20’s

TALL WOMAN WITH RED FAN   1 m, 2 f

FILMED STAGING Directed by Tim Rezash

Synopsis:  DAKIN KNOX, the great-great grandson of a revered American artist, discovers a heretofore hidden work by his ancestor and wants to put it up for auction. The auction house sends AURORA TALMADGE to examine the painting, the prickly world-renown art expert who literally wrote the books (six volumes!) on the artist…and who’s been holding onto a dark secret she’ll be forced to confront. Along with her live-wire assistant MINNIE, the three of them wind up in a pitched battle of wills to figure out not only whether the painting is real or a forgery, but the very nature of what’s art, what’s not…and why we need it.

  • DAKIN KNOX. 50s to 70s. Insurance salesman. Lifelong Cape Cod resident.
  • MINERVA “MINNIE” HATTON. early 20s. Aurora’s assistant. Midwest transplant, now living in Los Angeles.
  • AURORA TALMADGE: 50s to 70s. Author, art historian and researcher. British expat, 27 year resident of Los Angeles.

TRUTH BE TOLD     2 f

ZOOMED READING Directed by Craig Smith

Synopsis:  Kathleen Abedon is the mother of Julian Abedon who, one year earlier, allegedly carried out a mass shooting at a food warehouse before taking his own life. When true-crime writer Jo Hunter comes to town to interview Kathleen for a book on the crime, Kathleen seeks to convince the skeptical journalist that her son was framed for the shooting.

At a time in our history when the truth is under daily attack, Truth Be Told explores the nature of objective truth and the ways in which we manipulate and distort it to serve our own ends.

  • KATHLEEN ABEDON. 40s.   White.  A mother.
  • JOSEPHA HUNTER.  30s.   Any ethnic background, a journalist.

Official page | Facebook event |

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Auditions Announced for Disney’s THE LION KING JR at Rise Up Performing Arts

RUPA_logoAuditions: May 8th from 10am-2pm

Location: First Baptist Church of Hamilton.

Show Dates: July 15-18

Click here to download the audition form .pdf.

Click here to sign up for an audition slot.

Performances will take place at the Fairfield Freshman Building.
Rehearsals will be Mondays, Tuesdays and Fridays beginning Friday, May 28th. 6:30-8:30pm
We will not have rehearsal on Memorial Day, May 31st.

Ready to Audition? Here’s what you need to know.

​WHO CAN AUDITION?
Anyone ages 7-18 years old.

​IS THERE A FEE TO PARTICIPATE IN A RISE UP PRODUCTION?
Those cast in a production will pay a $125 participation fee. Discounts available for having more than one participant signed up. Inquire for more details.

WHAT IS THE AUDITION PROCESS LIKE?
Each actor must sign up on our website for an audition appointment. Please print and fill out the audition form listed above and bring with you.  Make sure to list all know conflicts, as well as potential conflicts on your form. It is important that we know all potential conflicts in order to create the most efficient rehearsal schedule.

Please arrive 15 minutes before your appointment to check in. Bring your completed audition form, resume if you have one, and a current headshot (this can be any recent photo.)

We ask you to prepare a 1 min musical theatre style song with an accompaniment track. There will be a CD player and speaker connection for phones and mp3 players. Have the music cued up to where your singing would begin. Choose a song that showcases your voice. New to musical theatre and auditioning? Just sing anything you know or are comfortable with. Remember, the director and production team are excited to meet you and want you to succeed!

Auditions will take place in groups of 10. Each actor will sing and may be asked to read from the script. Parents or other family members are not allowed in the audition room.

WHEN WILL I KNOW IF I MADE THE SHOW?
Rise Up knows the hardest part of auditioning is the waiting! The production team will work hard to release the cast list in a timely manner. There are many things to consider when casting a show and sometimes the process may take a few days. As soon as the final cast list has been created, the production team will post the cast list on the Rise Up website and Facebook page. Directions on accepting or declining a role will be posted with the cast list.

​WHAT IS IT LIKE TO BE IN A RISE UP SHOW?
Creating theatre is fun and makes life long memories! Each member of our staff and production team are dedicated to creating the best possible theatrical experience. Being in a show is fun, but it is a lot of hard work. Putting on a show that isn’t very good, is not fun. We train young performers to be professional and sharpen their skills. They will be challenged to step out of their comfort zones, and taught strategies to help them be successful on stage. Not only will the lessons they learn on stage help them create better performances, they will help them in life as well. Everything we do is to help create characters on stage and build character for life. Actors will be challenged throughout the process. They will learn music, vocal parts, choreography, and what it takes to put on a show from auditions to the final bow.

​OTHER IMPORTANT INFORMATION

  • A mandatory parent meeting will be held at the first rehearsal.
  • For the first few weeks, not everyone will be called to every rehearsal. We do our best to maximize our rehearsals and respect your time. Once full runs begin, attendance is mandatory at each rehearsal.
  • During tech week (the week before the show), rehearsals are held each night.
  • Each family is asked to volunteer on pre-production jobs (set painting, set building, costumes, props, rehearsal monitor, etc.) We will also need volunteers during the tech week/show week (ticket sales, ushers, front of house roles, and backstage monitors). We also ask that at least one parent from each family to help with move in and strike.

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