Author Archives: robbucher

PLAID TIDINGS Runs Nov. 14-23

PLAID TIDINGS
Lebanon Theatre Company
Nov. 14-23
[Lebanon]

Once upon a time, there were four guys (Sparky, Smudge, Jinx and Frankie) who discovered that they shared a love for music and then got together to become their idols – The Four Freshman, The Hi-Lo’s and The Crew Cuts. Rehearsing in the basement of Smudge’s family’s plumbing supply company, they became “Forever Plaid”. On the way to their first big gig, the “Plaids” are broadsided by a school bus and killed instantly. It is at the moment when their careers and lives end that the story of Forever Plaid begins and leads to posthumous performance.

A short time after Francis, Jinx, Smudge and Sparky aren’t sure why they’ve returned to Earth for another posthumous performance. However, a phone call from the heavenly Rosemary Clooney lets them know that they’re needed to put a little harmony into a discordant world. Sprinkled among the Christmas offerings are audience favorites, like their riotous three-minute-and-eleven-second version of The Ed Sullivan Show – this time, featuring the Rockettes, the Chipmunks and The Vienna Boys Choir, as well as a Plaid Caribbean Christmas that puts the “Day-O” in Excelsis!

  • Fri-Sat, Nov. 14-15 at 7:30pm
  • Sun, Nov. 16 at 2pm
  • Fri-Sat, Nov. 21-22 at 7:30pm
  • Sun, Nov. 23 at 2pm

Official page |

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FOOTLOOSE Runs Nov. 14-23

FOOTLOOSE
Springboro Community Theatre
Nov. 14-23
Springboro Performing Arts Center

Directed by Katie Williams

Cast: Colson Littrell as Ren McCormack, Annabel Wildermuth as Ariel Moore, Dustin Evans as Reverend Shaw Moore, Michaela Back as Vi Moore, Lisa Susner as Ethel McCormack, Shelby McCoy as Rusty, Matt Geiger as Willard Hewitt, Sarah Roddey as Lulu Warnicker/Betty Blast, Eli Brown as Wes Warnicker, Colin Drayer as Travis/Jeter, Audrey Albers as Wendy Jo, Emily Rae Debevec as Urleen, Clayton Schmohe as Chuck Cranston/Cowboy Bob,Dominick Grffin as Lyle, Michelle Collinsworth as Principal Harry Clark, Nate Miller as Bickle/Dance Captain, Nolan Todd as Coach Roger Dunbar/Garvin & Rhi G. as Elenore Dunbar
Ensemble: Kaitlyn Williams (Dance Captain), Lucy Evilsor, Heather Hilderbrand, Rachel Tepe & Allison Friessen

When Ren and his mother move from Chicago to a small farming town, he is prepared for the inevitable adjustment period at his new high school. But he’s not prepared for the rigorous local edicts, including a ban on dancing instituted by the local preacher, who is determined to exercise control over the town’s youth. When the reverend’s rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren’s reputation, with many of the locals eager to believe the worst about the new kid. The heartfelt story that emerges pins a father longing for the son he lost against a young man aching for the father who walked out on him.

  • Fri-Sat, Nov. 14-15 at 8pm
  • Sun, Nov. 16 at 2pm
  • Fri-Sat, Nov. 21-22 at 8pm
  • Sun, Nov. 23 at 2pm

Official page | Facebook event |

Springboro Community Theatre is also partnering with Springboro United Church of Christ to hold a food drive supporting their Pole Pantry. If a food donation is dropped off when you come to see a performance of Footloose, you can receive a $2 off coupon for a future show. Ideas for donations include: pet food, baby wipes, canned meat/tuna/chicken, shelf stable milk, and other non-perishable items.

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Auditions Announced for GUYS AND DOLLS at Footlighers, Inc.

Footlighters, Inc. is proud to announce auditions for GUYS AND DOLLS.

Directed by Jennifer Day
Produced by Evan Blanton & Megan Horton
Music & Vocal Directed by Joseph Rivers
Choreographed by Rachael Petranek
Stage Managed by Janet Wisner

Auditions:
December 7 & 8 – 6:30 – 9:30 PM

Invited Callbacks:
December 9 – 7 PM

Location:
Stained Glass Theatre – 802 York Street, Newport, KY 41071

Audition Materials:

  • Please sign up for an audition time through this SignUpGenius link. Walk-ins are welcomed and will be assigned to the first available audition slot.
  • Please prepare 32 bars of a Golden Age song that is not from Guys and Dolls and demonstrates your vocal range. Make sure your sheet music is printed out, in the proper key, and has cuts clearly marked for the accompanist. No recordings will be accepted.
  • Bring shoes and clothing appropriate for a dance audition, as you will be asked to participate in a dance combination after your vocal audition. A video of the combination will be sent out prior to the audition. Auditionees only auditioning for Arvide or General Cartwright will not need to attend the dance call.
    • Ladies: please wear character shoes or heels for the dance call.
  • Please provide a copy of your theatrical resume and headshot.
  • Please bring a list of conflicts between February and April 2026.
  • Note: Auditionees must be 18+.

Virtual: Please email headshot, resume, and a vocal/dance reel to the director Jennifer Day at jenniferann4097@gmail.com

Questions:
For any questions, please email producer Evan Blanton at evan.blanton0921@gmail.com or Megan Horton at megan.hudson1988@yahoo.com.

Performances:
April 16-May 3, 2026

Character Breakdown:

  • SKY MASTERSON – Lead, Male, Stage Age: 25-40, Vocal range: E5 – B3.
    A high-stakes gambler whose luck never seems to run out, and a wild card who surprises himself when he falls in love with the unlikeliest of women. Suave, smart, handsome.
  • SARAH BROWN – Lead, Female, Stage Age: 25-40, Soprano, Vocal range G5 – B3.
    Bright woman, the Sergeant of the local Mission. Fully believes in her worthy cause; wishes to convert the gambling sinners to saints. Falls unexpectedly in love with Sky along the way. She is prudish and uptight, but eventually lets go.
  • NATHAN DETROIT – Lead, Male, Stage Age: 35 to 45, Baritone, Vocal range: F5 – D4.
    Organizer of the floating crap game; a slightly neurotic, lovable rogue who is always struggling to stay one step ahead of the pack — and looking for the big break he never seems to get; his heart is torn between the camaraderie of his gambling circle and Adelaide, to whom he has been engaged for 14 years; excellent actor with strong comedic timing.
  • MISS ADELAIDE – Lead, Female, Stage Age 35 – 45; , Alto E5 – A3.
    Perky nightclub singer/dancer at the “Hot Box” and Nathan’s long-suffering fiancée, this role requires a strong belter with dancing ability and excellent comedic skills; she adores Nathan but is driven so crazy by his gambling antics.
  • NICELY-NICELY JOHNSON – Supporting Role, Male, Stage Age 30 – 60, Tenor to high B flat.
    Nathan Detroit’s best pal, whose enthusiasm knows no bounds; comic, cheerful, and likable as he delivers funny one-liners and several of the show’s most well known numbers with equal aplomb, including “Fugue for Tinhorns” and the show stopping “Sit Down You’re Rockin’ the Boat.”
  • BENNY SOUTHSTREET – Supporting Role, Male, Stage Age: 30 to 50, Vocal range G5 – D4.
    Nathan’s right-hand man, a gambler, smart, slick, always moving and shaking, but with what he thinks are Nathan’s best interest at heart.
  • ARVIDE ABERNATHY – Supporting Role, Gender: Open, Stage Age: 50+, Vocal range F5 – D4.
    Bass drum and cymbal player in the Mission band, Sarah's loving grandparent. Wise and sweet, wants only the best for her.
  • HARRY THE HORSE – Supporting Role, Male, Stage Age: 30 to 55, Vocal range G5 – F3.
    Quintessential tough guy gambler; has come into money by collecting the reward on his father; sidekick to Big Jule, but is more on the ball and is able to stand his ground when necessary; sings with ensemble only.
  • LT. BRANNIGAN – Supporting Role, Gender: Male, Stage Age: 40+
    New York police officer who is on to Nathan's illegal craps games and is dead-set on catching him. A tough, no-nonsense character.
  • BIG JULE – Supporting Role, Male, Stage Age: 30 to 60, Vocal range: G5 – F3.
    A big- time craps player from Chicago who uses a gun and his own pair of rigged dice to bully his way into never losing. Tough looking. A bit of an oaf.
  • RUSTY CHARLIE – Supporting Role, Male, Stage Age: 30-50, Vocal range: F4-G4
    Another of Nathan’s sidekicks, he is part of the “Fugue for Tinhorns” trio.
  • GENERAL MATILDA CARTWRIGHT – Featured Role, Female, Stage Age 40+, Mezzo.
    The regional representative of Save-a-Soul Mission is a highly anticipated and talked-about presence known for her intimidating demeanor, strong leadership, and surprising sense of humor. (Will double in other areas of the ensemble, to be determined.)
  • HOT BOX GIRLS – Performers who back up Adelaide in her night club act. Strong dancers and singers. Will double into other areas of the ensemble as City Dwellers, Mission Band Members, and Havana Dancers.
  • MALE ENSEMBLE – Liver Lips Louie, Angie The Ox, Rusty Charlie, City Dwellers, Waiters, Havana Dancers.

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THE HEART SELLERS, a New Thanksgiving Comedy about Finding Friendship, Opens Oct. 30

CINCINNATI (Oct. 21, 2025) – Two recent immigrants to the U.S. find solace and companionship in each other as they cook their first Thanksgiving dinner in THE HEART SELLERS, a new comedy opening Oct. 30 in the Rosenthal Shelterhouse Theatre, with previews beginning Oct. 25. The production runs through Nov. 23.

It’s evening on Thanksgiving Day in 1973. Luna, from the Philippines, and Jane, from Korea, are new to the country, both married to overworked medical residents and left alone on a holiday that centers on togetherness. As they attempt to cook their first Thanksgiving dinner (with a frozen turkey!) in two hours, these new friends carve out a relationship that transcends culture and language in what Broadway World called, “A love letter to friendship” and Milwaukee Journal-Sentinel called a “stunning comedy.”

“It’s like a buddy love story between two Asian immigrant women, set in 1973, on the evening of Thanksgiving, when they’re dealing with feelings of homesickness and belonging,” explains director Desdemona Chiang.

THE HEART SELLERS is written by Lloyd Suh, a Pulitzer Prize finalist who also wrote The Chinese Lady, produced in the Rosenthal Shelterhouse during the 2022-23 season. Audiences who enjoyed The Chinese Lady will recognize Suh’s ability to trace the tension between how America sees its immigrants and how immigrants see themselves, while mining the humor and resilience found in that space.

The production derives its name from the Hart-Celler Act, passed by Congress in 1965 which expanded immigration to the U.S. Chiang, whose mother emigrated to the U.S. in the wake of Hart-Celler, drew on her mother’s experiences to imagine what life might have been like for characters Luna and Jane. She also encouraged the cast to draw from their families’ experiences.

“The actors, in particular, asked their moms about what it was like coming here. Because for most immigrant kids, you kind of forget, because we’re so self-absorbed and we’re so interested in our own identity here, you kind of forget that our parents had an entire life before you existed. The entire version of themselves that they left behind in order to reinvent who they are, to make it work in this country,” Chiang explains.

CAST AND PRODUCTION

  • Bridget Kim                                           Jane
  • Angeleia Ordoñez                                 Luna
  • Lloyd Suh                                              Playwright
  • Desdemona Chiang                             Director
  • Sasha Jin Schwartz                              Set Designer
  • Christine Tschirgi                                  Costume Designer
  • Marcella Barbeau                                 Lighting Designer
  • Sharath Patel                                        Sound Designer
  • Stephanie Klapper, CSA                      Casting Director
  • Tenley Pitonzo*                                    Stage Manager
  • Sparrow Mansfield                                Production Assistant 

TICKETS

Tickets begin at $35.00. Prices vary based on seating location and performance day. Previews take place on Oct. 25, Oct. 28 and Oct. 29, with opening night taking place on Oct. 30. Beginning Oct. 31, performances will take place on Tuesdays-Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. A weekday matinee will be offered on Nov. 12 at 1 p.m.

EVENTS

Preview Performances
Be among the first to see the show before opening night and save! Preview performance tickets are discounted.

  • Sat., Oct. 25 at 7:30 p.m.
  • Tue., Oct. 28 at 7:30 p.m.
  • Wed., Oct. 29 at 7:30 p.m.

Opening Night
Share the excitement of Thursday opening nights!

  • Thu., Oct. 30 at 7:30 p.m.

Expert Experiences: Food for Thought with Debra Hildebrand

  • Mon., Nov. 10, 7-8:30 p.m.
    Tickets: $30.

“That looks delicious! But can you eat it?” If you’re curious about how stage magic is made, join us to gain hands-on insight into the artistry and problem-solving that go into creating convincing food props using unexpected materials — like in our production of The Heart Sellers. Debra Hildebrand, the longtime Rosenthal Shelterhouse Properties Running Crew Lead, will share the secrets, techniques and creativity behind crafting realistic fake food props in this hands-on, 90-minute class.

For more information or reservations, visit cincyplay.com or call 513-421-3888.

Art Talks
(Formerly Meet the Artists), stay after select performances for a behind-the-scenes discussion with members of the artistic team.

Audio-Described Performance

Trained volunteers describe the visual elements of the production via a hearing enhancement system, allowing patrons to hear dialogue, music and other sound effects. The description is timed to avoid interfering with dialogue. Before the show and during intermission, show and actor information are shared.

Asianati Food Truck Pop-up

  • Saturday, Nov. 22, from 12:30 – 2 p.m.
    Performance at 2 p.m.

Join us for a pre-show Food Truck Pop-Up event co-hosted with Asianati on Saturday, November 22 from 12:30 – 2 p.m. Some of Cincinnati’s favorite local food trucks – seen at events like Asian Food Fest – will be selling delicious food and celebrating Asian American culture in Cincinnati. You don’t have to attend the performance to stop by the Food Truck Pop-Up to eat! Don’t miss this chance to build community and connect while enjoying a tasty lunch. Check back for details on specific food trucks. (Note: The food trucks will be the only pre-show food service that afternoon.) 

ADVISORY
THE HEART SELLERS is recommended for older teenagers and adults. New to America, two women spend Thanksgiving together sharing their hopes, dreams and a bottle (maybe two) of wine. Using some adult language, their conversation includes the Asian immigrant experience and communism, as well as several references to the male anatomy. 

SPONSORS
Production Sponsors are Ron Matson and Daniel Young. Honorary Producer is Karlee L. Hilliard. Design Sponsors are Jeb and Nirvani Head. Artist Sponsors are David and Elaine Billmire. Media Sponsor is Cincinnati Public Radio/91. WVXU News. The 2025-26 Season is presented by the Vontz Family.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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Cast Announced for A CHRISTMAS CAROL at Tri-County Players

A CHRISTMAS CAROL by Patrick Barlow 

 Directed by Sarah Hoback Rogers & Dane Rogers 

 December 5, 6, 7, 12 & 13 2025

Featuring:
  • Evan Beckmeyer
  • Elias Dean
  • Micheal Kiser
  • Katie McDaniel
  • Adria Whitfill

Patrick Barlow, writer of the Broadway and West End hit The 39 Steps, has retold Charles Dickens’ holiday classic, A Christmas Carol. This thrilling adaptation uses only five actors to bring Dickens’ most beloved characters to life. From Scrooge and Tiny Tim to Bob Cratchit and Mrs. Fezziwig, Barlow’s A Christmas Carol uses nothing more than some simple props, fresh physicality, and the power of imagination to convey this timeless story of redemption. Witness Scrooge’s transformation from a stingy miser to a man who generously celebrates the spirit of the season all year long, in this highly theatrical adaptation.

It’s NOT your grandparents’ Christmas Carol.

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