Author Archives: robbucher

2022 Season Announced by Middletown Lyric Theatre

MLT_logoPROOF
March 4-12, 2022
Directed by Charley Shafor

Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions and the arrival of her estranged sister. How much of her father’s madness – or genius – will Catherine inherit?

SHOWTUNE: Celebrating the Words and Music of Jerry Herman
April 22-30, 2022
Directed by Charley Shafor

Prepare yourself for a slice of musical theatre heaven. Showtune delivers everything that its title promises… and then some! No  lyric is left unsung. Familiar tunes from such illustrious titles as Hello Dolly, Mame, and La Cage Aux Folles will be stuck in your  head long after this charming show ends.

THE LEGEND OF GEORGIA MCBRIDE
June 17-25, 2022
Directed by Charley Shafor

He’s young, he’s broke, his landlord’s knocking at the door, and he’s just found out his wife is going to have a baby. To make matters even more desperate, Casey is fired from his gig as an Elvis impersonator in a run-down, small-town Florida bar. When the bar owner brings in a B-level drag show to replace his act, Casey finds that he has a whole lot to learn about show business and himself.

LITTLE SHOP OF HORRORS 
Aug. 19-27, 2022
Directed by Josiah Miller 

The meek floral assistant Seymour Krelborn stumbles across a new breed of plant he names “Audrey II” – after his coworker crush. This, R&B-singing carnivore promises unending fame and fortune to the down and out Krelborn as long as he keeps feeding it. This version contains new music arrangements and a new shall we say, sexy twist on an old favorite.

CHURCH & STATE
Oct. 14-22, 2022
Directed by TBA

A North Carolina U.S. senator makes an off-the-cuff comment to a blogger that gets leaked on “the Twitter,” calling into question the senator’s stance on guns and God.  As his devoutly Christian wife and liberal Jewish campaign manager try to contain the damage, this look at how religion influences politics and how politics has become a religion is simultaneously funny, heartbreaking, and uplifting.

THE MOST WONDERFUL TIME OF THE YEAR – A HOLIDAY CABARET
Dec. 9-17, 2022
Directed by Charley Shafor

This original cabaret will feature music from, That Time of the Year a musical revue of all-original Christmas, Hanukkah, and New Year’s songs. There will also be dancing, traditional carols and storytelling. This cabaret is sure to spark your holiday spirit no matter which holiday you celebrate.

For more information visit www.middletownlyric.org.

 

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The Black Theatre Coalition/Broadway Across America Fellowship Announced

BTC_logoTHE BLACK THEATRE COALITION /
BROADWAY ACROSS AMERICA
FELLOWSHIP

SPONSORED BY THE JOHN GORE ORGANIZATION 

BIC_logoNOW ACCEPTING APPLICANTS THROUGH OCTOBER 15 

FELLOWSHIP POSITION AVAILABLE WITH BROADWAY IN CINCINNATI

STARTING JANUARY 2022

Cincinnati, OH (10/1/21) – The John Gore Organization (JGO) the leading presenter, producer, distributor, and marketer of Broadway theater worldwide, has partnered with Black Theatre Coalition (BTC), an organization dedicated to eradicating racial inequities in the theater industry, to create a comprehensive paid fellowship program for Black-identifying undergraduate college juniors, seniors and recent college graduates.

This landmark program, called The Black Theatre Coalition/Broadway Across America Fellowship, sponsored by the John Gore Organization, is now accepting applications through October 15, 2021 for ten paid 14-week part-time positions across the United States with training in the business of commercial theater.

One position will be available in Cincinnati, working with the Broadway in Cincinnati team in the area of Marketing & PR for Broadway touring shows at the Aronoff Center.

In addition to on-the-job training, the program includes a comprehensive educational curriculum taught by BTC, BAA and other Broadway professionals, providing an invaluable, in-depth education in the business of commercial theater.  The program also features a trip to New York City for regional fellows where the cohort will gather for in-person shadowing and networking opportunities.

“We at Broadway Across America want to take meaningful steps to create change in our industry in regards to equity, diversity, access and inclusion,” said Genevieve Holt, Vice President Midwest.  “We believe that one important way to do that is to generate opportunities for students and young professionals to learn about the theater business from the inside, through on-the-job training and opportunities to learn and network with leaders in the industry.  We’re excited to partner with Black Theatre Coalition to give these Fellows insight to the wide range of roles that exist in our business off the stage.”

Interested Black-identifying applicants should submit contact information, current school enrollment information, a personal statement, resume and one letter of recommendation at BroadwayFellows.com.

Recognizing the underrepresentation of BIPOC professionals in the commercial theater industry, this program will be dedicated to fostering and preserving a culture of equity, diversity, access, and inclusion.  BTC-BAA Fellowships will initially be available in New York, Atlanta, Baltimore, Cincinnati, Fort Lauderdale, Houston, and Louisville.

The goal of this fellowship program is to provide undergraduate and postgraduate students with an opportunity to develop the job skills, industry-specific knowledge and network connections necessary to begin a professional career in the commercial theater industry.

At the John Gore Organization, we believe that live theater is for everyone. Everyone means people of all races, ethnicities, gender identities, sexual orientations and people with disabilities. We specifically want to increase participation for those that have been historically underrepresented in the commercial theater industry.

FELLOWSHIP POSITIONS AVAILABLE

  • Atlanta, GA – Marketing & PR (1 position)
  • Baltimore, MD – Operations & Marketing (1 position)
  • Cincinnati, OH – Marketing & PR (1 position)
  • Fort Lauderdale, FL – Marketing (1 position)
  • Houston, TX – Marketing & Ticketing (1 position)
  • Louisville, KY – Ticketing Operations (1 position)
  • New York, NY– Finance (1 position)
  • New York, NY – Marketing & PR (1 position)
  • New York, NY – Operations (1 position)
  • New York, NY – Ticketing & Business Intelligence (1 position)

For more information and to apply, please visit www.BroadwayFellows.com.

ABOUT BLACK THEATRE COALITION

Black Theatre Coalition was founded by T. Oliver Reid and Warren Adams during the Summer of 2019. They identified the disparity between the growing inclusivity onstage, versus the almost non-existence of Black professionals off stage. They invited their colleague, Reggie Van Lee, (Chief Transformation Officer of the Carlyle Group) to join them as Co-Founder and Chairman of The Board. Afton Battle is the Executive Strategist and Tamica Clanton is Digital Marketing Strategist.

BTC’s mission is to remove the “illusion of inclusion” in the American Theatre, by building a sustainable ethical roadmap that will increase employment opportunities for Black theatre professionals. Their vision is to reshape the working ecosystem for those who have been marginalized by systemically racist and biased ideology.

Black Theatre Coalition officially filed as a nonprofit 501(c)(3) in June of 2020.
www.BlackTheatreCoalition.org

ABOUT THE JOHN GORE ORGANIZATION

The John Gore Organization is the leading presenter, producer, distributor, and marketer of Broadway theater worldwide. Under the leadership of 14-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, and Group Sales Box Office. The company presents shows in 48 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk and Olivier Awards.  The John Gore Organization is committed to supporting theater access and education programs that introduce Broadway to the next generation of audiences and theater professionals. www.johngore.com

Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com and Group Sales Box Office.  Led by 15-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 48 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, The Phantom of the Opera and Hamilton. Current and past productions include Ain’t Too Proud, Beautiful, Cats, Chicago, Dear Evan Hansen, Mean Girls, Moulin Rouge! and To Kill A Mockingbird. 

Fifth Third Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center. The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year, and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. Fifth Third Bank is the sponsor of the Cincinnati 21/22 Season and the season is presented by TriHealth.

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Cast Announced for LITTLE WOMEN at Fairfield Footlighters

fflDirector Anna Schindler Brown and Fairfield Footlighters are proud to announce the cast of LITTLE WOMEN.

The cast includes:

  • MRS. TOMLINSON/AUNT MARCH: Nan Bongiani
  • JOSEPHINE MARCH: Lori Wegman
  • MR. MARCH: Dan Schindler
  • MARMEE: Chris Hudak
  • MEG: Megan Fridenmaker
  • JO: Kayla Theis
  • BETH: Rosemary Walker
  • YOUNG AMY (Act 1): Olivia Klefeker
  • ADULT AMY (Act 2): Katie Meymann
  • HANNAH: Kira Smith
  • MR. LAURENCE: Bob Dronberger
  • LAURIE: Grant Zentmeyer
  • JOHN BROOKE: Andrew Shamblin
  • MRS. MOFFETT/MRS. KIRKE: Kimberly McEvilly
  • CLARA: Brenna Lambert
  • KITTY/MARY: Taryn McQuinley
  • MINNIE/JENNY: Sophia Ragland
  • SARAH: Madalynn Berter
  • KATY: Abby Turner
  • FREDERICH BHAER: Kevin Noll

Thanks to all who auditioned!

Performances run Nov. 19-21. Stay tuned to www.fairfieldfootlighters.org for ticket information and more!

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Cincinnati Opera Announces 2022 Summer Festival

co_logoThe company comes home to Cincinnati Music Hall after two seasons away, with live, in-person performances from June 18−July 31, 2022 

The lineup includes two world premieres (Castor and PatienceFierce), two classic love stories (La BohèmeAida), and Gilbert and Sullivan’s rollicking comedy, The Pirates of Penzance 

The season stars a thrilling roster of world-class singers, including Raven McMillon, Lauren Snouffer, Talise Trevigne, Mary Elizabeth Williams, Tichina Vaughn, Zachary James, Gregory Kunde, Ji-Min Park, Rodion Pogossov, Reginald Smith Jr., and Matthew White

Cincinnati, Ohio—After two seasons away, Cincinnati Opera today announced plans to return to Cincinnati Music Hall and the School for Creative and Performing Arts (SCPA) next June and July for its 2022 Summer Festival. The company celebrates this special homecoming with a full, five-opera season—including two world premieres and new-to-Cincinnati productions—plus creative collaborations with renowned singers, conductors, directors, and designers, as well as the Cincinnati Opera Chorus, Cincinnati Ballet, and the Cincinnati Symphony Orchestra.

The 2022 season includes Giacomo Puccini’s La Bohème (June 18, 23, 25), Gilbert and Sullivan’s The Pirates of Penzance (July 7, 9, 10m), and Giuseppe Verdi’s Aida (July 21, 23, 29, 31m) at Music Hall, and two world premiere operas at SCPA’s Corbett Theater: William Menefield and Sheila Williams’s Fierce (July 6, 8) and Gregory Spears and Tracy K. Smith’s Castor and Patience (July 22, 24m, 26, 28, 30).

“As the arts reopen and stages in Cincinnati once again come alive, we can’t wait to get back home to Music Hall and SCPA,” said Evans Mirageas, The Harry T. Wilks Artistic Director. “We know how lucky we are to do what we love in such extraordinary venues, and to share with our community all that opera can be. Our 2022 season has been planned to do just that—to bring us together and remind us what it feels like to fall in love, to give us a reason to laugh out loud, and to move us with compelling stories that reflect the modern American experience.”

Continued Mirageas, “For the audience, we hope it will feel like both a welcome return to form and an exciting leap forward—a not-to-be-missed chapter in Cincinnati Opera’s vibrant history.”

Renewing subscribers will be contacted with purchase information in October, and new subscriptions go on sale in January 2022. Single tickets will be available beginning spring 2022. For additional information, visit cincinnatiopera.org.


Cincinnati Opera
2022 Summer Festival

La Bohème

Music by Giacomo Puccini
Libretto by Luigi Illica and Giuseppe Giacosa

Saturday, June 18, 2022 | 7:30 p.m.
Thursday, June 23, 2022 | 7:30 p.m.
Saturday, June 25, 2022 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall

The 2022 season sweeps in on a romantic high with one of the most famous love stories ever sung. Giacomo Puccini’s La Bohème has captivated audiences for generations with its unforgettable music and its sweetly sentimental tale of young bohemian lovers in Paris. It all begins in a cold apartment on Christmas Eve, where the penniless poet Rodolfo prepares to celebrate with friends on the city’s bustling streets. But with a quiet knock on the door, he meets Mimì, whose single candle has gone out. While searching for a match in the dark, hands touch, sparks fly, and lives change forever.

Soprano Talise Trevigne, who dazzled Cincinnati audiences in the title role of The Gershwins’ Porgy and Bess (2019), portrays Mimì with tenor Ji-Min Park (Alfredo in Cincinnati Opera’s La Traviata, 2018) as Rodolfo. Soprano Raven McMillon, a 2021 winner of the Metropolitan Opera National Council Auditions, sings the role of Musetta, and baritone Rodion Pogossov (Marcello), bass-baritone André Courville (Colline), and baritone Ethan Vincent (Schaunard) appear as Rodolfo’s trio of artistic friends. Mark Gibson, director of orchestral studies at the University of Cincinnati College-Conservatory of Music, will conduct.

Featuring the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus

Sung in Italian with projected translations


World Premiere
Fierce
Music by William Menefield
Libretto by Sheila Williams
Wednesday, July 6, 2022 | 7:30 p.m.
Friday, July 8, 2022 | 7:30 p.m.
Corbett Theater | School for Creative and Performing Arts

Cincinnati Opera proudly presents the world premiere of Fierce during summer 2022. With authenticity and sensitivity, Fierce tells the stories of four teenage girls struggling with school, family, and friendship, as each embarks on a transformative journey toward empowerment and self-assurance. A collaboration with WordPlay Cincy, the Music Resource Center−Cincinnati (MRC), and i.imagine—three arts organizations serving Greater Cincinnati youth—Fierce was originally slated to debut in summer 2020 and has been rescheduled due to the COVID-19 pandemic.

Northern Kentucky-based novelist Sheila Williams interviewed WordPlay and MRC participants to inspire the opera’s libretto, while Cincinnati native William Menefield employs jazz, modern, and classical music styles in the work’s high-energy score. Teenage girls participating in i.imagine’s photography program will partner with Cincinnati Opera to promote the production to their peers. D. Lynn Meyers, producing artistic director of Ensemble Theatre Cincinnati, makes her Cincinnati Opera debut as Fierce’s stage director and dramaturg. Production design is by Samantha Reno, with lighting design by Thomas C. Hase and wig and makeup design by James Geier.

Featuring the Cincinnati Symphony Orchestra

Sung in English with projected titles


CO_Pirates of Penzance promo

Jeff Roffman, Atlanta Opera

New-to-Cincinnati Production
The Pirates of Penzance
Music by Arthur Sullivan
Libretto by W.S. Gilbert

Thursday, July 7, 2022 | 7:30 p.m.
Saturday, July 9, 2022 | 7:30 p.m.
Sunday, July 10, 2022 | 3:00 p.m.
|Springer Auditorium | Cincinnati Music Hall

Gilbert and Sullivan’s perfectly preposterous comic operetta The Pirates of Penzance sets sail at Music Hall in July 2022. Frederic, an orphan apprenticed to a lively band of pirates, is soon to celebrate his 21st birthday, when he’ll be free to pursue a life—and love—all his own. The charming Mabel catches his eye, and she’s supremely smitten in return. But the crafty Pirate King finds a loophole in Frederic’s contract, setting the young lovers’ future upon stormy seas. Will Frederic and Mabel steer their way to a happily-ever-after?

Bursting with memorable tunes and rapid-fire laughs, our production of The Pirates of Penzance is a modern, major spectacle, featuring vivid sets and costumes originally created for Opera Theatre of Saint Louis by designer James SchuetteDavid Agler conducts, with stage direction and choreography by Seán CurranZachary James brings a “striking bass voice and a tremendously magnetic presence” (Opera News) to the role of the swashbuckling Pirate King. Tenor Matthew White, who last appeared with Cincinnati Opera as Gounod’s Romeo, joins soprano Lauren Snouffer, who offers “beautifully clear, unaffected singing … informed with intelligence and wit” (Opera News), as the lovebirds Frederic and Mabel.

Featuring the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus

Sung in English with projected titles

Production originally created for Opera Theatre of Saint Louis


CO_Aida promo

Opéra de Montréal, Yves Renaud.

New-to-Cincinnati Production
Aida
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni

Thursday, July 21, 2022 | 7:30 p.m.
Saturday, July 23, 2022 | 7:30 p.m.
Friday, July 29, 2022 | 7:30 p.m.
Sunday, July 31, 2022 | 3:00 p.m.
Springer Auditorium | Cincinnati Music Hall

The 2022 season continues with the grandest of grand operas, Giuseppe Verdi’s Aida. As war rages between enemy nations, a forbidden love burns brightly between Radamès, an Egyptian warrior, and Aida, his captive. But Aida’s keeping a secret of her own—she’s the daughter of the Ethiopian king and deeply devoted to her people. Will she betray Radamès to save her nation or risk everything to follow her heart?

From its passionate romance to its thunderous “Triumphal March,” which features a 60-voice chorus, Aida is the definition of “epic.” Our production evokes the opulence of Ancient Egypt with its “lavish design” (Pittsburgh Theater) by Claude Girard and Bernard Uzan and will be helmed by stage director Crystal Manich with Christopher Allen conducting. Making her company debut in the title role is soprano Mary Elizabeth Williams, who possesses a voice with “a gleaming top and luxuriant richness” (The Guardian, U.K.), and tenor Gregory Kunde brings a “robust voice” with “clear, strong, focused tone” (The New York Times) as Radamès. Grammy Award-winning mezzo-soprano and Metropolitan Opera regular Tichina Vaughn is the imperious Egyptian princess Amneris, while baritone Gordon Hawkins, who appeared as Amonasro in the company’s 2013 production, reprises the role. Bass Morris Robinson, Cincinnati Opera’s artistic advisor, is Ramfis, with bass Peixin Chen as the King of Egypt and soprano Jennifer Cherest as the High Priestess.

Featuring the Cincinnati Symphony Orchestra, the Cincinnati Opera Chorus, and Cincinnati Ballet

Sung in Italian with projected translations

Production by Opéra de Montréal, Pittsburgh Opera, and Utah Opera


World Premiere
Castor and Patience
Music by Gregory Spears
Libretto by Tracy K. Smith

Friday, July 22, 2022 | 7:30 p.m.
Sunday, July 24, 2022 | 3:00 p.m.
Tuesday, July 26, 2022 | 7:30 p.m.
Thursday, July 28, 2022 | 7:30 p.m.
Saturday, July 30, 2022 | 7:30 p.m.
Corbett Theater | School for Creative and Performing Arts

Originally commissioned for Cincinnati Opera’s 100th anniversary in 2020 and postponed due to the COVID-19 pandemic, Castor and Patience receives its much-anticipated world premiere in July 2022. With music by Gregory Spears, composer of the company’s acclaimed 2016 commission Fellow Travelers, and an original libretto by Pulitzer Prize-winner and former U.S. poet laureate Tracy K. Smith, the opera centers on two cousins from an African American family who find themselves at odds over the fate of a historic parcel of land they have inherited in the American South. Deeply relevant to ongoing calls for racial justice, Castor and Patience probes historical and continuing obstacles to Black land ownership in the United States.

At the podium is conductor Kazem Abdullah, and Kevin Newbury (Fellow Travelers) directs. The new production will be created by Vita Tzykun (scenic design), Jessica Jahn (costume design), Rachel Eliza Griffiths (image design), S. Katy Tucker (projection design), Thomas C. Hase (lighting design), and James Geier (wig and makeup design). A renowned interpreter of contemporary opera, soprano Talise Trevigne is Patience, and baritone Reginald Smith Jr., this year’s U.S. representative at the prestigious BBC Cardiff Singer of the World competition, is Castor. They’re joined by a stellar supporting cast: mezzo-soprano Jennifer Johnson Cano (Celeste), soprano Victoria Okafor (Willie), baritone Benjamin Taylor (West), tenor Frederick Ballentine (Judah), and soprano Raven McMillon (Ruthie). Mezzo-soprano Zoie Reams, tenor Victor Ryan Robertson, and baritone Phillip Bullock make up the opera’s ensemble.

Featuring the Cincinnati Symphony Orchestra

Sung in English with projected titles


Tickets and Information

Renewing subscribers will be contacted with purchase information in October, and new subscriptions go on sale in January 2022. Single tickets will be available beginning spring 2022. In September, the company joined several of Cincinnati’s performing arts organizations in announcing COVID safety requirements for audience members, including mask-wearing and proof of vaccination or a negative COVID test. For more information, visit cincinnatiopera.org.


About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera also receives general season support from the Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America.

To learn more, visit cincinnatiopera.org. 

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NKU Hosts Engaging Dance Workshop on Oct. 10

NKU_Beyond the Labyrinth promoHIGHLAND HEIGHTS, KY – Northern Kentucky University’s School of the Arts welcomes William Charles Crowley to campus on Sunday, Oct. 10, to host a lecture and demonstration entitled “Beyond the Labyrinth: The Dance Legacy of Martha Graham” which will be followed by a masterclass introducing students to the Graham Technique. This session is free to the public, but advanced registration is required.

  • What: Beyond the Labyrinth: The Dance Legacy of Martha Graham lecture/demonstration
  • When: Oct. 10, 2021, 6-8:30 p.m.
  • Where: NKU campus – Health Innovations Center, room 125 (dance studio)
  • Registration: nku.edu/graham

“Beyond the Labyrinth: The Dance Legacy of Martha Graham” is a lecture/demonstration, complimented by a PowerPoint presentation, exploring the innovative technique and impressive body of work American dancer and choreographer Martha Graham created over her 70-year career. The lecture also focuses on her influence and long-lasting legacy that continues to inspire dancers and choreographers today. Utilizing research from published texts, existing documentary and performance films, archival photographs, eyewitness accounts, and personal experiences, William Charles Crowley, Artistic Director of Still Point Productions and teacher of the Graham Technique, brings his unique perspective and insight to the discussion.

William Charles Crowley received his MFA in Dance from the University of Michigan. He received additional dance training while on scholarship at the Martha Graham School of Contemporary Dance in NYC. Early in his dance career, under the direction of Peter Sparling, William had the distinct honor of performing the title role in Martha Graham’s 1940 masterwork, El Penitente. In March 2012, he attended the Graham Technique Refresher Course in NYC, where 25 instructors from the United States, England, France, and Greece came together to analyze, discuss, and debate how to best preserve the Graham Technique for future generations. Currently, William teaches throughout the United States, Caribbean, and Europe, including Belgium, Croatia, England, France, Portugal, and Spain.

Health & Safety Guidelines
NKU is following all CDC and government guidelines and continues to monitor the COVID situation. Masks are required indoors on campus for all persons, vaccinated and unvaccinated. Visit nku.edu/covid19 for the latest information.

About NKU:  Founded in 1968, we are a growing metropolitan university of more than 15,000 students served by more than 2,000 faculty and staff on a thriving suburban campus near Cincinnati. Located in the quiet suburb of Highland Heights, Kentucky—just seven miles southeast of Cincinnati—we have become a leader in Greater Cincinnati and Kentucky by providing a private school education for a fraction of the cost. While we are one of the fastest growing universities in Kentucky, our professors still know our students’ names. For more information, visit nku.edu.

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