Author Archives: robbucher

TWELFTH NIGHT Runs Nov. 16-Dec. 8

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Caitlin McWethy as Viola. Photo by Mikki Schaffner Photography.

TWELFTH NIGHT
Cincinnati Shakespeare Company
Nov. 16-Dec. 8
[Over-the-Rhine]

Directed by Austin Tichenor

What do you get when you combine a shipwreck, a cross-dressed Lady, a lovelorn Lord, a fickle Countess, a drunken uncle, a flamboyant fop, an uptight servant, a mischievous clown, a protective pirate and an identical twin? You get the kind of delightfully and deliciously twisted knot that only Shakespeare can untie. CSC invites you to celebrate the holiday season with one of the Bard’s most lively, lovely and lyrical comedies Twelfth Night.

  • In preview Wed-Thu, Nov. 14-15 at 7:30pm. All seats $43.
  • Fri, Nov. 16 at 7:30pm
  • Sat, Nov. 17 at 2pm & 7:30pm
  • Fri, Nov. 23 at 7:30pm
  • Sat, Nov. 24 at 2pm & 7:30pm
  • Sun, Nov. 25 at 2pm
  • Thu-Sat, Nov. 29-Dec. 1 at 7:30pm
  • Sun, Dec. 2 at 2pm
  • Thu-Fri, Dec. 7-8 at 7:30pm
  • Sat, Dec. 9 at 2pm & 7:30pm

Official page |

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ST. NICHOLAS Review

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Bruce Cromer as Man. Photo by Ryan Kurtz.

ST. NICHOLAS presented by Ensemble Theatre Cincinnati through Oct. 28. Click here for a synopsis and more information on the production. I attended the opening Saturday performance.

Ensemble Theatre Cincinnati continues its 2018-19 season with a special performance event that is perfect for the Halloween season. An eerie one-man show about a theater critic [the horror!] and some vampires.

All joking aside, Bruce Cromer is completely engaging as Man, an Irish journalist recounting the sins of his life and the events that lead him to an unexpected relationship with the creatures of the night. As usual, Cromer brings a great physicality to the role that is very enjoyable to watch. Director Brian Robertson keeps the show well paced, makes great use of the entire play area, and emphasizes the wit and humor of the script.

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Bruce Cromer as Man. Photo by Ryan Kurtz.

The simple set and smart lighting designs, both by Brian c. Mehring, easily meet the needs of the far-traveling script. Matt Callahan’s sound design also does much to add to the eerie atmosphere of the piece. Stormi Mac’s design and the small changes to Cromer’s wardrobe over the course of the show are very effective.

Overall, an engaging tale both well-told and well-presented.

My rating: 4.75 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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A SMALL FIRE to Open as Falcon’s Second Production of 2018-2019 Season

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It seems almost a premise borne of a party game: If you had to lose one of your senses, which would you choose? Smell? Taste? Sight? Hearing? Touch? What if you had to lose two? Three? What if you lost all of your senses?

This is the starting point for Adam Bock’s A SMALL FIRE, opening November 16 as Falcon Theatre’s second production of its 2018-2019 season. But far from being a story about a mysterious disease that robs its victim of her senses, the play, says The New York Times, is “raucous, funny, and unexpectedly touching, as we are made intimate witnesses to a frank demonstration of how much of life, of love, and of happiness remain within reach even when so much appears to be lost.”

Falcon Artistic Director (and director for this production) Ted J. Weil says that “the true beauty of the show is the sense of hope that the playwright manages to cobble together in the midst of turmoil.”

The audience is introduced to Emily Bridges, a tough, no-nonsense career woman who is far more comfortable wearing a hardhat and talking trash with the men of the construction company that she has built from the ground up than wearing an apron and making dinner for her husband and daughter. But Emily’s world is upended when a potential disaster is narrowly averted. Because of a sudden inability to smell the smoke from the beginnings of a smoldering kitchen fire that she has inadvertently started, Emily quickly realizes that she can no longer smell anything. As the story progresses, Emily loses her ability to taste…to see…to hear. Plunged into a world in which she can communicate only by touch, she becomes reliant on her longtime husband whose endless devotions she had always taken for granted.

Director Weil says that A SMALL FIRE is “a beautiful piece of theater that deals with loss, redemption, and the wondrous things we often discover in the aftermath of tragic events.”

The production features Kristy Rucker as Emily, Terry Gosdin as John, Victoria Hawley as Jenny, and Evan Blanton as Billy. Performances are at 8pm on November 16, 17, 23, 24, 29, 30, and December 1, 2018. Tickets prices are $25 for adults and $15 for students with ID. Patrons enjoy a $5 discount for Thursday performances. Visit falcontheater.net for tickets and more information.

Falcon Theatre is located at 636 Monmouth Street in the heart of the Monmouth Street Historic District of Newport, Kentucky.

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2019-2020 Season Call for Directors at CenterStage Players

CSPOH_logoCenterStage Players is now accepting applications for Directors for our 2019-2020 season.

We aim to produce 3-5 shows a year, which will be performed at Lockland High School in Cincinnati, OH. We have produced ACT award-winning productions of Acapulco, Take Me Out and Death of a Salesman, among others.  You can find a list of previous productions here.

We are looking for creative and talented directors, both experienced and new, who aren’t afraid to take a risk. We are open to comedy, drama, farce and musical submissions and are particularly interested in rarely performed shows, original works and “edgy” scripts.

We generally include a holiday show in our season, which has in the past included child actors.

Interested applicants should send information to Rebecca Coots, Vice-President of Production, before the deadline of November 30, 2018. We have tentatively scheduled interviews for January 12, 2019.

To submit a play you would like to direct, please either fill out the form below; send this information, as well as a copy of the script, to Rebecca Coots at centerstageplayersinc@yahoo.com; or send everything via snail mail:

Attn: Rebecca Coots
2728 Iowa Ave
Covington, KY 41015

Please include the following information with your response:

  • Director Information (Name, Contact Info)
  • Director Resume
  • Title of Play (Please fill out one full submission for each production)
  • List any production or technical crew persons that work with you on a regular basis.
  • What technical issues, if any, does the show present and how would you resolve them?
  • Are there any anticipated casting difficulties? If so, how would you overcome them?
  • What about the show appeals to you as a director?
  • If your show is selected, are there any timing restrictions that would help us in building our season schedule?
  • Please include a copy of the script. If this is not possible, please ensure that it is a show that will have an easily accessible copy (i.e., the library).

Please note, multiple shows may be pitched.  However, individual director interviews will be limited to 30 minutes.

For more information and online submissions go to centerstageplayersinc,com and go to
2019-2020 Season Director Submissions link on the Current Season page.

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THE MAN WHO KILLED THE CURE Runs Nov. 16-25

DTG_The Man Who Killed the Cure logoTHE MAN WHO KILLED THE CURE
Dayton Theatre Guild
Nov. 16-25
[Dayton]

Directed by Jeff Sams

Cast: J. Gary Thompson as Max Gerson, David Williamson as Rudy Heller, Melissa Kerr Ertsgaard as Charlotte/Others, Kristyna Zaharek as Helga/Others, Ryan Shannon as Carmichael/Others & Scott Madden as Long John Nebel/Others

The Man Who Killed the Cure, a controversial new play by The Last Lifeboat playwright Luke Yankee, is based on the life and death of Dr. Max Gerson, one of the fathers of natural healing. Two doctors, who are colleagues, friends, and men of science, survive Nazi Germany and make their way to America. Dr. Max Gerson believes in natural healing techniques while his former best friend and new adversary gets rich trying to stop him. This play is about the times we live in, one man’s betrayal of another, and a timeless investigation of the hypocrisy that poisons the world of modern medicine.

  • Fri-Sat, Nov. 16-17 at 8pm
  • Sun, Nov. 13 at 3pm
  • Fri, Nov. 23 at 8pm
  • Sat, Nov. 24 at 5pm
  • Sun, Nov 25 at 3pm

Official page |

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