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Cincinnati Opera and CCM’s Opera Fusion: New Works Partnership Presents Public Previews of Two Operas-in-Progress This Fall

Audiences are invited to experience exclusive sneak peeks of John Lewis: Good Trouble (Oct. 11) by Maria Thompson Corley and Diana Solomon-Glover, and Sleepers Awake (Nov. 8) by Gregory Spears

CINCINNATI (September 3, 2025)— Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) invite the public to preview two new operas-in-progress this fall as part of their dynamic creative partnership, Opera Fusion: New Works (OF:NW). OF:NW offers composers and librettists the opportunity to refine their pieces through Cincinnati-based workshops, culminating in public performances of excerpts that provide audiences with a unique glimpse into the development process.

The first work to be featured is John Lewis: Good Trouble, with a public preview on Saturday, October 11 at 2 p.m. It will be followed by Sleepers Awake, with a public presentation of excerpts on Saturday, November 8 at 2 p.m. Both events will take place at Cincinnati Music Hall’s Wilks Studio (1241 Elm Street, Cincinnati, OH 45202). Tickets are $15 for adults and free for full-time students (one ticket per valid student ID) and may be reserved at cincinnatiopera.org or by calling 513-241-2742 (M-F, 12-5 p.m.).

John Lewis: Good Trouble

John Lewis: Good Trouble features music by Maria Thompson Corley, a libretto by Diana Solomon-Glover, and stage direction and dramaturgy by Timothy Douglas. Inspired by the life and legacy of the late Congressman John Lewis, the opera honors his tireless fight for justice and equality as an inspiring champion of civil rights. Commissioned by Cincinnati Opera, the work is the second to be developed through the company’s groundbreaking Black Opera Project and will receive its world premiere at Cincinnati Music Hall during Cincinnati Opera’s 2027 Summer Festival.

Sleepers Awake

In Sleepers Awake, composer Gregory Spears, whose operas Fellow Travelers (2016) and Castor and Patience (2022) were both commissioned and premiered by Cincinnati Opera, creates a labyrinthine soundscape to accompany a dream-like rendering of the fairytale “Sleeping Beauty,” inspired by modernist writer Robert Walser. As the chorus sings itself in and out of slumber, the voices pull us into a liminal space where time is both fractured and cyclical. Conceived with and directed by Jenny Koons, Sleepers Awake was commissioned by Opera Philadelphia, where it will receive its world premiere in April 2026.

Event Information

  • Opera Fusion: New Works presents John Lewis: Good Trouble—Saturday, October 11, 2 p.m., Wilks Studio at Cincinnati Music Hall, 1241 Elm Street, Cincinnati, OH 45202
  • Opera Fusion: New Works presents Sleepers Awake—Saturday, November 8, 2 p.m., Wilks Studio at Cincinnati Music Hall, 1241 Elm Street, Cincinnati, OH 45202
  • Tickets: $15 for adults; free for full-time students (one ticket per valid student ID)
  • Order at cincinnatiopera.org or 513-241-2742

About Opera Fusion: New Works

Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. OF:NW offers composers and librettists the opportunity to workshop an opera during a residency in Cincinnati, utilizing the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists and culminate with a public presentation of excerpts. Opera Fusion: New Works is generously supported by an anonymous donor. For more information, visit ofnw.org.

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types (BA, BFA, BM, MA, MFA, MM, MME, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. The college also offers a new graduate certificate in Music Pedagogy and two academic minors (Media Production, Music).

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. To learn more, visit ccm.uc.edu.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Opera Fusion: New Works was originally established through funding from the Mellon Foundation and is currently made possible through generous support from an anonymous donor. The Black Opera Project has been made possible, in part, with support from the Mellon Foundation, Susan and Joseph Pichler, the Carol Ann and Ralph V. Haile, Jr. Foundation, Ann and Harry Santen, and Procter & Gamble. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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Cincinnati Shakespeare Company Presents AN ENEMY OF THE PEOPLE, a Fresh and Provocative Adaptation of the Ibsen Classic

Brent Vimtrup as Doctor Thomas Stockmann. Photo by Mikki Schaffner.

When a doctor exposes a public health danger, the community rallies—not around the science, but against the scientist 

Cincinnati, September 3, 2025 – Cincinnati Shakespeare Company is proud to present Amy Herzog’s new adaptation of Henrik Ibsen’s An Enemy of the People, playing September 5 – 20, 2025 and directed by Producing Artistic Director and CEO, Brian Isaac Phillips. An Enemy of the People is generously sponsored by Rance and Marilyn Duke and President H. James Williams and First Lady Carole Campbell Williams of Mount St. Joseph University.

Henrik Ibsen’s An Enemy of the People premiered in 1882 in Norway and quickly became one of his most enduring and controversial works. The play has been revisited across centuries for its sharp commentary on truth, corruption, and the conflict between the common good and economic self-interest.

Amy Herzog’s acclaimed new adaptation, which premiered on Broadway in 2024 starring Jeremy Strong (Succession) and Michael Imperioli (The Sopranos), was heralded by critics for its urgent resonance and incisive dialogue. The New York Times called Herzog’s version “an electrifying revival that makes Ibsen feel written for today.” Cincinnati audiences will now experience this remarkable new play just one year after its Broadway success.

When a doctor discovers a shocking secret about his community’s prized health resort, he becomes determined to expose the truth—even if it means turning the entire town against him. With family, friendship, and the price of integrity hanging in the balance, An Enemy of the People is a riveting exploration of what happens when one person’s truth becomes a community’s greatest threat. A timeless masterpiece that asks how far we are willing to go to stand up for what’s right.

The cast at CSC features many familiar faces. Brent Vimtrup returns as Dr. Thomas Stockmann, who uncovers a dangerous truth that threatens to destroy his community. Guest Artistic Associate Matthew Lewis Johnson plays his brother, Mayor Peter Stockmann, who fears the economic consequences of the discovery. Jasimine Bouldin appears as Petra Stockmann, Dr. Stockmann’s daughter and fiercest supporter. Montez Jenkins Copeland, Patrick Earl Phillips, and Barry Mulholland portray Hovstad, Billing, and Aslaksen, respectively, with Jim Hopkins as Morten Kiil and Sylvester Little Jr. as Captain Horster.

The production’s creative team includes Jon Savage returning as Scenic Designer after last season’s thrilling Macbeth. Erin Reed Carter and Baxter Chambers make their CSC debuts as Costume Designer and Lighting Designer, respectively, with Zack Bennett as Sound Designer and Alice Hopkins as Properties Designer. The show is stage managed by Danitza Piper with Tessa Killen as Assistant Stage Manager.

This production of An Enemy of the People is staged in the round, with the audience seated on all sides of the stage for an intimate and immersive perspective. A limited number of $14 Access Tickets are available for on-stage seating, giving theatergoers a rare chance to sit within the world of the play itself and experience the drama unfolding just steps away.

Cincinnati Shakespeare Company is also proud to highlight two special community partnerships during this production. The printing and letterpress artifacts on stage are on loan from the Cincinnati Type & Print Museum, a working museum in Lower Price Hill that preserves the city’s rich printing history while training individuals in valuable job and life skills. CSC is also partnering with the Mill Creek Alliance, whose mission is to protect and enhance the value of Mill Creek and its watershed. Representatives from the Alliance will host an information table at the Young Professionals Preview Night on Wednesday, September 3, 2025, sharing ways we can all work together to keep our community’s water healthy.

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An Enemy of the People runs from September 5 – 20, 2025. Performances of An Enemy of the People are on Thursdays, Fridays, and Saturdays at 7:30 PM, with two Saturday Matinees on September 13 & 20 and one Sunday matinee on September 14 at 2:00 PM. CSC offers performances with accessibility resources. Live Audio Descriptions are available on September 5, and there is a Sign Language Interpreted performance on September 20.

Tickets are on sale now. Preview performances are on Wednesday, September 3, and Thursday, September 4, with half price tickets. Discounts are available for students, seniors, local residents, and community partners. Each performance night has a limited number of $14 “Access” tickets.  These can be purchased in advance by going online or calling the Box Office.  And starting 1 hour before each performance, any unreserved tickets may be available as a discounted Rush Ticket to anyone, not just students. These tickets are only $12 and could be located anywhere in the house, depending on that evening’s availability. These cannot be reserved more than 1 hour before a show and must be purchased in person in the Box Office. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees apply. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at http://www.cincyshakes.com.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  Many parking spaces are available on the street and in nearby lots and garages- for more information, visit http://www.otrchamber.com/pages/WheretoPark.

CSC has coordinated a prepaid self-parking option right next door to the theater for a hassle‐free, guaranteed spot. A limited number of reserved spaces are available starting 1.5 hours before performances and lasting through the end of the show. The parking attendant will have your name on the list with advance purchase, guaranteeing your spot and price. Visit www.cincyshakes.com/parking to reserve self-parking.

Cincinnati Shakespeare Company’s 2025-2026 Season is generously presented by our Operating Support Partners: The Carol Ann and Ralph V. Haile, Jr. Foundation; The Linnemann Family Foundation; The Ohio Arts Council; The Robert and Adele Schiff Family Foundation; The National Endowment for the Arts in partnership with Arts Midwest; The Shubert Foundation; Maureen and John Bridgeland, Cindy Bridgeland Crilley, and Debby and Jim Mason in honor of Jim Bridgeland; Lightborne, and the tens of thousands of people who give generously to the ArtsWave Community Campaign.

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About Cincinnati Shakespeare Company:

Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in the Over-the-Rhine neighborhood of Cincinnati. CSC’s repertoire is composed of the works of William Shakespeare, literary adaptations, world premieres, and contemporary classics. CSC performs on a Small Professional Theatre contract with the Actors’ Equity Association. Cincinnati Shakespeare is a member of Theater Communications Group and Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach more than 50,000 young people and community members by meeting audiences where they are. This includes sharing programming in schools, parks, community centers and hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501(c)(3) non-profit organization, and all donations are tax-deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the Classics!

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Stage Manager Sought for WHITE CHRISTMAS at Rivertown Players

Rivertown Players Inc is seeking a passionate and reliable Stage Manager for our production of WHITE CHRISTMAS near the Lawrenceburg IN area.

Performances will be held at the beautiful Woliung’s Christmas Tree Farm and a stage is being built in the historic barn, this a very unique joint venture!

Auditions are Sept. 5 & 8.

Performances are Nov. 14-16 & Dec. 12-14

Email us for any leads or interest! Rtpboard@gmail.com

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ACT Summer Forum On Sept. 20

ACT Summer Forum 2025

Mark your calendars! We’re excited to invite you to the Summer Forum on Saturday, September 20th, from 10:00 AM – 12:00 PM at 8 North, home of the Village Players of Fort Thomas.

Our esteemed panelists—John Wesseling, Mary Stone, Dan Cohen, and Carissa Sloan—will present strengths in response writing, highlighting aspects of quality responses.

Location
Gallery (street level)
8 N Ft Thomas Ave, Fort Thomas, KY 41075
Accessibility: ADA access is available via the main front door.

This gathering is:

  • Required for current responders
  • Encouraged for presidents
  • Open to all community members

We look forward to seeing you there for an engaging and informative morning of learning and connection. Don’t miss this opportunity to grow and strengthen your ties within the theatre community!

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Call for Directors for 2026 Summer Musical at Bart’s Bards

Call for Directors
2026 Summer Musical at Bart’s Bards 

Bart’s Bards—a theatrical ministry of St. Bartholomew Catholic Church—is holding an open Call for Directors for our Summer 2026 musical. Interested persons should contact Ron Mason (BartsBards@gmail.com) to schedule a 45-minute evening appointment time on Thursday, September 25, Sunday, September 28, or Thursday, October 2 at St. Bartholomew Church (9375 Winton Rd).

Performance Dates are as follows:

  • Thursday, June 11—Evening
  • Friday, June 12—Evening
  • Saturday, June 13—Matinee & Evening
  • Sunday, June 14—Matinee

The show will be performed on the Ray Sowell Commemorative Stage in the Fr. William F. Krumpe Activity Center in Springfield Township, OH (9375 Winton Rd, Cincinnati, OH 45231).

Potential directors may pitch up to two shows. The show selected will: 1) be a large-cast musical production for members of all ages, including the potential for a large number of children; 2) have several lead-role opportunities for actors of all ages; and 3) be a family-friendly production that presents a message consistent with the values of the Catholic Church.

To aid potential directors with show selection, below are some of our recent productions. We are open to hearing pitches of repeat shows or shows new to our theater.

Oklahoma! (2009)

Bye Bye Birdie (2010)

The Wizard of Oz (2000, 2011)

Joseph and the Amazing Technicolor Dreamcoat (2014)

The Adventures of Tom Sawyer (2015)

Disney’s The Little Mermaid (2016)

The Fiddler on the Roof (2017)

Seussical: The Musical (2018)

James and the Giant Peach (2019)

The Music Man (2003, 2022)

The Sound of Music (2023)

Horizons of Gold: An Original Musical (2024)

Tuck Everlasting (2025)

We will hear your pitch(es), talk about our theater community, and hear from you about your practices and expectations as a director. Please bring your theatrical resumé and contact information. Questions can be directed to Ron Mason (BartsBards@gmail.com). Thanks for your interest!

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