Monthly Archives: October 2026

MUCH ADO ABOUT NOTHING at Xavier University Runs Nov. 19-22

MUCH ADO ABOUT NOTHING
Xavier University
Nov. 19-22
[Evanston]

Directed by Brian Isaac Phillips

When friends conspire to bring the stubbornly single Beatrice and Benedick together, their battle of wits sparks plenty of laughs, while a young couple’s wedding is thrown into chaos by rumor and deception. Packed with clever humor, colorful personalities, happy surprises, and some of Shakespeare’s funniest characters, Much Ado About Nothing is a beloved classic and joyful celebration of love, laughter, and second chances.

  • Thu-Fri, Nov. 19-20 at 7:30pm
  • Sat-Sun, Nov. 21-22 at 2pm & 7:30pm

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WHO GETS GRANDMA’S EYEBALL and WAITING ROOM COMMERCE at Cincinnati Playwright Initiative On Nov. 17

WHO GETS GRANDMA’S EYEBALL and WAITING ROOM COMMERCE
Cincinnati Playwright Initiative
Nov. 17
Fifth Third Bank Theatre [Downtown]

WHO GETS GRANDMA’S EYEBALL
One-act play by Paul Bergman
Fun and the unexpected connect with a lucky, lurking eyeball and Grandma’s estate riddle in this one-act play. After the colorful Grandma Maissey dies, how will the rest figure out the mystery? And where does the funky Eyeball land? The challenges and disputes are met with ‘a wink and a prayer’ …and, always, a heartfelt sense of care.

About the Playwright
A retired professional, Paul enjoys writing stories—both meaningful and fun filled. This play represents the first time he has engaged with his son, Alan, and wife, Barb, in creating a script.  They were able to help him find some clever, off-kilter instances with the characters in this heartwarming show. He dedicates this show to the ‘Bergman Team” and writers everywhere.

WAITING ROOM COMMERCE
One-act play by Jon Singer
Two patients in different stages of knee replacement surgery engage in conversation while awaiting access to the treatment room. In the holding area, they engage in the friendly banter of sports, kindred lines and commonality of spirit. By the time they are called to physician interaction they are thrust into the commerce of anger and distrust.

About the Playwright
Jonathan Singer, M.D. is Professor Emeritus Wright State University School of Medicine. He has published widely in scientific realms including 100 poems in Emergency Medicine periodicals. He authored an autobiography, anthologies of non-medical poetry and of short stories. He contributed 50 children’s books to print and electronic media. Three of his plays have had staged readings at the Aronoff.

  • Tue, Nov. 17 at 7:30pm

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Ensemble Theatre Cincinnati Presents Family-Friendly Musical CINDERELLA, Dec. 9-30

(Cincinnati, OH) What do you get when you combine a nearsighted bookworm heroine, two fabulously self-absorbed stepsisters, a devilishly diva stepmother, and a self-empowering Well-Wisher? Ensemble Theatre Cincinnati’s beloved holiday musical Cinderella! Full of catchy songs, big laughs, and plenty of heart, this fresh spin on the classic tale returns December 9–30, 2026. With a book by Joseph McDonough, music by David Kisor, and a music by Fitz Patton, Cinderella invites audiences of all ages to experience the magic of a story where being smart is the ultimate beauty. Directed by D. Lynn Meyers. Premiere Sponsor is The Markley Family. Artist Sponsor is Home City Ice. Fairy Godmother Sponsor is PNC.

When the King pressures his romantically challenged son to choose a bride from hundreds of eager “applicants,” a hilarious cross-country search begins to reunite a missing sneaker—yes, a sneaker—with its rightful owner. Along the way, colorful characters, unexpected friendships, and a little holiday magic prove that the best happily-ever-afters come from staying true to yourself. Packed with humor, charm, and heart, Cinderella is the perfect holiday outing for the whole family.

“We’re telling this story in a really new way,” says ETC’s Producing Artistic Director D. Lynn Meyers. “Not only is everything new physically, with a brand-new set design, gorgeous colors, and fabulous costumes, but we’re bringing together some of Cincinnati’s most beloved performers alongside an exciting new generation of talent. We have Tony Award-nominee Pamela Myers returning as Brunhilda, a role originally written for her, and the glorious score by Tony Award-winning composer Fitz Patton. This show tells a story where goodness triumphs over selfishness, and intellect, kindness, and sincerity matter far more than style or fashion. In the middle of all the holiday bustle, it’s a chance to step away from twinkling lights, cinnamon cookies, and shopping lists, and simply celebrate joy.”

The cast includes Arden Allmon (Cinderella), Phil Fiorini (King Frederick), Sara Mackie (Priscilla), Carter Minor (Prince Frederick), Katelyn Joy Moore (Socrates the Spider), Pamela Myers (Brunhilda), Kenny Rayborn (Giselle), Tierra London Rush (Aristotle the Crow), Brooke Steele (Plato the Toad), Torie Wiggins (Clarissa), Kate Wilford (Gwendolyn), and Ava Ward (Female Swing).

Production team: Brian c. Mehring (Resident Scenic & Lighting Designer), Steve Goers (Music Director), Dee Anne Bryll (Choreographer), Cat Schmeal-Swope (Costume Designer), Jake Tillmann and Chloe Cohen (Co-Sound Designers), Missy J. White (Wig & Makeup Designer), Shannon Rae Lutz (Properties Curator & Design Assistant), Jack Murphy (Technical Director), Margot Whitney (Production Stage Manager), and Lexi Muller (Assistant Stage Manager). 

Performance Information
Performances are Wednesday-Saturday at 7:00 pm; Saturday and Sunday at 2:00 pm. Performances vary. A complete calendar of performances is available at www.ensemblecincinnati.org. 

Ticket Prices
A limited number of $22 tickets are available for each performance. Student and child tickets are offered at half the regular adult ticket price. Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each show time for half-price (discount only applies to adult tickets) when purchasing by phone or in person.

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2026–2027 Season Presenting Sponsor is The LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences.

 

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Auditions Announced for SINGIN’ IN THE RAIN at Footlighters, Inc.

SINGIN’ IN THE RAIN
Screenplay by Betty Comden and Adolph Green
Songs by Nacio Herb Brown and Arthur Freed 
Based on the classic Metro-Goldwyn-Mayer film, by special arrangement with Warner Bros. Theatre Ventures, Inc.
Presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Production Staff

  • Directed and Choreographed by: Genevieve Perrino
  • Produced by: Cathy Lutts, Molly K. Sexton, and Jane Culp
  • Music and Vocal Direction by: Joseph Rivers

Audition Dates

  • Sunday, December 6, 2026: 5:30 PM–9:00 PM
  • Monday, December 7, 2026: 6:00 PM–9:00 PM
    ​Invited Callbacks: Wednesday, December 9, 2026, at 6:00 PM

Show Dates: April 8–25, 2027

Location:
Stained Glass Theatre – 802 York Street, Newport, KY 41071

Audition Materials and Requirements

  • Please sign up for an audition time using the SignUpGenius link below. Walk-ins are welcome and will be assigned the first available audition slot.
  • Please prepare a 32-bar cut of a Golden Age song that is not from Singin’ in the Rain and that demonstrates your vocal range and personality. Please bring printed sheet music in the correct key, with all cuts clearly marked for the accompanist. Recordings will not be accepted.
  • Please wear clothing and shoes appropriate for a dance audition. Tap shoes are encouraged if you have them. Otherwise, please wear hard-soled gym shoes.
  • Auditionees auditioning only for R. F. Simpson or Miss Dinsmore are not required to attend the dance call, although they are welcome to participate if they wish.
  • Please bring a copy of your theatrical résumé and headshot.
  • Please bring a list of scheduling conflicts between January and April 2027. Conflicts during the listed tech week will not be accepted.
  • Please arrive at least 15 minutes before your scheduled audition time.​

Note: Auditionees must be at least 18 years old.

Dance Video and Call Portion:
Please review the linked dance video prior to auditions for the tap section. The jazz section of the call will be taught in-person. Please still audition even if you don’t own tap shoes. If cast, you will need to purchase or borrow your own tap shoes.

Tap Video Link: https://youtu.be/9C0WIRxtu_I

Sign Up Genius: https://www.signupgenius.com/go/10C0448AEAE2BABFC1-65575423-audition

Questions: For any questions, please email us at footlighters.ky@gmail.com  or DM us on the Footlighters, Inc. Facebook or Instagram page.​

Character Breakdown:

Don Lockwood
Vocal range top: Ab4
Vocal range bottom: G2
Male-presenting to play late 20s/early 30s. A suave Hollywood actor and dancer. Cosmo’s best friend and Lina’s regular co-star. Must dance, both tap and jazz.

Cosmo Brown
Vocal range top: Ab4
Vocal range bottom: C3.
Male-presenting to play late 20s/ early 30s. A wacky and playful on-set pianist for silent films. Don’s best friend and former dance partner. Must dance, both tap and jazz.

Kathy Selden
Vocal range top: F5
Vocal range bottom: G3.
Female-presenting to play early 20s to 30s. An earnest, talented actress with wit and charm. She falls in love with Don and performs as Lina’s speaking and singing voice. Must dance, both tap and jazz.

Lina Lamont
Vocal range top: Eb5
Vocal range bottom: C4.
Female-presenting to play early 20s to 30s. A slow-witted silent film diva with a big personality and a harshly unpleasant voice. She is Don’s regular co-star. Must move very well.

R.F. Simpson
Male-presenting to play 40+. A successful, magnanimous, film producer. He leads the other characters in creating a new musical movie. Sings with the ensemble, does not need to dance.

Roscoe Dexter
Male-presenting to play 30+. A famous film director with theatrical mannerisms and tendencies. Frequently frazzled who directs Lina and Don. Will double as an ensemble member, will need to move well and pick up basic tap skills.

Rod
Male-presenting to play 30+. An excitable film agent bordering on manic. He works for Simpson. Will double as an ensemble member, will need to move well, and pick up basic tap skills.

Production Singer
Vocal range top: Ab4
Vocal range bottom: Db3.
Male-presenting to play early 20s to 30s. The lead tenor in Monumental Pictures’ first movie musical. This role sings “Beautiful Girls”. Will double as an ensemble member, will need to move well, and pick up basic tap skills.

Zelda Zanders
Female-presenting to play late 20s to 30s. A flapper socialite and actress on her ninth marriage, she is Lina’s friend and informant. Will double as an ensemble member will need to move very well, and pick up basic tap skills.

Miss Dinsmore
Female-presenting to play 40+. Lina’s vocal coach. She is upper class with a booming round voice. Funny and articulate. Will sing with the ensemble, does not need to dance, but a plus if you can move well.

Ensemble
Male and Female-presenting of all ages to play several ensembles and featured roles in the show. Pedestrians, Stars, Fans, Policeman, Party Guests, Chorus Girls, Broadway Chorus, Guests, Stagehands, Sound Crew, Screening Guests, etc. (All ensemble roles must move extremely well and be able to pick up basic tap skills.)

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Disney’s BEAUTY AND THE BEAST On Sale

Tickets On Sale for Disney’s Beauty and the Beast at the Aronoff Center in Cincinnati on Friday, October 23 

Performances begin on February 16 and play for 2 weeks through February 28, 2027 at the Aronoff Center 

(Cincinnati, OH) (October 22, 2026) – Disney Theatrical Group, under the direction of Andrew Flatt and Anne Quart, and First Financial Bank Broadway in Cincinnati presented by TriHealth announced today that tickets for Disney’s Beauty and the Beast, the first North American touring production of the musical presented by Disney in over 25 years, will go on sale to the public on Friday, October 23 at 10am.  The enchanting and timeless Broadway musical will begin performances in Cincinnati at the Aronoff Center on Tuesday, March 16, 2027 for a limited engagement of 2 weeks through Sunday, March 28, 2027. 

Based on the 1991 Academy Award®-winning animated feature film, Beauty and the Beast premiered on Broadway in 1994 and still ranks as one of the longest-running shows in the industry’s history. Nominated for nine Tony® Awards, winning for Best Costume Design, Beauty remains one of the highest-grossing Broadway shows of all time. The title’s visibility and success have expanded globally with productions of the stage show and the smash Oscar®-nominated 2017 live-action film, which grossed over $1B worldwide.

In Cincinnati, Beauty and the Beast will play Tuesday through Friday at 7:30pm, Saturday at 2pm and 7:30pm and Sunday at 1pm and 6:30pm. Beginning Friday, October 23, tickets will be available at the Aronoff Center Box Office, and online at CincinnatiArts.org. To charge tickets, call the Cincinnati Arts Association at 513.621.2787 (10am-5pm, M-F).  Orders for groups of 10 or more may be placed by calling 513.369.4363.

Ticket buyers are reminded that CincinnatiArts.org is the only official retail ticket outlet for all performances at the Aronoff Center. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the Aronoff Center is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.

About Disney’s Beauty and the Beast
Critics have raved about the show throughout its history, from its 1994 Broadway premiere to the recent smash U.K. and Australian productions: “A delight! The astonishments rarely cease,” declared The New York Times in reviewing the original Broadway production.  “A tale as old as time, but as exhilarating as ever,” wrote the London Evening Standard. “Everything you could hope for: lovely music, dazzling costumes and standout choreography,” raved the Chicago Tribune of the current North American tour.

The structure and tone of the story and score made Disney history. It was just the second time that a Disney film had been structured as a stage musical where the songs are integral to plot and characterization. This Menken/Ashman innovation is credited with the 1990’s Disney animation renaissance that went on to create such film classics as Aladdin, The Lion King and Hunchback of Notre Dame and helped re-introduce the book musical form to popular culture. 

Beauty and the Beast, directed & choreographed by Matt West, features Alan Menken’s Academy Award®-winning score, songs by Alan Menken and the late Howard Ashman (including the Academy Award®-winning title song and the show-stopping “Be Our Guest”), plus songs written especially for the stage by Alan Menken and Tim Rice (including “If I Can’t Love Her” and “A Change In Me”).   The production features a book by Linda Woolverton, author of the original screenplay.  Sets are by Stanley A. Meyer, costumes by Ann Hould-Ward (Tony Award® winner for Beauty and the Beast) and lighting by Natasha Katz. Longtime Menken collaborators Michael Kosarin and Danny Troob are music supervisor/arranger and orchestrator, respectively. New dance music arrangements are by David Chase.  David Andrews Rogers is music director.

Completing the design team, John Shivers is sound designer, Darrel Maloney is projection & video designer, and David H. Lawrence is hair & make-up designer. Jim Steinmeyer is the illusion designer, as he was on the original 1994 production. Jason Trubitt is the production supervisor and Myriah Bash is the general manager.

Previous Disney-produced North American Tours of Beauty and the Beast played for almost eight years, for a combined total of 2,893 performances.

For more information, visit www.beautyandthebeastthemusical.com, Instagram and Facebook.

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STAY UP TO DATE WITH ALL THINGS BROADWAY IN CINCINNATI: Instagram and Facebook: @BroadwayCincy

First Financial Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center. The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. 

Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office, and Broadway Brands. Led by 25-time Tony Award winner John Gore (Owner & CEO), Broadway Across America pioneered the Broadway subscription touring model and is a leading presenter of the first-class productions across more than 45 North American markets. Since inception, Broadway Across America has produced and/or invested in hundreds of Broadway, touring Broadway, and international productions that have won countless Tony awards and introduced millions of fans to the power of live theater. 

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