Monthly Archives: March 2026

ANYTHING GOES Review

Review by Katrina “Kat” Reynolds

ANYTHING GOES presented by The Carnegie through March 8th. I attended the opening Sunday matinee performance. 

The Cast. Photo by Mikki Schaffner.

I’m going to let you in on a little secret: I am a sucker for tap dance. Had I been allowed to take tap at the same time I was Irish dancing competitively, I don’t think there would have been any stopping me. So when it was announced that The Carnegie would again partner with University of Cincinnati College-Conservatory of Music to produce Cole Porter’s Anything Goes, I knew I was all in. This screwball comedy is rife with mistaken identities, romance, and – of course – dancing!

Director Eric Byrd expertly navigates his talented cast’s paths across a magnificent set designed by Tyler Gabbard. Choreographer Jessica Harris fully understands the highs and lows of movement and knows exactly when to crescendo. Group numbers in particular are beautifully staged and executed. Particular shoutout to Costume Designer Clara Jean Kelly for some of the best period costumes seen on a Cincinnati-area stage. To have found the perfect balance between functional (dancer-wise) and aesthetically pleasing is a tall order and she exceeds expectations. P.S. I want to commission Ms. Kelly to make one of the gorgeous dresses the Angels and Hope wear in both the “De-Lovely” and final scenes. Stun-ning!

This strong ensemble of CCM students boasts nearly immeasurable levels of talent. Josh Devine is rock solid as Billy Crocker, the lovesick would-be Wall Street employee. Monique Churchill is effervescent as Hope Harcourt, the target of Billy’s affections. Dominic Carroll’s handle on maintaining correct and steady dialects is beyond impressive – but as much as I appreciated the subtleties of his characterization of Moonface Martin, this is a show where bigger is better. Joey Baciocco is sensational as Lord Evelyn Oakleigh: flawless accent, wonderful physicality, and vocal chops to boot! Last but certainly not least we have Indya Lincicome as Reno Sweeney. My goodness, Ms. Lincicome is a powerhouse performer with a prowess to deliver beyond her years! Keep your eyes on this one, folx: we shall be seeing her name in lights. 

With something for everyone, Anything Goes is one of those feel-good shows guaranteed to put a smile on your face and a pep in your step. Whether you come for the timeless Cole Porter score, the upbeat dancing, or just for the laughs you will have a good time on the S.S. American.

Click here for more information about the production.

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MRS. CHRISTIE, A Mystery Based on Agatha Christie’s Real-Life Disappearance, Now Playing in the Rouse Theatre

CINCINNATI ( March 3, 2026) – The curious, real-life disappearance of Agatha Christie sets the stage for MRS. CHRISTIE, now in previews in Moe and Jack’s Place – The Rouse Theatre and presented by the Leading Ladies. The charming mystery, which Broadway World called “sophisticated, smart, funny, heartbreaking and hopeful,” runs through March 29. (Opening night is March 5.)

When Agatha Christie was 37 years old in 1926, she vanished for 11 days, prompting a nationwide search. Then, she reappeared without explanation. The reasons behind her disappearance remain unknown to this day, but Christie left clues behind including in her documented biography. A century later, a devoted superfan emerges to solve the case. MRS. CHRISTIE follows the parallel journeys of Agatha in 1926 and Lucy, the superfan determined to solve the disappearance in 2026.

Playwright Heidi Armbruster, an Agatha Christie superfan herself who has read all 37 novels, blends historical detail with theatrical invention, inviting audiences to consider not only what happened during those missing days but also how Christie’s life and legacy continue to resonate a century later.

MRS. CHRISTIE “cracks open the mythology around Agatha and lets us sit with the human being inside it – brilliant, wounded, funny, furious, searching,” explained Associate Artistic Director Joanie Schultz, director of MRS. CHRISTIE, which is a co-production with Milwaukee Repertory Theater. “Heidi doesn’t flatten her into a legend. She lets her be contradictory. Brave and petty. Lost and luminous. And through Lucy – who represents all of us who love Christie’s work – we see ourselves reflected back.”

“There’s also a tension in the play between Agatha’s public mask and her private self. I’m interested in the idea that the work and the woman are inseparable. Her secrets, her shame, her reinvention — those things don’t exist apart from the books. They fuel them,” noted Armbruster. “Learning about her life gave me a deeper appreciation for her work. Americans, especially, love a reinvention story. Christie’s life is a chrysalis story as much as it is a mystery.”

ARTISTS

Matt Bowdren*                                      Archie

Blake Hamilton Currie*                         William/Collins

Amira Danan*                                       Nancy/Chloe

Zoë Sophia Garcia*                              Lucy

Dale Hodges*                                       Jane

Betsy Hogg*                                         Charlotte/Mary

Alex Keiper*                                         Agatha

William Sturdivant*                               Monsieur

Heidi Armbruster                                  Playwright

Joanie Schultz                                      Director

Se Hyun Oh                                         Set Designer

Valérie Thérèse Bart                            Costume Designer

Keith Parham                                       Lighting Designer

Thomas Dixon                                      Sound Designer/Original Music

Deanie Vallone                                     Dramaturg

Jonathan Hetler, CSA                          Casting Director

Andrea L. Shell *                                  Stage Manager

Shelby Scaffidi*                                    Assistant Stage Manager

Madison Stone*                                    Assistant Stage Manager

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TICKETS
Tickets begin at $37.00. Preview performances take place on March 3 and 4. Prices vary depending on performance. Opening performance is March 5 at 7:30 p.m. Regular performances will take place on Tuesday-Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. A matinee performance will be offered on March 18 at 1 p.m. To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky, and Indiana at 800-582-3208) or visit www.cincyplay.com. Patrons who are deaf, hard-of-hearing, deaf-blind or speech disabled: dial 711 to connect to the Box Office via Ohio Relay Services.

EVENTS

Preview Performances
Be among the first to see the show before opening night and save! Preview performance tickets are discounted.

  • Tuesday, March 3, at 7:30 p.m.
  • Wednesday, March 4, at 7:30 p.m.

Opening Night
Share the excitement of the opening performance!

  • Thursday, March 5, 7:30 p.m.

Wine Pairing Dinner
$75 per person, tickets sold separately
Wine Pairing Dinner from 6-7 p.m.
Performance at 7:30 p.m.

  • Thu., March 12 at 6 p.m.
  • Fri., March 27 at 6 p.m. (SOLD OUT)

Join us for an evening where storytelling meets fine wine. Enjoy a curated wine tasting experience where we pair four delicious courses that complement every sip. Mingle with fellow theatre lovers, indulge your palate, and enjoy community and connection. It’s a celebration of everything we love—exceptional performances, exquisite wines, delicious food, and memorable moments. Cheers to a night to remember! Reservation is required 10 days prior to the event.

To purchase a Wine Pairing Dinner event as an add on only (without a ticket to the show) click here.

Agatha Christie Film Screenings
Dive deeper into the world of Agatha Christie with local film historian Joe Horine at the Esquire Theatre. Join us for a movie screening followed by a Q&A session. For tickets and more information, esquiretheatre.com.

  • Sun., March 8 at 7 p.m. Murder on the Orient Express (1974)
    Buy Tickets
  • Mon., March 9 at 7:30 p.m. Witness for the Prosecution (1957)
    Buy Tickets

Art Talks (Formerly Meet the Artists)
Stay after select performances for a behind-the-scenes discussion with members of the artistic team.

Read Between the Wines Book Club
Join us in reading and discussing one of Agatha Christie’s novels that ties in with the play at our pre-show Read Between the Wines Book Club events. Each one includes wine, hors d’oeuvres and a fun book discussion. Doors open at 6 p.m., and the discussion runs 6:15 to 7 p.m. in the Kaplan Lobby. Cost is $25 per person, per event, which includes the hors d’oeuvres, two glasses of wine and doesn’t include tickets to the play (sold separately).

The Murder of Roger Ackroyd by Agatha Christie

  • Thursday, March 19, 2026, 6:15-7 p.m.

Pay What You Can
Pay What You Can performances are an additional way we try to make live theatre accessible to those who otherwise might not be able to attend our shows. Tickets can be purchased by phone at 513-421-3888 or in person beginning at noon, day of the performance only. Tickets are subject to availability.

  • Wed., March 11 at 7:30 p.m.
  • Wed., March 18 at 1 p.m. (Tickets available for purchase at 11 a.m.)

Audio-Described Performance
Trained volunteers describe the visual elements of the production via a hearing enhancement system, allowing patrons to hear dialogue, music and other sound effects. The description is timed to avoid interfering with dialogue. Before the show and during intermission, show and actor information are shared.

  • Sat., March 21 at 2 p.m.

Signed ASL Performance
Each Rouse Theatre production offers one signed ASL performance during the show’s run.

  • Sun., March 22 at 2 p.m.

College Night
Join other students who love theatre at College Night and enjoy an exclusive post-show gathering with an artist from the show. College students can purchase advance tickets for just $15 and stay after the performance for a curated discussion with one of the artists — and free pizza! Student ID required.

  • Thu., March 26 at 7:30 p.m.

ADVISORY
MRS. CHRISTIE is recommended for ages 13 and up. Using minimal adult language, the mysterious disappearance of Agatha Christie leads to depictions of attempted murder as well as references to violence, infidelity and death. Two characters discuss having suicidal thoughts.

SPONSORS
Presented by the Leading Ladies. Honorary Producer is the Lemmerman Family. Design sponsors are Karen and Bill Neyer. Artist Sponsors are Frost Brown Todd, Geiler and Brooks and Beth Ewing. The 2025-26 Season is presented by The Scheuler Group. Rouse Season Designer Sponsor is Kerry Automotive.

The Playhouse is supported by the generosity of tens of thousands of contributors to the annual ArtsWave Campaign, the region’s primary source for arts funding. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

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Auditions Announced for THE BEACON at Dayton Theatre Guild

Open audition notice for THE BEACON by Nancy Harris

Auditions will be held Mon & Tue, March 30 & 31, 2026, starting at 7:00 pm both nights.

Production dates: May 22-June 7, 2026

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993 — www.daytontheatreguild.org

Directed by Debra Kent
Produced by K.L.Storer

On a storm-battered island off the Irish coast, a renowned artist retreats to a skeletal cottage, trying to rebuild a life from the wreckage of her past. But when a young woman goes missing, submerged secrets are dragged to the surface, and the past refuses to stay hidden.

Casting Requirements:

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are appreciated.
  • Please provide a list of all known conflicts between April 1 & June 7, 2026

Roles

  • Beiv:
    late 50s-mid 60s, from Dublin — family matriarch, and artist
  • Colm:
    mid-late 30s, from Dublin — Beiv’s son
  • Bonnie:
    mid-20’s-early 30s — from California — Colm’s new wife
  • Donal:
    mid-late 30s, from Dublin — Colm’s childhood friend
  • Ray:
    late 20s-30s — from Dublin — Podcaster

NOTE: If you are auditioning for any role except Bonnie, please be prepared to attempt an Irish dialect. It doesn’t matter how good it is. Coaching will be available later, if need be.

FOR MORE INFORMATION please contact Producer K.L.Storer at kl.storer@daytontheatreguild.org
If you cannot attend auditions and need an earlier audition time, also contact K.L.Storer.)

Dayton Theatre Guild is a community theatre that values community representation, and we are committed to diversity, equity, and inclusion on and off stage. People of all ethnicities, gender identities, and abilities are welcome and encouraged to participate and will be given full consideration in casting and all volunteer opportunities. Unless explicitly specified by the playwright in the text of the play, all roles will be open to all performers.

The show runs weekends May 22-June 7, 2026
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm

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SUFFS Runs March 31-April 5

SUFFS
Dayton Live Broadway Series
March 31-April 5
[Dayton]

Behind every powerful woman… are more powerful women. Direct from Broadway, comes the acclaimed Tony Award®-winning musical SUFFS about the brilliant, passionate, and funny American women who fought tirelessly for the right to vote. Created by Shaina Taub, the first woman to ever independently win Tony Awards for Best Book and Best Score in the same season, this “thrilling, inspiring and dazzlingly entertaining” (Variety) new musical boldly explores the triumphs and failures of a struggle for equality that’s far from over. Winner of the Outer Critics’ Circle Award for Best New Musical.

  • Tue-Thu, March 31-April 2 at 7:30pm
  • Fri, April 3 at 8pm
  • Sat, April 4 at 2pm & 8pm
  • Sun, April 5 at 1pm & 6:30pm

Official page | Facebook event |

 

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Video Auditions Announced for GODSPELL at The Story Collective of Cincinnati

The Story Collective is seeking vibrant, soulful, and authentic performers for our upcoming production of GODSPELL.

We are mounting a contemporary, multimedia-driven production that explores community, humanity, and hope in a modern world. We want to see your story, your personality, and your voice. Casting all roles. Stipend included.

Submission Details
We are currently accepting virtual video auditions.

  • What to Prepare: A one-minute song of your choice that showcases both your vocal range and your unique personality. (Contemporary MT, Pop, Folk, or Soul styles encouraged!)
  • How to Submit: Email your video (link or file) to Director Susan Jung.
  • Email: susanj@thestorycollective.org
  • Deadline: All digital submissions must be received by March 20th.

Important Dates

  • Callbacks: Monday, March 23rd (In-person at the Sharonville Public Library) 6-8:30pm
  • Rehearsals: Will start mid May and be scheduled around the casts’ conflicts and held in the Northern Cincinnati area (Sharonville, Mason, Loveland, Blue Ash, etc)
  • Production Dates: July 24th – 26th at the Lindner Theatre at Cincinnati Hills Christian Academy.

The Vision
Directed by Susan Jung, this production will blend live performance with multimedia elements to create a visceral, immersive experience. We are looking for a diverse ensemble of storytellers who are ready to build something beautiful together.

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