Monthly Archives: May 2022

Cincinnati Ballet introduces ‘Pay What You Can’ Thursday at BOLD MOVES FESTIVAL

CB_Bold Moves Festival 2022 logoNew concept means anyone can enjoy ballet, whatever their budget

Cincinnati, OH (May 18, 2022) – Money should never stand in the way of enjoying the arts. As part of Cincinnati Ballet’s commitment to accessibility, all tickets to the Thursday, May 19 7:30 pm performance of Bold Moves Festival are ‘Pay What You Can.’ Festival Ticket prices range from $29 to $99 for performances. Those interested in attending the Thursday performance can set their own ticket price, based on their budget. “Our mission is to share the love of dance with our entire community,’ said Scott Altman, Cincinnati Ballet President and CEO. “We recognize the arts and entertainment can be a luxury for many, especially during these challenging economic times. We want everyone to have the opportunity to experience world-class ballet.” Attendees can secure their tickets at the Aronoff Center Box Office before the performance, by calling the Ballet Box Office at 513-621-5282 or online at cballet.org.

The Company’s inaugural Bold Moves Festival at the Aronoff Center is an immersive dance experience featuring six diverse, rotating mainstage productions accompanied by a variety of audience extras and interactive events. Thursday’s performance of Program 2 features Artistic Director Victoria Morgan’s Boléro, along with a world premiere, Our Story, from Company soloist David Morse, who drew his inspiration for the emotional work from the survivors of the Holocaust as well as performance from Dayton Contemporary Dance Company (DCDC), a culturally diverse contemporary dance company rooted in the African American experience.

The Festival, which runs through Sunday, May 22 at the Aronoff Center also features Minus 16 from Israeli choreographer Ohad Naharinthe regional premiere of Helen Pickett’s colorful and energetic Petal, as well as legendary choreographer Twyla Tharp’s Nine Sinatra Songs on Program 1. More information about each program can be found at cballet.org.

The Festival also marks Victoria Morgan’s final production as Artistic Director of Cincinnati Ballet and culminates a season-long celebration of her 25 years with the Company. “Our Company has grown so much over the last two-plus decades,” Morgan said. “We have created world-class classical and contemporary dance and established the Company as a true leader in the local and national arts communities. The Bold Moves Festival is the latest incredible step on this journey that I am profoundly grateful to have been a part of for 25 glorious years.”

In addition to the Festival’s mainstage performances, audiences can attend panel discussions, master classes, after-parties and more designed to deepen their Festival experience. 

Tickets are on sale now. For more information visit cballet.org.

WHO: Cincinnati Ballet
WHAT: BOLD MOVES FESTIVAL
WHEN:

Program 1:

  • Friday, May 20 at 8 pm
  • Saturday, May 21 at 2 pm

Program 2:

  • Thursday, May 19 at 7:30 pm
  • Saturday, May 21 at 8 pm
  • Sunday, May 22 at 2 pm

WHERE: Aronoff Center for the Arts, 650 Walnut St., Cincinnati, Ohio

TICKETS: Call 513.621.5282 or visit cballet.org

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LA BOHEME Runs June 18-25

CO_La Boheme logoLA BOHEME
Cincinnati Opera
June 18-25
Music Hall [Over-the-Rhine]

Cast & creative team |

Get swept away by one of the most famous love stories ever sung. In his cold apartment on Christmas Eve, the penniless poet Rodolfo prepares to celebrate the holiday with friends on the city’s bustling streets. But with a quiet knock on the door, he meets Mimì, whose single candle has gone out. While searching for a match in the dark, hands touch, sparks fly, and lives change forever. La Bohème has captivated generations of audiences with its unforgettable music and its sweetly sentimental tale of young, bohemian lovers in Paris. The beloved favorite is presented in a new-to-Cincinnati production that brings a colorful, whimsical vision of the City of Light to the Music Hall stage.

  • Sat, June 18 at 7:30pm
  • Thu, June 23 at 7:30pm
  • Sat, June 25 at 7:30pm

Official page |

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SOMETHING ROTTEN! Runs June 17-26

BCT_Something Rotten logoSOMETHING ROTTEN!
Beavercreek Community Theatre
June 17-26
[Beavercreek]

Directed by Matt Owens

Cast: Michael Wadham as Nick Bottom, Adee McFarland as Bea, Aaron Brewer as Nigel Bottom, Lily Robillard as Portia, John Gutierrez Del Arroyo as Shakespeare, Lindsey Cardoza as Nostradamus, Jason Lakes as Brother Jeremiah, Cora Ceipek as Minstrel, Lynn Vanderpool as Lady Clapham & Don Campbell as Shylock
Ensemble: Aaron Callahan, Cora Ceipek, Madison Hayes, Megan Johnson, Robert McAdory, Megan McConnell, Megan Meriam, Gretchen Obergefell, Jeff Perkins, Kevin Rife, CJ Suchyta, Amber Todd, Lynn Vanderpool, Malcolm Walker, Lydia Watson & Misty White

Set in the 1590s, brothers Nick and Nigel Bottom are desperate to write a hit play but are stuck in the shadow of that Renaissance rock star known as “The Bard.” When a local soothsayer foretells that the future of theatre involves singing, dancing and acting at the same time, Nick and Nigel set out to write the world’s very first musical. But amidst the scandalous excitement of opening night, the Bottom Brothers realize that reaching the top means being true to thine own self, and all that jazz.

  • Fri-Sat, June 17-18 at 8pm
  • Sun, June 19 at 3pm
  • Fri-Sat, June 24-25 at 8pm
  • Sun, June 26 at 3pm

Official page |

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Auditions Announced for SINGIN’ IN THE RAIN JR at Loveland Stage Company

LSC_Singin in the Rain Jr logoLoveland Stage Company presents 

SINGIN’ IN THE RAIN JR
Directed by Stephanie Mackris
Choreographed by Margie Clegg
Produced by David Marcus

Auditions

  • May 26 & 27 from 7:30-9pm
  • May 28 from 3-7:30pm.

You must sign up for a time at our Signup Genius Page

  • Please prepare 16-32 bars or 30-60 seconds of a song and be prepared to dance and read from the script.
  • Please bring tap and/or jazz shoes, if you have them.
  • We will be able to play YouTube Karaoke or play a CD for your song. You may also choose to sing acapella. 

Rehearsals Tuesday, Wednesday, and Thursday evenings in June.
Performances June 23, 24, 25 and 26.

The “Greatest Movie Musical of All Time” is faithfully and lovingly adapted by Broadway legends Betty Comden and Adolph Green, from their original award-winning screenplay in Singin’ in the Rain JR. Hilarious situations, snappy dialogue and a hit-parade score of Hollywood standards make Singin’ in the Rain JR. a guaranteed good time for performers and audience members alike.

Singin’ in the Rain JR. has all the makings of a Tinseltown tabloid headline — the starlet, the leading man and a love affair that could change lives and make or break careers! In silent movies, Don Lockwood and Lina Lamont are a hot item, but behind the scenes, things aren’t always as they appear on the big screen! Meanwhile, Lina’s squeaky voice might be the end of her career in “talking pictures” without the help of a talented young actress to do the talking and singing for her.

Character Breakdown

Dora Bailey
Always first on the scene for any major film opening, and she has the Hollywood scoop. This is a perfect non-singing role for a student with a great speaking voice who isn’t quite ready for a lead.
Gender: Female

Don Lockwood
Hollywood’s leading man in silent film. Charming and charismatic, Don has no shortage of female admirers. Don is smart and levelheaded; he likes being a famous Hollywood actor, but he doesn’t let the celebrity hype go to his head. Cast your best male singer and actor in this role, and someone who pairs well with Kathy.
Gender: Male
Vocal range top: Eb4
Vocal range bottom: Bb2

Lina Lamont
A glamorous star of Hollywood’s silent films. She believes everything amazing she reads about herself in the gossip magazines, including that she and Don Lockwood are madly in love. Your actress will have to work to accomplish the right amount of exasperating ditz to bring this character to life. Cast a confident, comedic actress who is not afraid to take positive risks and can keep Lina’s nasal, grating voice consistent throughout the entire show.
Gender: Female
Vocal range top: Db5
Vocal range bottom: Bb3

Cosmo Brown
Often serves as the comic relief in the show. Quick-witted and sure-footed, Cosmo is fast with a one-liner to lighten the mood. Cosmo is Don’s right-hand man, and it’s great to cast someone who physically contrasts with Don. Cast someone with great comedic chops and a strong musical sense as he leads many numbers in the show.
Gender: Male
Vocal range top: Db5
Vocal range bottom: Bb2

Roz
Always by Lina’s side, or trailing after her. As Lina’s manager, Roz works hard to make sure nothing upsets her. This non-singing character is a great supporting role for a promising young actress.
Gender: Female

R.F. Simpson
The studio producer in charge of “Lockwood-Lamont” films. R.F.’s first and foremost goal is to make money, and if that means doing a talkie film that’s fine with him. Cast a character actor who can show off R.F.’s anxious boss persona. This is a great non- singing role for a physically smaller actor with a big voice.
Gender: Male

Dexter
The studio’s director for Lamont and Lockwood films. He’s loud and blustery, and he’s easily frustrated with his assistants and Lina. This is a perfect non-singing role for an actor with a big voice who can show his frustration as he works to complete his first talkie.
Gender: Male

Dexter’s Assistants
Dexter’s 1st, 2nd and 3rd Assistants are great featured roles for ensemble members who are new to the stage.
Gender: Any

Kathy Selden
Wants to become an actress. She takes her career as an artist seriously and is embarrassed that she has to take jobs like singing and popping out of a cake just to get by. Cast your strongest singer and actress who can easily portray an honest likability as well as a tough exterior. An actress who pairs well with Don is also important as they have many scenes together.
Gender: Female
Vocal range top: Eb5
Vocal range bottom: G3

Miss Dinsmore and the Teacher
The vocal coaches hired to turn Lina’s voice into cultured perfection and to work with all of the other actors in the show. Tough, proper and slightly overworked, these characters are great roles to feature your hard-working ensemble members. These are non-solo singing roles.
Gender: Female

Zelda
Lina’s right-hand gal, who informs her that Kathy’s voice is being dubbed over hers. Zelda can be dramatic and over-the-top like Lina, but at her core, she cares about her friend. This is a fantastic featured role for a confident performer who is unafraid to make bold choices.
Gender: Female

Sam
A sound engineer, should be all business. Cast a young person who is comfortable taking charge onstage.
Gender: Any

Broadway Melody Host
A natural leader. This role can be male or female and should be one of your stronger singers. This actor doesn’t need to be an excellent dancer, but he or she needs to command the stage with an air of confidence.
Gender: Any
Vocal range top: F5
Vocal range bottom: Bb2

Broadway Dancers
Broadway Dancers #1 and #2 are featured in “Broadway Melody” and should be excellent singers and dancers.
Gender: Any
Vocal range top: F5
Vocal range bottom: C3

Chorus Girls
The Chorus Girls #1, #2, #3 and #4 are great featured singing roles in “Make ’Em Laugh.” They don’t need to be great singers as long as they can convey character and are able to be heard.
Gender: Female
Vocal range top: D5
Vocal range bottom: C4

Stagehands
Stagehands #1, #2 and #3 are great featured singing roles in “Make ’Em Laugh.” They don’t need to be great singers as long as they can convey character and are able to be heard.
Gender: Any
Vocal range top: C5
Vocal range bottom: F4

Ensemble
The ensemble roles in Singin’ In The Rain JR. are comprised of the Crowd, Pedestrians, including Pedestrian #1 and Pedestrian #2, Stars, Fans, including Fan #1 and Fan #2, Policeman, Party Guests, including Young Lady, Kathy’s Girls, Chorus Girls, Broadway Chorus, Guests, a Sound Engineer, Stagehands, Students, Sound Crew, Screening Guests, a Passerby, the Butler, Orchestra Leader and Audience Members.

They really make the 1920s Golden Age of Hollywood come alive and are essential to this romantic light-hearted comedy. These ensemble groups are filled with named characters who have lines, so many of your ensemble students will have featured moments. Depending on your cast size, these ensemble groups can all be double or triple cast. Even if you have actors playing three or four different ensemble roles, emphasize the importance of character, and make sure your young performers make consistent character choices when they step onstage.
Gender: Any

To sign up for an audition, you must use Signup Genius Page

Official page |

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Cast Announced for JANE EYRE: A Musical Drama at Merit Theatre Company

MTC_Jane Eyre logoAnnouncing the cast of JANE EYRE: A Musical Drama!

The cast includes:

  • Jane Eyre—Rachel Kimberlin Cobbs
  • Young Jane—Maria Zierolf
  • Mrs. Reed—Sydney Orndorff
  • Mr. Brocklehurst—John Dorney
  • Miss Scatcherd—Sally Modzelewski
  • Helen Burns—Athena Updike
  • Lowood Schoolgirls—Millie Baer, Elena Escamilla, Kylie Hodge, Gianna Lemma,
  • Margaret Lemma, Sabrina Lemma, Zoe Lemma
  • Mrs. Fairfax—Holly Price
  • Robert—Don Price
  • Adele—Isabel Ashley
  • Grace Poole—Rachel Handkins
  • Edward Fairfax Rochester—Alex DeVore
  • Blanche Ingram—Adria Whitfill
  • Lady Ingram—Marnie Lemma
  • Lord Ingram—Adam McCoy
  • Mary Ingram—Margaret Lemma
  • Mr. Eshton—John Dorney
  • Louisa Eshton—Madeline Arn
  • Amy Eshton—Mariah Smith
  • Colonel Dent—Benjamin Iocco
  • Mrs. Dent—Sally Modzelewski
  • Richard Mason—Josh Stothfang
  • Bertha Mason—Olivia Reese
  • St. John Rivers—Max Hunkler
  • Ensemble—Madeline Arn, John Dorney, Max Hunkler, Ben Iocco, Marnie Lemma, Adam McCoy, Sally Modzelewski, Carter Perry, Don Price, Anna Rape, Mariah Smith

JANE EYRE: A Musical Drama runs July 8–16, 2022, at the Anderson Center Theater in Cincinnati, OH.

Tickets on sale June 1st!

Produced by Benjamin and Kaitlyn Iocco and directed by Leah Perry, with vocal direction by Carter Perry. Featuring the Merit Company Orchestra, conducted by Samuel T. Owens.
Music and Lyrics by Paul Gordon
Book and Additional Lyrics by John Caird
Based on the Novel by Charlotte Brontë

JANE EYRE: A Musical Drama is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.

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