Monthly Archives: March 2022

Auditions Announced for 2022-2023 Bruce E. Coyle Acting and Education Internship at Cincinnati Playhouse in the Park

PIP_logoCincinnati Playhouse in the Park is an Equal Opportunity Employer (EEO) and is committed to fostering a culture of diversity and inclusion in all areas of its work, both on and offstage. Qualified individuals who bring diverse perspectives and life experiences to the workplace are especially encouraged to apply.

Internship: 2022-2023 Bruce E. Coyle Acting and Education 

Pay: 375 Weekly

Contract Dates:
Fall Cohort: August 22-December 18, 2022
(Holiday days off: 9/5, 11/24-25)
Spring Cohort: January 3-May 14, 2023
(Holiday days off: 1/16, 4/9)

Reports to: Director of Artistic Engagement

TO AUDITION:
Please submit the following materials virtually:

  • Video 1: Includes two contrasting, contemporary monologues and 16 bars of a musical theatre song to be sung A Capella. The audition should be no longer than three minutes total. If including a song in your audition, you may use the accompaniment and songs provided on our website or prepare a piece of your choice with your own accompaniment.
  • Video 2: Teach Me Something exercise: This exercise is designed to gauge your current level of teaching ability, which is a significant component of the internship. Please prepare to teach anything you like in a three-minute span. It doesn’t have to be theatre-related, and it cannot incorporate anyone else.
  • Headshots in Jpg or Jpeg format
  • Artistic resume submitted in pdf format

Submission Deadline: April 1, 2022
Submit materials at: https://cincyplay.com/about/employment
Please no calls.

Position Overview
The Bruce E. Coyle Acting and Education Internship program is designed to immerse emerging artists interested in building a sustainable career as working actors, community, and teaching artists into a realistic experience environment. In a changing industry landscape, we believe that actors must have a diverse portfolio of work for sustainability. Through this program, interns will develop skills as an actor and in teaching artistry and community engagement. The program is intensive, simulating the multi-tasking required of working artists, balancing performance, teaching, and supplemental work simultaneously.

As actors, interns will experience rehearsing and performing in various performance mediums, including Outreach Tour, Off the Grid immersive experiences, and community performances. As part of the Off the Grid series, interns will also develop material and learn how to self-produce. In 2022-2023, Main Stage opportunities will be limited due to the building transition caused by our capital project. Acting opportunities will be provided through our “Off the Grid” Outreach Tour and potentially through our new play development program.

As teaching artists, interns will be trained to teach in various classroom formats, including drama integration in academic classrooms, after-school enrichment classes, and specialties. Throughout the experience, interns will develop and prepare lesson plans and curricula, work with a wide range of ages and communities, and advance solo teaching.

As members of the engagement team, interns will learn how to facilitate post-show and community discussions, coordinate community events and develop community partnerships. In addition, interns will learn practical community engagement methodology that includes civic, audience, and artistic engagement practices.

Through practical application, interns will develop administrative skills, including email and phone communication, project and time management, data entry, planning, and implementation. We believe that being a working artist is to be self-employed. Therefore, these skills will translate to additional work opportunities for managing a freelance career.

Mentorship is at the foundation of this program. Professional development workshops provide insight into practical opportunities for applying skills as an actor in different mediums and industries and engagement with working artists. Working with the Director of Artistic Engagement, each intern will identify areas of interest and growth at the beginning of the program and work together throughout the experience to monitor the progression. By the end of the program, interns will have an action plan for career next steps, increased skills as a performer, teaching artist, community practitioner, and administrator.

Some of the fundamentals developed will include:

Acting:

  • How to assess and adapt to each environment quickly and adeptly
  • What preparation and professionalism is expected in an equity rehearsal room
  • How to manage multiple scripts at once
  • Training in interactive and immersive acting techniques
  • Devising, writing, and developing new content for alternative venues and mediums
  • The process of self-producing
  • The casting process

Teaching Artist:

  • The role of the assistant teacher
  • The art of co-teaching
  • Classroom management
  • Working with all learners
  • Game Theory
  • What it means to be a Teaching Artist
  • Interpreting a lesson plan
  • Creating a lesson plan
  • Creating curriculum

Community Engagement:

  • Planning and coordinating a community engagement event
  • Facilitating a conversation with artists and audience members
  • Creating street team content and working at events
  • Identifying and developing relationships with community partners
  • Audience and lobby engagement execution

Administration:

  • Using office software and equipment
  • Navigating differing communication with colleagues, partners, patrons, and board members
  • Data entry and working with online databases
  • Calendar and scheduling
  • Program and event material prep

Professional Development:

  • Adapting self-care and time management processes
  • Supplemental employment opportunities
  • Managing your finances and taxes
  • Contracting, negotiations, and self-advocacy
  • Communication and conflict management
  • Creating and implementing a career action plan

Position Responsibilities

Acting:

  • Perform in one to two outreach tours
  • Take on understudy assignments in main stage productions as/if assigned
  • Off the Grid interactive productions and events September-December 2022

Teaching:

  • Assisting and teaching after school classes, in-school residencies, and workshops
  • Curriculum lesson plan development
  • Curriculum prep

Engagement and Administration:

  • Producing and administrative assignments
  • Community engagement projects
  • Casting assistance (Spring 2023)

Work Environment and Physical Demands:

  • The position is located in various locations, including a climate-controlled office, touring schools and community venues, and teaching at various schools.
  • Position requires a minimum amount of external activity but will require local travel to other worksites and venues.
  • Light lifting, carrying, pushing, pulling of supplies, files, etc.: generally, up to 10 lbs. and occasionally up to 25 lbs.
  • Occasional stooping, kneeling, crouching.
  • Ability to speak clearly to and hear/listen to employees/clients via phone or in person.

The physical demands and safe working expectations described here represent those that must be met by an employee to successfully perform the job’s essential functions, with or without a reasonable accommodation.

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BECOMING DR. RUTH Runs April 9-May 15

PIP_Becoming Dr Ruth 2

Anne O’Sullivan as Dr. Ruth in New Repertory Theatre’s BECOMING DR. RUTH. Photo by Andrew Brilliant/Brilliant Pictures

BECOMING DR. RUTH
Cincinnati Playhouse in the Park
April 9-May 15
Rosenthal Shelterhouse Theatre [Eden Park]

Many of us know Dr. Ruth Westheimer as America’s favorite sex therapist in the 1980s and ‘90s. She opened our eyes to a new way of viewing ourselves and our relationships — but few of us have heard the story of this remarkable woman’s journey. In this heartwarming portrait, Dr. Ruth narrates the harrowing and fascinating details of her life from the tragic separation of her family during the Holocaust to her experiences as an Israeli sniper to her struggles with balancing work, higher education and single motherhood in America. Becoming Dr. Ruth is a humorous, affectionate and illuminating one-woman show that’s full of grit and triumph. Recommended for adult and teenage audiences. This one-woman show about America’s favorite sex therapist appropriately contains discussion of healthy sex and sexuality, while also covering other mature topics. Much like Dr. Ruth, these topics are addressed with a cheerful and disarming tone.

3/11/22 – Health and Safety

  • In preview Sat, April 9 at 7:30pm
  • In preview Tue-Wed, April 12-13 at 7:30pm
  • Thu-Fri, April 14-15 at 7:30pm
  • Sat, April 16 at 2pm & 7:30pm
  • Sun, April 17 at 2pm
  • Tue, April 19 at 7:30pm
  • Wed, April 20 at 1:30pm & 7:30pm
  • Thu-Fri, April 21-22 at 7:30pm
  • Sat, April 23 at 2pm & 7:30pm
  • Sun, April 24 at 2pm
  • Tue-Fri, April 26-29 at 7:30pm
  • Sat, April 30 at 2pm & 7:30pm
  • Sun, May 1 at 2pm
  • Tue-Fri, May 3-6 at 7:30pm
  • Sat, May 7 at 2pm & 7:30pm
  • Sun, May 8 at 2pm
  • Tue-Fri, May 10-13 at 7:30pm
  • Sat, May 14 at 2pm & 7:30pm
  • Sun, May 15 at 2pm

Official page |

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Auditions Announced for GREASE at Cincinnati Young People’s Theatre

CYPT_logoGREASE
Book, Music and Lyrics by Jim Jacobs and Warren Casey

With a hip shaking rock ‘n’ roll score featuring hits like “Summer Nights,” “Greased Lightnin’,” and “We Go Together,” Grease celebrates Rydell High’s class of 1959 in all their duck-tailed bobby-soxed, gum-snapping glory!

We have 2 audition options: In Person or via Video Link.

For Either Option: you must get an application packet in advance by emailing Jennifer Perrino at jenniferperrino@clpshows.org. Please request: In-Person Audition or Video Link Audition.

Performers may audition by Video and/or In-Person. Both will be equally considered.

Please note: in-person auditions are always a better way to access an audtionees talent. We want to interact with you!

Must be 13 – 19 years of age at the time of the audition.

Rehearsals begin Tuesday, May 31st.

Performances: July 21 – July 31, 2022.

NOTE: Auditions, rehearsals and performances will follow all guidelines and directives in force by the State of Ohio regarding Covid–19 precautions throughout the summer.


After you receive your audition packet: For Video Link Auditions:

Send back the following in one email:

  1. The completed audition packet.
  2. A headshot and resume.
  3. Link(s) to your audition video (Should feature you singing and dancing; see note below).
  4. Deadline to submit video link audition: Friday, April 29, 2022.
  5. Send email to jenniferperrino@clpshows.org.

Please note: Your video link may include previous shows/roles or your “audition reel” or something you create for this audition. The team will want to see you, hear you sing, and get a sense of how you move. The video links will not be judged on technical quality, but only on your appropriateness to the roles available in the show as demonstrated in the recording.

IN PERSON AUDITIONS WILL BE HELD:

Covedale Center for the Performing Arts – 4990 Glenway Ave., Cincinnati, OH 45238

When:

  • Saturday, April 30, 2022 Noon, 1:00pm and 2:00pm.
  • Sunday, May 1, 2022 6:30, 7:30 and 8:30pm
  • Monday, May 2, 2022 6:30, 7:30 and 8:30pm

Set up your audition appointment by emailing Jennifer Perrino, Producer at jenniferperrino@CLPShows.org

(See audition time slots below: item #3. Read further information for tech positions.)

In-Person Audition Requirements:

  1. All in-person auditionees MUST MAKE AN APPOINTMENT TO AUDITION by: emailing Jennifer Perrino at jenniferperrino@CLPShows.org
  2. Bring your completed audition packet to your audition appointment.
    Please note: You must provide your age, a good phone number and an email address when setting up your audition.
  3. Please request a specific audition time slot:
    • Saturday, April 30, 2022 Noon, 1:00pm and 2:00pm.
    • Sunday, May 1, 2022 6:30, 7:30 and 8:30pm
    • Monday, May 2, 2022 6:30, 7:30 and 8:30pm
  4. Important: Arrive 15-20 minutes BEFORE the scheduled audition time to fill out paperwork.
  5. Please prepare a song from a musical theater show that best represents your singing voice (please bring sheet music for our accompanist).
    Please note: Do not expect to sing a cappella or with pre-recorded music.
  6. Dress appropriately as you will be required to complete a dance audition.

All auditionees must complete all parts of the audition.

Participation Fee: All participants (on stage and off) are required to pay a participation fee for this summer program. Fee will be due at the first rehearsal: $175.00 for performers (includes costume and show t-shirt); $50.00 for Techies (includes show t-shirt).

Attention Techies: Interviews will be set up for those interested in working tech for this production. Set up your audition by emailing Jennifer Perrino, Producer at jenniferperrino@CLPShows.org to request a particular time slot.

Interviews slots include:

  • Saturday, April 30, 2022 12:30 and 1:30 pm
  • Sunday, May 1, 2022 6:00 and 7:00 pm
  • Monday, May 2, 2022 6:00 pm

Please Note: A limited amount of funds are in place to assist with the participation fee. Funds are distributed on a confidential basis. Everyone is encouraged to audition, regardless of ability to pay! Choosing the cast of the show is based upon talent, enthusiasm and availability only. Ability to pay the participation fee is never a factor in casting decisions.

What is CYPT? Cincinnati Young People’s Theatre provides a summer of great experience for performers and techies alike. Many alumni are professional actors, singers, dancers, technicians and musicians. Others are Drama, Opera, Music Theatre, Voice, Music and Broadcasting majors at colleges all over the country. To date, over 3,000 teens have been a part of CYPT!

CYPT has produced 39 years of exciting shows, including: Legally Blonde, Jesus Christ Superstar, Footloose, Children of Eden, Hello Dolly, Anything Goes, The Pajama Game, Godspell, Les Misérables, Crazy For You, The Wedding Singer, Grease, Hairspray, West Side Story, Beauty and the Beast, The Music Man, Joseph and the Amazing Technicolor Dreamcoat and many more!

CYPT is the recipient of the Post-Corbett Award for Outstanding Arts Organization, plus, the National Recreation and Parks Arts and Humanities Award, and the Ohio State Award for Best Student Program.

CYPT brings together scores of teens each summer, on stage and off. In 2021, participants came from 38 different schools, from all over the Southwest Ohio, Northern Kentucky and Southeast Indiana region.

CYPT is for you! The teenage performer/techie interested in three things: 1) Theatrical Experience; 2) A Summer project with a difference; 3) A lot of new friends with the same interests.

GREASE Performance Dates:

  • Thurs. July 21
  • Fri. July 22
  • Sat. July 23
  • Sun. July 24
  • Wed. July 27
  • Thurs. July 28
  • Fri. July 29
  • Sat. July 30
  • Sun. July 31 (2 shows)

Strike & End of Summer cast/crew meeting – Monday, Aug. 1

Official page |

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Auditions Announced for THE ODD COUPLE at Lebanon Theatre Company

LTC_logoMon-Tue, March 21-22 at 6:30pm
Callbacks (if/as needed) on March 24

LTC- 10 S. Mechanic St., ​Lebanon, OH 45036

Production dates: May 13-22.

For the latest information, visit www.ltcplays.com/auditions

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FOOLSFEST: An Evening of Eight 10-Minute Plays On April 12

CPI_logoFOOLSFEST: An Evening of Eight 10-Minute Plays
Cincinnati Playwrights Initiative
April 12
Aronoff Center Fifth Third Bank Theater [Downtown]

New Voices Series presents its Spring festival of ten-minute play readings.

  • APRIL IS NOT FOOL by Eric Thomas
    Four suspects. Three weapons. Two languages. One corpse… but who is it?
  • HUMANOID TRAFFIC STOP by Roger Collins
    A routine traffic stop turns into anything but routine as two passengers, two police officers and their humanoid-assistant find themselves on a fantastical road to one foreseeable future.
  • I AM NOT A SHOE by David Hughes
    You clean your toenails with a salad fork.
  • INTERVIEW WITH A FOOL by Teri Foltz
    When a Shakespearean Fool shows up at an employment agency, the Office Manager has trouble finding him a job until he learns of his skill set.
  • MISFIT MANSION by Traci Taylor
    Where it Pays to Be Weird
  • SELF RESPECT: A BURIAL by Roger Brookfield
    Two gravediggers have the unusual but well-paid assignment of burying individual self-respects before they can cause environmental harm.
  • THE FOOL by Sanjay Puligadda
    An absurd comedy examines the travails of human existence through the eyes of the audience
  • THE TASTE TEST by Liz Coley
    For a single winery owner, finding the perfect man is a matter of taste.

3/11/22 – Health and Safety Guidelines

  • Tue, April 12 at 7:30pm

Official page |

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