Monthly Archives: January 2020

Auditions Announced for BANDSTAND at Cincinnati Music Theatre

cmt_logoCMT proudly announces auditions for the regional premiere of BANDSTAND, a new Tony Award-winning musical with music by Richard Oberacker and book and lyrics by Robert Taylor & Richard Oberacker.

Auditions by appointment—please reserve your audition time on SignUp Genius: https://www.signupgenius.com/go/60b054fa5a92fa5f49-bandstand

BANDSTAND is about the journey to find your voice and face the impossible. Private First Class Donny Novitski returns to a post-WWII America with the hope of rebuilding his life with just the shirt on his back and a dream in his heart. When NBC announces a national competition to find the next swing band sensation, Donny sees a lifeline for himself and some fellow veterans, giving them the purpose they so desperately need. He and a motley crew join together, discovering the power of music to bring people home as they form a band unlike any the nation has seen.

SPECIAL NOTICE: The following roles require actor/musicians who not only sing and act, but also play the indicated instruments onstage: Donny Novitski (piano), Wayne Wright (trombone), Jimmy Campbell (reed player – saxophone and clarinet), Johnny Simpson (drums), Davy Zlatic (upright bass) and Nick Radel (trumpet).

AUDITION DATES:

  • Sun, Feb. 16 from 4-10pm
  • Mon, Feb. 17 from 6:30-10pm
  • Wed, Feb. 19 from 6:30-9:30pm

AUDITION LOCATION: Bassett Hound Sounds, 5633 Vine St, Elmwood Place, OH 45216

ABOUT AUDITIONS

  • Please reserve your audition time at the following link: https://www.signupgenius.com/go/60b054fa5a92fa5f49-bandstand
  • After you sign up, you will be emailed an audition form. Please print and bring the completed form to your audition. Walk-ins are welcome and will be seen in the next available slot.
  • Please prepare 16-32 bars of a song that showcases your vocal range (no songs from Bandstand, please).
  • Bring sheet music in the proper key with cuts marked. There will be an accompanist. No tapes or a cappella numbers, please.
  • Wear (or bring) shoes and clothing appropriate for a dance audition.
  • Bring a copy of your resume and current headshot.
  • In addition to the vocal audition, those auditioning for the roles of the following band members should prepare 30-60 seconds of a memorized swing, jazz or classical piece. Instruments as follows:
    -piano (Donny Novitski)
    -drums (Johnny Simpson)
    -trumpet (Nick Radel)
    -bass (Davy Zlatic)
    -saxophone/clarinet (Jimmy Campbell)
    -trombone (Wayne Wright).
  • For band member auditions, a keyboard and basic drum set will be available. Drummers should bring their own cymbals or contact Music Director Kendra Struthers (creative@cmtmail.org) in advance. Brass, reed, and bass players should bring their own instruments.

Callbacks will take place at Clifton United Methodist Church on Sunday, Feb 23, 4pm.

Production rehearsals begin August 30, 2020. Please note: Actors cast as band members may have occasional rehearsals in the spring, dependent on cast availability and skill level.

Performances will be November 13-21, 2020, in the Jarson-Kaplan Theater at the Aronoff Center.

Recently named one of “The Ten Best Musicals of the Decade” by the editors of Theatremania, Bandstand is produced by Kathy Beiting and directed by Skip Fenker, with musical direction by Kendra Struthers with associate Michael Spresser and choreography by Mike Fielder. Bandstand is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company.

CHARACTER BIOS

  • DONNY NOVITSKI – Approximately 24 years old, ruggedly handsome with his Italian and Polish heritage. A piano prodigy, he is passionate about swing music and writing his own songs. While dearly shining with that elusive star quality, he carries the dark weight of wartime experiences. Baritone/tenor, B-flat 2 to B-flat 4.
  • JULIA TROJAN – Approximately 24 years old, beautiful in a wholesome and effortless way. A gifted singer, but one without the drive to be a star. Her talents are personal to her and not showy, a means of expression and discovery. She is smart, honest, arid no one’s fool. Her star quality is born of her natural ability to simply tell the truth when singing; she is emotionally translucent on a stage. Soprano with strong belt, G3 to F-sharp 5.
  • MRS. JUNE ADAMS – Mid-40s to mid-50s, she is Julia’s mother and a woman of very modest means. She has a nervous anxiety most of the time and a desire to please that belies a personal history filled with disappointment and loss. Out of this energy comes her very quirky sense of comedy. But her grounded honesty is never far away when it comes to Julia’s happiness. Alto, G3 to B4,
  • WAYNE WRIGHT – Late 20s to late 30s, he is a gifted jazz trombone player and a veteran Marine lieutenant. Wayne manifests his war experiences in a severe case of obsessive compulsive disorder. He carries enormous tension in his body and mind and maintains an aloofness that hides his emotional turmoil. He is a man that can be very intimidating in his silence. High baritone, C3 to B-flat 4.
  • JIMMY CAMPBELL – Late 20s to mid-30s, he is a gifted jazz reed player, predominantly saxophone and clarinet. Jimmy is very bookish, thin, and well put together. He is wisely studying law, having just returned from the Navy. He has a careful and guarded personality but is fiercely loyal to Donny and the band. While the text never gives him away, Jimmy is privately gay and committed to fighting injustices in whatever ways he can. Baritone, C3 to G-sharp 4.
  • JOHNNY SIMPSON – Mid-20a to late 30s, he is a drumming phenomenon. A returning Army private, he suffers from severe back pain due to an injury requiring three surgeries. He is therefore reliant on pain medication, which affects his mental clarity. He also shows signs of traumatic head injury with memory loss. But mostly this all combines to give Johnny an almost childlike and gentle personality. He is by no means stupid – he has very honest insight -but he carries a charming simplicity that is in contrast to his sharp and impressive musical skills. High baritone, B2 to G-sharp 4.
  • DAVY ZLATIC – Late 20s to early 40s, he is a wiz on the upright bass. A recent Army veteran who served in the European theater and liberated Dachau, Davy is modeled heavily on Shakespeare’s lovable Falstaff. A big man of big appetites, he drinks to no end and maintains a constant stream of silly jokes to entertain. He is an incredible talent and a loyal friend, playing the clown but in reality the protector. Baritone, B2 to F-sharp 4.
  • NICK RADEL – Late 20s to early 40s, he is a genius trumpet player. A recent veteran of the Army who spent the last months of the European battles in a German prisoner-of-war camp, Nick is a man desperate for career and personal security. He is outrageously confident in his gifts as a musician and always on the lookout for those who would shortchange him of his deserved credit and compensation. Everything seems to be a personal affront to him and he has not yet been able to stop fighting for his life every day since returning to the home front He prides himself on his ability to play exceptionally high notes on his trumpet and sometimes has a hard time being a team player. Baritone, B2 to F4.
  • JEAN ANN RYAN – Mid 30s to late 50s, a glamorous local radio personality. Jean Ann prides herself on being the voice of several of WTAM Radio’s most popular programs. She believes herself to be more worldly and sophisticated than she likely is, but her outsized persona is matched by a sentimental and dramatic heart. A voice that recalls early Judy Garland and Kate Smith, she is a warm alto.
  • OLIVER – Mid-40s to early 60s, a magnanimous owner of one of Cleveland’s most popular nightclubs. The club that bears his name may not be the fanciest in town, but it is respected for its music scene. Oliver treats his guests like family and enjoys the spotlight whenever possible. Ensemble vocal track.
  • AL – Mid-40s to early 60s, an elegant and gracious owner of the most prestigious supper club in Cleveland, The Pavilion. He is suave and attentive to his guests but carries the confidence of the upper classes of Midwestern society. Ensemble vocal track.
  • JO – Late 20s to early 50s, a forthright owner of the hole-in-the-wall jazz club The Blue Wisp. Jo is a woman in a man’s game and has incredible confidence. She’s possibly pretty masculine herself and doesn’t care who knows it. She’s proud of her little club and loyal to her musicians and her decidedly blue-collar clientele. Ensemble vocal track.
  • ANDRE BARUCH – Mid-40s to mid-50s, the real-life radio host and personality of several popular radio programs on NBC Radio in New York City. Andre is debonair and sincere with a classic radio voice that has the trained Mid-Atlantic accent of the time. Ensemble vocal track.
  • ROGER COHEN – Late 20s to early 50s, a corporate businessman in the much larger entertainment machine of the National Broadcasting Company. Roger is officious, efficient and very good at his job. While he enjoys show business and is comfortable and confident in its rarified world, he has no patience for conflict. Ensemble vocal track.
  • JAMES HAUPT – Early 30s to early 50s, a success full of radio programs at NBC Radio in New York City. He has the slickness of a New York show business professional with all the attendant charm and smarts. He always appears genuine and gracious when dealing with the talent, but is all business behind the scenes. Ensemble vocal track.
  • PAULA – A woman of indiscriminate age, a no-nonsense New Yorker in the heart of the professional radio entertainment capital of the world. Ensemble vocal track.
  • BETSY – Late teens, an excitable bobby-soxer fan of the Donny Nova Band. She is all smiles and enthusiasm when meeting her favorite band. Her comic sense comes out of her blithe honesty and unabashed love of the band. Ensemble vocal track.
  • ENSEMBLE – Includes various service men, club patrons, swing dancers, wait staff, radio staff, stagehands, jazz musicians, residents of Cleveland and New York.

EXCERPTS FROM BANDSTAND
“Right This Way” – Performed by Corey Cott and Company
https://www.youtube.com/watch?v=tJA6UUdF3vE

“This Is Life” – Performed by Corey Cott and Laura Osnes
https://www.youtube.com/watch?v=gV9PTvT90sQ

“Nobody” – Performed by Corey Cott and Company
https://www.youtube.com/watch?v=JOSpQZgWJfw&list=PLRJMCG5nQwCpvaxYp440xEurkHwF0CE01&index=6

“Welcome Home” – Performed by Laura Osnes
https://www.youtube.com/watch?v=owa9GbQlrhg&list=PLRJMCG5nQwCpvaxYp440xEurkHwF0CE01&index=8

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Celebrated All-Male Vocal Jazz Ensemble Seeks Tenor

No Promises_logoCINCINNATI, OH – NO PROMISES Vocal Band is on the hunt for a tenor.

The Ideal Singer
A tenor who can sing close harmony parts and solo in multiple styles. Strong musicianship is a plus. Plans to remain in the Greater Cincinnati / Dayton region in the long term.

What Is NO PROMISES?
Formed in 2015, NO PROMISES is a Cincinnati-based professional a cappella ensemble bringing exhilarating vocals and breathtaking harmonizations to favorites of jazz, Motown, yacht rock and other genres. Its singers have performed across North America on theatrical tours, graced the stages of Broadway, fronted major symphony orchestras, and backed the likes of Jim Messina, Steve Winwood, Kenny Loggins and POCO. In their day-to-day lives, the men of NO PROMISES are clinical psychologists, theatrical talent buyers, real estate moguls and hairdressers, with a passion for fine a cappella singing.

Listen to our most recent studio recordings here.

Read about the current group members here.

What’s The Commitment?
NO PROMISES rehearses weekly on Tuesday nights, with rehearsals alternating weekly between Cincinnati and Dayton. In the first six months of 2020, we will be preparing for a set of two or three concerts in June, as well as for two recording projects.

A tenor brought on board would join us as a guest artist for this six-month period. Thereafter, we’d mutually evaluate permanent membership in the group.

Each year, we tend to perform 10 – 15 times, and regularly do recording projects.

I’m Interested… What Next?
Send a link of a video or audio recording to Joshua Steele at joshuaTsteele@gmail.com. Doesn’t need to be a cappella, just something that shows off your chops. If we dig it, we’ll reach out about finding a night for you to come in and sing with us.

For More Information
Contact Nat Comisar at 513.378.5801 or booking@nopromisesvocalband.com.

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Universes Collide in Groundbreaking New Work at Cincy Playhouse in the Park

PIP_americUS logo

Steven Sapp by Arthur Cohen; Mildred Ruiz-Sapp by Mildred Ruiz-Sapp; Gamal Abdel Chasten by Lawrence Turner.

americUS fuses theatre, jazz, poetry and hip hop to weave together experiences of modern life

CINCINNATI – The award-winning, multi-cultural performance ensemble Universes will bring its groundbreaking style of live storytelling to Cincinnati Playhouse in the Park with the world premiere of americUS. With support from The Rosenthal Family Foundation, this infusion of slam poetry, music, dance and theatre runs from Feb. 1 through March 8, with opening night on Feb. 6 at the Rosenthal Shelterhouse Theatre.

The Universes ensemble originated in The Bronx in 1995, inspired by the urban music and poetry scene that took over New York City in the ‘90s. Having performed off-Broadway, internationally and at major stages across the country, Universes has been praised by critics for their singular and unforgettable performance style. The production of americUS, which was commissioned by the Playhouse, brings Universes to Cincinnati for the first time.

“When I first saw Universes perform, I was simply blown away by their performance style, the variety of what they do, and the depth of feeling and thought that they can engender within the audience,” says Blake Robison, artistic director. “This show promises to be unlike anything seen before on Playhouse stages.”

An unfiltered, honest portrait of contemporary America, americUS is directed by Joan Herrington, who has worked with Universes in past productions, and will feature an ensemble cast including Universes’ co-founders Steven Sapp and Mildred Ruiz-Sapp as well as Gamal Chasten and Asia Mark.

americUS is an exploration of what it means to be in America at this time — what our joys are, what our challenges are and how we find our way in the midst of some very crazy days,” says Herrington. “Everything Universes does has contemporary relevance and this piece is no different.”

Sapp and Ruiz-Sapp are excited to engage with the community and hope that audiences take something away and feel empowered to open a dialogue about the issues presented in the show.

“It’s exciting because it’s a new audience, it’s new grounds to walk through, new people to meet and interact with,” says Ruiz-Sapp. “We’re going to walk into it like we’ve been there before, like it’s family, like these are the people that we’re living with and the people that are us. No differences, no barriers, no boundaries, no borders.”

For more information on americUS, visit cincyplay.com.

CAST
Gamal Chasten, Asia Mark, Mildred Ruiz-Sapp and Steven Sapp

PRODUCTION
Joan Herrington (Director); Misha Kachman (Set/Costume Designer); Mike Durst (Lighting Designer); Broken Chord (Sound Designers)

TICKETS
To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky, and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

Performances will begin at 7:30 p.m. Tuesdays through Thursdays, at 8 p.m. Fridays, 4 and 8 p.m. Saturdays and 2 and 7 p.m. Sundays. Individual tickets start at just $35. Tickets to all performances of americUS are priced at just $10 for college students with a valid school ID. Discounted ticket prices for teens are available for $30 to $50, depending on seat location.

americUS is suitable for adult and older teenage audiences. Universes performance ensemble presents an insightful and hard-hitting social commentary on contemporary America while discussing race, class and social inequality. The show covers these topics through powerful poetry, original music and dance movement, but it also contains some strong language.

EVENTS
ADULT ENRICHMENT WORKSHOP: PERSONAL STORYTELLING
Saturday, Jan. 15 | 10 a.m. to noon at the Playhouse | Cost: $50
This class will teach you how to write your own story and perform it in front of others. Learn the essentials of oral storytelling that will engage listeners, initiate discussion and create a sense of community. Share your story — we’d love to hear it!

MEET THE ARTISTS
Sundays, Feb. 9 and Feb. 16, at 2 p.m. | Wednesday, Feb. 19, at 7:30 p.m. | Thursday, Feb. 27, at 7:30 p.m.
Stick around after the performances listed above for a special Q&A with the americUS company. Learn about their craft, creative process and what inspires their storytelling and performance.

POST-SHOW DISCUSSIONS
Following every performance, excluding the dates of Meet the Artists Q&As.
Engage with the artists of americUS in in-depth conversations about the themes and ideas represented in the play. These discussions provide an opportunity for patrons to dive deeper into the show’s subject matter and connect with other audience members about their interpretations.

CINCINNATI VOICES PROJECT
Saturdays, Feb. 15, Feb. 22, and Feb. 29
In recent years, the Playhouse has developed important relationships with diverse groups throughout the region, hosting special discussions and facilitating creative workshops. Inspired by the artistic vision of Universes performance ensemble, the Playhouse has partnered with the Greater Cincinnati Native American Coalition and the Holocaust & Humanity Center to create the Cincinnati Voices Project. Individuals from these groups and others will perform original personal monologues between the 4 p.m. and 8 p.m. performances of americUS on select Saturdays. Performances are free and open to the public. For details and to learn more about the performance schedule, visit cincyplay.com, or call the Box Office at 513-421-3888.

SPONSORS
Sponsored by Andrea and Dr. Edward Herzig. Design sponsor is Geiler. Additional support provided by The Harold and Mimi Steinberg Charitable Trust. americUS was commissioned through the Playhouse’s Jerome Fey Endowment. The season is sponsored by Heidelberg Distributing Company. Season Sponsor of New Work is the Rosenthal Family Foundation.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

ACCESS
The Playhouse is fully accessible. Audio enhancement receivers, large print programs, and complete wheelchair access are available.

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Know Theatre’s 22nd Season Continues with the Return of the Monday Night Theatre Party SERIALS!

KTC_Serials 10Know Theatre’s 22nd Season continues with the return of the Monday night theatre party…
SERIALS! 10: THUNDERDOME
Jan 20th, Feb 8th, Feb 17th, Mar 2nd and Mar 16th
12 brand new plays enter…you vote who leaves

SERIALS!, Know Theatre’s iconic Monday night theatre party, returns for its triumphant 10th iteration this winter. Taking over our Underground performance space will be an eclectic group of familiar friends and new faces with entirely new stories to tell. Each week 5 plays take the stage with 15 minute episodes written, directed, and performed by local artists.

At the end of the night you decide which 3 plays will move on to the next week and which 2 are banished to a dystopian theatrical wasteland! But, never fear, all of the banished plays have the chance to come back at the end of Week 4, when the audience votes to resurrect two productions to perform one last time in Week 5.

We call it a theatre party because everyone gets to participate. The local artists get to make exciting, fast paced, new art and the audience decides which shows they would love to see more of. If you’ve never been, you’re missing out on all of the electric energy shared between everyone there. So, come out and use your vote to decide the winner this delightful theatrical deathmatch!

All of this is possible, because of the amazing pool of talent here in Cincinnati. We have 12 amazing teams putting together this completely original and inventive productions. Here they are:

Production Teams 

Week 1

  • POSY’S PREDICAMENT by Hannah Gregory
  • MY ROOMMATE IS A LESBIAN by Mary Beringer
  • ADVENTURES IN BEHAVIORAL THERAPY by Anonymous
  • HAVE MONSTER WILL TRAVEL by Trey Tatum
  • POSTER CHILD by Dan Winters
  • THE KINGDOM’S AT HAN, BUT THE GAME’S AFOOT by Robert Macke

Week 2

  • The three winners from Week 1 and…
  • THE ELECTION OF MISS REBECCA’S THIRD GRADE CLASS by Bradon Leatherland
  • BLOODY MARY by Kelly Collette

Week 3

  • The three winners from Week 2 and…
  • NOW STREAMING by Sawyer Shafer
  • LENNY by Sarah O’haver

Week 4

  • The three winners from Week 3 and…
  • Title TBD by John Bromles
  • PSYCH-O by Gray Shaw

Week 5

  • The three winners from Week 4 and 2 resurrected shows!

SERIALS! 10 THUNDERDOME

7:30pm – Jan 20th, Feb 3rd, Feb 17th, Mar 2nd, Mar 16th

Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202, In historic Over-The-Rhine.

Tickets: $15

Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

 Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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2020-2021 Season Announced by Dare to Defy Productions

D2D_logoD2D Productions is thrilled to announce our ’20-21 season. We will be rocking out all season long with your favorite movie gone musical, 80’s hits and 70’s power anthems.

Make sure to check back tomorrow for some more exciting new developments with D2D.

SCHOOL OF ROCK the Musical
by Julian Fellowes, Andrew Lloyd Webber, Glenn Slater, Mike White
“Rock of Ages” is presented by special arrangement with The Musical Company, a Concord Theatricals Company.
09/04/2020-09/05/2020

CARRIE the Musical
Music by Michael Gore
Lyrics by Dean Pitchford
Book by Lawrence D. Cohen
Based on the novel by Stephen King
CARRIE the musical is presented through special arrangement with R & H Theatricals: www.rnh.com
10/29/2020 – 11/01/2020

SCHOOLHOUSE ROCK LIVE! JR.
Originally Adapted and Produced for the Stage by Theatre BAM
From the Series Created by
George Newall and Tom Yohe
Based on an Idea by David McCall
Originally Conceived and Directed by Scott Ferguson
Book byScott Ferguson, Kyle Hall and George Keating
Music and Lyrics by
Lynn Ahrens, Bob Dorough, David Frishberg,
Kathy Mandry, George Newall and Tom Yohe
Schoolhouse Rock Live! JR.
Is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
http://www.mtishows.com
11/20/2020-11/21/2020

ROCK OF AGES
Book by Chris D’Arienzo
Arrangements and Orchestrations by Ethan Popp
“Rock of Ages” is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company.
02/04/2021-02/07/2021

SPRING AWAKENING
Book & Lyrics by
STEVEN SATER
Music by
DUNCAN SHEIK
Based on the play by Frank Wedekind
SPRING AWAKENING is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
http://www.mtishows.com
04/15/2021-04/18/2021

HAIR
Book and Lyrics by Gerome Ragni & James Rado
Music by Galt MacDermot
Produced for the Broadway stage by Michael Butler
Originally Produced by the New York Shakespeare Festival Theatre HAIR
HAIR is presented by arrangement with TAMS-WITMARK www.tamswitmark.com
06/11/2021-06/14/2021

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