Yearly Archives: 2019

HEATHERS The Musical Runs Nov. 21-23

WCTD_Heathers logoHEATHERS The Musical
Wilmington College
Nov. 21-23
Boyd Cultural Arts Center [Wilmington]

Directed by Bryan Wallingford
Music directed by Timothy Larrick
Choreographed by Cole Haugh

Cast: Jennah Blair as Veronica Sawyer; Lachlan O’Neill as Jason “J.D.” Dean; Baylee Martin as Heather Chandler; Brittany Barnett as Heather McNamara; Riley Gatlin as Heather Duke; Fae Maffin as Martha Dunnstock; Allen Caltrider as Ram Sweeney; Gage Clemens as Kurt Kelly; Josh Woodward as Ram’s dad, the principal and Veronica’s dad; Andrew Conarroe as Kurt’s dad, Big Bud Dean and the coach; and Bekah Wall as Ms. Fleming and Veronica’s mom
Ensemble: Layne Frederick, Parker Gunkel, Andrew Hall, Alyssa Harper, Nicholas Keller, Joseph Schmidt, Jen Cochran, Shelbie Harris, Emma Horick, Cecelia Hunt, Shelby Kirby, Kendra Nelson, Rylee Riggs, Elie Ross, Rebecca Simonji, Jordan Snarr, Aubree Trusty and Maya Wahrhaftig

  • Thu-Sat, Nov. 21-23 at 7:30pm

Official page |

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HELLO DOLLY! Runs Dec. 3-15

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Carolee Carmello as Dolly. Photograph by Julieta Cervantes 2019

HELLO DOLLY!
Broadway in Cincinnati
Dec. 3-15
Aronoff Center [Downtown]

Winner of four Tony Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.”  Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). After breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! is now touring America, paying tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!”

  • Tue-Thu, Dec . 3-5 at 7:30pm
  • Fri, Dec. 6 at 8pm
  • Sat, Dec. 7 at 2pm & 8pm
  • Sun, Dec. 8 at 1pm & 6:30pm
  • Tue-Thu, Dec . 10-12 at 7:30pm
  • Fri, Dec. 13 at 8pm
  • Sat, Dec. 14 at 2pm & 8pm
  • Sun, Dec. 15 at 1pm & 6:30pm

Official page |

 

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Cincinnati Ballet Margaret and Michael Valentine Center for Dance to be Built in Walnut Hills, scheduled to open Summer 2021

CB_Ground levelCINCINNATI, OH.  (November 1, 2019) – Today Cincinnati Ballet unveiled design plans for the Cincinnati Ballet Margaret and Michael Valentine Center for Dance, scheduled to begin programming in Summer 2021. The new center for dance will be built on vacant land purchased by Cincinnati Ballet at 1801 Gilbert Avenue in Walnut Hills.

Cincinnati Ballet is currently engaged in a building capital campaign to fund the $30 million project. Longtime Cincinnati Ballet patrons and supporters Margaret and Michael Valentine have committed the largest one-time gift in Cincinnati Ballet history to name and memorialize the Cincinnati Ballet Margaret and Michael Valentine Center for Dance.

CB_Aerial View“The Margaret and Michael Valentine Center for Dance will dramatically expand Cincinnati Ballet’s mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and community engagement programs,” said Scott Altman, President + CEO. “Cincinnati Ballet has expanded its professional mainstage productions and experienced record-setting growth in enrollment at our Otto M. Budig Academy over the last few years.  In fact, we cannot accommodate demand due to full classes. Quite simply, the organization has outgrown its current space. The new ballet center will be an integral arts destination for the community and the region.”

The size of the new ballet center will be dramatically larger, providing ample space for the Company, as well as the Academy and specialized programming. The 57,000-square-foot building will house eight studios. Cincinnati Ballet’s current 36,000-square-foot building, which houses four studios, was built in 1994 and expanded in 2005.  Designed by world-renowned architecture firm GBBN, the Margaret and Michael Valentine Center for Dance features a sleek, innovative exterior that boasts panoramic views of downtown Cincinnati from its two largest studios. Messer Construction Co. will serve as construction manager for Cincinnati Ballet, building off its experience with other high-profile arts projects in the region. The new ballet center will be developed in partnership with Neyer Properties.

CB_Premiere Studio“This is a huge step forward for Cincinnati Ballet,” said Victoria Morgan, longtime Artistic Director. “The Valentines’ generous gift is so significant and meaningful to the organization. They have a deep commitment to elevating the artistry of dance and its impact on Cincinnati and the region. This generous gift will take our world-class company to even greater heights.” Previously, the Valentines have funded world-premiere, full-length ballets including The NutcrackerKing Arthur’s Camelot, and a recent co-production with Ballet West of Nicolo Fonte’s Carmina Burana. The couple also established a Cincinnati Ballet touring endowment, as well as financial support of Cincinnati Ballet’s Live Music Fund for professional productions.

Cincinnati Ballet is also grateful for a significant gift to the project from Rhonda Sheakley and her husband Larry A. Sheakley. As a permanent commemoration of the Sheakley family’s generosity, the largest Company studio will be named the Rhonda and Larry A. Sheakley Premier Studio. With iconic views of downtown Cincinnati, the impressive, 3,650-square-foot studio will offer ample space for main Company rehearsals and seating for up to 125 guests to view educational demonstrations and Otto M. Budig Academy presentations. The studio may also include performance enhancements such special lighting and sound capabilities. We are honored that Rhonda, an Emeritus Trustee, now co-chairs the building capital campaign, Move With Us. A Campaign for Cincinnati Ballet’s New Home, with fellow Emeritus Trustee Larry Kellar. “This is a huge win for Cincinnati,” said Cincinnati Ballet Board Chair Debbie Brant. “The new ballet center is a significant addition to our region’s rich arts community. It will be a destination for dance lovers from around the world.”

The Cincinnati Ballet Margaret and Michael Valentine Center for Dance will also feature: 

  • Physical Therapy and Training Services — Mercy Heath – Orthopedics and Sports Rehabilitation at Cincinnati Ballet, a roughly 3,000-square-foot space for performing artists, as well as members of the public
  • Dedicated Spaces – A dedicated dancer lounge for Company dancers adjacent to an upgraded dressing and changing area and an Academy lounge area, which will feature a quiet space to study and relax between classes
  • Expanded Parking – More than 150 parking spaces, doubling parking capacity
  • Easier Access — Streamlined drop-off and pick-up for Academy students and guests

More on Cincinnati Ballet’s Record Growth:
In recent years, Cincinnati Ballet has experienced growth organization-wide. Attendance numbers for our professional, mainstage productions have grown from 58,000 during the 2015-2016 Season to 70,400 in the 2018-2019 Season. Cincinnati Ballet also increased the number of performances offerings each season, with added Thursday evening performances and the annual Family Series. During fiscal year 2018-2019, the Otto M. Budig Academy saw a nearly 21% growth in school year enrollment. Enrollment for fiscal year 2019-2020 is already pacing ahead of last year. Enrollment that includes adult and summer programming has seen a steady increase during the last five years. From fiscal year 2017-2018 to 2018-2019, the Academy saw a 17% increase, a number expected to accelerate in a new, larger space as students have been consistently shut-out of sold-out programming. Currently, 92% of children’s division classes are at capacity or have waiting lists. Cincinnati Ballet also expects to greatly expand education and community engagement programming at the new center. Ballet Moves – specialized, on-site classes for students with unique abilities, developed in partnership with Cincinnati Children’s Hospital and Medical Center – would offer expanded classes. The program currently serves students with Down syndrome, cerebral palsy, and autism. With more dedicated space, Ballet Moves would grow to serve students in at least 10 populations including the senior community, those with dementia, depression and anxiety, and other physical impairments.

What our Building Partners are Saying: 

Matthew Schottelkotte, GBBN Chief Executive Officer
“The building’s transparency celebrates the activity within. People outside can see what’s going on in the studios. Inside, dancers look out at tremendous views of city.  From the lightweight steel and slender columns of the studios, to the way light enters the building, the project captures the strength, grace, and sheer delight of dance. The project’s prominent site along a major city artery is accessible and visible. It sends a clear message to the community, and people passing through the city, about the strength and importance of the arts in Cincinnati.”

Greg Herrin, Vice President and head of Messer’s Cincinnati region
“Messer, and our partner TriVersity Construction, is honored to continue our long-standing relationship with the Cincinnati Ballet and the arts community. This highly visible, iconic building will not only raise the already revered status of the Cincinnati Ballet, but also transform the way our Arts community and, by extension our region, is viewed throughout the country.”

Chris Dobrozsi, Neyer Vice President of Real Estate Development
“Neyer Properties feels this is the right place and the ideal use for the land and compliments the historic Baldwin development. Eden Park and the arts organizations within the park are gems of Cincinnati and deserve a grand entrance. Right now, it’s hard to know the beauty and culture that is there until you are in the thick of it. Adding the Ballet at this site will help establish that sense of arrival to all the arts in the area.”

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance through exhilarating performances, extensive education outreach programs and top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

Cincinnati Ballet 2019-2020 Season Sponsors: Rhonda & Larry A. Sheakley, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, John A. Schroth Family Charitable Trust, Frisch’s Big Boy, Knowlton

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42ND STREET Quick Review

42ND STREET presented UC College-Conservatory of Music ran Oct. 24-27. I attended the Saturday matinee performance. 

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“Forty-Second Street.” Photo by Mark Lyons.

I do enjoy a good tap show. And University of Cincinnati’s 42ND STREET was not a good tap show. It was a great tap show.

One advantage CCM has over a touring Broadway show is the ability to go big. In this case, with an ensemble comprised of more than two dozen performers. The production numbers nearly filled the stage from wing to wing with rows of dancers. The choreography was top notch and well-handled by all.

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Bailee Endebrock as Peggy Sawyer. Photo by Mark Lyons.

I would be remiss if I didn’t acknowledge the wonderful work by costume designer Reba Senseke and crew. Also well-done were the wigs designed by Samantha Kittle.

The show flowed well from scene to scene and the pacing was strong throughout. I’m not sure if the downplaying of the May-December romance between Peggy Sawyer and Julian Marsh was a director’s decision or a script change from the revival, but I thought that as presented it made for a great dynamic between the two.

Bailee Endebrock was very enjoyable as Peggy Sawyer. Both Camila Paquet (as Maggie Jones) and Nick Berninger (Julian Marsh) were strong in their aged-up roles. Solid performances across the cast.

CCM_42nd Street2

“We’re in the Money.” Photo by Mark Lyons.

Thank you for a very enjoyable afternoon meeting those dancing feet.

My rating: 4.75 out of 5.

Click here for more information on the production.

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Content Specialist and Salesforce/Email Marketing Manager Sought by Educational Theatre Association

EdTA_logoCONTENT SPECIALIST

Educational Theatre Association, home of the International Thespian Society and Educational Theatre Foundation, seeks a passionate, versatile Content Specialist to support the development of shareable content for use on EdTA and ETF websites, in email, print and other communications, and on social media. In addition, the Content Specialist will support the development of print and digital marketing campaigns, and public relations efforts.

Job Responsibilities:

  • Develop Educational Theatre Association and Educational Theatre Foundation content, creating stories about adult and student members, program participants, and award, scholarship, and grant winners for use on various print and online platforms including email and social media.
  • Edit content supplied by other departments to fit the association’s voice and style, and to optimize the message for each channel and target audience.
  • Write press releases for association events, programs, awards, and news following PR best practices.
  • Adapt and publish content for email communications and social media.
  • Write marketing copy for events, membership recruitment and retention, and EdTA programs that follows copywriting best practices and brand guidelines.
  • Develop copy for online landing pages and lead-generation forms that adheres to SEO best practices. Optimize copy for email and social publishing.
  • Write and edit SEO-friendly editorial content for EdTA websites, including dramatics.orgschooltheatre.org, and educationaltheatrefoundation.org to increase organic traffic.
  • Collaborate with Content team members on content planning and execution.

Education Required:

  • Bachelor’s degree in marketing communications, public relations or related field
  • Minimum two years of professional experience
  • Portfolio of professional writing samples

Skills and Qualifications:

  • Excellent writing and verbal communication skills
  • Proficiency in marketing copywriting, editorial writing, and public relations writing
  • Strong editing and proofreading skills
  • Proficiency in AP style preferred
  • Basic graphic design and photo editing skills
  • Working knowledge of HTML
  • Proficient with web content management systems such as WordPress and SEO
  • Advanced understanding of social media platforms and management tools
  • Proficiency in Adobe Creative Suite, especially InDesign. Photoshop and Illustrator are a plus.
  • Proficiency in Microsoft Office and Google Docs
  • Adept at learning new software programs and tech tools
  • Strong organization and project management skills
  • Deadline driven with keen attention to detail and accuracy in all work
  • Ability to prioritize and work independently within one’s authority
  • Ability to demonstrate a positive, team-oriented attitude

To apply, please submit cover letter and résumé by email (Subject Line: Content Specialist 2019-123) to:  HRManager@schooltheatre.org.

First consideration will be given to applications received by 11/15/19.


 

SALESFORCE/EMAIL MARKETING MANAGER

The Educational Theatre Association (EdTA) seeks a dynamic Salesforce/Email Marketing Manager to build and manage marketing journeys through automation focused on member engagement and retention.  You will partner with Content team and across other departments to drive day-to-day execution of our email communication and engagement strategies.

Job Responsibilities:

Marketing Automation

  • Create and develop content-rich loyalty and nurturing programs using consumer insights data and marketing automation tools including Salesforce Marketing Cloud & Pardot.
  • Execute email marketing strategies to retain current members and convert non-member leads into new members.
  • Build email messages, templates and multi-step campaigns using marketing automation tools.
  • Evaluate email campaign data to optimize performance and results.
  • Build landing pages and forms for lead capture and progressive customer profiling.
  • Lead and assist Content team in the utilization of Salesforce and Pardot to maintain accuracy of the databases.
  • Analyze and report on email marketing efforts and performance metrics.
  • Manage schedules, resources and delivery dates to ensure projects meet deadlines.
  • Ensure compliance with branding guidelines and content across all channels, as well as applicable regulatory requirements.
  • Ensure all email campaigns leverage current best practices.

Education and Experience Required:

  • Bachelor’s Degree in Marketing, Communications, Business or Technology.
  • 3 – 5 years of professional experience in managing customer journeys and campaigns through marketing automation tools such as Pardot and Salesforce CRM.
  • Experience working with a membership association or a non-profit organization is preferred.
  • Theatre or arts interest or background is a plus.

Skills and Qualifications:

  • Entrepreneurial spirit/orientation.
  • Proven experience in using marketing automation tools and technologies to facilitate engagement and conversion.
  • Proficiency in Microsoft Office Suite, Adobe Creative Suite, and Pardot or Salesforce Marketing Cloud.
  • Experience with an email service provider system.
  • Deadline driven with strong attention to detail
  • Excellent communication skills, both written and verbal
  • Ability to effectively collaborate with Content team members and coworkers in other departments
  • Ability to effectively plan, be flexible, and be resourceful in managing workflow to meet deadlines.
  • Strong project management skills, including the ability to take initiative, multi-task and prioritize multiple projects
  • Calm, patient, diplomatic, and confident demeanor in working with staff, management, and vendors
  • Positive, team-oriented attitude
  • Ability to think and act independently, within one’s authority

To apply, please submit cover letter and resume by email (Subject line: Salesforce/Email Marketing Manager 2019-133 to:  HRManager@schooltheatre.org

First consideration will be given to applications received by 11/15/19.

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