Monthly Archives: December 2019

HAND TO GOD Runs Jan. 23-Feb. 9

WFIT_Hand to God promo

Photo by Tammy Cassesa.

HAND TO GOD
Warsaw Federal Incline Theatre
Jan. 23-Feb. 9
[East Price Hill]

Directed by Dylan Shelton

Cast: Alex Slade as Jason, Karie Gipson as Margery, Brian Anderson as Pastor Greg, Jack Kremer as Timothy & Hope Pauly as Jessica

After the death of his father, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry, in the devoutly religious, relatively quiet small town of Cypress, Texas. Jason’s complicated relationship with the town pastor, the school bully, the girl next door, and – most especially – his mother are thrown into upheaval when Jason’s puppet, Tyrone, takes on a shocking and dangerously irreverent personality all its own.  HAND TO GOD explores the startlingly fragile nature of faith, mortality, and the ties that bind.

  • Thu, Jan. 23 at 7:30pm
  • Fri-Sat, Jan. 24-25 at 8pm
  • Sun, Jan. 26 at 2pm
  • Wed-Thu, Jan. 29-30 at 7:30pm
  • Fri-Sat, Jan. 31-Feb. 1 at 8pm
  • Sun, Feb. 2 at 2pm
  • Wed-Thu, Feb. 6-7 at 7:30pm
  • Fri-Sat, Feb. 7-8 at 8pm
  • Sun, Feb. 9 at 2pm

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trueSH*T on Jan. 23

TRUE_logotrueSH*T
trueTHEATRE
Jan. 23
Memorial Hall [Over-the-Rhine]

Some take it (and some can’t). Some give it (and some couldn’t). Some have shoveled it, are full of it, or have been emptied of it (intentionally or quite by “accident”). One thing is for sure… you do not want to step in it! Yes, we’re talking about “sh*t” and so will our storytellers in January! ..and that’s no bull!

Now in their 10th season, True Theatre continues to produce quarterly one-night-only events featuring five people, from all walks of life, sharing true, personal stories, based on the theme of the evening.

  • Thu, Jan. 23 at 7:30pm

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BLUES FOR AN ALABAMA SKY to Ring In 2020 at Falcon Theatre

FT_Blues for an Alabama Sky

R. DeAndre Smith as Guy, Bryana Bentley as Angel & Elliot Young as Leland. Photo by Kristy Rucker.

Falcon Theatre’s third production of its 30th anniversary season is Pearl Cleage’s BLUES FOR AN ALABAMA SKY. The play is a brutally honest and candid examination of an array of issues–including race, gender, sexuality, and cultural intolerance–in the historical context of the Harlem Renaissance and the early years of the Great Depression. The production, directed by Torie Wiggins, opens January 24, 2020.

The story is set in Harlem, New York in 1930. The euphoria and nonstop party of the Roaring Twenties have given way to the harsh realities of rampant joblessness and Jim Crow laws. The tale takes on the theme of hopeful dreams in hopeless times; it chronicles the aspirations and adversity of five characters whose lives tragically converge during an eight-week period. The names and spirit of Harlem Renaissance artists such as Langston Hughes and Josephine Baker hover throughout the play, but the story focuses on struggling artists whose dreams must be put on hold to face economic survival.

Director Wiggins says Blues has been on her bucket list of plays to direct ever since she played the lead role of Angel in a production at the University of Cincinnati College-Conservatory of Music in the 1990s. “This is a story that needs to be told,” says Ms. Wiggins. “It’s a story that resonates with themes that are as relevant as they have ever been. Culture. Relationships. Sexism. Racism. And features some of the most memorable characters that audiences will ever encounter.”

Ms. Wiggins also says that she is excited about working in Falcon’s intimate space for the first time. The stage and its proximity to the audience will be a real challenge for her actors. “This is a theater that was made for actors and for this play,” she says. “When I first walked into the theater, I thought, ‘Wow. The actors will really need to be camera-ready from the opening curtain.”

The Chicago Tribune calls Blues for an Alabama Sky “ebullient, musical, (and) highly enjoyable.” The Guardian says the play “…offers a riveting picture of Harlem at a moment of historic transition.” The Washington Post calls it “…lively and heartfelt.”

Falcon’s production features Bryana Bentley as Angel, Keith Holland as Sam, R. DeAndre Smith as Guy, Elizabeth Taylor as Delia, and Elliot Young as Leland. Performances are at 8 PM on January 24, 25, 30, and 31 and on February 1, 6, 7 and 8.  Tickets prices are $25 for adults and $15 for students with ID. Patrons enjoy a $5 discount for Thursday performances. Visit falcontheater.net for tickets.

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Cast Announced for STEEL MAGNOLIAS at St. Paul Players

SPP_logoThe cast includes:

  • Christie Beckman as Truvy Jones
  • Mary Mills as Annelle Dupuy-Desoto
  • Cathy Alter as Clairee Belcher
  • Michelle Cockerham as Shelby Eatenton-Latcherie
  • Peggy Allen as M’Lynn Eatenton
  • Julie Jordan as Ouiser Boudreaux

Directed by Nate Huitger

Performances run March 6-15.

For more information run http://stpaulplayers.com/

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Auditions Announced for THE IMPORTANCE OF BEING EARNEST at Middletown Lyric Theatre

MLT_logoTHE IMPORTANCE OF BEING EARNEST by Oscar Wilde

Directed by: Charley Shafor

AUDITION DATES

  • Sunday, January 12 – 2pm – 4:30pm
  • Monday, January 13 – 7pm – 8:15pm
  • Tuesday, January 14 – 7pm – 8:15pm

Cold Readings from script
Rehearsals begin: Mid-March
Production Dates: May 1, 2, 8 & 9 – 5 performances
Questions: cshafor@middletownlyric.org

John (Jack/Ernest) Worthing, J.P. (20’s – 30’s) – The play’s protagonist. Jack Worthing is a seemingly responsible and respectable young man who leads a double life. In Hertfordshire, where he has a country estate, Jack is known as Jack. In London he is known as Ernest. As a baby, Jack was discovered in a handbag in the cloakroom of Victoria Station by an old man who adopted him and subsequently made Jack guardian to his granddaughter, Cecily Cardew. Jack is in love with his friend Algernon’s cousin, Gwendolen Fairfax. The initials after his name indicate that he is a Justice of the Peace.

Algernon Moncrieff -(20’s – 30’s) The play’s secondary hero. Algernon is a charming, idle, decorative bachelor, nephew of Lady Bracknell, cousin of Gwendolen Fairfax, and best friend of Jack Worthing, whom he has known for years as Ernest. Algernon is brilliant, witty, selfish, amoral, and given to making delightful paradoxical and epigrammatic pronouncements. He has invented a fictional friend, “Bunbury,” an invalid whose frequent sudden relapses allow Algernon to wriggle out of unpleasant or dull social obligations.

Gwendolen Fairfax -(20’s – 30’s) Algernon’s cousin and Lady Bracknell’s daughter. Gwendolen is in love with Jack, whom she knows as Ernest. A model and arbiter of high fashion and society, Gwendolen speaks with unassailable authority on matters of taste and morality. She is sophisticated, intellectual, cosmopolitan, and utterly pretentious. Gwendolen is fixated on the name Ernest and says she will not marry a man without that name.

Cecily Cardew -(20’s – 30’s) Cecily is probably the most realistically drawn character in the play. Like Gwendolen, she is obsessed with the name Ernest, but she is even more intrigued by the idea of wickedness. This idea, rather than the virtuous-sounding name, has prompted her to fall in love with Jack’s brother Ernest in her imagination and to invent an elaborate romance and courtship between them.

Lady Bracknell – (50’s and above) Algernon’s snobbish, mercenary, and domineering aunt and Gwendolen’s mother. Lady Bracknell married well, and her primary goal in life is to see her daughter do the same. She has a list of “eligible young men” and a prepared interview she gives to potential suitors. Like her nephew, Lady Bracknell is given to making hilarious pronouncements, but where Algernon means to be witty, the humor in Lady Bracknell’s speeches is unintentional. She is cunning, narrow-minded, authoritarian, and possibly the most quotable character in the play.

Miss Prism – (50’s and above) Cecily’s governess. Miss Prism is an endless source of pedantic bromides and clichés. She highly approves of Jack’s presumed respectability and harshly criticizes his “unfortunate” brother. Puritan though she is, Miss Prism’s severe pronouncements have a way of going so far over the top that they inspire laughter. Despite her rigidity, Miss Prism seems to have a softer side. She speaks of having once written a novel whose manuscript was “lost” or “abandoned.” Also, she entertains romantic feelings for Dr. Chasuble.

Rev. Canon Chasuble, D.D. – (50’s and above) (50’s and above) The rector on Jack’s estate. Both Jack and Algernon approach Dr. Chasuble to request that they be christened “Ernest.” Dr. Chasuble entertains secret romantic feelings for Miss Prism. The initials after his name stand for “Doctor of Divinity.”

Lane – (50’s and above) Algernon’s manservant. When the play opens, Lane is the only person who knows about Algernon’s practice of “Bunburying.” Lane appears only in Act I.

Merriman – (50’s and above) The butler at the Manor House, Jack’s estate in the country. Merriman appears only in Acts II and III.

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