Monthly Archives: February 2017

Auditions Announced for MIAMI WRITES SHORTS 2017 at Miami University Hamilton

muht_miami-writes-shorts-logoAuditions for Miami University Hamilton Theatre’s spring production of MIAMI WRITES SHORTS 2017. We are presenting an evening of short works by local playwrights.

Auditions are Tuesday February 28th from 7PM until 9PM. (If you cannot make this date, contact Bekka Eaton at eatonrl@miamioh.edu and we can arrange a date for you). In Studio 307 (Phelps 307) on the Hamilton campus of Miami University—1601 University Blvd. Hamilton, OH 45011.

We need actors of a mix of genders, ages late teens to 50s and 60s. Actors will fulfill at least more than one role. Audition with a prepared monologue or, if you prefer, audition materials will be provided for you.

The plays are:

BLACK-WINGED  FISH by Bridget Ossmann
A man alone on a nature trail has a heart attack and as he awaits help, he revisits his past. Will he make it? Does he have the strength—inside and out to pull through

  • YOUNG JAMIE Male 16 – 18 years old
  • YOUNG SHARON Female 19 – 22 years old
  • OLDER JAMIE Male 50 years old

CLUB SODA by Karen Righter
What happens when espionage hits home? A seemingly benign lunch turns into a spy story with double twists and knots.

  • Cintia female, late twenties, pleasantly coy, nice legs, professional (cin-tee-a)
  • Manuel male, early thirties, Latino
  • Two Agents dressed in black

INSIDE THE PLASTIC BAG (Revision by Christina Teed, Jordan Eaton and Bekka Eaton)
INSIDE THE PLASTIC BAG was written, in the most part, from auto-stories donate by clients of Mercy Health Partners Mercy Franciscan at St. Raphael’s and its companion service organizations. The principal writers were: Ruth Britt, Beth Dieselberg, Bekka Eaton, Jon Keith,  and Christina Teed; however; the entire piece was written via improvisation and devising—actors and writers working in tandem. The actors were:  Sarah Baker, Meg Haven,  Jon Keith,  John Larson, Deb Richardson, Tim Simeone and Donna Stevens

  • Meg—female, 20s-40s
  • Don—male, 20s-40s
  • God—female, any age
  • Vietnam Angel—male, 40s+
  • Chorus members, any age, gender, etc…

OFFICE ROMANCE by Alan Jozwiak
What happens at the “office” when superheroes get romantically involved? Office intrigue and scuttlebutt abound.

  • CAPTAIN FANTASTIC, a Superhero
  • JOHN, EVIL OVERLORD OF THE UNIVERSE, Captain Fantastic’s arch enemy
  • SIDEKICK, Captain Fantastic’s Sidekick

WHY I WRITE: A TRUE CONFESSION by Roger L Collins
A poet has doubts about his ability as a writer, but in composing his videotaped confession he taps a flood of imagination to conjure up his victims and the meaning of his crime.

  • The Poet: Young Adult Male
  • Classmate #1: Young Adult Male
  • Classmate #2: Young Adult Female
  • Their Instructor/Sarah: Middle-age (or older) Adult Female

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JANE EYRE Brings Victorian Romance and Inventive Staging to Cincinnati Playhouse

Critically acclaimed adaptation runs March 11 – April 8, 2017

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Margaret Ivey as Jane Eyre. Photo by Tony Arrasmith/Arrasmith & Associates.

(CINCINNATI) — Cincinnati Playhouse in the Park brings Charlotte Brontë’s timeless coming-of-age novel to life beginning March 11. The production combines Victorian-era costumes and romance with inventive staging to bring new creativity and vitality to the classic story, considered one of the most widely read novels in the English language.

Adapted by British playwright Polly Teale, the play distills the book to the most essential moments and dramatic action. Cincinnati Playhouse Associate Artist and Director KJ Sanchez envisioned music, movement and choreography to transport Jane Eyre’s story to the stage.

“Because the adaptation is so strong, we – the design team, the actors and me – are bringing our own artistry to it,” Sanchez explains. “The actors play musical instruments. I’m working with a great choreographer, Peter Kyle, who I have worked with and admired for years. And I’m thrilled that we have one of the best sound designers in theatre today, Jane Shaw, writing original music for this production.”

Published in 1847, JANE EYRE is a rare classic that moves through time and continues to capture audiences. Poor and plain but with a fiery spirit, Jane overcomes a troubled childhood to land a position as a governess at a mysterious estate, where she falls for the enigmatic master and finds her love returned. When the past threatens her newfound happiness, Jane decides to forge her own path, which enables her to be true to herself and follow her heart. The unconventional heroine, played by Margaret Ivey, will cast a spell on fans of the classic novel and on newcomers drawn to her story.

Beyond the beauty, costumes, artistry, choreography and music lies a story with a message that resonates today, and to which Sanchez relates personally.

“I read this book when I was 13 and it honestly changed my life,” Sanchez explains. ”Jane Eyre was a heroine altogether different from any I had encountered. She was smart and strong and not afraid to speak her mind. She was most comfortable in nature, least comfortable when required to be charming. In fact, she’s reviled, punished and mistreated because she is ‘plain’ — yet Jane is essentially downright beautiful but hated because her beauty is unique and doesn’t fit what is expected by social norms.”

JANE EYRE is sponsored by Leading Ladies, a group of 161 theatre enthusiasts who collectively supported the production with financial gifts while learning about theatre through behind-the-scenes experiences throughout the season.

Prices for JANE EYRE start at $35; they vary depending on seat location and performance day and are subject to change. Tickets for teens and students are $30. Student tickets are just $15 on the day of the show. Plus, Sunday is College Night, with tickets to all 7:00 p.m. performances just $10.The Playhouse is fully accessible. To purchase tickets, call the box office at 513-421-3888 or 800-582-3208 toll-free in Ohio, Kentucky and Indiana; or 513-345-2248 – TDD access (Telecommunications Device for the Deaf) or visit the Playhouse website at http://www.cincyplay.com

The 2016-17 Marx Theatre season is presented by The Otto M. Budig Family Foundation. The Playhouse’s Leading Ladies serve as production sponsor of JANE EYRE. Artist Sponsors are Bill and Barbara Weyand, in honor of KJ Sanchez, and Bahl & Gaynor Investment Counsel. Season Sponsor of New Work is The Lois and Richard Rosenthal Foundation. Marx Theatre Season Design Sponsor is Macy’s.

The Playhouse is supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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JANE EYRE
By Charlotte Brontë
Adapted by Polly Teale
Directed by KJ Sanchez
March 11 – April 8, 2017 (Opening – March 16)
Robert S. Marx Theatre
Production (Sponsor) — Leading Ladies
Artist Sponsor (in honor of KJ Sanchez) —Bill and Barbara Weyand
Artist Sponsor (Jane Eyre) —Bahl & Gaynor Investment Counsel
Robert S. Marx Theatre Season presented by The Otto M. Budig Family Foundation
Season Sponsor of New Work —The Lois and Richard Rosenthal Foundation
Marx Theatre Season Design Sponsor — Macy’s

DESCRIPTION (Two Acts)
Passionate romance meets thrilling psychological drama in this critically acclaimed adaptation. Poor and plain but with a fiery spirit, Jane Eyre overcomes a troubled childhood to land a position as governess at the mysterious Thornfield estate. Her fortunes take an improbable twist once she falls for Thornfield’s enigmatic master Mr.
Rochester and finds her love returned. When secrets from the past threaten her newfound happiness, Jane decides to forge her own path, one in which she can be true to herself and follow her heart. Jane Eyre depicts an unconventional heroine for the ages who’s certain to cast a spell on fans of the novel and those new to her charms.

CAST (in alphabetical order)
RIN ALLEN (Bertha); DAMIAN BALDET (Brocklehurst / St. John Rivers); RICHARD BUCHANAN (Ensemble); GEORGE BULL (Ensemble); REBECCA MIYAKO HIROTA (Helen Burns/Adele/Mary Rivers); MARGARET IVEY (Jane Eyre); CHRISTINE TOY JOHNSON (Bessie / Blanche Ingram / Grace Poole); ANDY PATERSON (Richard Mason); MICHAEL SHARON (Rochester); TINA STAFFORD (Mrs. Reed / Mrs. Fairfax)

PRODUCTION
KJ SANCHEZ (Director); PETER KYLE (Movement Director); KRIS STONE (Set Designer); RACHEL HEALY (Costume Designer); BRIAN J. LILIENTHAL (Lighting Designer); JANE SHAW (Sound Designer/Composer); STEPHANIE KLAPPER (Casting Director); ANDREA L. SHELL (Stage Manager); JENIFER MORROW (Second Stage Manager); BROOKE REDLER (Second Stage Manager)

PERFORMANCES
Tuesday, Wednesday and Thursday: 7:30 p.m.
Friday: 8 p.m.
Saturday: 4 p.m. and 8 p.m.
Sunday: 2 p.m. and 7 p.m.
Additional Matinee: 1 p.m. Wednesday, April 5
Please note: There are no performances on Wednesday, March 22.

TICKETS
Prices for Jane Eyrestart at $35; they vary depending on seat location and performance day and are subject to change. Tickets for children and students are $30. Student tickets are just $15 on the day of the show. Plus, Sunday is College Night, with tickets to all 7:00 p.m. performances just $10. In addition to calling the Box Office, tickets can also be purchased by visiting the Playhouse website at www.cincyplay.com.

ACCESS
The Playhouse is fully accessible. Large print programs and hearing enhancement receivers are available upon
request.

BOX OFFICE
513-421-3888 or 800-582-3208 toll-free in Ohio, Kentucky and Indiana; or 513-345-2248 – TDD access (Telecommunications Device for the Deaf).

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The Overture Awards Finals Competition and Awards Ceremony | Sat., March 11 | Aronoff Center

CAA_Overture Awards logoCINCINNATI, OH – The Cincinnati Arts Association (CAA) is proud to present the 2017 Overture Awards Finals Competition. The Overture Awards provides $4,000 to six area high school students for education and training expenses, with eighteen finalists each winning $1,000. The program also provides a $2,500 Arts Educator Award for Excellence in Arts Instruction.

The Overture Awards Finals Competition and Awards Ceremony will be held on Saturday, March 11, 2017 at 1:00 PM at the Aronoff Center’s Jarson-Kaplan Theater. Winners will be announced immediately following the competition.

This year, 476 students were nominated by their schools or studios to compete in one of six artistic disciplines: Creative Writing, Dance, Instrumental Music, Theater, Visual Art, and Vocal Music. The Overture Awards was developed to recognize, encourage, and reward excellence in the arts among Tri-state students in grades 9-12. It also provides students an opportunity to share their talents and interests among their peers in a supportive environment outside of their individual schools. There are three levels of competition: Regional, Semi-Final, and Final.

The Overture Awards Regional Competitions were held on January 21 at the Northern Kentucky School of Music at Immanuel, Northern Kentucky University, and Mount Saint Joseph University. The top 20 percent of competitors in each discipline advanced to the Semi-Finals, which were held at the Aronoff Center on February 10 and 11. Twenty-four finalists (four in each discipline) will compete in the Finals Competition at the Aronoff Center’s Jarson-Kaplan Theater on March 11.

Now in its twenty-first year, The Overture Awards was launched in 1996 by the Cinergy Foundation (now Duke Energy) and Leadership Cincinnati (a program of the Greater Cincinnati Chamber of Commerce). The Overture Awards is funded and administered by the Cincinnati Arts Association, which operates and manages the Aronoff Center and Music Hall. The Overture Awards also relies on hundreds of volunteers from the community who help raise funds, adjudicate and manage the competitions, and nurture the program.

THE OVERTURE AWARDS ARE ENDOWED BY THE OTTO M. BUDIG FAMILY FOUNDATION.

Overture Awards Presenting Sponsors:  TriHealth; The Eleanora C.U. Alms Trust, Fifth Third Bank, Trustee; Fort Washington Investment Advisors, Inc.; Otto M. Budig Family Foundation.

Scholarship Sponsors:  Arthur Murray – Cincinnati, Doreen Beatrice, Douglas Beal, Bonita Brockert, Cincinnati Ballroom Company, Jozsef Parragh, Pebble Creek Group, Phoenix Rising Ballroom,  Summerfair Cincinnati, Josh Tilford, Western & Southern Financial Fund, The William O. Purdy, Jr. Foundation

Competition Sponsors:  Northern Kentucky School of Music at Immanuel, Northern Kentucky University, Mount Saint Joseph University

Printing Sponsor:  Crest Graphics

THE 2017 OVERTURE AWARDS FINALISTS

CREATIVE WRITING

  • Presley Hargis – grade 12, Conner High School
  • Hallie Menkhaus – grade 11, Taylor High School
  • Olivia Short – grade 12, Mother of Mercy High School
  • Jessica Sommerville – grade 12, William Mason High School

DANCE

  • Joseph Harrington – grade 12, School for Creative & Performing Arts/Just Off Broadway
  • Annika Hsi – grade 10, Walnut Hills High School/Northern Cincinnati Youth Ballet
  • Anna Robertson – grade 12, Bellbrook High School/McGing Irish Dancers
  • Ava Sine – grade 9, School for Creative & Performing Arts/Just Off Broadway

INSTRUMENTAL MUSIC

  • Cory Bargemann – grade 12, Walnut Hills High School
  • Calvin Huang – grade 11, St. Xavier High School/Inna Terekhov
  • Christina Nam – grade 9, Walnut Hills High School
  • Jiin Woo – grade 11, Sycamore High School

THEATER

  • Elsa Benson – grade 12, Sycamore High School/Karl Resnik Studio
  • Anthony Frederickson – grade 9, Cincinnati Hills Christian Academy/McCready Voice Studio
  • Chandler Hoffert – grade 12, Fairfield High School/McCready Voice Studio
  • Morgan Reece – grade 12, Kings High School/Lincoln Chapman Studio

VISUAL ART

  • Ava Grannan – grade 12, Wyoming High School
  • Madyson Haynes – grade 12, Dixie Heights High School
  • Geneva Huffman – grade 10, School for Creative & Performing Arts
  • Sarah Kenkel – grade 12, Mother of Mercy High School

VOCAL MUSIC

  • Taylor Kay Baer – grade 12, School for Creative & Performing Arts /Wyant-Zenni
  • Reed Gnepper – grade 10, School for Creative & Performing Arts/Mary Ann Powers-Buyukisik
  • Katherine Sharp – grade 12, Indian Hill High School/The Music House (Anne Moss)
  • Nathaniel Wilkens – grade 12, St. Xavier High School/Melody Wallace Voice Studio

Arts Educator Award For Excellence in Arts Instruction 

The Arts Educator Award promotes and rewards excellence in arts instruction throughout Greater Cincinnati. An educator who teaches any of the following arts disciplines may be nominated: Creative Writing, Dance, Instrumental Music, Theater, Visual Art, and Vocal Music. They can be a high school arts specialist, teaching artist working with high school students, or an arts professional or educator providing private lessons or instruction. Nominations for the award must come from students between the ages of 14-19 who are currently enrolled in high school. Nominations are made by submitting an on-line application with a three-minute video about why the nominee is an exemplary arts educator.

The winner of the 2017 award will receive $2,500, and two finalists will receive $500 each. The recipients of the Arts Educator Award may utilize the monetary award to strengthen their program or practice, e.g. an artist fee for a guest lecturer or master class, the purchase of equipment, or a professional learning opportunity  such as tuition assistance for either the educator or for students to study with the recipient or another professional.

Arts Educator Award Finalists

Becky Childs, UC-CCM Preparatory Department
Discipline: Musical Theater
Nominated by Annabel Forman

Susan Jung, Cincinnati Hills Christian Academy
Discipline: Theater
Nominated by Carter Jackson

Marion Peraza de Webb, Peraza Music Workshop
Discipline: Instrumental Music
Nominated by Beatrice Baker

Arts Educator Award Honorable Mentions

Hitomi Koyama, UC-CCM Preparatory Department
Discipline: Instrumental Music
Nominated by Chisato Fuji

Melody Wallace, Wallace Voice Studio
Discipline: Vocal Music
Nominated by Anna Greco

Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of two of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves upwards of 700,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies. Since the inception of its acclaimed arts education programs in 1995, CAA has reached more than 1.5 million students.

CAA is proud to be a member of Association of Performing Arts Presenters, Cincinnati USA Regional Chamber, Greater Cincinnati Alliance for Arts Education, Greater Cincinnati Convention & Visitors Bureau, Greater Cincinnati Chinese Chamber of Commerce, Greater Cincinnati & Northern Kentucky African American Chamber of Commerce, Hispanic Chamber of Commerce, Over-the-Rhine Chamber of Commerce, and Performing Arts Center Consortium.

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2017-2018 Season Announced at Dayton Playhouse

DPH_logoThe Board of Directors of The Dayton Playhouse is thrilled to announce the productions for our 2017-2018 Season:

SISTER ACT
Music by Alan Menken, Lyrics by Glenn Slater, Book by Bill and Cheri Steinkellner
Directed by Tim Rezash
September 15 through October 1, 2017
[Auditions: July 24 & 25, 2017]

COME BACK TO THE FIVE AND DIME, JIMMY DEAN, JIMMY DEAN
by Ed Graczyk
Directed by Michael Boyd
November 3 through 12, 2017
[Auditions: September 18 & 19, 2017]

BEEHIVE: The Sixties Musical
Created by Larry Gallagher
Directed by Tina McPhearson
January 19 through February 4, 2018
[Auditions: November 6 & 7, 2017]

A FEW GOOD MEN
By Aaron Sorkin
Directed by Jennifer Lockwood
March 9 through 18, 2018
[Auditions: January 22 & 23, 2018]

Disney’s THE LITTLE MERMAID
Music by Alan Menken, Lyrics by Howard Ashman and Glenn Slater, Book by Doug Wright
Directed by Matthew Smith
May 4 through 20, 2018
[Auditions: March 12 & 13, 2018]

Ticket and season subscription information will be available in the Spring.

This season has volunteer opportunities for anyone and everyone – on stage, backstage, and on production teams. Join us and help make great theatre.

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SOMETHING ROTTEN! Review

SOMETHING ROTTEN! presented by Broadway in Cincinnati through March 5. Click here for more information on the production. I attended the opening night performance.

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Cast of the Something Rotten! National Tour. © Jeremy Daniel.

As you are probably aware, I receive numerous press releases every month and, when it comes to comedies, the word “hilarious” is used quite frequently. So much so that I sometimes think to myself, “I don’t think that word means what you think it means.” But in the case of SOMETHING ROTTEN! though, “hilarious” is easily a well-earned description.

Not even half-way through the first act, the audience’s response to “A Musical” stopped the show cold. And that was only the first of three show-stopping numbers. The jokes, musical theater references, and nods to Shakespeare’s works come fast and furious and run the gambit from brilliant to bawdy.

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Blake Hammond as Nostradamus & Rob McClure as Nick Bottom. © Jeremy Daniel

The cast, from Bottoms to top, is also brilliant. Rob McClure as Nick, the more aggressive Bottom brother, easily establishes a great rapport with the audience and is a tap-dancing triple threat. Adam Pascal brings rock-star glam to the role of Shakespeare. Maggie Lakis charms as Nick’s way-too-understanding and supportive wife, Bea. As Nigel, Josh Grisetti is the passive, put-upon Bottom who is easy to root for, especially in his budding romance with Portia (Autumn Hurlbert), the Puritan with a love for poetry who looks and sounds like she could break into “Popular” at any moment (that is not a complaint 🙂 ). Scott Cote is a riot on stage as Portia’s father, Brother Jeremiah, who is comically word-choice inappropriate. And you can’t help but love Blake Hammond as Nostradamus whose semi-accurate predictions of the future drive the plot. Finally hats off to the remainder of the hard-working ensemble for sharing their talents.

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Autumn Hurlbert as Portia and Josh Grisetti as Nigel Bottom. © Jeremy Daniel

I very much enjoyed the contemporary dance moves, peppered with nods to iconic musical theatre choreography, by Casey Nicholaw who also directs the production. And did I mention there are also multiple tap numbers? The costumes designed by Gregg Barnes were beautiful, clever, and full of surprises which I won’t spoil.

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Cast of the Something Rotten! National Tour. © Jeremy Daniel.

Overall, a NOT TO BE MISSED production for any musical theater fan. Hilariously funny and a great time at the theater. I’d gladly see it again before it leaves if I could. Thank you all for a completely enjoyable, laugh-filled Tuesday night.

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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