Yearly Archives: 2013

CCM Senior Lauren Roesner Wins Third Prize in Lotte Lenya Competition

The soprano was awarded third prize in the prestigious international theatre singing contest during the final round of the competition on April 13.

Lauren Roesner. Photo courtesy of the Kurt Weill Foundation.

Lauren Roesner. Photo courtesy of the Kurt Weill Foundation.

CINCINNATI, OH — CCM graduating senior Lauren Roesner (BFA Musical Theatre, 2013) has been named a winner of the 2013 Lotte Lenya Competition. Originally from Chicago, Roesner was awarded third prize in the prestigious international theatre singing contest during the final round of the competition on Saturday, April 13, in Rochester, New York. The competition finals were held just one day before Roesner’s CCM Musical Theatre Senior Showcase debut in New York.

CCM Professor and Distinguished Chair of Musical Theatre Aubrey Berg explains that, at 21 years old, “Lauren must be one of the youngest performers, if not the youngest, to ever become a finalist in this prestigious event.”

CCM Associate Professor and Distinguished Chair of Opera Robin Guarino attended this year’s competition and notes, “Lauren was competing against and won over singers already performing major roles on Broadway and at the Metropolitan Opera!”

The Kurt Weill Foundation for Music, which sponsors the competition, distributed a record $61,500 in prizes this year. Roesner received a third prize of $7500. CCM alumna Heather Phillips, soprano, was also a finalist in the competition and received an award of $1000.

Several other current and former CCM students were awarded special prizes during this year’s competition. Learn more about those awards here.

About Lauren Roesner
A graduating senior from CCM’s acclaimed Musical Theatre program, Lauren Roesner has been seen regionally at Wagon Wheel Theatre as Velma Von Tussle in Hairspray, Maria Mirelli in Lend Me A Tenor, Mrs. Darling/Indian Dancer in Peter Pan and in various roles in Big River, State Fair and Legally Blonde. At CCM, she has been seen as Polly Peachum in The Threepenny Opera, Sarah in The Civil War, Rapunzel in Into the Woods, Mrs. Nordstrom in A Little Night Music, Bess in The Human Comedy, Ensemble in Oklahoma! and in Out of This World, Evita and Anything Goes.

About the Lotte Lenya Competition
Founded in 1998 to celebrate the centenary of Lenya’s birth, the Lotte Lenya Competition recognizes talented young singer/actors, ages 19-32, who are dramatically and musically convincing in a wide range of repertoire.

This year’s panel of judges included acclaimed soprano and 2010 Opera News Award winner Patricia Racette, British opera and musical theatre conductor James Holmes, and Theodore S. Chapin, President of Rodgers & Hammerstein and Vice-Chairman of the American Theater Wing.

Chapin, who has judged the Competition eight times, said, “The Lenya Competition was founded to address a need for performers who can both sing and act. In the spirit of Kurt Weill, it bridges the gap between musical theater and a more serious kind of sung-through theater. It’s the perfect way to do it, and it’s been a wonderfully successful program.”

Each contestant presented a diverse program that included an aria from the opera or operetta repertoire; two songs from the American musical theatre repertoire (one from the pre-1968 “Golden Age” and one from 1968 or later); and a theatrical selection by Kurt Weill. After a preliminary round of auditions, 24 semi-finalists from five continents auditioned in New York for adjudicator/coaches Jeanine Tesori and Rebecca Luker, who then selected the 12 finalists.

About the Lotte Lenya Competition
The Lenya Competition celebrated its 15th Anniversary this year. Since its inception, the Kurt Weill Foundation has awarded more than $500,000 to exceptionally talented young singer-actors, many of whom are enjoying prominent careers in musical theater, opera, and sometimes both. In the past year alone, previous winners’ credits include performances on Broadway (Kyle Barisich, Morgan James); in national and international tours (Richard Todd Adams, Maria Failla, Zachary James, Ariela Morgenstern); at regional theaters such as Baltimore Centerstage, Westport Country Playhouse, and Portland Center Stage (Erik Liberman), The Public Theater’s Shakespeare in the Park (Cooper Grodin), and Classic Stage Company (Amy Justman); and on major opera stages including the Metropolitan Opera (Paul Corona, Ginger Costa-Jackson), Los Angeles Opera (Rodell Rosel, Liam Bonner), Lyric Opera of Chicago (Rodell Rosel, Lucas Meachem), Florida Grand Opera, Santa Fe Opera, and Oper Leipzig (Jonathan Michie), Houston Grand Opera (Liam Bonner), New York City Opera (Lauren Worsham, Jennifer Goode Cooper), Glimmerglass Festival (Noah Stewart, Ginger Costa-Jackson), English National Opera and Teatro Real Madrid (Zachary James), Hamburg Staatsoper and Festival d’Aix-en-Provence (Rebecca Jo Loeb), and Oper Frankfurt (Elizabeth Reiter).

Learn more about this year’s competition winners here.

The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy.

CCM is the largest single source of performing arts events in Ohio with an annual calendar of nearly 1,000 performances and presentations, ranging from solo recitals to full-scale opera and musical theatre performances.

All event dates and programs are subject to change.

For a complete calendar of events visit our website at http://ccm.uc.edu.

UC’s College-Conservatory of Music – The Sound of Synergy

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NET’s PROOF Earns LCT Nomination

Rebecca Whatley & David Roth. Photo by Mikki Schaffner.

Rebecca Whatley & David Roth. Photo by Mikki Schaffner.

Panelists for the League of Cincinnati Theatres (LCT) have recognized New Edgecliff Theatre’s production of Proof with an LCT nomination for lead actress, Rebecca Whatley.

On the eve of her twenty-fifth birthday, Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father’s madness — or genius — will she inherit?

Panelists praised Rebecca Whatley’s portrayal of Catherine as “natural and unforced”; “a touching mixture of bewilderment, bravado, and brokenness that commanded my attention and did not let up.”

Proof continues through April 27th. Tickets can be purchased at http://www.cincinnatiarts.org.

Final LCT awards will be determined at the end of the season and announced at the LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

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CLP Seeks PT Box Office Manager/Supervisor

CLPCincinnati Landmark Productions is seeking to hire a part-time Box Office Manager/Supervisor.

Requirements: Must be at least 21 years of age and have a valid driver’s license and reliable transportation. Candidate must be able to work in an unsupervised environment. Must be a self starter, dependable, and have excellent communications skills.

Cincinnati Landmark Productions (CLP) is looking for a strong communicator, a people person, one who can work well independently and multitask in a fast paced environment. Must be able to work a flexible work schedule that includes night and weekends (when performances are running).

Working knowledge in PC based programs: Microsoft Word and Excel.

Theatre experience (especially box office) is helpful, but not necessary. Candidates with experience in sales, retail and hospitality are encouraged to apply.

The Box Office Manager must demonstrate skill and accuracy handling cash, credit card transactions and an in-depth knowledge of CLP’s ticketing system – ProVenue Plus. Ability to work with volunteer ushers providing an environment in which they are adequately prepared and enthusiastically thanked for their service.

Must be available to work Saturday evenings/Sunday morning/afternoon hours. The ideal candidate will be a creative problem solver, calm under pressure, thorough, diligent, detail oriented, organized, mature, discreet, patient, hospitable, ability to listen to concerns and resolve problems creatively and provided courteous and efficient customer service. Handle all transactions with fastidious attention to detail, discretion and security, and must maintain professional behavior handling confidential information. Help train and supervise Box Office Associates, as needed.

Other duties:

  • For performances, open box office 3 hours prior to performance, process ticket sales for walk ups and phone calls, prepare batch printing, assist with seating latecomers, answer phones until intermission, continue sales/exchanges with patrons during intermission and after show.
  • Supervise House staff
  • At Showboat, assist with closing of concessions stand.
  • Prepare box office receipts, deposit into safe, and email manager report
  •  Lock up theatre and turn on alarm. 

Pay rate is $9.00 hourly.

If interested, please contact Matt Lape @ mattlape@covedalecenter.com to set up an appointment for an interview (no phone calls please).

Deadline to apply – Wednesday, May 1, 2013

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DANCING AT LUGHNASA Runs May 10-19

IATC_logoDANCING AT LUGHNASA
Presented by Irish American Theater Company
May 10-19
East End

Directed by Maureen Kennedy

DANCING AT LUGHNASA is the story of five unmarried sisters eking out their lives in a small village in Ireland in 1936. We meet them at the time of the festival of Lughnasa, which celebrates the pagan god of the harvest with drunken revelry and dancing. Their spare existence is interrupted by brief, colorful bursts of music from the radio, their only link to the romance and hope of the world at large. The action of the play is told through the memory of the illegitimate son of one of the sisters as he remembers the five women who raised him, his mother and four maiden aunts.

Following the closing performance, the Company takes this show on tour to Chicago for the Acting Irish International Theater Festival at Gaelic Park.

  • Fri-Sat, May 10-11 at 7:30pm
    (Join us for the opening night pre-theater mixer at 6:30pm, held in the Irish Pub with plenty of homemade bruschetta.)
  • Sun, May 12 at 2:30pm
    (All mothers can enjoy coffee or tea and scones, homemade, as always, by our Irish ladies.)
  • Fri-Sat, May 17-18 at 7:30pm
  • Sun, May 19 at 2:30pm

FaceBook event |

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ROCK OF AGES Runs May 21-22

BAA_Rock of AgesROCK OF AGES
Presented by Victoria Theatre Association
May 21-22
Dayton

In 1987 on the Sunset Strip, a small town girl met a big city rocker and in LA’s most famous rock club, they fell in love to the greatest songs of the ’80s. It’s an arena rock love story told through the mind-blowing, face-melting hits of the ’80s. ROCK OF AGES features the tunes of all your ’80s favorites, including REO Speedwagon, Styx, Journey, Bon Jovi, Poison, Foreigner, Pat Benatar, Twisted Sister, Steve Perry, Whitesnake, Night Ranger, Quaterflash, Asia, Damn Yankees and more! Ages 13 and up.

  • Tue-Wed at 8pm

Official page with online ticketing |

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