Tag Archives: The Children’s Theatre of Cincinnati

TCT Cincinnati Receives Anonymous $1.5 Million Gift

TCT_The Emery TheaterPushing Emery Campaign to $30 Million

Hip-Hop Legend Gives an Additional $50K

A gift of $1.5 million from an anonymous donor has powered The Children’s Theater of Cincinnati (TCT) to the $30 million milestone in its A Crown for the Queen City campaign to ensure its future as a premiere arts organization in the region and expand its innovative programming.

TCT launched its $48 million fundraising campaign to reimagine and restore the landmark Emery Theater as its permanent MainStage home and create a state-of-the-art venue unlike any in the region. Campaign chair Allison Kropp expressed her excitement and appreciation for this significant contribution to that effort.

“It is remarkable that a gift of this magnitude is fueling the home stretch of this campaign,” Kropp said. “We are so grateful for the generosity of all of those who have supported this project. You are helping us make history!”

The effort received an added $50,000 boost this month from actor, hip-hop legend, and entrepreneur Chris “Ludacris” Bridges. Bridges is a client of nationally recognized entertainment attorney Darrell D. Miller, who is a former TCT Board Member and current Emery Theater Campaign Cabinet member. Bridges announced his pledge of support on Thursday, July 20 from the stage of a sold-out show with Ashanti and Flo Rida at Hard Rock Casino Cincinnati.

“I’m drawn to the Children’s Theatre’s project in Cincinnati because of the plans to develop new works that hit on the topics that matter to kids today,” Bridges said. “The Emery project signals an incredible opportunity for more children to access the arts and see themselves in what happens on stage. As a father of four daughters and a philanthropist who’s constantly investing in the next generation, I’m honored to be a part of this.”

Miller, who is Founding Chair of the Entertainment & Sports Law Department and Los Angeles Office Managing Partner at the national law firm of Fox Rothschild LLP, served on the TCT Board of Directors from 1996 to 2010.

“I will always cherish being on the Board of The Children’s Theatre during this period of rapid growth that brought life-changing, professional theatrical productions to a diverse community of young audiences,” Miller said. “It was a transformative experience in my life that formed my commitment to never stop giving back to my hometown Cincinnati community. I am grateful for Chris’s generous support for this worthy cause that is so close to my heart.”

With The Emery as its home, TCT will unlock its potential to inspire diverse audiences with original works and even more innovative programming. TCT will also expand programming for younger children (theatre for the very young) and teenagers, with works considered a revenue risk in its current rented space.

What TCT imagines is not simply a restoration but a reinvention of the theater into a modern and memorable venue equipped with the latest technology that both inspires and teaches. TCT’s plans to incorporate the most modern technology, a stage lift, an automated fly system, a 40′ x 60′ video wall, and projection mapping will provide an immersive audience experience and overcome backstage and wing space limitations.

TCT envisions a space that belongs to the community. Bringing TCT to The Emery ensures Cincinnati’s premiere children’s theatre can continue to provide arts access, education, and foundational well-being to the families and students of our region and across the Midwest for generations to come. This effort will revitalize a treasured cultural asset, provide a permanent home for children’s theatre in Cincinnati’s vibrant urban core, and put Cincinnati on the map as a family theatrical destination.

After the completion of fundraising and construction, The Children’s Theatre plans to open the Emery in Fall 2025 with its 2025-2026 MainStage season.

History of The Emery Theater
Imagined by philanthropist Mary Emery and designed by the famed architectural firm of Samuel Hannaford & Sons, the Emery Auditorium opened in January 1912 with an inaugural concert by the Cincinnati Symphony Orchestra. The acoustically exceptional 2,200-seat theater in Over-the-Rhine was once considered one of the top concert halls in the country. Sergei Rachmaninoff, John Philip Sousa, George Gershwin, Eleanor Roosevelt, Bette Davis, and Dr. Martin Luther King, Jr. all stood on the Emery stage at various points in its history.

The Emery was also the performance home of TCT until 1969 when the University of Cincinnati took ownership of the property and ran it as the College of Applied Sciences until 1989. The theater was used for films, lectures, and meetings for the next decade. While the building’s upper floors were developed as apartments in 2001, the theater has fallen into disrepair since that time. TCT is the Emery Theater’s best hope to be restored to its former glory and to regain its place as a memorable and iconic arts venue. This video highlights the planned transformation.

About The Children’s Theatre of Cincinnati
Celebrating 104 years this season, The Children’s Theatre of Cincinnati (TCT) is the oldest professional theatre for young audiences in the country, creating lifelong memories and lasting impact for children and families for more than a century. TCT brings art to life through three divisions: TCT MainStage productions, TCT on Tour/WorkShops, and TCT Academy. TCT draws approximately 100,000 youth and adults to its MainStage productions, over 40,000 PreK-8 students to TCT on Tour Shows, and 1,200 students participate in TCT Academy. Each season, 50,000 students attend TCT MainStage productions with their schools. Rudolph the Red-Nosed Reindeer JR., the company’s 2022 holiday show, was the highest-grossing production in the history of TCT. This video offers a glimpse into the scope and vibrancy of programming offered by TCT.

Delivering much more than entertainment, TCT offers an inclusive space and innovative programming for children and adults to learn confidence, patience, and imagination. TCT’s partnerships with regional schools allow thousands of students each year to reap the lifelong benefits of a quality arts education that they might otherwise not experience. 

Arts Education
Students who participate in the arts, both in and outside of school, demonstrate improved academic performance, increased standardized test scores, and lower dropout rates (American for the Arts). An NEA report shows the potential benefit of arts education for at-risk youth, including better academic outcomes, higher career goals, and more civic engagement. Students with access to the arts in high school were three times more likely than students who lacked those experiences to earn a bachelor’s degree. Amongst students with lower socioeconomic status, those with high arts exposure in school had the highest rates of choosing a major that aligns with a professional career compared to students with lower arts exposure (NEA, The Arts and Achievements in At-Risk Youth: Findings from Four Longitudinal Studies).

Despite the clear benefit of theater programming, only 4% of public elementary schools have a drama program (National Center for Education Statistics). TCT often fills this gap left by the reduction of arts education in our public schools. In fact, surveys we conducted with educators that utilize our programming demonstrated the following:

  • 51% of educators reported a reduction in arts education at their schools
  • 94% of educators who had experienced a reduction in arts education at their schools reported that TCT productions fill the gap caused by these cutbacks
  • 100% of educators reported TCT effectively creates access to theatre for children who would not otherwise benefit

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Auditions Announced for CINDERELLA: Youth Edition and FINDING NEMO JR at The Children’s Theatre

TCTC_new logoThe Children’s Theatre of Cincinnati (TCT) is holding auditions in August for the final two MainStage productions in their 2023-2024 season at the Taft Theatre.

All roles are paid positions.

TCT, the nation’s oldest theatre for children, is passionate about creating an inclusive workplace and is committed to a dynamic casting process. All roles are open to everyone regardless of ethnicity, background, ability, or gender identity.

Upon audition registration, you may indicate which shows for which you would like to be considered. Auditions are by appointment only.

You only need ONE audition appointment, even if you are interested in both productions.

Adult performers and young performers ages 9-18 who would like to be considered for TCT’s Young Artist Company, may make an audition appointment by visiting https://www.theaterforms.com/TCTCincinnati/cindynemo/auditionform/ 

Appointment dates:

  • Monday, August 21st, 2023- 5:30-8:30 PM
  • Tuesday, August 22nd, 2023- 5:30-8:30 PM
  • Wednesday, August 23rd, 2023- 5:30-8:30 PM
  • Thursday, August 24th, 2023- 5:30-8:30 PM

Rodgers and Hammersteins Cinderella: Youth Edition callbacks will take place on Saturday, August 26th, 2023, 12:00 PM- 4:30 PM

Disney’s Finding Nemo JR. callbacks will take place on Sunday, August 27th, 1:00 PM- 5:30 PM.

Auditions and Callbacks are held at TCT’s headquarters located at: 4015 Red Bank Road, Cincinnati OH 45227.

If you are unable to attend auditions in person and would like to inquire about a virtual submission, or for information concerning auditions email Maddie Jones at Maddie.Jones@tctcincinnati.com

Visit https://www.theaterforms.com/TCTCincinnati/cindynemo/auditionform/ to sign-up for an audition appointment.

PREPARATION CHECKLIST

  • Please prepare the piano sheet music to a memorized song that shows your acting and vocal range. (1-minute max). The song must be age Remember to have your PIANO SHEET MUSIC, as we will not be auditioning for a cappella skills. An accompanist will be provided. Your sheet music MUST have the piano part, not just the vocal line, and music should be in a 3-ring binder with any cuts CLEARLY marked for the accompanist.

    You only need a song. You do NOT need to prepare a monologue.

  • Bring a RECENT 8×10 headshot and up to date performance Even if you upload to the audition website, a hardcopy of your headshot and resume is needed.
  • Plan to arrive at least 10-15 minutes ahead of your appointment to check/correct previously submitted paperwork. If we are ahead of schedule, we may bring you in to audition early.
  • Come with your scheduling conflicts. Due to concentrated rehearsal periods, we ask that conflicts during rehearsals are at a minimum. In an effort to best facilitate all rehearsal times, you will be asked to list all conflicts at the time of the Conflicts may result in a stipend adjustment. Please take note of when rehearsals begin, the day and evening tech and performance schedule, and bring your calendar with you to the audition.

ABOUT THE SHOWS

Rodgers and Hammerstein’s CINDERELLA: Youth Edition
Based on Cinderella by Charles Perrault
Directed by: Christopher Stewart
Choreography by: Tina DeAlterede

This magical musical by Rodgers & Hammerstein will feature a BIPOC creative team, and diversity will be celebrated as your favorite characters show us “Impossible” is possible! If you loved the 1997 film version of this classic musical, you won’t want to miss this enchanting production!

Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein’s Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, this enthralling fairy tale still warms the hearts of children and adults alike.

Rehearsals: January 13- February 10, 2024; Mon – Thurs: 6:30-9:30 PM, Sat: 10 AM – 4 PM

Tech in the Taft Theatre: February 14- 16, 2024 Daytime/Evening

Performances: February 17- 26, 2024

The first Monday of the week is dark after opening. Throughout the week, TCT hosts morning and afternoon performances for school field trips. Afternoon and evening performances for the public take place Friday-Sunday.

SEEKING THE FOLLOWING:

  • CINDERELLA: (portrays female) A charming young lady with the kindest heart in the kingdom. Sees the good in everyone despite her hardships and suffering from her Stepmother and stepsisters. Dreams of and is determined to find a better life for herself. Must sing very well.
  • PRINCE (portrays male) Beloved Prince of the Kingdom. Though handsome and young, this prince is also lonely and unfulfilled. He is charming of course, but also moral, genuine, and in search for something more. Must sing very well.
  • STEPMOTHER: (portrays female) Ella’s selfish stepmother. A vain and tyrannical climber. Deeply concerned with status and image and entirely dismissive of her stepdaughter. Comic timing essential. Traditional musical theatre character voice.
  • JOY: (portrays female) One of Cinderella’s stepsisters. A brash, bratty young woman, who never passes up the opportunity to be the center of attention. Not particularly bright. Character singing.
  • PORTIA: (portrays female) One of Cinderella’s stepsisters. An obnoxious, self-centered, goofy young woman with a fatuous laugh and, unfortunately, little signs of intelligence. Character singing.
  • KING: (portrays male) The Prince’s father. A bit of a fuddy-duddy who loves his son and wife, and always has the best of intentions.
  • QUEEN: (portrays female) The Prince’s lovely mother. Always wants the best for her son and does her best to keep her husband in line. At times serious, but always affectionate.
  • GODMOTHER: (portrays female) An extremely pragmatic, no-nonsense, original, and mysterious character, who helps fulfill Cinderella’s wish to go to the ball and change her destiny. Character singing.
  • HERALD: (portrays male) The keeper of the court. Announces all events and must sing well.
  • ENSEMBLE: A variety of character types to play several featured ensemble roles; Actors with comedic timing, extremely strong golden age musical theatre voices and be able to move/dance very well; Seeking STRONG Dancer, Singer, Actors with versatile singing and acting ability who will cover principal roles.

DISNEY’S FINDING NEMO JR.
Book Adapted by: Lindsay Anderson
Music and Lyrics: Robert Lopez and Kristen Anderson-Lopez
Music and Orchestrations Adapted and Arranged by: Myrna Conn

Directed by: Nate Bertone
Choreography by: Roderick Justice

Disney’s Finding Nemo JR. is a 60-minute musical adaptation of the beloved 2003 Pixar movie Finding Nemo, with new music by award-winning songwriting team Kristen Anderson-Lopez and Robert Lopez.

Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. But when Nemo is captured and taken to Sydney, Marlin faces his fears and sets off on an epic adventure across the ocean. With the help of lovable characters such as optimistic Dory, laid-back sea turtle Crush, and the supportive Tank Gang, Marlin and Nemo both overcome challenges on their journey to find each other and themselves.

Featuring memorable songs such as “Just Keep Swimming,” “Fish Are Friends Not Food,” and “Go With the Flow,” Finding Nemo JR. brings a vibrant underwater world to life on stage in a story full of family, friendship, and adventure.

Rehearsals: March 16- April 13, 2024; Mon – Thurs: 6:30-9:30 PM, Sat: 10 AM – 4 PM

Tech in the Taft Theatre: April 17-19, 2024 Daytime/Evening

Performances: February 20- 29, 2024

The first Monday of the week is dark after opening. Throughout the week, TCT hosts morning and afternoon performances for school field trips. Afternoon and evening performances for the public take place Friday-Sunday.

SEEKING THE FOLLOWING:

  • NEMO: A curious young clownfish who brims with excitement to explore the wonders that lie beyond the Great Barrier Reef. Born with a “lucky fin” – or what humans would call a limb difference. Nemo quickly learns that the world possesses incredible dangers in addition to the promise of big adventures. By making new friends, finding strength within, and practicing teamwork, Nemo transforms into a capable and brave leader, able to self-advocate and take on challenges big and small.
  • MARLIN: (portrays male) An anxious clownfish and Nemo’s overprotective father, who, after the tragic death of his wife Coral, prefers the safety of his anemone to the frightening unknowns of the open ocean. Forced to travel across the sea in search of Nemo, Marlin develops the courage to face the unpredictable ocean and the wisdom to trust others – including his own kid.
  • DORY: (portrays female) An optimistic and bubbly blue tang, experiences frequent short-term memory loss and finds herself wandering through the ocean with no place to call home. Sparking friendships with whomever she meets, Dory immediately offers to help Marlin find his lost child, and the two set out on an adventurous journey through the ocean. Along the way, Dory’s kindness and bright spirit ease Marlin’s fears, and the unlikely duo finds comfort and family in each other.
  • CRUSH: (portrays male) Crush, a 150-year-old sea turtle who knows how to hang loose, teaches Marlin a thing or two about being a good parent.
  • SQUIRT: Squirt, offspring of Crush, fearlessly twirls through turbulent waters of the ocean and enjoys trying out cool new moves in the high-speed EAC.
  • BRUCE/ PROFESSOR RAY/ BLOAT: (portrays male) Bruce is an intimidating great white shark, is the sharks’ ringleader. Despite Bruce’s best efforts to adopt a vegetarian diet, Bruce loses control and is sent into a frenzy, threatening to devour every fish in sight. Part of the Sharks.

    Professor Ray is a stingray and Nemo’s enthusiastic teacher, takes pride in sharing the curiosities and marvels of the world with the class and encourages every student to be a brave explorer.

    Bloat is part of the “Tank Gang” that helps Nemo escape the Sydney Harbor Aquarium and return to the ocean. An open-minded and supportive blowfish, is proud to be part of the Tank Gang family and helps keep everyone’s spirits up, even when things seem bleak.

  • CHUM, ANCHOR: Two of Bruce’s shark friends, try to live vegetarian lifestyles but are eventually forced to restrain an out-of- control Bruce from eating innocent fish. Part of The Sharks.
  • NIGEL: A sharp-eyed pelican, Nigel is the Tank Gang’s feathered friend and only connection to the outside world. This bird is someone you can count on to know all the latest news on the happenings of Sydney Harbour.
  • GILL: (portrays male) Part of the “Tank Gang” that helps Nemo escape the Sydney Harbor Aquarium and return to the ocean. A relentless and inspiring leader who will stop at nothing to return to the freedom of the ocean. This Moorish idol fish believes in the Tank Gang and concocts countless plans to bust them out of the aquarium. Gill is the first fish Nemo has ever met with a similar “fin difference,” quickly becoming a mentor and inspiration for the young clownfish.
  • PEACH: (portrays female) Part of the “Tank Gang” that helps Nemo escape the Sydney Harbor Aquarium and return to the ocean. A mature and down-to-earth starfish, offers guidance and reassurance to all those who need it.
  • CORAL: (any gender) A loving mother-to-be clownfish, married to Marlin, who will stop at nothing to protect her eggs.
  • BUBBLES: (any gender) Part of the “Tank Gang” that helps Nemo escape the Sydney Harbor Aquarium and return to the ocean. A yellow tang who is captivated by bubbles, is the first to welcome Nemo to the tank. This friendly fish exclusively uses the word “bubbles” to communicate.
  • GURGLE: (portrays older male) Part of the “Tank Gang” that helps Nemo escape the Sydney Harbor Aquarium and return to the ocean. Frightened of strangers and the germs they carry with them, is a royal gramma who enjoys the safety and regulated cleanliness of the tank.
  • PEARL, SHELDON, TAD: (any gender) Pearl, a friendly flapjack octopus who is, quick to befriend Nemo.

    Sheldon, an H2O-intolerant seahorse with an appetite for trouble who taunts Nemo to swim beyond the reef.

    Tad, a self-admittedly obnoxious butterflyfish who joins Sheldon in encouraging Nemo to swim past the Drop-Off.

  • ENSEMBLE: A variety of character types to play several featured ensemble roles; Actors with puppeteering experience is preferred, extremely strong character musical theatre voices and be able to move/dance very well; Seeking STRONG Dancer, Singer, Actors with versatile singing and acting ability who will cover principal roles.

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Development Manager – Data and Finance Sought by The Children’s Theatre of Cincinnati

TCTC_new logoDEVELOPMENT MANAGER – DATA AND FINANCE
(FULL-TIME)

Organizational Overview: 

The Children’s Theater of Cincinnati’s (TCT) mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre
  • TCT On Tour
  • TCT Academy

Vision: To awaken a lifelong love of theatre in children and the young at heart.

Core Beliefs:

  • We believe in the power of theatre to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Objective: To find a dynamic individual to join our team who is passionate about the impact TCT has on thousands of children annually, who would enjoy working for a company in a state of transformational growth, and one that makes employee satisfaction and engagement, and working in an environment that actively embraces diversity, equity, inclusion, and accessibility (DEIA), a priority. 

Position Overview:

The Development Manager Data and Finance will assist the Development and Finance Teams and the organization in fulfilling its mission of educating, entertaining and engaging our young audiences through professional theatrical productions and arts education programming.  A successful Development Manager Data and Finance will not only lead TCT internally to achieve its mission, but will be an active advocate in the community, fostering and developing strategic relationships with community organizations/partners.  The Development Manager Data and Finance of The Children’s Theatre of Cincinnati (TCT) reports directly to the Development Director with direction/oversight from the Finance Director 

Responsibilities: 

Developing, analyzing, organizing, cleaning and reporting of data in the donor database system and QuickBooks as it relates to individuals, organizations and corporations involved with advancing the mission of TCT.  This includes the practice of developing and maintaining quality data management procedures for the Development, Marketing and Sales Departments.

  • Goal Setting/Benchmarking
    • Participate in setting and monitoring fundraising goals
    • Assist in preparation of fundraising/development calendar
  • Strategic Plan Review and Timely Update
    • Work with Managing Director & CEO to facilitate regular reviews of TCT OGSP Scorecard
    • Connect with Strategy Leaders for updated numbers and assist as needed
  • Annual Fund
    • Assist/manage data pool for campaign
    • Assist in design and pull of progress reports throughout fiscal year as needed
  • Board Contributions and Relations
    • Send out all Board and Executive Committee calendar invites, track attendance, order lunch and set the room including copies of all Board Meeting materials sent ahead
    • Responsible for New Board Member onboarding process including one or more events, new member information in online system and scheduling individual meetings with Managing Director & CEO
    • Maintain information in Spektrix tracking contact preferences, board involvement and participation
    • Maintain information for Grants on demographics and hours for Board Members
    • Assist Managing Director & CEO with sending and collecting of annual Board surveys, conflict of interest forms and payment of Board Dues
  • Recordkeeping & Data Management
    • Timely Gift entry into Spektrix for all financial and in-kind gifts associated with individuals, corporations and organizations at any gift level.
    • Prepare acknowledgement letters for each gift within 48 hours of receipt.
    • Royal Supporters – Prepare and provide list for review for each MainStage production program. Manage deadlines to ensure timely submission.
    • Ensure regular communications with Finance Director to be sure timely receipt of ACH gifts, stock gifts, etc.
    • QuickBooks entry of daily Spektrix deposits (details to be coordinated with Finance Director)
    • Develop and support effort to define and review stats for reporting and grant purposes.
    • Prepare reports as needed to reconcile with Finance Manager, General Ledger and/or Quickbooks
    • Build and run database reports on a regular schedule and mailing lists for donor solicitations and pledge management.
    • Assist with providing timely Calendar Year End Statements for donors as requested.
    • Perform regular data hygiene reviews to maintain high-quality recordkeeping.
  • Special Events, Raffles and Auctions
    • Assist Development Team with appropriate data information gathering forms to support events, raffles and auctions
    • Record items/experiences and associated details/descriptions gathered by Director of Development and Development Manager Grants and Corporate Partnerships
    • Timely entry of Online Auction items in Bidding for Good Auction Software
    • Timely entry of donor and gift details associated with events, raffles and auctions in Spektrix and QuickBooks
    • Prepare gift acknowledgements for individuals, organizations or companies supporting events, raffles and auctions
    • Ensure financial reporting is synchronized between Finance and Development
  • Volunteers
    • Build and/or update records with volunteer contact information, activities and details
    • Maintain demographics for volunteers and hours for grants and statistics.
    • Assist with volunteer recruitment through the UC Volunteer System and any other volunteer portals discovered
  • Individual Giving
    • Assist Director of Development with regular Spektrix reports to demonstrate progress and/or growth opportunities for individual giving
    • Assist with pledge management in Spektrix for Annual or Capital gift commitments
    • Assist in setup and support of special donor events as needed

Ideal and Minimum Qualifications:

  • Bachelor’s degree in nonprofit development or related field; and/or equivalent training through practical business experience
  • Prior development experience
  • Excellent communication and relationship building skills
  • Experience with Microsoft Office
  • Experience with Database management/CRM application software
  • Experience with Spektrix (ticketing/donor software) a plus but not required.

Compensation & Benefits:

  • Salary range: $45,000-$55,000
  • Health, vision and dental benefits available after a waiting period. Health insurance premiums paid by TCT at 100% for employee only high deductible plan.
  • 403(b) retirement plan participation available with eligibility for an employer match after one year of credited service.
  • Generous PTO accrual based on years of service (five weeks paid vacation in first year).
  • Generous paid holiday schedule.
  • Additional paid time off between December Holidays and New Year’s (Winter Break).
  • Flexible schedule opportunities and hybrid work opportunity.

The Children’s Theatre of Cincinnati believes the stories on our stages and the work we do behind the scenes must reflect the diverse communities we serve. We believe inclusive work cultures spark wide-ranging, exploratory conversations and learning. Therefore, we strongly welcome and encourage people from all backgrounds, identities, abilities, and ages to apply as we continue our commitment to diversity and build an inclusive environment at TCT.

TO APPLY: Qualified candidates should submit whatever they feel best reflects their qualifications. This can come in the form of a video, cover letter/resume, portfolio, and/or demo reels. (Files should be less than 3MB in total, links are welcome). No phone calls, please.

Please submit materials and any references by Friday August 18, 2023, to Director of Development, Anne Venters at anne.venters@tctcincinnati.com. Subject Line: DEVELOPMENT MANAGER – DATA AND FINANCE 2023

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Three Tri-State Schools Awarded Fully Funded JumpStart Theatre Program

TCTC_JumpstartSupported by The Children’s Theatre of Cincinnati 

Cincinnati – After a three-month selection process, The Children’s Theatre of Cincinnati (TCT) has named the newest tri-state area schools that will partner with the JumpStart Theatre Program. The Educational Theatre Association (EdTA), in collaboration with New York City-based companies iTheatrics and Music Theatre International (MTI) created JumpStart Theatre, a three-year scalable program designed to build sustainable musical theatre programs in underserved schools that previously had none.

Batavia Middle School, Shroder High School (grades 7-8), and Covedale Elementary School were selected to be part of the three-year program beginning in the 2023-2024 school year.

The selection process included a formal written application, site visits to the schools, and interviews with administrators and the faculty who would be spearheading the program.

Kim Kern, Managing Director and CEO of The Children’s Theatre of Cincinnati, said, “We are thrilled to welcome Batavia Middle School, Shroder High School, and Covedale Elementary School as JumpStart Theatre partner schools for the 2023-24 school year. TCT has seen over 10 schools complete this program and build their theatre programs into self-sustaining entities. We are so excited to see the momentum of this program, and to work alongside the Educational Theatre Foundation to continue the growth locally while they expand the reach and impact nationally.”

Each school will receive services and materials valued at $12,000 in the form of training, mentoring, and production support for a full-scale show for their community. Students will be involved in every aspect of the production, and TCT with EdTA will also host an annual JumpStart Theatre showcase, bringing all the participants together to share their work.

The selected schools make a three-year commitment, and teams of three or more teachers from each school will participate in professional development “boot camps” in a variety of areas lead by a master teacher in the fall and spring. These workshops will provide training in all areas of musical theatre production, with the goal of empowering the teacher teams to guide the programs independently.

For questions about the JumpStart Theatre Program and application process, visit https://thechildrenstheatre.com/jumpstart-theatre-program/.

About The Children’s Theatre of Cincinnati (TCT):
The Children’s Theatre of Cincinnati is the oldest children’s theatre in the country. Its mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming. Its vision is to awaken a lifelong love of theater in children and the young at heart. Today, the Children’s Theatre brings art to life for our audiences through three key programs: TCT MainStage at the Taft Theatre, TCT on Tour (including Workshops) and TCT Academy. Each season TCT strives to reach more than 200,000 people in our region. For more information visit https://thechildrenstheatre.com/.

About the Educational Theatre Association:
The Educational Theatre Foundation (ETF) is the fundraising arm of the Educational Theatre Association (EdTA).

ETF’s mission is to provide all students with equitable access to quality theatre education. The Foundation achieves this mission by providing financial support to programs that expand access to and participation in school theatre for underserved and marginalized communities and funding theatre programs’ growth and sustainability.

The JumpStart Theatre program creates sustainable theatre arts programs in middle schools where there previously were none. Participating schools are chosen through a rigorous application process and receive training, materials, and budget support to produce their first full-scale musical production. The support continues for three years until the program becomes self-sustaining. Non-theatre teachers are equipped with skills and resources to produce their school’s first musical through a proven combination of bootcamp style training and hands-on mentoring. The Educational Theatre Association operates JumpStart Theatre through a national network of regional theatre company partners who are selected based on their track-record of success in running educational programs for children. JumpStart Theatre partners are Alliance Theatre, Atlanta, Ga.; La Jolla Playhouse, La Jolla, Calif.; Mountain City Center for the Arts, Frostburg, MD; Stages St. Louis, St. Louis, MO; The Children’s Theatre, Cincinnati, OH*

*Original pilot site

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Scenic Artist Sought by The Children’s Theatre of Cincinnati

TCTC_new logoScenic Artist (Full-time) 

Organizational Overview: 

The Children’s Theatre of Cincinnati’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming. We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre 
  • TCT On Tour
  • TCT Academy 

Vision: To awaken a lifelong love of theatre in children and the young at heart.

Core Beliefs:

  • We believe in the power of theatre to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high-quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The Scenic Artist is a skilled theatre professional, knowledgeable in all aspects of scenic art. The Scenic Artist works with the TD/Scenic Charge Artist to visually recreate the scenic designer’s vision through paint and surface treatments to the scenery of the four MainStage productions per season, Academy and TCT on Tour shows.

The Scenic Artist is self-motivated, able to work independently to complete tasks assigned to them safely and quickly without constant and direct oversight. The Scenic Artist can read and interpret paint elevations, and is knowledgeable in art techniques as they relate to scenic art.

The Scenic Artist is willing to assist other departments to help fulfill the goals of the company. The Scenic Artist reports directly to the Scenic Charge Artist and works closely with all shop team members.

Responsibilities:

Duties include but are not limited to:

  • Work with the Scenic Charge Artist to understand the vision and needs of the production
  • Work with the Scenic Charge Artist to create artistic techniques and samples
  • Track supplies while keeping the shop well organized and clean
  • Paint all TCT productions including Mainstage, Academy and TCT on Tour with the help of the TD/Scenic Charge Artist and over hire as needed
  • Assist as needed with truck pack, load-in, load-out and strike of all sets
  • Inform TD/Scenic Charge Artist of broken equipment and tools
  • Touch up Main Stage shows with union crew at the Taft Theatre
  • Assist in creating a “touch-up” kit and touching up the scenery as necessary on location
  • Assist with any needs for STAR Programs, TCT on Tour, Workshops, & lobby displays
  • Assist with maintenance and upkeep of the ShowTime Theatre at Red Bank facility.
  • Provide support during special events on an as needed basis
  • Other duties as assigned 

Minimum and Ideal Qualifications:

  • BA or equivalent in theatre or art, or 4 years scenic painting experience
  • Knowledge of scenic painting techniques, including faux finishes, cartooning, texturing, aging, working with fabrics and foam carving.
  • Able to lift up to 50lbs, safely climb stairs, ladders, and use aerial work platforms or manlifts
  • Knowledge and experience with scenic sprayers including P50, Hudson, Preval, and Pneumatic
  • Able to read and interpret paint elevations
  • Self-motivated and able to work independently and safely
  • Positive, problem-solving attitude
  • Excellent time management and organizational skills
  • Valid driver’s license, experience operating box trucks is a plus.

Compensation & Benefits:

  • Annual Salary Range: $36,000-$41,000
  • Ideal Start Date: 7/5/2023
  • Health, vision and dental benefits available, partially subsidized by employer contributions, after a waiting period.
  • 403(b) retirement plan participation available, after a waiting period, with eligibility for an employer match after one year of credited service.
  • Generous PTO based on years of service.
  • Generous paid holiday schedule

The Children’s Theatre of Cincinnati believes the stories on our stages and the work we do behind the scenes must reflect the diverse communities we serve. We believe inclusive work cultures spark wide-ranging, exploratory conversations and learning. Therefore, we strongly welcome and encourage people from all backgrounds, identities, abilities, and ages to apply as we continue our commitment to diversity and build an inclusive environment at TCT.

TO APPLY:

Qualified candidates should submit whatever they feel best reflects their qualifications. This can come in the form of a video, cover letter/resume, portfolio, and/or demo reels. (Files should be less than 3MB in total, links are welcome). No phone calls, please.

Please submit materials and any references by Friday June 23, 2023 to Director of Production, Dani.Lobello@tctcincinnati.com.

Subject Line: Scenic Artist 2023

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