Tag Archives: Know Theatre of Cincinnati

KTC Producing Artistic Director Resigns

Know Theatre’s Producing Artistic Director Eric Vosmeier Resigns
Andrew Hungerford is named as the next leader of Know Theatre

Eric Vosmeier.

Eric Vosmeier.

Producing Artistic Director, Eric Vosmeier has tendered his resignation to Know Theatre’s Board of Directors. His last day at the helm of the organization will be June 30, 2014, just after the 11th Annual Cincinnati Fringe Festival and at the end of the company’s 13-14 fiscal year.

Board President Matthew Lafkas says, “Eric has been an asset to Know Theatre and the Board of Directors is grateful for his years of service and dedication. During his time at Know Theatre, he has been a thought leader for the larger theatrical community and the proof can be seen in what he’s programed and created for Know Theatre such as: Calculus: The Musical!, FringeNext, and the Jackson Street Market.”

Vosmeier sums up his reasons, “It’s simply time to move on and make way for someone else to take the reigns at Know Theatre. I believe this place demands a fresh perspective and new ways of thinking. The best way to accomplish this is to step down and allow those different voices the opportunity. I have been absolutely honored to be a part of this phenomenal staff for nearly 8 years, but the time has come to hand the reigns over to someone who can guide the theatre to its next evolution.”

Andrew Hungerford

Andrew Hungerford

To that end, Vosmeier and Know Theatre’s Board of Directors have hired long-time resident scenic and lighting designer, Andrew Hungerford as the next producing artistic director for Know Theatre. Andrew has been with the company since 2007 and has been instrumental in not only the ongoing increases in the quality of our production department, but has been a sounding board for many of the company’s projects, as well as a partner to Eric in selecting programming over the past several seasons.

Originally from Metro Detroit, Andrew Hungerford has spent the last ten years involved with Cincinnati’s theatre scene. After attending graduate school at UC College Conservatory of Music, he quickly became a frequent designer on Cincinnati’s stages. He has been resident scenic and lighting designer for Know Theatre of Cincinnati since 2007 and Cincinnati Shakespeare Company since 2010.

Hungerford says, “I’ve spent most of my professional career as part of the Cincinnati Theatre scene, and given a lot of my life over the last seven years to Know Theatre. When the opportunity arose to lead Know into its next phase, it just made sense as the next step for both the company and me. There was no way I could turn down the opportunity. As someone who cares deeply about contemporary Theatre, I’m thrilled to have the opportunity to contribute to the regional and national dialogue with a company that I love, in the amazingly supportive artistic community of Cincinnati.”

Along with his design work, Hungerford is a playwright, director, producer, and (infrequently) an actor. He has taken shows to the Edinburgh Fringe on three occasions, and produced work as part of the Cincinnati and Hollywood Fringes. Despite all this time on the road, Hungerford considers Cincinnati as his artistic home.

Vosmeier says, “Andrew is the best person I can imagine handing the reigns over to. He’s been part of the company longer than I have and he’s a superb choice to take what we’ve created during my tenure and to continue to build upon it. I have always valued his opinions, many of which have helped informed mine. I have more confidence in his first day at artistic director than I had in mine, so I think that’s a good sign.”

Lafkas adds, “The Board of Directors and I are simply wowed by Andrew’s talent and his passion for Know Theatre. He has a great vision for the theatre’s future and we’re anxious that he’ll be the next artistic leader. We have great faith that he’ll be able to take what Jay and Jason and Eric have created over the past 15 years and continue to build upon it.”

About Eric Vosmeier:
Eric Vosmeier joined Know Theatre of Cincinnati in 2007 as the Associate Artistic Director charged with producing the Cincinnati Fringe Festival, programming and operations for the Underground bar, and directing for the mainstage season. After a short time Eric was made Managing Director, a position he held for a little over two years. When the previous leadership departed, Eric was offered the position of Producing Artistic Director by the Board and accepted. He has been in this position since October 2009.

During Eric’s tenure as producer of the Cincinnati Fringe Festival, attendance has nearly doubled, seeing increases from 4500 theatregoers in 2007 to 8500 in 2013. Eric’s approach to the festival has been artist-centric from the beginning. The approach has distinguished the Cincinnati Fringe, which has become an integral part of the our national reputation among artists. By focusing on creating the best possible for festival for Fringe artists, he was able to steadily increase the quality and quantity of applications and the audience responded in kind. The 2013 Festival broke every single previous sales record.

Eric also created a cadre of new programming for the company as a whole:

– Early on as managing director, Eric inked a deal with the creators of Calculus: The Musical! for the exclusive North American touring rights for the show. Since that time, Calculus has proved to be an amazing asset for Know Theatre, currently accounting for over 10% of it’s operating revenue.

– FringeNext was launched in 2010 for the purpose of creating a high-school artist version of the Festival. The success of FringeNext has driven some of the growth in recent years.

– Also in 2010, Know Theatre launched the Jackson Street Market – an artist service initiative designed to leverage Know Theatre’s resources on behalf of the local artist community with the goal of providing opportunity for local artists to stay local and create work for Cincinnati audiences. Over the years, JSM has served a number of organizations and individuals such as: Pones, INC Laboratory of Dance, Art on the Streets, Higher Level Art, The Requiem Project, and more. It has also incubated and helped launch the perpetually successful True Theatre and Over-the-Rhine Improv, which still regularly perform at Know Theatre.

– Several improvements/capital investments to Know Theatre’s facility have occurred under Eric’s watch, including the addition of the marquee onto the building’s façade, new seats and seating risers in the theatre, new LED theatrical lighting, a new sound system, and within the next month some renovations to the Underground lobby/bar space.

– Finally, Eric invested in the future of the organization by continually pressing for increases in staff salaries, the addition of health insurance to staff compensation packages, and by creating a first draft of a strategic plan which lays a path for Know Theatre’s continued artistic growth.

– Mainstage productions during his tenure have included: 4 world premiere works; dozens of CEA/Acclaim/LCT awards for shows such as Angels in America, Adding Machine: A Musical, Sideways Stories from Wayside School, When the Rain Stops Falling, Skin Tights Bloody, Bloody Andrew Jackson, and many more.

Vosmeier adds, “I look back on what we’ve done with a great deal of pride. But while that work has strengthened Know Theatre and solidified our place in the regional arts scene, I am most proud of the staff we gathered to run this place. Alex, Doug, Kristen, and Nick (and everyone who has been on staff in the past 8 years) have made possible everything that we have accomplished. I am very proud of them and the work they make for our audiences. They are the reason that Know Theatre has survived economic hardships. They are the reason for the Festival’s success. They are the reason that we’ve been able to continue growing and getting better – because they keep growing and getting better. They are my friends and my family and I don’t imagine I’ll ever have the luck of having such dynamic individuals working with me again.”

Eric will remain in his position of producing artistic director until June 30, 2014. This will allow him to see through one more Fringe Festival and complete a transitional process with Andrew during the first half of 2014. Eric says, “The last transition of leadership was a little rocky and I think held Know Theatre back from its potential as we played catch-up immediately following. Andrew and I hope to avoid any such pitfalls this time around by creating a longer transition period and allowing for a holistic approach to this process. I want to ensure that we’re able to appropriately transition our institutional memory, internal best practices, and community relationships.”

Eric does not yet have plans for what he’s doing next, but he’s excited about what his future holds. “I’ve got a few ideas cooking and I’m working on possible projects for the short term. But at the moment I’m focused on making sure this transition process is a successful one and working to ensure that we’re executing everything we need to through the end of the season. I look forward to seeing this process through and handing Andrew an organization that has forward momentum from his first day in this position. Transitions are a great opportunity to evaluate, improve, and build capacity and that’s what I’m focusing on just now.”

More about our next producing artistic director, Andrew Hungerford:
Andrew holds a B.A. in Theatre and a B.S. in Astrophysics from Michigan State University. He received his MFA in Lighting Design from the University of Cincinnati College-Conservatory of Music.

Andrew’s writing and performance experience round out an approach to design that aims to serve the theatrical experience as a whole. If the lighting isn’t helping the story be told, for example, he feels that he isn’t doing his job.

Andrew was the 2006 recipient of the USITT Lighting Design Award sponsored by Barbizon. His lighting design for the opera Ariodante was included in the 2007 US entry to the Prague Quadrennial. Andrew was a 2009 finalist for the TCG*NEA Career Development Grant for Designers. Other awards include: • 2013: LCT Awards– Lighting & Scenic Design, When the Rain Stops Falling. Know Theatre • 2012: LCT Award–Projection Design, Gruesome Playground Injuries (w/ Doug Borntrager). Know Theatre. • 2011: Acclaim Award–Production Design (lighting, scenery, and puppets), The Dragon. Know Theatre. • 2010: Wilde Award–Lighting Design, K2. Performance Network Theatre.

Andrew is in his seventh season as scenic and lighting designer at Know Theatre of Cincinnati and fourth season as scenic and lighting designer for Cincinnati Shakespeare Company. He also spent eight seasons as lighting designer for The Children’s Theatre of Cincinnati. Other credits include: Portland Stage Company (Portland, ME); Cincinnati Playhouse in the Park; The Shakespeare Theatre of New Jersey (Madison, NJ); The Flea Theater (New York, NY); The Theatre @ Boston Court (Pasadena, CA); Stanford Summer Theatre (Palo Alto, CA); Performance Network Theatre (Ann Arbor, MI); and The Opera Theatre and Music Festival of Lucca (Italy).

Know Theatre of Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is supported by the National Theatre Company Grant from The American Theatre Wing, dedicated to supporting the most promising emerging theatre companies from around the country. Know Theatre of Cincinnati also receives support from The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation. Our mission is to create evocative and explosive live entertainment.

We value a playful artistic community where artists can collaborate and grow.

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AIN’T TRUE AND UNCLE FALSE Runs Oct. 11-12

CFF_Aint TrueAIN’T TRUE AND UNCLE FALSE
Presented by Cincinnati Fringe Festival
Oct. 11-12
Over-the-Rhine

A Cincinnati Fringe Festival 2013 Encore
[Read my review of the 2013 Fringe performance.]

Step right up!!! Hear the story of how Pangea Park broke up into all the different types of parks we have today (including trailer-park!!) Learn how they make black-eyed peas by punching green peas!!! Hear a story about siamese twins who aren’t the same age!!! How about a the tale of a wall of taxidermied, mounted goldfish?!? Step right up!! Nationally acclaimed comedian, storyteller and musician Paul Strickland’s AIN’T TRUE AND UNCLE FALSE is a one man trailer park fantasy (with songs), as told to his dead grandfather for your enjoyment.

  • Fri-Sat, Oct. 11-12 at 8pm

Official page |

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STAIRWAY TO KEVIN Runs Sept. 6 & 13

CFF_Stairway to KevinMissing the Fringe Festival? We are too! Ease your Fringe withdrawal with a dose of Fringe Performances!

Throughout the year we’ll be presenting encore performances from some of your favorites from the 2013 10th Anniversary Festival. As always, tickets are just $12!

Fringe veteran Kevin Thornton (2009 Sex, Dreams & Self Control, 2011 I Love You We’re F*#ked, 2012 Strange Dreamz, 2013 COCK) is turning 40 and questioning everything. Join him for a hilarious round-the-world journey on the search for the meaning of life.

Performances are September 6 & 13 at 8pm

Kevin has been featured on NPR’s All Things Considered, is a Berkeley guest lecturer and a New Faces Winner at The Comedy Store in Los Angeles. Featuring brand new original music.

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MEET THE ARTISTIC DIRECTORS on Sept. 22

SEVENTH ANNUAL MEET THE ARTISTIC DIRECTORS…CURTAIN UP!
Sunday, September 22, 2013, Playhouse in the Park,
3:30-5 PM

LCT_VMEET THE ARTISTIC DIRECTORS…CURTAIN UP is back for a seventh season. The League of Cincinnati Theatres and Jackie Demaline, writer and Theatre critic for the Enquirer, introduce the engaging and charismatic brain trust behind the Cincinnati Theatres, who in turn will introduce their upcoming productions.

Artistic Directors from Playhouse in the Park, Cincinnati Shakespeare Company, Know Theatre, New Edgecliff Theatre, Ensemble, Clifton Players, Falcon Theatre, Cincinnati Childrens’ Theatre and more will be on hand to meet and greet audiences. Ms. Demaline will lead a lively discussion with the directors which will give informative, special insights about the 2013-14 theatre seasons….insider info not found in the playbill! Meet the directors and find out: How do they select a season? What makes a good actor great? How do they approach the script? What really happens during the rehearsal process? This is your chance to meet the men and women up close and personal who create theatre in our community and ask your own questions!

This year, for the first time, The League of Cincinnati Theatres has added a special feature, “Curtain Up”. Community theatre companies will be on hand with information on their seasons to help chart your personal theatre selections. You’ll have the jump on ALL theatre information for the entire year!

This is an exceptional, once a year event and the 2013-14 theatre season is full of surprises, regional premieres, and NEW works, with 100’s (literally 100’s) of productions beyond the downtown theatres! Lots of treasures and gems to be discovered in your neighborhood theatres.

Join us for the love of the play—the one place to find out EVERYTHING theatre and what’s more, MEET THE ARTISTIC DIRECTORS hosted by Jackie Demaline at LCT’s flagship theatre, Playhouse in the Park. Get introduced to theatre makers and explore the 2013-14 theatre season in depth and personal as only Jackie Demaline can do! Immediately preceding “Meet the Artistic Directors” is the LCT Annual Members Meeting, beginning at 2:30 PM.

Meet the Artistic Directors: Sunday, September 22th, 3:30-5 PM
Playhouse in the Park
962 Mt. Adams Circle, Cincinnati, Ohio, 45202: 513-345-2242

LCT Annual General Meeting (open to all) 2:30 PM preceding the Meet the Artistic Directors event at Playhouse

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT promotes collaboration within the theatre community through events such as The Unified Auditions; educational seminars and workshops, and assisting dialogue between theatres, collective promotional events, print advertising and collective performance space.

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TOIL AND TROUBLE Review

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Chris Wesselman as Adam, Breona Conrad as Beth & Joshua Murphy as Matt. Photo by Deogracias Lerma.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

TOIL AND TROUBLE presented by Know Theatre of Cincinnati through Aug. 24. You can read the show description here.

Know Theatre of Cincinnati brings another quirky gem to the stage with the MACBETH homage, TOIL AND TROUBLE. Non-Shakespeare fans can relax though. Aside from some parallel plot points, and several lines quoted directly from the bard’s work, this is a contemporary play.

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Initially we meet roommates Matt (Joshua Murphy) and Adam (Chris Wesselman). Both are unemployed “victims” of the current economy. Adam, the idea man, has come up with a multi-million dollar scheme to “take over a small island nation off the coast of Chile populated by miniature vicuña.” Murphy and Wesselman have an easy chemistry on stage and both give solid performances.

Rounding out the cast is Breona Conrad as Beth. Conrad brings great energy and characterization to the role. Beth, who is obviously wearing the pants in this trio, quickly makes a grab for power using her wits and wiles against both Matt and Adam.

The script is fun, with some great world-commentary from Matt. Director Eric Vossmeier makes smart use of the stage, keeping the action moving without seeming hurried. Opening night the show seemed to dip in energy near the beginning of the second act, but managed to get back on track fairly quickly.

Overall a fun, quirky comedy – the perfect ending to a summer evening in Over-the-Rhine.

Click here for a complete list of show times for TOIL AND TROUBLE.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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