Tag Archives: Know Theatre of Cincinnati

Knows 18th Season Continues with a Unique Original Musical, ANDY’S HOUSE OF [BLANK]

KNOW’S 18TH SEASON CONTINUES
WITH A UNIQUE ORIGINAL MUSICAL
ANDY’S HOUSE OF [BLANK] by ​Paul Strickland and Trey Tatum directed by ​Bridget Leak 

A new musical about small towns, summer jobs, and second chances that happen  over and over and over and over and over and over and over again. 

KTC_Andys House of Blank logoAndy always was an unusual man, running a store that was part Emporium of Oddities and part Museum of Unmailed Love Letters. When Sadie, his old school crush, comes back to town for her father’s funeral, she shows up at the store with a mysterious machine. And then she shows up over and over and over again. In this brand new, small town, mystery spot musical, originally developed as part of Know Theatre’s Serials program, Paul and Trey recount the strange events of the summer they met as teenagers working at Andy’s House of [blank]. As they piece together their hazy memories, the two uncover a story of unrequited love and what it means to change your world.

Know Theatre ​continues its 18th season (“We’re Adults Now!”) by reliving summer jobs of the past in this developmental production of the brand new, full­length version of ​Andy’s House of [blank], which had previously been mounted in five 15­minute installments at Know’s biannual, episodic theatre party, Serials, in the winter of 2015.

With this production, Know reinforces its commitment to supporting local artists in the development of new works.​ ​It also marks the second time a show has graduated from Serials to further life on Know’s stages. Says ​Artistic Director Andrew Hungerford​,

“One of the many things that I love about Serials is that it provides a fantastic incubator to fast track new works from the page to the stage. When we saw ​Andy’s House unfold during Serials: Thunderdome last winter, we knew that it was something special. It’s incredibly gratifying to be able to provide a playground for artists like the team behind ​Andy’s House, and to work with them to develop the show beyond an episodic experiment into a fully realized production.”

Regarding their collaboration and the inspiration for the show, co­creators ​Paul Strickland​ and ​Trey Tatum explain,

TREY:​ I met Paul during the 2014 Cincy Fringe [and] we learned that we grew up 45 minutes apart from each other. I was terrified about [Serials! 2] Thunderdome, so I reached out to Paul and asked if he wanted to write a musical with me.

PAUL:​ I knew I wanted to be involved in Serials but had NO ideas that I thought would be sustainable in that format. I began the process [with Trey] not really knowing how well I’d collaborate (I’ve often worked solely on my own and my ex­wife has assured me I don’t work well with others) but, despite the growing pains and difficulties that come with ANY good collaboration, this was the most fun I’ve ever had making a script.

TREY:​ At our first meeting, Paul was clear that he wanted the musical to be set in a shop of curiosities.

PAUL:​ I had visited the Abita Mystery House just outside of New Orleans, an oddities shop and roadside attraction and the owner is remarkably but somehow-­still­-not­-entirely self­-aware.  [Trey] and I talked for more than an hour about outsider art and oddity shops all over the country. It occurred to me that I’ve never heard of a musical that really capitalized on what is so lovely about roadside attractions, one of my great loves and passions in life. That’s where the show began for me.

TREY: ​Writing with Paul is almost easier than writing on my own. The pile of good ideas is bigger, my weak points just happen to be Paul’s strong points. Thematically, ideas about obsession and the lengths we go to be desirable to others came out slowly over time. We had outlined episodes 1­3 and were stuck (this was before episode one even went up) and we went on a long walk thru Covington and refused to go back home until we figured out the ending. That was when we really settled on obsessions as a guiding force in the story.

About the fun they’ve had throughout the process and the opportunity to develop the show further, ​Director Bridget Leak​ remarks,

“Trey and I have been using the hashtag #bestfriendsclub because that is how that project was developed, in our kitchen over dinner and drinks. The Serials process was about cramming as many rehearsals as we could into each week, but we always made sure that it was fun (and booze was there). This fully realized production is an opportunity to really play with the theatricality of the environment ­ a curiosity shop with dead animals mounted on the walls ­ and to really take the time and care to develop the love story between Andy and Sadie, AND to keep it fun ­ if this process doesn’t feel like us hanging out in the kitchen playing (with booze), there’s no point in doing it!”

ANDY’S HOUSE OF [BLANK] will feature the original cast from its run at Serials! 2: Thunderdome. Co­creators Paul Strickland ​and ​Trey Tatum​ revive their semi­autobiographical roles of Paul and Trey, who revisit the experiences they had one summer working at Andy’s House and provide the instrumental backing for all songs. Reprising his role as the heartbroken shop owner, Andy, is ​Christopher Michael Richardson, ​a Member of the Bruce E. Coyle Acting Intern Company at Cincinnati Playhouse in the Park during the 2014/2015 Season. Rounding out the cast is ​Erika Kate MacDonald​ as Sadie, the former love interest of Andy’s who appears with a strange machine and then keeps showing up again and again­­for the first time.

Opening October 30th, ​Andy’s House of [blank] will completely transform Know Theatre’s Underground space into the titular emporium and museum for this one­of­a­kind MainStage presentation…that’s actually on our SecondStage. It’s just the kind of unique and creative programming you’ve come to expect from ​Your Theatrical Playground.

Cast

  • Erika Kate MacDonald ​as Sadie
  • Christopher Michael Richardson​ as ​Andy
  • Paul Strickland​ as Paul
  • Trey Tatum​ as ​Trey

Production Team

  • Director — Bridget Leak
  • Production Stage Manager — Kristen Ruthemeyer
  • Stage Manager — Harrison Swayne
  • Scenic Design — Sarah Beth Hall
  • Costume Design — Noelle Wedig
  • Lighting Design — Andrew Hungerford
  • Sound Design — Douglas Borntrager
  • Technical Director — Nick Koehlke

Calendar Listing

  • Production: ANDY’S HOUSE OF [BLANK]
    by Paul Strickland & Trey Tatum
  • When:  ​October 30th ­ November 14th, 2015
    Wednesdays ­ Saturdays @ 8PM, Sundays @ 3PM
  • Where:   Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202 In historic Over­the­Rhine.
  • Tickets:  $20 in advance
    $10 Rush tickets​ at the door 10 minutes prior to curtain (when available)
    FREE​ ​performances​ on Wednesdays​, ​as part of Know Theatre’s ​Welcome Experiment
    (Subject to availability; reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.)
    6 Ticket Flex­Passes​ are available for ​$100​ and can be used in any combination of patrons and shows for all MainStage and SecondStage programming at Know Theatre.

Know Theatre is Cincinnati’s Theatrical Playground.

The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience.

Since 1997, Know Theatre has sought to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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Contemporary Acting Workshop With Miranda McGee

KTC_Contemporary acting

Updated 10/20 1:15pm

FYI, everyone: Miranda McGee‘s workshop is being rescheduled to this January due to scheduling conflicts. Know will be posting the new dates ASAP.

Resident artist and professional actor Miranda McGee teaches a five week acting course, using cutting edge scripts from the Know’s vault of new works!

Along with ensemble work and exploration of various techniques, students participate in scene study, culminating in an informal final performance!

Places are limited so please visit www.knowtheatre.com. First class Oct 20th from 6:30-9pm.

Great resource for discovering new scripts and making new friends!

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THE HUNCHBACK OF SEVILLE Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Alice Skok as Espanta. Photo by Daniel R. Winters.

Alice Skok as Espanta. Photo by Daniel R. Winters.

THE HUNCHBACK OF SEVILLE presented by Know Theatre of Cincinnati and UC College-Conservatory of Music through Oct. 24. Click here for more information on the production. I attended the opening night performance.

There were many individual elements that I enjoyed about this production. What wasn’t clear to me was the director’s overall concept for the show that unified them.

The ladies of the tower created some fun and zany characters, with Julie Netzer;s Innocenzia as my personal favorite. I snickered every time she closed a door. While the performances are over the top, visually it’s the opposite. All of the female characters are clean and pretty. The deformities, which could be exaggerated for some visual gags, are actually under-played. In the scenes involving 1 and 2, I understood what you were going for with the monotone delivery, but the comic timing wasn’t there to really sell it.

Colleen Ladrick as Maxima Terrible Segunda & Brandon St Clair Saunders as Talib Furozh. Photo by Daniel R. Winters.

Colleen Ladrick as Maxima Terrible Segunda & Brandon St Clair Saunders as Talib Furozh. Photo by Daniel R. Winters.

For the guys, Andrew Iannacci’s Christopher Columbus is almost as over-the-top, but he has a strange “self-awareness” quality that I found off-putting. Derek Snow is solid, but Abdul Haseeb seems to be the only normal person on stage. Brandon St. Clair Saunders as Talib Furozh is stuck in the middle, never quite matching the performance level of the ladies.

Emily Walton as Infanta Juana. Photo by Daniel R. Winters.

Emily Walton as Infanta Juana. Photo by Daniel R. Winters.

I did find the set design rather confusing, particularly stage right. Is that an opening to the outside and a door to another room on the same wall?

This play does boast one of the most memorable endings I’ve seen, and the special effects for that were surprising and worked really well.

Overall a fun, but uneven quasi-historical romp.

My rating: 4 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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ANDY’S HOUSE OF [BLANK] Runs Oct. 30-Nov. 14

KTC_Andys House of Blank logoANDY’S HOUSE OF [BLANK]
Know Theatre of Cincinnati
Oct. 30-Nov. 14
The Underground at Know [Over-the-Rhine]

Directed by Bridget Leak

Cast: Erika Kate MacDonald as Sadie, Christopher Richardson as Andy, Paul Strickland as Paul & Trey Tatum as Trey

Andy always was an unusual man, running a store that was part ever-changing emporium of oddities, part Museum of Unmailed Loveletters. When Sadie, his old school crush, comes back to town for her father’s funeral, she shows up at the store with a mysterious machine…over and over and over again. Paul and Trey recount the strange events of the summer they met, working in Andy’s House of [blank]. This small town, mystery-spot musical graduates from Serials! Thunderdome to become a full length show about unrequited love, second chances, and what it means to change your world.

  • Fri-Sat, Oct. 30-31 at 8pm
  • Sun, Nov. 1 at 3pm
  • Thu-Sat, Nov. 5-7 at 8pm
  • Sun, Nov. 8 at 3pm
  • Thu-Sat, Nov. 12-14 at 8pm

Official page |

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Know Theatre’s 18th Season Continues With a Flippant Trip Back in Time, THE HUNCHBACK OF SEVILLE

KNOW THEATRE’S 18TH SEASON CONTINUES WITH A FLIPPANT TRIP BACK IN TIME 

THE HUNCHBACK OF SEVILLE

by ​Charise Castro Smith
directed by ​Brant Russell
a co­production with the ​University of Cincinnati College­Conservatory of Music  

An irreverent comedy about what it takes to rule the world. Almost. 

KTC_Hunchback of Seville logoThe year is 1504. It’s a freakishly cold day in Spain, and the hunchbacked, adopted sister of the dying queen Isabella has to use her formidable intellect to contend with colonial genocide, a forbidden lover, a hellion of an heir, and the mess that is politics in a changing world. An irreverent comedy that turns historical atrocities on their heads in a Tarantino­esque romp, it’s a collaboration that brings CCM drama students to Know Theatre’s stage for a twisted history you never learned in school.

Know Theatre ​continues its 18th season (“We’re Adults Now!”) by heading back to college and joining forces with ​UC’s College-­Conservatory of Music (CCM)​ for the regional premiere of THE HUNCHBACK OF SEVILLE, a play that will make you think about and laugh at 16th Century Spanish monarchical politics and European colonialism like never before…especially if you never have at all (honestly, we hadn’t either.)

This production marks CCM Associate Professor of Drama and ​Hunchback director Brant Russell’s Know Theatre debut, along with the Know debut of 8 CCM Drama students. About playwright Charise Castro Smith, Russell says,

“​[She] artfully weaves history and anachronism. The subtle variances of tone, the frequently less­-subtle humor, and the savoring of the language all speak to me. In terms of content, this play is very much about anyone who’s ever been marginalized. This is the story of a woman who is denied so many privileges that others enjoy because she was born in a body different from those around her. And ultimately it’s a story about privilege, ethics, power, and the way we tell the story of our shared history.”

Adds Know Artistic Director Andrew Hungerford, about the co­production aspect,

“We’re thrilled to enter into this partnership with CCM, the school where 50% of Know’s full time staff received our training. It’s a great way for us to reconnect with our alma mater, to offer students a chance to step outside of academia and into small professional theatre, and to continue to build connections across Cincinnati’s artistic scene. We’re so excited to get to play with this cast, this creative team, and this great script.”

CCM senior ​Colleen Ladrick​ plays the titular role of ​Maxima Terriblé Segunda, The Hunchback of Seville, a brilliant, agoraphobic atheist faced with some difficult decisions. Joining Colleen on stage are fellow CCM students​ ​Sydney Ashe​, ​Rachel Baumgarten​, ​Andrew ​Iannacci​, ​Julia Netzer​, ​Meg Olsen​, ​Alice Skok​, and ​Emily Walton​.​ ​Rounding out the cast are another Know newcomer, ​Brandon St. Clair Saunders​,​ ​an ensemble member of Strawdog Theatre Company in Chicago who just finished his sixth summer season with the Michigan Shakespeare Festival, and ​Derek Snow​, who has appeared on numerous stages across the city for over 20 years, including Know Theatre, Performance Gallery, and Falcon Theatre.

Opening October 9th, ​THE HUNCHBACK OF SEVILLE re-imagines history in the irreverent style you’ve come to expect at Know Theatre, Cincinnati’s Theatrical Playground. Come in and play!

Cast 

  • Sydney Ashe ​as 1
  • Rachel Baumgarten​ as ​HRH, Queen Isabella of Spain
  • Andrew ​Iannacci​ as Christopher ​Columbus/Deputy Governor
  • Brandon St. Clair Saunders​ as ​Talib Furozh
  • Colleen Ladrick ​as ​Maxima Terriblé Segunda (The Hunchback)
  • Julia Netzer ​as Innocenzia
  • Meg Olsen​ as 2
  • Alice Skok​ as ​Espanta
  • Derek Snow​ as Abdul Haseem
  • Emily Walton​ as Infanta Juana

Production Team 

  • Director — Brant Russell
  • Stage Manager — Andi ​Radujkovic
  • Scenic & Lighting Design — Andrew Hungerford
  • Costume Design — Noelle Wedig
  • Sound Design — Jason Sebastian
  • Scenic Charge, Associate Scenic Designer​ — Sarah Beth Hall
  • Technical Director — Nick Koehlke Fight Choreographer — K. Jenny Jones

Calendar Listing 

Production: THE HUNCHBACK OF SEVILLE by Charise Castro Smith a co-production with UC’s College-­Conservatory of Music

When: ​October 9th ­ October 24th, 2015
Wednesdays ­ Saturdays @ 8PM, Sundays @ 3PM

Where: Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202. In historic Over-­the-­Rhine.

Tickets:

  • $20 in advance
  • $10 Rush tickets​ at the door 10 minutes prior to curtain (when available)
  • FREE​ ​performances​ on Wednesdays​, ​as part of Know Theatre’s ​Welcome Experiment. (Subject to availability; reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.)
  • 6 Ticket Flex­Passes​ are available for ​$100​ and can be used in any combination of patrons and shows for all MainStage and SecondStage programming at Know Theatre.

Since 1997, Know Theatre has been dedicated to creating explosive and evocative live entertainment. We value a playful artistic community where artists can collaborate and grow.  

Know Theatre’s work is made possible by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving. 

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network. 

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