Tag Archives: Covedale Center for the Performing Arts

LCT Review of THE SOUND OF MUSIC

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

The Covedale Theater concludes its season with a solid, enjoyable and touching rendition of the classic Rodgers and Hammerstein musical “The Sound of Music”.   The key to a successful show is Maria and the children and both perform very well in this version. Maria, played by Helen Raymond-Goers, transitions well between the naïve postulate to the mature woman who helps the family deal with the Nazi threat and eventually escape Austria. She also has an excellent voice and handles the variety of songs from the comic and boisterous to the delicate love songs with equal aplomb. The children, a critical part of the play, who help Mariawith that transition, excel in their roles as believable and distinct characters with good voices.   Margot Grom, as Liesl, was the best singer and dancer among the children and Violet Hicks was delightful as the youngest, Gretl. Justin Glaser found the arch in the role of the Captain and his big bass/baritone voice was powerful and appropriate.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner.

Much of the success for the show must be attributed to co-directors Dee Anne Bryll and Ed Cohen who keep the action moving without falling into the trap of being overly sentimental. The set design by Brett Bowling was very cleverly constructed to easily represent both the abbey and the Von Trapp living room with a minimum of alterations. My quibble is that the music was canned and robotic. Initially, the singers were out of sync with the music but that improved as the evening progressed. Some of the scene changes could have been done with more blackout – the scene changes were long and somewhat disruptive.   Overall, I recommend the show and hope people will “Climb Every Mountain” to see it.

For more information on the production, click here.

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CLP Seeks Actor for Bobby Mills in A CHORUS LINE at Covedale Center

CLPCincinnati Landmark Productions is seeking one male to play the role of BOBBY MILLS in A CHORUS LINE, the Covedale’s 2015/16 season opener.

Requirements: Seeking a fit male to play the role BOBBY MILLS (bari/tenor vocal range). Auditionees will be tested for dance ability first, then will be asked to sing. Auditionees should prepare 16 bars of a song that best showcases his vocal ability. Auditionees will also dance may be asked to read from the script. Please dress appropriately.

MUST HAVE A RESUME listing theatrical experience in order to audition. A headshot/picture is appreciated but not required. Please prepare 16 bars of a song that best showcases vocal ability.

If interested in setting up an audition, please contact Jennifer Perrino at jenniferperrino@covedalecenter.com

Please note: No more than two conflicts will be accepted during the rehearsal process for this production.

Bobby Mills, Sheila’s best friend who jokes about his conservative upbringing in Buffalo, New York. (84)

A CHORUS LINE
September 3 – September 27, 2015
Conceived and Originally Directed and Choreographed by Michael Bennett; Book by James Kirkwood & Nicholas Dante; Music by Marvin Hamlisch; Lyrics by Edward Kleban; Co-Choreographed by Bob Avian; Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

A CHORUS LINE is a stunning musical-vérité about a chorus audition for a Broadway musical. It tells of the achingly poignant ambitions of professional Broadway gypsies to land a job in the show, and is a powerful metaphor for all human aspiration. Memorable musical numbers include I Can Do That, At the Ballet, Dance: Ten; Looks: Three, The Music and the Mirror, What I Did for Love, One (Singular Sensation) and I Hope I Get It. It is a brilliantly complex fusion of dance, song and compellingly authentic drama. The show was instantly recognized as a classic.

Matthew Wilson, Director/; Michael Kennedy, Music Director; Angela Kahle, Choreographer; Production Stage Manager, Melanie D. Hall.

Rehearsals begin: Monday, July 27, 2015

Performance Dates:
Thurs. Sept. 3 – Fri. Sept. 4 – Sat. Sept. 5 – Sun. Sept. 6
Thurs. Sept. 10 – Fri. Sept. 11 – Sat. Sept. 12 – Sun. Sept. 13
Thurs. Sept. 17 – Fri. Sept. 18 – Sat. Sept. 19 – Sun. Sept. 20
Thurs. Sept. 24 – Fri. Sept. 25 – Sat. Sept. 26 – Sun. Sept. 27

Performances run Thursday 7:30 pm.; Friday and Saturday 8:00 pm and Sunday at 2:00 pm.

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web at www.cincinnatilandmarkproductions.com

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CLP Seeks Actress for Val Clark in A CHORUS LINE at the Covedale

CLPCincinnati Landmark Productions is seeking one female to play the role of VAL CLARK in a A CHORUS LINE, The Covedale’s 2015/16 season opener. 

Requirements: Seeking a not so shy and fit female to play the role VAL CLARK. It’s a belt role, vocal range G3-D5. Auditionees will be tested for dance ability first, then will be asked to sing. Auditionees will be given a song cut to sing (no need to prep a song separately) and finally, may be asked to read from the script. Please dress appropriately.

MUST HAVE A RESUME listing theatrical experience in order to audition. A headshot/picture is appreciated but not required. Please prepare 16 bars of a song that best showcases vocal ability.

If interested in setting up an audition, please contact Jennifer Perrino at jenniferperrino@covedalecenter.com

Please note: No more than two conflicts will be accepted during the rehearsal process for this production.

Val Clark, a foul-mouthed but excellent dancer who couldn’t get performing jobs because of her looks until she had plastic surgery (179)

A CHORUS LINE
September 3 – September 27, 2015
Conceived and Originally Directed and Choreographed by Michael Bennett; Book by James Kirkwood & Nicholas Dante; Music by Marvin Hamlisch; Lyrics by Edward Kleban; Co-Choreographed by Bob Avian; Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

A CHORUS LINE is a stunning musical-vérité about a chorus audition for a Broadway musical. It tells of the achingly poignant ambitions of professional Broadway gypsies to land a job in the show, and is a powerful metaphor for all human aspiration. Memorable musical numbers include I Can Do That, At the Ballet, Dance: Ten; Looks: Three, The Music and the Mirror, What I Did for Love, One (Singular Sensation) and I Hope I Get It. It is a brilliantly complex fusion of dance, song and compellingly authentic drama. The show was instantly recognized as a classic.

Matthew Wilson, Director/co-choreographer; Michael Kennedy, Music Director; Angela Kahle, Co- Choreographer; Production Stage Manager, Melanie D. Hall.

Rehearsals begin: Monday, July 27, 2015

Performance Dates:
Thurs. Sept. 3 – Fri. Sept. 4 – Sat. Sept. 5 – Sun. Sept. 6
Thurs. Sept. 10 – Fri. Sept. 11 – Sat. Sept. 12 – Sun. Sept. 13
Thurs. Sept. 17 – Fri. Sept. 18 – Sat. Sept. 19 – Sun. Sept. 20
Thurs. Sept. 24 – Fri. Sept. 25 – Sat. Sept. 26 – Sun. Sept. 27

Performances run Thursday 7:30 pm.; Friday and Saturday 8:00 pm and Sunday at 2:00 pm.

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web AT www.cincinnatilandmarkproductions.com

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Auditions Announced for FOX ON THE FAIRWAY at Covedale Center

CCPACincinnati Landmark Productions will hold auditions for FOX ON THE FAIRWAY on:

Sunday, May 17 and Monday, May 18, 2015
6:30–9:30pm

All auditions will be held at the Covedale Center for the Performing Arts, 4990 Glenway Avenue in West Price Hill.

Important Audition Information:  You will be asked to read from the script.  Must be a minimum of 18 years of age to audition.

Cast members do not have to be the actual ages of the characters – just must be able to look age appropriate and act accordingly.  MUST HAVE A RESUME listing theatrical experience in order to audition. A headshot/picture is appreciated but not required.

Please note:  No more than two conflicts will be accepted during the rehearsal process for this production.

SYNOPSIS
A tribute from Ken Ludwig (Lend Me A Tenor, Moon Over Buffalo) to the great farces of the 1930s and 1940s, The Fox On the Fairway takes audiences on a hilarious romp which pulls the rug out from underneath the stuffy denizens of a private country club. Filled with mistaken identities, slamming doors, and over-the-top romantic shenanigans, it’s a furiously paced comedy that recalls the Marx Brothers’ classics. A charmingly madcap adventure about love, life, and man’s eternal love affair with… GOLF!

Directed by Bob Brunner

Rehearsals begin:  Monday, Sept. 14, 2015
Performance dates:  Oct. 22 – Nov. 15, 2015

All roles are paid positions.  No roles have been precast.

Roles include:

  • HENRY BINGHAM (mid 40s): Director of the Quail Valley Country Club. He is witty and cynical at times, much like Basil Fawlty from the british sitcom. He gets into a high-stakes bet on a golf tournament and is determined to do what it takes to win. He is also unhappy in his marriage to Muriel and becomes involved with Pamela.
  • PAMELA PEABODY (39): A member of the Quail Valley Country Club. She is very attractive and sophisticated, but a bit loose and a bit of a drinker. Throughout the production she aids Bingham in his plans to make sure their club wins.
  • JUSTIN HICKS (25): Bingham’s new eager-to-please assistant who volunteers his services as a golfer to help Quail Valley win the golf tournament. He is romantically involved with Louise and proposes to her early on, but becomes emotionally distraught when things become difficult between them.
  • LOUISE HEINDBEDDER (23): A waitress at the Quail Valley Country Club. She is very attractive, and a bit flighty, but studious. She gets engaged to Justin early on, but a mishap results in her becoming very upset over their future together, making her bawl at a moment’s notice.
  • DICKIE BELL (mid 40s): The director of the rival Crouching Squirrel Country Club, with whom Bingham gets into a high-stakes wager. He is a bit obnoxious, including his fashion sense, but tries to come off as good-natured. He is Pamela’s ex and has a thing for Bingham’s wife Muriel.
  • MURIEL BINGHAM (40s): Bingham’s wife, who runs an antique shop, which becomes part of the wager between Henry and Dickie. Generally overbearing and stern, she somehow has a soft spot for Dickie.

For more information on auditions, contact us at 513.241.6550.

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THE SOUND OF MUSIC Runs April 30-May 24

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner.

THE SOUND OF MUSIC
Presented by Covedale Center for the Performing Arts
April 30-May 24
West Price Hill

Co-directed by Ed Cohen & Dee Anne Bryll
Music directed by Steve Goers

Cast: Helen A. Raymond-Goers as Maria Rainer, Justin Glaser as Captain Georg Von Trapp, John Langley as Max Detweiler, Laurie Wyant-Zenni as Elsa Schrader, Angela Alexander Nalley as the Mother Abbess, Rita Winters as Sister Berthe, Mistress of Novices, Karen A. Vosseberg as Sister Margaretta, Mistress of Postulants, Patricia LaRosa as Sister Sophia, Emily Mohler as a New Postulant, Mary Vosseberg as Nun, Mason Taylor as Rolf Gruber, Samantha Toberman as Frau Schmidt/Nun, Tony Giver as Franz, The Butler, Gregory Bossler as Admiral Von Schreiber & Dave Woellert as Herr Zeller.
The Von Trapp Children: Margot Grom as Liesl, Alexander Mullins as Friedrich, Annabel Forman as Louisa, Jackson Higgason as Kurt, Jordan Darnell as Brigitta, Aine Steele as Marta & Violet Hicks as Gretl.

When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain’s immediate service in their navy. The family’s narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling finales ever presented in the theatre. Classic songs include: “Sixteen Going on Seventeen,” “Edelweiss,” “My Favorite Things” and the anthem, “Climb Every Mountain.”

  • Thu, April 30 at 7:30pm
  • Fri-Sat, May 1-2 at 8pm
  • Sun, May 3 at 2pm
  • Thu, May 7 at 7:30pm
  • Fri-Sat, May 8-9 at 8pm
  • Sun, May 10 at 2pm
  • Thu, May 14 at 7:30pm
  • Fri-Sat, May 15-16 at 8pm
  • Sun, May 17 at 2pm
  • Thu, May 21 at 7:30pm
  • Fri-Sat, May 22-23 at 8pm
  • Sun, May 24 at 8pm

Official page |

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