Tag Archives: Covedale Center for the Performing Arts

Auditions Announced for ANNIE at Covedale Center for the Performing Arts

CLPCincinnati Landmark Productions to hold auditions for 2017 holiday musical, ANNIE.

  • Sat. Aug. 12th Noon-3pm for LITTLE GIRLS only AND 3-5pm ADULTS only
  • Sun Aug. 13th Noon-3pm for LITTLE GIRLS ONLY AND 4-6:30pm ADULTS only

Callback date/time:
Mon Aug. 14th 7-9pm

Please note: Everyone will not have to attend callbacks – you will be asked to attend. If you are asked to attend, make plans to do so.

Where: Covedale Center for the Performing Arts, 4990 Glenway Ave. Cincinnati, OH 45238

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at jenniferperrino@covedalecenter.com.

Important Audition Information for ADULTS

  • Please prepare to sing a song in the style of the show – 16 to 32 bars of a song that best demonstrates your vocal ability.
  • You will be given a short side to read at the audition.
  • You may have to complete a dance audition. Please dress appropriately.
  • ADULTS Must be a minimum of 17 years of age to audition.
  • ADULTS MUST HAVE A RESUME listing theatrical experience in order to audition.
  • A headshot/picture is appreciated. Please bring a headshot and resume

Important Audition Information for LITTLE GIRLS

  • Please prepare to sing a song in the style of the show – 16 to 32 bars of a song that best demonstrates your vocal ability.
  • You will be given a short side to read at the audition.
  • You may have to complete a dance audition. Please dress appropriately.
  • LITTLE GIRLS MUST be a minimum of 8 years of age to audition.
  • LITTLE GIRLS MUST be able to read well.
  • LITTLE GIRLS DO NOT have to provide A RESUME listing theatrical experience in order to audition. If you have a resume, bring it.
  • A headshot/picture is appreciated but not required.

No more than 2 conflicts will be accepted for this production. All roles are paid positions.
NO ROLES HAVEN BEEN PRECAST

Rehearsals begin Oct 10, 2017

Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly.

ANNIE
November 30 – December 23, 2017
Book by Thomas Meehan; Music By Charles Strouse; Lyrics by Martin Charnin

With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. She is determined to find the parents who abandoned her years ago on the doorstep of a New York City Orphanage that is run by the cruel, embittered Miss Hannigan. With the help of the other girls in the Orphanage, Annie escapes to the wondrous world of NYC. In adventure after fun-filled adventure, Annie foils Miss Hannigan’s evil machinations… and even befriends President Franklin Delano Roosevelt! She finds a new home and family in billionaire, Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy. Features some of the greatest musical theatre hits ever written, including “Tomorrow”. Winner of 7 Tony Awards, including Best Musical.

Tim Perrino, Director;
Steve Goers, Music Director;
Karie-Lee Sutherland, Choreographer;
Holly M. Davis, Production Stage Manager

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web at www.cincinnatilandmarkproductions.com.

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DOUBT Review

ccpa_doubt1

Mary Lou Rader as Sister James & MArtha Slater as Sister Aloysius Beauvier. Photo by Mikki Schaffner Photography.

DOUBT presented the Covedale Center for the Performing Arts through Feb. 12. Click here for more information on the production. I attended the opening Sunday matinee performance.

Given the setting for DOUBT, it seemed appropriate Sunday afternoon that the Covedale Center is down the street from the Catholic grade school I attended. The set, costumes, and tone of the performances rang true with my memories of the years I spent there.

Although set in 1964, the play was first produced in 2004, at which time the Catholic Church sexual abuse scandal was making headlines around the world. The play focuses on and explores themes such as faith, perception and personal truth that resonate strongly in today’s world.

Director Lindsey Augusta Mercer has assembled an extremely talented four-person cast to tackle this engrossing, Pulitzer Prize and Tony Award-winning play. Mercer’s steady hand creates real and sympathetic characters and allows the audience to draw their own conclusions as the story unfolds.

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Rory Sheridan as Father Brendan Flynn & Martha Slater as Sister Aloysius Beauvier. Photo by Mikki Schaffner Photography.

Rory Sheridan, as Father Brendan Flynn, is pitch-perfect as the new, more modern priest who believes that the congregation should be viewed as an extended family. His confrontations with Sister Aloysius had a great balance of patience and bite.

As school principal Sister Aloysius Beauvier, Martha Slater embodies an old-school nun who feels she needs to stay vigilant to the evils of the world, both big and small. As representatives of the faith, she feels it is more appropriate to be feared than loved. Has her outlook on life tainted her faith or are her concerns real?

Maggie Lou Rader nails the role of the young nun. Sister James is energetic, though a bit naive, and happy as a teacher. Seeing Sister James’ open heart as a liability, the elder nun soon has the 8th grade teacher questioning her perceptions of the world around her.

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Joy Rolland-Oba as Mrs. Muller & Martha Slater as Sister Aloysius Beauvier. Photo by Mikki Schaffner Photography.

Rounding out the cast is Joy Rolland-Oba who portrays Mrs. Muller, the mother of the boy caught in the middle of this he said/she said quarrel. Her circumstances leave the mother stuck with two equally unattractive choices and Rolland-Oba is equal parts concerned and conflicted.

The set consists of three double sided trucks smartly positioned as far downstage as possible. The lighting works well in tightly defining the play areas. I also found the music played between scenes was smartly chosen. The one small thing that briefly drew me out of the moment was when the stained glass window billowed due to a slamming door.

Simply, one of the best drama productions of the season and definitely worth a trip to the west side.

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Dance Workshop at Covedale Center on Feb. 11

the-dance-workshop-logoWhere:
The Covedale Center for the Performing Arts
4990 Glenway Avenue
Cincinnati, OH 45238
When: Saturday, February 11, Noon to 3pm.

Cost:
$15 per participant

The workshop will begin with a mock audition followed by a discussion with Broadway veteran and former Rockette, Angela Kahle. This is an exciting opportunity for dancers and non-dancers alike, to learn about how professional dance calls are run from one of the area’s most exciting and accomplished choreographers as well as get insight on how to be successful in dance auditions.

Space is limited. Reserve your spot contact the box office at 513.241.6550.

Please dress appropriately.

Angela Kahle has provided thrilling choreography for CLP’s productions of A Chorus Line! And Chicago, She will also be providing the choreo for CLP’s upcoming production of The Rocky Horror Show and will direct/choreograph The Drowsy Chaperone.

Angela’s performing credits include: playing the role of Phyllis in the Broadway and 1st National Tour of 42nd Street. She also played the role of Rita in White Christmas, directed by the Tony Award winning Walter Bobbie and choreographed by the Tony Award nominated Randy Skinner. Her proudest achievement has been kicking her legs as a Rockette at Radio City Music Hall and across the country for ten seasons.

Angela earned a B.F.A. from Wright State. Locally, she has taught and/or choreographed for Wright State, SCPA, and The Children’s Theatre of Cincinnati, amongst others. She has received choreography awards at regional dance competitions for her tap and musical theater choreography. Angela is the resident emcee and Director for Applause Talent Presentations. She will be an adjunct professor for Wright State University for the upcoming school year, as well as teaching DanceFix and on faculty for Revere Dance Studio.

For more information, contact us at (513) 241 – 6550. Check us out on the web @ www.cincinnatilandmarkproductions.com

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Two Seasons Announced at West Side Theatres

Covedale Center and Warsaw Federal Incline Theater Boast
Exciting, Eclectic Titles Through Spring 2018
 

CLPCincinnati Landmark Productions announced its next slate of shows at its two theaters tonight at the annual Double Season Announcement party.

With the Covedale Center for the Performing Arts wrapping up its 15th year and the Warsaw Federal Incline Theater in its second full year, the west side theatre group is now producing year-around at its two venues. CLP designed three production seasons at the two theaters to appeal to current patrons and to reach new audiences.

Tonight, the west-side theater group announced its 2017-18 Covedale Center ‘Marquee Series’ as well as the 2017-18 Warsaw Federal Incline Theater ‘District Series.’

The shows are:

Covedale Center Marquee Series, presented by Cincinnati Federal and TriHealth:

  • The Miracle Worker, September 7 – October 1, 2017
  • Young Frankenstein, October 19 – November 12, 2017
  • Annie, November 30 – December 23, 2017
  • Guys and Dolls, February 15 – March 11, 2018
  • Oklahoma, April 5-29, 2018

Warsaw Federal Incline Theater District Series:

  • Cabaret, September 28 – October 15, 2017
  • Five Women Wearing the Same Dress, January 25 – February 11, 2018
  • Monty Python’s Spamalot, March 22 – April 8, 2018

CCPAThe Covedale Center Marquee Series subscriptions are $120 for all 5 shows and are now available. Current subscribers can renew their seats through June 23, 2017. Tickets to single shows go on sale July 24, 2017. The Covedale Center for the Performing Arts is located at 4990 Glenway Avenue.

District Series subscriptions for the Warsaw Federal Incline Theater are $69 for all 3 shows and are now available. Current subscribers can renew their seats through June 23, 2017. Tickets to single shows go on sale July 24, 2017. The Warsaw Federal Incline Theater is located at 801 Matson Place.

At the announcement event, Cincinnati Landmark Productions outlined some programming changes as well. Beginning with the 2017-18 theatre season, CLP will reduce the Marquee Series from 6 productions to 5 and the District Series from 4 to 3 productions. Then, beginning in Summer 2018, an additional production will be added to the Summer Classics Season, bringing it from 3 shows to 4.

“From an organizational perspective, this greatly streamlines production bandwidth and maximizes our greatest strengths while still allowing us to grow and build new audiences,” said Tim Perrino, executive artistic director of Cincinnati Landmark Productions. “Most importantly, this allows us to truly offer year-round, affordable, locally-produced entertainment for our base audience.”

Perrino said that the company would be no less busy. There are 212 annual performance nights planned in this new structure, with 90 performances planned for the Covedale Center and 122 at the Warsaw Federal Incline Theater.

WFIT_Sign at nightThe Marquee Series and District Series seasons complement Cincinnati Landmark Productions’ previously announced 2017 Summer Classics Season at the Warsaw Federal Incline Theater, presented by TriHealth:

  • Damn Yankees, May 24 – June 18, 2017
  • Blithe Spirit, June 28 – July 23, 2017
  • The Drowsy Chaperone, August 2-27, 2017

The Warsaw Federal Incline Theater, opened in June 2015, is a brand new, purpose-built, 229-seat performing arts center and parking garage in the Incline District in East Price Hill. Located at the corner of Matson Place and West 8th Street, the $6 million project was finished on time and on budget. All 45 performances during the debut 2015 Summer Classics Season were sold out.

Cincinnati Landmark Productions has been serving the West Side for over 30 years – first through its Cincinnati Young People’s Theatre program and then through its ownership and management of the Covedale Center for the Performing Arts in West Price Hill. Since opening in 2002, the arts center quadrupled its subscribership. Attendance ballooned from 13,990 in the 2002-03 season to over 55,000 (representing more than 300 zip codes) last season.

Sponsorships and Donor programs for the theaters and new seasons are still available. For more information, call (513) 241-6550.

# # #

FULL SHOW DESCRIPTIONS

2017-18 Covedale Center Marquee Series
presented by Cincinnati Federal and TriHealth

THE MIRACLE WORKER
September 7 – October 1, 2017
By William Gibson

Immortalized on stage and screen by Anne Bancroft and Patty Duke, this classic tells the story of Annie Sullivan and her student, blind and mute Helen Keller. The Miracle Worker dramatizes the volatile relationship between the lonely teacher and her charge. Trapped in a secret, silent world, unable to communicate, Helen is violent, spoiled, almost sub-human and treated by her family as such. Only Annie realizes that there is a mind and spirit waiting to be rescued from the dark, tortured silence. With scenes of intense physical and emotional dynamism, Annie’s success with Helen finally comes with the utterance of a single, glorious word: “water.” Winner of the 1960 Tony Award.

YOUNG FRANKENSTEIN
October 19 – November 12, 2017
Book by Mel Brooks & Thomas Meehan; Music & Lyrics by Mel Brooks

Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds. Young Frankenstein has all the panache of the screen sensation with a little extra theatrical flair added. With such memorable tunes as “The Transylvania Mania,” “He Vas My Boyfriend” and “Puttin’ on the Ritz,” Young Frankenstein is scientifically proven, monstrously good entertainment.

ANNIE
November 30 – December 23, 2017
Book by Thomas Meehan; Music By Charles Strouse; Lyrics by Martin Charnin

With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. She is determined to find the parents who abandoned her years ago on the doorstep of a New York City orphanage that is run by the cruel, embittered Miss Hannigan. With the help of the other girls in the orphanage, Annie escapes and foils Miss Hannigan’s evil machinations… and even befriends President Franklin Delano Roosevelt! She finds a new home and family in billionaire Oliver Warbucks, his personal secretary Grace Farrell, and a lovable mutt named Sandy.  Features some of the greatest musical theatre hits ever written, including “Tomorrow.” Winner of 7 Tony Awards, including Best Musical.

GUYS AND DOLLS
February 15 – March 11, 2018
Music and Lyrics by Frank Loesser; Book by Jo Swirling and Abe Burrows

Set in Damon Runyon’s mythical New York City, Guys and Dolls is an oddball romantic comedy. Gambler Nathan Detroit tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer Adelaide laments that they’ve been engaged for fourteen years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing the straight-laced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafes of Havana, Cuba, and even into the sewers of New York City, but eventually everyone ends up right where they belong.

OKLAHOMA!
April 5-29, 2018
Music by Richard Rodgers; Book & Lyrics by Oscar Hammerstein II; Based on the play “Green Grow the Lilacs” by Lynn Riggs

Set in a Western Indian Territory just at the turn of the century, the high-spirited rivalry between the local farmers and the cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love’s journey is as bumpy as a surrey ride down a country road. That they will succeed in making a new life together we have no doubt, and that this new life will begin in a brand-new state provides the ultimate climax through the triumphant title song.

2017-18 Warsaw Federal Incline Theater District Series:

CABARET
September 28 – October 15, 2017
Book by Joe Masteroff; Based on the play by John Van Druten; Stories by Christopher Isherwood; Music by John Kander; Lyrics by Fred Ebb

The scene is the Kit Kat Klub, a night club in Berlin, 1931. The Nazis are rising to power. A young American writer, Cliff Bradshaw, is in a very complicated relationship with 19-year-old English cabaret performer Sally Bowles. As he seeks a meaningful life, she claims to seek only its pleasures. Meanwhile, the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor, is headed for tragedy as Germany veers toward fascism. Overseeing the action is the Master of Ceremonies, presenting the songs in the club as ominous political developments seep into the lives and hearts of the lovers. This Tony Award-winning Best Musical includes the songs “Willkommen,” “Maybe This Time,” “The Money Song” and the all-time hit “Cabaret.”

FIVE WOMEN WEARING THE SAME DRESS
January 25 – February 11, 2018
By Alan Ball

During an ostentatious wedding reception at a Knoxville estate, five reluctant, identically clad bridesmaids hide out in an upstairs bedroom, each with her own reason to avoid the proceedings below. They are Frances, a painfully sweet but sheltered fundamentalist; Mindy, the cheerful, wise-cracking lesbian sister of the groom; Georgeanne, whose heartbreak over her own failed marriage triggers outrageous behavior; Meredith, the bride’s younger sister whose precocious rebelliousness masks a dark secret; and Trisha, a jaded beauty whose die-hard cynicism about men is called into question when she meets Tripp, a charming bad-boy usher to whom there is more than meets the eye. As the afternoon wears on, these five very different women joyously discover a common bond in this wickedly funny, irreverent and touching celebration of the women’s spirit.

Monty Python’s SPAMALOT
March 22 – April 8, 2018
Book and Lyrics: Eric Idle; Music: John Du Prez

Lovingly ripped off from the classic film comedy Monty Python and the Holy Grail, Spamalot retells the legend of King Arthur and his Knights of the Round Table and features a bevy of beautiful show girls, not to mention cows, killer rabbits, and French people. Did we mention the bevy of beautiful show girls?  The 2005 Broadway production won three Tony Awards, including “Best Musical,” and received 14 Tony Award nominations. Hilarious songs include: “I’m Not Dead Yet,” “His Name is Lancelot” and “Always Look on the Bright Side of Life!”

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DOUBT Runs Jan. 19-Feb. 12

ccpa_doubt-logoDOUBT
Covedale Center for the Performing Arts
Jan. 19-Feb. 12
West Price Hill

Directed by Lindsey Augusta Mercer

Cast: Rory Sheridan as Father Brendan Flynn, Martha Slater as Sister Aloysius Beauvier, Maggie Lou Rader as Sister James & Joy Rolland as Mrs. Muller

In this brilliant and powerful drama, Sister Aloysius, a Bronx school principal, takes matters into her own hands when she suspects the young Father Flynn of an improper relationship with one of the male students. All the elements come together like clockwork in this gripping story – that is less about scandal than about fascinatingly nuanced questions of moral certainty. DOUBT is a lean, potent drama…passionate, exquisite, important and engrossing.

  • Thu, Jan. 19 at 7:30pm
  • Fri-Sat, Jan. 20-21 at 8pm
  • Sun, Jan. 22 at 2pm
  • Thu, Jan. 26 at 7:30pm
  • Fri-Sat, Jan. 27-28 at 8pm
  • Sun, Jan. 29 at 2pm
  • Thu, Feb. 2 at 7:30pm
  • Fri-Sat, Feb. 3-4 at 8pm
  • Sun, Feb. 5 at 2pm
  • Thu, Feb. 9 at 7:30pm
  • Fri-Sat, Feb. 10-11 at 8pm
  • Sun, Feb. 12 at 2pm

Official page |

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