Tag Archives: Cincinnati Opera

Auditions Announced for Supernumerary Roles for Summer Season at Cincinnati Opera

co_logoTake the Music Hall stage this summer!

Cincinnati Opera invites you to an open casting call for supernumerary roles for the 2022 Summer Festival. No singing or acting skills are required!

April 6 from 5-8pm in the May Festival Rehearsal Room at Music Hall

Supernumerary or “super” roles are non-singing, non-speaking roles, much like extras in film and television. Supers will share the stage with internationally renowned artists and work with celebrated directors and conductors. All super positions are filled on a voluntary basis.

Individuals of all ages, races, ethnicities, genders, and abilities are welcome and encouraged to apply.

Interested individuals will be required to wear masks and to provide proof of vaccination to participate in the casting call.

Learn more about the super roles at https://bit.ly/34xNaED and email supers@cincinnatiopera.org with questions.

Participants should enter through Music Hall’s Stage Door, 1244 Central Parkway, Cincinnati, OH 45202.

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Cincinnati Opera Announces $1.3 Million Gift from The Andrew W. Mellon Foundation to Support the Creation of New Operas Celebrating Black Stories

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Cincinnati Opera will commission three new operas from composers and librettists of color, with the first to premiere during the company’s 2025 Summer Festival

Cincinnati, Ohio—Cincinnati Opera is proud to announce that the company has been awarded a $1.3 million grant from The Andrew W. Mellon Foundation (“Mellon Foundation”). The gift provides key financial support for a new artistic initiative by Cincinnati Opera to commission operas that celebrate Black stories. It will also fund the continuation of Opera Fusion: New Works (OF:NW), the groundbreaking workshop program from Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) that supports the development of new operas.

With seed funding provided by the Mellon Foundation gift, Cincinnati Opera will commission three new operas from composers and/or librettists of color that focus on racially and ethnically diverse characters and narratives, with primary emphasis on Black stories. The first, scheduled to premiere during the company’s 2025 Summer Festival, will be a large-scale, grand opera for full cast and orchestra by a Black composer/librettist team that features a positive and uplifting reflection of the Black American experience. Two additional operas are currently planned to premiere during the company’s 2026 and 2027 seasons, respectively, with full details to be shared at a later date.

The initiative builds on Cincinnati Opera’s commitment to present programming that reflects the diversity of its community and our nation. The company’s 2022 Summer Festival will include two world-premiere operas from Black creators that focus on Black characters: Castor and Patience, by composer Gregory Spears with a libretto by former U.S. poet laureate Tracy K. Smith, and Fierce, by composer William Menefield and librettist Sheila Williams.

“We are deeply grateful to The Andrew W. Mellon Foundation for this investment in the future of our art form,” said Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera. “They have been a valued supporter of Opera Fusion: New Works since its inception, and this gift is an important endorsement of our shared focus on advancing diversity, equity, inclusion, and access in the arts. Our industry is experiencing an urgent need to expand the narratives presented on our stages. Through conversations with our artistic partners and community members, we’ve learned that there is a particular need for new operas that center on positive Black stories. We’re thrilled to be able to provide the creative space for these inspiring voices to be heard.”

Morris Robinson, renowned opera singer and Cincinnati Opera’s artistic advisor, elaborated, “Back in 2019, while I was singing with Cincinnati Opera in Porgy and Bess, my fellow cast members and I were invited into a conversation with the company’s leadership about our hopes for opera’s future. We asked, ‘What would it take to develop more grand operas about Black people, written by Black people, that are positive and uplifting?’ It felt like a huge artistic opportunity. I’m excited about this new initiative because of what it means for people of color who’ll get to see their joys and possibilities represented on the opera stage.”

Mirageas emphasized that Cincinnati Opera is in the process of identifying creators to develop its three new works. “We’ve had several exploratory conversations and are also initiating a nationwide call for writers and composers of color to submit ideas for consideration,” he said. Inquiries may be submitted to commissions@cincinnatiopera.org.

A portion of the Mellon Foundation gift will also support the continuation of Opera Fusion: New Works, the nationally recognized partnership between Cincinnati Opera and CCM that advances the development of new operas. Under the program, co-directed by Mirageas and CCM Professor Robin Guarino, composers and librettists come together with Cincinnati Opera and CCM administrators, musicians, and artistic and production personnel to workshop their operas in progress. Since 2011, the program has produced workshops for 19 operas, and many of these works have subsequently received their world premieres on professional stages across the U.S., including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, Opera Theatre of Saint Louis, and Minnesota Opera.

The current gift from the Mellon Foundation provides support for OF:NW through 2024, with the next workshop taking place in May 2022: Robeson/Moscow, a new opera about the life and work of artist and activist Paul Robeson from composer Scott Davenport Richards and librettist David Cote, the creators of Cincinnati Opera’s 2019 world-premiere opera Blind Injustice. Guarino will serve as dramaturg and director.

“Although CCM’s ties to Cincinnati Opera date back more than a century, ours is a partnership that is truly defined by the exploration of ‘what’s next,’” said Stanley E. Romanstein, the Thomas James Kelly Professor of Music and Dean at CCM. “Thanks to the generosity of The Andrew W. Mellon Foundation, CCM and Cincinnati Opera continue to take a leading role in our respective industries through Opera Fusion: New Works. This initiative’s emphasis on the creation of new operas allows us to tell bold stories from diverse perspectives and explore themes that are vitally important to contemporary audiences, while also allowing CCM students, faculty, and staff to play an active role in the evolution of the art form. We are proud to continue this important work, and we could not ask for better partners than Cincinnati Opera and the Mellon Foundation.”

Concluded Mirageas, “CCM is an extraordinary cultural asset, and we are fortunate to have such an outstanding conservatory as our collaborator. Through our unique partnership along with the Mellon Foundation’s support, Cincinnati has become fertile ground for the development of new opera. We can’t wait to see where this next chapter leads.”

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

In addition to this grant from the Andrew W. Mellon Foundation, Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera also receives general season support from the Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America.

To learn more, visit cincinnatiopera.org.

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Cincinnati Opera Announces Cast, Production, and Schedule Updates for 2022 Summer Festival

Cincinnati Opera opens its 2022 Summer Festival with a new-to-Cincinnati production of La Bohème

CO_La Boheme PreviewPhoto by Yves Renaud/Opéra de Montréal 

Cincinnati, Ohio—Cincinnati Opera today shared updated cast, production, and schedule details for its 2022 Summer Festival, which will take place June 18 through July 31, 2022. After two seasons away, the company returns this summer to its longtime performance venues, Cincinnati Music Hall and the School for Creative and Performing Arts (SCPA).

As previously announced in September 2021, Cincinnati Opera will celebrate this special homecoming with a full, five-opera season—including two world premieres and new-to-Cincinnati productions—plus creative collaborations with renowned singers, conductors, directors, and designers, as well as the Cincinnati Opera Chorus, Cincinnati Ballet, and the Cincinnati Symphony Orchestra.

The company is pleased to share updates to the performance schedule, as well as full cast and production details for each opera. The 2022 season includes Giacomo Puccini’s La Bohème (June 18, 23, 25), Gilbert and Sullivan’s The Pirates of Penzance (July 7, 8*, 10m), and Giuseppe Verdi’s Aida (July 22*, 26*, 29, 31m) at Music Hall, and two world premiere operas at SCPA’s Corbett Theater: William Menefield and Sheila Williams’s Fierce (July 6, 9m*, 10**) and Gregory Spears and Tracy K. Smith’s Castor and Patience (July 21*, 23m*, 24m, 28, 30).

The 2022 season will also feature an array of community events and celebrations, including: Opera for All and Opera in the Park (June 12), a day of free, family-friendly experiences at Music Hall followed by a free evening concert in Washington Park; the Bal de Triomphe (June 25), a black-tie season-opening dinner; and Morris and Friends (July 27), a special concert hosted by world-renowned bass and Cincinnati Opera Artistic Advisor Morris Robinson.

New subscriptions to Cincinnati Opera’s 2022 Summer Festival go on sale on February 28, 2022, and tickets to individual productions will be available beginning April 25, 2022. Visit cincinnatiopera.org for more information.

*New performance date
**Added performance date


Cincinnati Opera
2022 Summer Festival

New-to-Cincinnati Production

La Bohème
Music by Giacomo Puccini
Libretto by Luigi Illica and Giuseppe Giacosa

Saturday, June 18, 2022 | 7:30 p.m.
Thursday, June 23, 2022 | 7:30 p.m.
Saturday, June 25, 2022 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall

The 2022 season sweeps in on a romantic high with one of the most famous love stories ever sung. Giacomo Puccini’s La Bohème has captivated audiences for generations with its unforgettable music and sweetly sentimental tale of young bohemian lovers in Paris. It all begins in a cold apartment on Christmas Eve, where the penniless poet Rodolfo prepares to celebrate with friends on the city’s bustling streets. But with a quiet knock on the door, he meets Mimì, whose single candle has gone out. While searching for a match in the dark, hands touch, sparks fly, and lives change forever.

Soprano Talise Trevigne, who dazzled Cincinnati audiences in the title role of The Gershwins’ Porgy and Bess (2019), portrays Mimì with tenor Ji-Min Park (Alfredo in Cincinnati Opera’s La Traviata, 2018) as Rodolfo. Soprano Raven McMillon, a 2021 winner of the Metropolitan Opera National Council Auditions, sings the role of Musetta, and baritone Rodion Pogossov (Marcello), bass-baritone André Courville (Colline), and baritone Ethan Vincent (Schaunard) appear as Rodolfo’s trio of artistic friends. Baritone Thomas Dreeze sings the roles of Alcindoro and Benoit, and tenor Houston Tyrrell is Parpignol.

Our new-to-Cincinnati production, originally created for Opéra de Montréal by designer Olivier Landreville, brings a colorful, whimsical vision of the City of Light to the Music Hall stage. Stage director is Alain Gauthier, and Mark Gibson, director of orchestral studies at the University of Cincinnati College-Conservatory of Music (CCM), will conduct. Lighting design is by Thomas C. Hase, and wig and makeup design is by James Geier. Chorus master is Henri Venanzi.

Featuring the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus

Sung in Italian with projected translations


World Premiere

Fierce
Music by William Menefield
Libretto by Sheila Williams

Wednesday, July 6, 2022 | 7:30 p.m.
Saturday, July 9, 2022* | 3:00 p.m.
Sunday, July 10, 2022** | 7:30 p.m.
Corbett Theater | School for Creative and Performing Arts

Cincinnati Opera proudly presents the world premiere of Fierce during summer 2022. With authenticity and sensitivity, Fierce tells the stories of four teenage girls struggling with school, family, and friendship, as each embarks on a transformative journey toward empowerment and self-assurance. A collaboration with WordPlay Cincy, the Music Resource Center−Cincinnati (MRC), and i.imagine—three arts organizations serving Greater Cincinnati youth—Fierce was originally slated to debut in summer 2020 and has been rescheduled due to the COVID-19 pandemic.

Northern Kentucky-based novelist Sheila Williams interviewed WordPlay and MRC participants to inspire her libretto, while Cincinnati native William Menefield employed jazz, modern, and classical music styles in the opera’s high-energy score. Teenage girls participating in i.imagine’s photography program will partner with Cincinnati Opera to promote the production to their peers.

The girls at the center of Fierce will be sung by mezzo-soprano Megan Graves (Rumer), soprano Victoria Ellington (Nyomi), soprano Alicia Russell (Morgan), and mezzo-soprano Lauren McAllister (Vesta). Appearing as the ensemble of Trolls are soprano Wendy Hill, tenor M. Andrew Jones, and baritone Antonio Cruz.

Lynn Meyers, producing artistic director of Ensemble Theatre Cincinnati, makes her Cincinnati Opera debut asFierce’s dramaturg and stage director. Production design is bySamantha Reno, with lighting design by Thomas C. Hase and wig and makeup design by James Geier.

Featuring the Cincinnati Symphony Orchestra
Sung in English with projected titles

*New performance date
**Added performance date


New-to-Cincinnati Production

The Pirates of Penzance
Music by Arthur Sullivan
Libretto by W.S. Gilbert

Thursday, July 7, 2022 | 7:30 p.m.
Friday, July 8, 2022* | 7:30 p.m.
Sunday, July 10, 2022 | 3:00 p.m.
Springer Auditorium | Cincinnati Music Hall

Gilbert and Sullivan’s perfectly preposterous comic operetta The Pirates of Penzance sets sail at Music Hall in July 2022. Frederic, an orphan apprenticed to a lively band of pirates, is soon to celebrate his 21st birthday, when he’ll be free to pursue a life—and love—all his own. The charming Mabel catches his eye, and she’s supremely smitten in return. But the crafty Pirate King finds a loophole in Frederic’s contract, setting the young lovers’ future upon stormy seas. Will Frederic and Mabel steer their way to a happily-ever-after?

Bursting with memorable tunes and rapid-fire laughs, our production of The Pirates of Penzance is a modern, major spectacle, featuring vivid sets and costumes originally created for Opera Theatre of Saint Louis by designer James SchuetteDavid Agler conducts, with stage direction and choreography by Seán Curran. Lighting design is by Thomas C. Hase, with wig and makeup design by James Geier. Chorus master is Henri Venanzi.

A veteran in the role of Major-General Stanley, bass-baritone Patrick Carfizzi “brings down the house” with his “impeccable” (Times of San Diego) patter singing and comic timing. Zachary James offers a “striking bass voice and a tremendously magnetic presence” (Opera News) as the swashbuckling Pirate King. Tenor Matthew White, who last appeared with Cincinnati Opera as Gounod’s Romeo, joins soprano Lauren Snouffer, who offers “beautifully clear, unaffected singing … informed with intelligence and wit” (Opera News), as the lovebirds Frederic and Mabel. Mezzo-soprano Catherine Keen is Frederic’s nursemaid Ruth. Completing the cast are bass Samuel Smith as the Sergeant of Police, baritone Mark Diamond as Samuel, soprano Marlen Nahhas as Edith, mezzo-soprano Jasmin White as Kate, and mezzo-soprano Christina Hazen as Isabel.

Featuring the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus
Sung in English with projected titles
Production originally created for Opera Theatre of Saint Louis

*New performance date


World Premiere

Castor and Patience
Music by Gregory Spears
Libretto by Tracy K. Smith

Thursday, July 21, 2022* | 7:30 p.m.
Saturday, July 23, 2022* | 3:00 p.m.
Sunday, July 24, 2022 | 3:00 p.m.
Thursday, July 28, 2022 | 7:30 p.m.
Saturday, July 30, 2022 | 7:30 p.m.
Corbett Theater | School for Creative and Performing Arts

Originally commissioned for Cincinnati Opera’s 100th anniversary in 2020 and postponed due to the COVID-19 pandemic, Castor and Patience receives its much-anticipated world premiere in July 2022. With music by Gregory Spears, composer of the company’s acclaimed 2016 commission Fellow Travelers, and an original libretto by Pulitzer Prize-winner and former U.S. poet laureate Tracy K. Smith, the opera centers on two cousins from an African American family who find themselves at odds over the fate of a historic parcel of land they have inherited in the American South. Deeply relevant to ongoing calls for racial justice, Castor and Patience probes historical and continuing obstacles to Black land ownership in the United States.

At the podium is conductor Kazem Abdullah, and Kevin Newbury (Fellow Travelers) directs. The new production will be created by Vita Tzykun (scenic design), Jessica Jahn (costume design), Rachel Eliza Griffiths (image design), S. Katy Tucker (projection design), Thomas C. Hase (lighting design), and James Geier (wig and makeup design).

A renowned interpreter of contemporary opera, soprano Talise Trevigne is Patience, and baritone Reginald Smith Jr., who represented the U.S. at the prestigious BBC Cardiff Singer of the World Competition last year, is Castor. They’re joined by a stellar supporting cast: mezzo-soprano Jennifer Johnson Cano (Celeste), soprano Victoria Okafor (Willie), baritone Benjamin Taylor (West), tenor Frederick Ballentine (Judah), and soprano Raven McMillon (Ruthie). Soprano Amber Monroe, mezzo-soprano Zoie Reams, tenor Victor Ryan Robertson, baritone Phillip Bullock, and bass Earl Hazell make up the opera’s ensemble.

Featuring the Cincinnati Symphony Orchestra
Sung in English with projected titles

*New performance date


New-to-Cincinnati Production

Aida
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni

Friday, July 22, 2022* | 7:30 p.m.
Tuesday, July 26, 2022* | 7:30 p.m.
Friday, July 29, 2022 | 7:30 p.m.
Sunday, July 31, 2022 | 3:00 p.m.
Springer Auditorium | Cincinnati Music Hall

The 2022 season closes with the grandest of grand operas, Giuseppe Verdi’s Aida. As war rages between enemy nations, a forbidden love burns brightly between Radamès, an Egyptian warrior, and Aida, his captive. But Aida’s keeping a secret of her own—she’s the daughter of the Ethiopian king and deeply devoted to her people. Will she betray Radamès to save her nation or risk everything to follow her heart?

From its passionate romance to its thunderous “Triumphal March,” which features a 60-voice chorus, Aida is the definition of “epic.” Our production evokes the opulence of Ancient Egypt with its “lavish design” (Pittsburgh Theater) by Claude Girard and Bernard Uzan and will be helmed by stage director Crystal Manich with Christopher Allen conducting. Lighting design is by Thomas C. Hase and wig and makeup design is by James Geier. Chorus master is Henri Venanzi.

Making her company debut in the title role is soprano Mary Elizabeth Williams, who possesses a voice with “a gleaming top and luxuriant richness” (The Guardian, U.K.), and tenor Gregory Kunde brings a “robust voice” with “clear, strong, focused tone” (The New York Times) as Radamès. Grammy Award-winning mezzo-soprano and Metropolitan Opera regular Tichina Vaughn is the imperious Egyptian princess Amneris, while baritone Gordon Hawkins, who appeared as Amonasro in the company’s 2013 production, reprises the role. Bass Morris Robinson, Cincinnati Opera’s artistic advisor, is Ramfis. Soprano Jennifer Cherest sings the High Priestess with bass Peixin Chen as the King of Egypt and tenor Houston Tyrrell as A Messenger.

Featuring the Cincinnati Symphony Orchestra, the Cincinnati Opera Chorus, and Cincinnati Ballet
Sung in Italian with projected translations
Production by Opéra de Montréal, Pittsburgh Opera, and Utah Opera

*New performance date


Special Events 

Opera for All
Sunday, June 12, 2022
3:00 p.m. | Cincinnati Music Hall

Cincinnati Opera kicks off the 2022 season with Opera for All, a family-friendly, community open house at Music Hall. Guests will be invited to enjoy special demonstrations, performances, and hands-on activities. Admission is free. 

Opera in the Park
Sunday, June 12, 2022
7:30 p.m. | Washington Park

Following Opera for All, guests are invited to head outside for Opera in the Park, a free concert in Washington Park featuring a selection of opera and musical theater favorites performed by stars from the 2022 season, the Cincinnati Opera Chorus, and the Cincinnati Symphony Orchestra. Admission is free. 

Bal de Triomphe
Saturday, June 25, 2022
4:30 p.m. | Ballroom | Cincinnati Music Hall

Celebrating Cincinnati Opera’s return to Music Hall, the Bal de Triomphe will be a festive, Parisian-inspired evening featuring a black-tie dinner and glittering party surrounding the June 25 performance of La Bohème. Tickets are now on sale and can be purchased by calling 513-768-5524. Event co-chairs are Melanie M. Chavez and Jeannine Winkelmann. 

Morris and Friends
Wednesday, July 27, 2022
7:30 p.m. | Springer Auditorium | Cincinnati Music Hall

Hosted by world-renowned bass and Cincinnati Opera Artistic Advisor Morris Robinson, Morris and Friends is a special concert featuring selections from opera, gospel, and musical theater with surprise guest soloists and the Cincinnati Symphony Orchestra. Tickets will go on sale this spring.


Tickets and Information

New subscriptions to Cincinnati Opera’s 2022 Summer Festival go on sale on February 28, 2022, and tickets to individual productions will be available beginning on April 25, 2022.

The company continues to monitor conditions around the COVID-19 pandemic and will share health and safety policy updates in advance of each performance. For more information, visit cincinnatiopera.org or call the Cincinnati Opera Box Office at 513-241-2742.


About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists. 

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera also receives general season support from the Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America. 

To learn more, visit cincinnatiopera.org.

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Cincinnati Opera Announces 2022 Summer Festival

co_logoThe company comes home to Cincinnati Music Hall after two seasons away, with live, in-person performances from June 18−July 31, 2022 

The lineup includes two world premieres (Castor and PatienceFierce), two classic love stories (La BohèmeAida), and Gilbert and Sullivan’s rollicking comedy, The Pirates of Penzance 

The season stars a thrilling roster of world-class singers, including Raven McMillon, Lauren Snouffer, Talise Trevigne, Mary Elizabeth Williams, Tichina Vaughn, Zachary James, Gregory Kunde, Ji-Min Park, Rodion Pogossov, Reginald Smith Jr., and Matthew White

Cincinnati, Ohio—After two seasons away, Cincinnati Opera today announced plans to return to Cincinnati Music Hall and the School for Creative and Performing Arts (SCPA) next June and July for its 2022 Summer Festival. The company celebrates this special homecoming with a full, five-opera season—including two world premieres and new-to-Cincinnati productions—plus creative collaborations with renowned singers, conductors, directors, and designers, as well as the Cincinnati Opera Chorus, Cincinnati Ballet, and the Cincinnati Symphony Orchestra.

The 2022 season includes Giacomo Puccini’s La Bohème (June 18, 23, 25), Gilbert and Sullivan’s The Pirates of Penzance (July 7, 9, 10m), and Giuseppe Verdi’s Aida (July 21, 23, 29, 31m) at Music Hall, and two world premiere operas at SCPA’s Corbett Theater: William Menefield and Sheila Williams’s Fierce (July 6, 8) and Gregory Spears and Tracy K. Smith’s Castor and Patience (July 22, 24m, 26, 28, 30).

“As the arts reopen and stages in Cincinnati once again come alive, we can’t wait to get back home to Music Hall and SCPA,” said Evans Mirageas, The Harry T. Wilks Artistic Director. “We know how lucky we are to do what we love in such extraordinary venues, and to share with our community all that opera can be. Our 2022 season has been planned to do just that—to bring us together and remind us what it feels like to fall in love, to give us a reason to laugh out loud, and to move us with compelling stories that reflect the modern American experience.”

Continued Mirageas, “For the audience, we hope it will feel like both a welcome return to form and an exciting leap forward—a not-to-be-missed chapter in Cincinnati Opera’s vibrant history.”

Renewing subscribers will be contacted with purchase information in October, and new subscriptions go on sale in January 2022. Single tickets will be available beginning spring 2022. For additional information, visit cincinnatiopera.org.


Cincinnati Opera
2022 Summer Festival

La Bohème

Music by Giacomo Puccini
Libretto by Luigi Illica and Giuseppe Giacosa

Saturday, June 18, 2022 | 7:30 p.m.
Thursday, June 23, 2022 | 7:30 p.m.
Saturday, June 25, 2022 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall

The 2022 season sweeps in on a romantic high with one of the most famous love stories ever sung. Giacomo Puccini’s La Bohème has captivated audiences for generations with its unforgettable music and its sweetly sentimental tale of young bohemian lovers in Paris. It all begins in a cold apartment on Christmas Eve, where the penniless poet Rodolfo prepares to celebrate with friends on the city’s bustling streets. But with a quiet knock on the door, he meets Mimì, whose single candle has gone out. While searching for a match in the dark, hands touch, sparks fly, and lives change forever.

Soprano Talise Trevigne, who dazzled Cincinnati audiences in the title role of The Gershwins’ Porgy and Bess (2019), portrays Mimì with tenor Ji-Min Park (Alfredo in Cincinnati Opera’s La Traviata, 2018) as Rodolfo. Soprano Raven McMillon, a 2021 winner of the Metropolitan Opera National Council Auditions, sings the role of Musetta, and baritone Rodion Pogossov (Marcello), bass-baritone André Courville (Colline), and baritone Ethan Vincent (Schaunard) appear as Rodolfo’s trio of artistic friends. Mark Gibson, director of orchestral studies at the University of Cincinnati College-Conservatory of Music, will conduct.

Featuring the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus

Sung in Italian with projected translations


World Premiere
Fierce
Music by William Menefield
Libretto by Sheila Williams
Wednesday, July 6, 2022 | 7:30 p.m.
Friday, July 8, 2022 | 7:30 p.m.
Corbett Theater | School for Creative and Performing Arts

Cincinnati Opera proudly presents the world premiere of Fierce during summer 2022. With authenticity and sensitivity, Fierce tells the stories of four teenage girls struggling with school, family, and friendship, as each embarks on a transformative journey toward empowerment and self-assurance. A collaboration with WordPlay Cincy, the Music Resource Center−Cincinnati (MRC), and i.imagine—three arts organizations serving Greater Cincinnati youth—Fierce was originally slated to debut in summer 2020 and has been rescheduled due to the COVID-19 pandemic.

Northern Kentucky-based novelist Sheila Williams interviewed WordPlay and MRC participants to inspire the opera’s libretto, while Cincinnati native William Menefield employs jazz, modern, and classical music styles in the work’s high-energy score. Teenage girls participating in i.imagine’s photography program will partner with Cincinnati Opera to promote the production to their peers. D. Lynn Meyers, producing artistic director of Ensemble Theatre Cincinnati, makes her Cincinnati Opera debut as Fierce’s stage director and dramaturg. Production design is by Samantha Reno, with lighting design by Thomas C. Hase and wig and makeup design by James Geier.

Featuring the Cincinnati Symphony Orchestra

Sung in English with projected titles


CO_Pirates of Penzance promo

Jeff Roffman, Atlanta Opera

New-to-Cincinnati Production
The Pirates of Penzance
Music by Arthur Sullivan
Libretto by W.S. Gilbert

Thursday, July 7, 2022 | 7:30 p.m.
Saturday, July 9, 2022 | 7:30 p.m.
Sunday, July 10, 2022 | 3:00 p.m.
|Springer Auditorium | Cincinnati Music Hall

Gilbert and Sullivan’s perfectly preposterous comic operetta The Pirates of Penzance sets sail at Music Hall in July 2022. Frederic, an orphan apprenticed to a lively band of pirates, is soon to celebrate his 21st birthday, when he’ll be free to pursue a life—and love—all his own. The charming Mabel catches his eye, and she’s supremely smitten in return. But the crafty Pirate King finds a loophole in Frederic’s contract, setting the young lovers’ future upon stormy seas. Will Frederic and Mabel steer their way to a happily-ever-after?

Bursting with memorable tunes and rapid-fire laughs, our production of The Pirates of Penzance is a modern, major spectacle, featuring vivid sets and costumes originally created for Opera Theatre of Saint Louis by designer James SchuetteDavid Agler conducts, with stage direction and choreography by Seán CurranZachary James brings a “striking bass voice and a tremendously magnetic presence” (Opera News) to the role of the swashbuckling Pirate King. Tenor Matthew White, who last appeared with Cincinnati Opera as Gounod’s Romeo, joins soprano Lauren Snouffer, who offers “beautifully clear, unaffected singing … informed with intelligence and wit” (Opera News), as the lovebirds Frederic and Mabel.

Featuring the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus

Sung in English with projected titles

Production originally created for Opera Theatre of Saint Louis


CO_Aida promo

Opéra de Montréal, Yves Renaud.

New-to-Cincinnati Production
Aida
Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni

Thursday, July 21, 2022 | 7:30 p.m.
Saturday, July 23, 2022 | 7:30 p.m.
Friday, July 29, 2022 | 7:30 p.m.
Sunday, July 31, 2022 | 3:00 p.m.
Springer Auditorium | Cincinnati Music Hall

The 2022 season continues with the grandest of grand operas, Giuseppe Verdi’s Aida. As war rages between enemy nations, a forbidden love burns brightly between Radamès, an Egyptian warrior, and Aida, his captive. But Aida’s keeping a secret of her own—she’s the daughter of the Ethiopian king and deeply devoted to her people. Will she betray Radamès to save her nation or risk everything to follow her heart?

From its passionate romance to its thunderous “Triumphal March,” which features a 60-voice chorus, Aida is the definition of “epic.” Our production evokes the opulence of Ancient Egypt with its “lavish design” (Pittsburgh Theater) by Claude Girard and Bernard Uzan and will be helmed by stage director Crystal Manich with Christopher Allen conducting. Making her company debut in the title role is soprano Mary Elizabeth Williams, who possesses a voice with “a gleaming top and luxuriant richness” (The Guardian, U.K.), and tenor Gregory Kunde brings a “robust voice” with “clear, strong, focused tone” (The New York Times) as Radamès. Grammy Award-winning mezzo-soprano and Metropolitan Opera regular Tichina Vaughn is the imperious Egyptian princess Amneris, while baritone Gordon Hawkins, who appeared as Amonasro in the company’s 2013 production, reprises the role. Bass Morris Robinson, Cincinnati Opera’s artistic advisor, is Ramfis, with bass Peixin Chen as the King of Egypt and soprano Jennifer Cherest as the High Priestess.

Featuring the Cincinnati Symphony Orchestra, the Cincinnati Opera Chorus, and Cincinnati Ballet

Sung in Italian with projected translations

Production by Opéra de Montréal, Pittsburgh Opera, and Utah Opera


World Premiere
Castor and Patience
Music by Gregory Spears
Libretto by Tracy K. Smith

Friday, July 22, 2022 | 7:30 p.m.
Sunday, July 24, 2022 | 3:00 p.m.
Tuesday, July 26, 2022 | 7:30 p.m.
Thursday, July 28, 2022 | 7:30 p.m.
Saturday, July 30, 2022 | 7:30 p.m.
Corbett Theater | School for Creative and Performing Arts

Originally commissioned for Cincinnati Opera’s 100th anniversary in 2020 and postponed due to the COVID-19 pandemic, Castor and Patience receives its much-anticipated world premiere in July 2022. With music by Gregory Spears, composer of the company’s acclaimed 2016 commission Fellow Travelers, and an original libretto by Pulitzer Prize-winner and former U.S. poet laureate Tracy K. Smith, the opera centers on two cousins from an African American family who find themselves at odds over the fate of a historic parcel of land they have inherited in the American South. Deeply relevant to ongoing calls for racial justice, Castor and Patience probes historical and continuing obstacles to Black land ownership in the United States.

At the podium is conductor Kazem Abdullah, and Kevin Newbury (Fellow Travelers) directs. The new production will be created by Vita Tzykun (scenic design), Jessica Jahn (costume design), Rachel Eliza Griffiths (image design), S. Katy Tucker (projection design), Thomas C. Hase (lighting design), and James Geier (wig and makeup design). A renowned interpreter of contemporary opera, soprano Talise Trevigne is Patience, and baritone Reginald Smith Jr., this year’s U.S. representative at the prestigious BBC Cardiff Singer of the World competition, is Castor. They’re joined by a stellar supporting cast: mezzo-soprano Jennifer Johnson Cano (Celeste), soprano Victoria Okafor (Willie), baritone Benjamin Taylor (West), tenor Frederick Ballentine (Judah), and soprano Raven McMillon (Ruthie). Mezzo-soprano Zoie Reams, tenor Victor Ryan Robertson, and baritone Phillip Bullock make up the opera’s ensemble.

Featuring the Cincinnati Symphony Orchestra

Sung in English with projected titles


Tickets and Information

Renewing subscribers will be contacted with purchase information in October, and new subscriptions go on sale in January 2022. Single tickets will be available beginning spring 2022. In September, the company joined several of Cincinnati’s performing arts organizations in announcing COVID safety requirements for audience members, including mask-wearing and proof of vaccination or a negative COVID test. For more information, visit cincinnatiopera.org.


About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera also receives general season support from the Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America.

To learn more, visit cincinnatiopera.org. 

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THE BARBER OF SEVILLE Runs July 24-29

CO_The Barber of SevilleTHE BARBER OF SEVILLE
Cincinnati Opera
July 24-29
Summit Park [Blue Ash]

Based on the play of the same name by Pierre-Augustin Caron de Beaumarchais, The Barber of Seville introduces us to Figaro, the titular barber bursting with bravado. He’s enlisted by the lovelorn Count Almaviva to win the heart of the clever and comely Rosina. Rossini’s masterful, laugh-out-loud comedy (the prequel to The Marriage of Figaro) is packed with rapid-fire punchlines and toe-tapping melodies—from one of the world’s most famous overtures to the instantly recognizable “Figaro! Figaro! Figaro!” of “Largo al factotum.” With whimsy, wit, and plenty of woo, The Barber of Seville reminds us that, as Beaumarchais once said, “Where love is concerned, too much is not even enough.”

  • Sat, July 24 at 8:30pm
  • Thu, July 29 at 8:30pm

Official page |

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Filed under On Stage, opera