Category Archives: Season Announcements

2018 Season Announced by Brookville Community Theatre

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Announcing our 33rd Season!

FOXFIRE
by Susan Cooper, Hume Cronyn & Jonathan Holtzman
Directed by Saul Caplan
Auditions: December 27th & 28th 7pm
Performances: February 15th – 25th

Annie Nations, an indomitable Appalachian widow of 79, lives on her mountain farm with the acerbic ghost of her husband Hector. Her tranquility is threatened by a brash real estate developer who wants to turn her land into a vacation resort and by concern over her son Dillard, a country singer who has come home with two stranded children because his wife has run away. Annie’s battle to decide her future takes her through some funny, touching and magical flashbacks to her life with Hector. Played on Broadway by Hume Cronyn and Jessica Tandy, this couple offers a staunchly affirmative tribute to country folk.

DIRTY ROTTEN SCOUNDRELS
by Jeffrey Lane
Music & Lyrics by David Yazbek
Based on the film, Dirty Rotten Scoundrels, written by Dale Launer and Stanley Shapiro & Paul Henning
Directed by Jen Bell
Auditions: February 27th & 28th 7pm
Performances: April 19th – 29th

Lawrence Jameson makes his lavish living by talking rich ladies out of their money. Freddy Benson more humbly swindles women by waking their compassion with fabricated stories about his grandmother’s failing health. After meeting on a train, they attempt to work together, only to find that this small French town isn’t big enough for the two of them. They agree on a settlement: the first one to extract $50,000 from a young female target, heiress, Christine Colgate, wins, and the other must leave town. A battle of cons ensues that will keep audiences laughing, humming and guessing to the end!

Disney & Cameron Mackintosh’s
MARY POPPINS
Book by Julian Fellowes
Original Music & Lyrics by Richard M. Sherman & Robert B. Sherman
New Songs and Additional Music & Lyrics by Anthony Drewe & George Stiles
Directed by James Nelson
Auditions: May 1st & 2nd 7pm
Performances: June 28th – July 15th

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.” This magical production includes such favorites as “A Spoonful of Sugar,” “Chim Chim Cher-ee,” “Supercalifragilisticexpialidocious,” “Jolly Holiday,” “Step in Time,” and some new songs “Practically Perfect,” “Brimstone and Treacle” and “Anything Can Happen if You Let It.” Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs and breathtaking dance numbers! Audiences will be singing along from beginning to end!

DEARLY DEPARTED
by David Bottrell & Jessie Jones
Directed by Debbi Robbins
Auditions: July 17th & 18th 7pm
Performances: September 6th – 16th

In the Baptist backwoods of the Bible Belt, the beleaguered Turpin family proves that living and dying in the South are seldom tidy and always hilarious. Despite their earnest efforts to pull themselves together for their father’s funeral, the Turpin’s other problems keep overshadowing the solemn occasion: Firstborn Ray-Bud drinks himself silly as the funeral bills mount; Junior, the younger son, is juggling financial ruin, a pack of no-neck monster kids, and a wife who suspects him of infidelity in the family car; their spinster sister, Delightful, copes with death as she does life, by devouring junk food; and all the neighbors add more than two cents. As the situation becomes fraught with mishap, Ray-Bud says to his long-suffering wife, “When I die, don’t tell nobody. Just bury me in the backyard and tell everybody I left you.” Amidst the chaos, the Turpins turn for comfort to their friends and neighbors, an eccentric community of misfits who just manage to pull together and help each other through their hours of need, and finally, the funeral.

A NICE FAMILY CHRISTMAS
by Phil Olson
Directed by Sherron Henry
Auditions: September 18th & 19th 7pm
Performances: November 8th – 18th

It’s Christmas Eve, and a young newspaper reporter on the brink of being fired has been assigned a last-chance story about a typical family Christmas – his family’s Christmas. He goes home to his recently widowed mother, his crazy uncle, his eccentric grandmother, and his battling siblings and their neurotic spouses, who provide no shortage of material. One by one, we learn each family member’s secrets, problems, and dysfunctions, and when they learn that he’s writing an article with some very personal family information, the fruitcake hits the fan. The question is, will the magic of Christmas bring this family back together?

For more information visit www.brookvillecommunitytheatre.com.

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CCM Announces Sesquicentennial Studio Series of Acting, Dance, Musical Theatre and Opera Performances

With free admission and limited seating, CCM’s annual Studio Series
remains one of the hottest tickets in Cincinnati

CCM_logo

CINCINNATI, OH—The University of Cincinnati College-­Conservatory of Music (CCM) presents nine eclectic and electrifying productions as part of its 150th Anniversary Studio Series of Acting, Dance, Musical Theatre and Opera. This annual series of performing and media arts events features CCM’s acclaimed “stars of tomorrow” in a collection of scaled-­down stagings set in the Cohen Family Studio Theater and other intimate performance spaces.

The 2017-­18 series opens in October with the musical revue Sondheim on Sondheim, which showcases the songs of legendary musical theatre composer/lyricist Stephen Sondheim. In November, CCM proudly presents The Earth is Flat, a touching coming-of-­age story written by CCM alumnus Todd Almond (BM, 1999) and set in UC’s Calhoun Hall. November also sees the return of the 48-­Hour Film Festival, which showcases 10 student-­created short films produced over the course of a single weekend.

The series continues in early 2018 with productions of the operas Trouble in Tahiti, The Telephone, Tale for a Deaf Ear and Ariodante. CCM’s popular Dance Student Choreographers’ Showcase and TRANSMIGRATION Festival of Student-­Created New Works both return in March. The 150th Anniversary Studio Series concludes in Spring 2018 with the unconventional and moving musical drama The Theory of Relativity (directed and choreographed by CCM alumna Katie Johannigman) and the debut of an original 60-­minute play created by CCM Acting for the 71st Edinburgh Fringe Festival.

The Studio Series is just one part of the yearlong CCM Sesquicentennial Celebration, which includes world premieres, guest artist performances, a series of off-­campus concerts and a one-­of-­a-­kind alumni showcase event. For an initial overview of CCM’s 150th anniversary programming, please visit http://ccm.uc.edu/about/villagenews/notations-­ovations/sesquicentennial-­celebration.

The complete 2017-­18 Studio Series lineup is listed below. Titles and dates are subject to change.

Tickets and Parking Information
All Studio Series performances are free and open to the general public, but reservations are required and seating is limited. Reservations can be made the week of each show by visiting the CCM Box Office in UC’s Corbett Center for the Performing Arts or by calling 513-­556-­4183.

Unless otherwise noted, all Studio Series productions take place in CCM’s intimate and versatile “black box” performance space, the Cohen Family Studio Theater.

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates. For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM’S 150TH ANNIVERSARY STUDIO SERIES

8 p.m. Thursday, Oct. 5
8 p.m. Friday, Oct. 6
2 and 8 p.m. Saturday, Oct. 7
• Studio Musical Theatre Series •
SONDHEIM ON SONDHEIM
Music and lyrics by Stephen Sondheim
Conceived and originally directed by James Lapine
Aubrey Berg, director
Stephen Goers, music director
Katie Johannigman, choreographer

A “revelatory revue full of wonderful moments,” Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words… and music. Ranging from the beloved to the obscure, the songs are interspersed with in-­depth video interviews, delving into Sondheim’s personal life and artistic process. Far from the typical song cycle, Sondheim on Sondheim has massive theatrical potency, as well as inarguable staying power. A “funny, affectionate and revealing tribute to musical theater’s greatest living composer and lyricist” and a wonderful showcase for CCM’s Musical Theatre stars of tomorrow.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 2. Please visit the CCM Box Office or call 513-­556-­4183 to reserve. Limit two tickets per order.
____

8 p.m. Thursday, Nov. 2
8 p.m. Friday, Nov. 3
2 and 8 p.m. Saturday, Nov. 4
• Studio Acting Series •
THE EARTH IS FLAT
Written by Todd Almond
Richard E. Hess, director

The CCM Sesquicentennial celebrates the work of accomplished alumnus Todd Almond! A love letter to the University of Cincinnati written by Almond, The Earth is Flat explores the universal awkwardness of the American college experience. The search for identity by those least prepared with answers resonates with unexpected comedy in this new play commissioned by CCM Acting as part of the Cincinnati Playwrights Conference in 2016. A coming-­of-­age story set in Calhoun Hall, The Earth is Flat follows purple-­haired Ethan as he takes his first tentative steps toward self-­knowledge.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 30. Please visit the CCM Box Office or call 513-­556-­4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman and Margaret Straub
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7 p.m. Sunday, Nov. 19
• Studio Acting/Digital Media Collaborative/E-­Media Series •
FOURTH ANNUAL 48-­HOUR FILM FESTIVAL
Richard E. Hess and John Owens, producers

Join us for our annual celebration of original film work by students. After random team placement, student authors, actors, directors, editors, and composers have 48 hours from 7 p.m. on Friday night to 7 p.m. on Sunday night to create finished original short films. All UC students are invited to participate.

Location: MainStreet Cinema, Tangeman University Center
Admission: Admission is free. Reservations are not required, but space may be limited.
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8 p.m. Friday, Feb. 2
8 p.m. Saturday, Feb. 3
2 p.m. Sunday, Feb. 4
• CCM at 150 Celebrates Bernstein at 100/Opera d’arte Series •
TROUBLE IN TAHITI + THE TELEPHONE + TALE FOR A DEAF EAR
Music and libretto by Leonard Bernstein/Music and words by Gian Carlo
Menotti/Music and lyrics by Mark Bucci
Brett Scott, conductor
Amy Johnson, director and co-­producer
Kenneth Shaw, co-­producer
Gabriela Sam, assistant director

The CCM Opera d’arte Series of undergraduate productions proudly presents a triple bill of one-­act American operas! Featured works include Leonard Bernstein’s Trouble in Tahiti, a one-­act opera that candidly portrays the troubled marriage of a young suburban couple. Written between Bernstein’s biggest Broadway successes, Trouble in Tahiti draws upon popular song styles to deliver an uncompromising critique of Mid-­century American marriage. The triple bill also includes Gian Carlo Menotti’s bit of froth, The Telephone, and Mark Bucci’s rarely produced, but haunting Tale for a Deaf Ear. Taken
together, Opera d’arte’s triple bill offers three vastly contrasting views into the extremes of human relationships.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Jan. 29. Please visit the CCM Box Office or call 513-­556-­4183 to reserve. Limit two tickets per order.
____

8 p.m. Friday, Feb. 16
8 p.m. Saturday, Feb 17
2 p.m. Sunday, Feb. 18
• Studio Opera Series •
ARIODANTE
Music by George Frideric Handel
Libretto based on a work by Antonio Salvi
Aik Khai Pung, conductor
Robin Guarino, director

Hailed as one of Handel’s finest operas, Ariodante presents a tale of royal intrigue and betrayal set in the remote Scottish Highlands. The daughter of the King of Scotland is happily engaged to Prince Ariodante, but the scheming Duke Polinesso plots to take the princess’ hand in marriage and seize the throne for himself. Intrigue ensues in this celebrated opera seria, but true love wins the day!

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 12. Please visit the CCM Box Office or call 513-­556-­4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. and Mrs. Edward S. Rosenthal
Opera Production Sponsor: Genevieve Smith
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8 p.m. Thursday, March 1
8 p.m. Friday, March 2
2 and 8 p.m. Saturday, March 3
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHERS SHOWCASE
André Megerdichian, director

Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 26. Please visit the CCM Box Office or call 513-­556-­4183 to reserve. Limit two tickets per order.
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7 p.m. Wednesday, March 7
7 p.m. Thursday, March 8
7 p.m. Friday, March 9
• Studio Acting Series •
TRANSMIGRATION 2018
A Festival of Student-­Created New Works
Richard E. Hess and Brant Russell, producers

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the students in CCM Acting. Six teams of actors craft and perform six original 30-­minute shows. Performed simultaneously in different locations throughout CCM Village, this 10th Anniversary Edition of TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-­Conservatory of Music, theatre fans were offer a jolt of onstage vitality,” observed CityBeat’s Rick Pender.

Location: CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 5. Visit the CCM Box Office or call 513-­556-­4183 to reserve.
Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman and Margaret Straub
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8 p.m. Thursday, March 29
8 p.m. Friday, March 30
2 and 8 p.m. Saturday, March 31
• Studio Musical Theatre Series •
THE THEORY OF RELATIVITY
Music and lyrics by Neil Bartram
Book by Brian Hill
Katie Johannigman, director and choreographer
Stephen Goers, musical director

From Drama Desk Award nominees Neil Bartram and Brian Hill (The Story of My Life), The Theory of Relativity is a joyous and moving look at our surprisingly interconnected lives. Whether you’re allergic to cats, in love for the first or tenth time, a child of divorce, a germophobe or simply a unique individual, audience members and actors alike are sure to find themselves in this fresh new musical. Created using the real-­life experiences and struggles of Millennials, The Theory of Relativity introduces a compelling array of characters experiencing the joys and heartbreaks, liaisons and losses, the inevitability and the wonder of human connection.

Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 26. Visit the CCM Box Office or call 513-­556-­4183 to reserve. Limit two tickets per order.
____

8 p.m. Thursday, April 19
8 p.m. Friday, April 20
2 and 8 p.m. Saturday, April 21
• Studio Acting Series •
EDINBURGH FRINGE FESTIVAL PROJECT
Susan Felder and Richard E. Hess, directors

Every year thousands of performers take to hundreds of stages all over Edinburgh, Scotland for the largest arts festival in the world. For the first time, CCM Acting will present an original 60-­minute piece in August of 2018 in the 71st Edinburgh Fringe Festival. Join us at CCM in April as we present our original creation for Cincinnati audiences.

Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 16. Visit the CCM Box Office or call 513-­556-­4183 to reserve.
Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman and Margaret Straub
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation
____________________

A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

This is our story. This is your season.
Join us for a celebration 150 years in the making…
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Expanded 2018 ‘Summer Classics Season’ Announced for Warsaw Federal Incline Theater

Four-Show Season Features Classics, Comedy and the Caribbean

CLPCincinnati Landmark Productions announced today its newly expanded 2018 Summer Classics Season at the Warsaw Federal Incline Theater.

The 2018 Summer Classics Season, presented by TriHealth, includes:

  • BYE BYE BIRDIE, May 2-27, 2018
  • ONCE ON THIS ISLAND, June 6 – July 1, 2018
  • THE MYSTERY OF IRMA VEP, July 11 – August 5, 2018
  • JESUS CHRIST SUPERSTAR, August 15 – September 9, 2018

The popular series expands from three productions to four in 2018. This follows Cincinnati Landmark Productions’ decision to expand the runs of each production from three weeks to four weeks in 2016. Officials say they are simply trying to quench patrons’ thirst for fun, summer-time theater in Cincinnati.

“This company began as a summer theater provider,” said Tim Perrino, Executive Artistic Director of Cincinnati Landmark Productions. “It’s in our DNA. So expanding this series was a natural step. But we couldn’t do it without the support of our enthusiastic patron base. They told us they want more, so we’re giving them more. The 2018 season is a going to be a runaway hit.”

WFIT_Sign at nightThe Warsaw Federal Incline Theater is the purpose-built, 229-seat performing arts center and parking garage in the Incline District in East Price Hill. Located at the corner of Matson Place and West 8th Street, the $6 million project opened on June 3, 2015.

Subscriptions for the 2018 Summer Classics Season – only $96 – are now on sale.

Subscribers to the 2017 Summer Classics Season will have their seats held for renewal until March 2, 2018. All seats not renewed by that time will be released. Tickets to individual shows go on sale on April 2, 2018.

The Warsaw Federal Incline Theater is programmed year-round by Cincinnati Landmark Productions, culminating in over 120 show nights. In addition to the Summer Classics Season, the venue hosts the three-show District Series season (September to May), an edgier slate of productions designed as an alternative to the concurrent Marquee season at the Covedale Center.

Cincinnati Landmark Productions has been serving the West Side for over 30 years – first through its Cincinnati Young People’s Theatre program and then through its ownership and management of the Covedale Center for the Performing Arts in West Price Hill.

For more information about the Warsaw Federal Incline Theater, visit www.clpshows.org or call (513) 241-6550.

# # #

More about the 2018 Summer Classics Season
at the Warsaw Federal Incline Theater:

BYE BYE BIRDIE
May 2-27, 2018
Book by Michael Stewart; Music by Charles Strouse; Lyrics by Lee Adams

A loving send-up of pre-Beatles, 1960’s small-town America and Rock & Roll, Bye Bye Birdie remains as fresh and vibrant as ever. Teen heartthrob Conrad Birdie gets drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. With a tuneful high-energy score, riotous teen romance and a hilarious script, Birdiecontinues to thrill audiences around the world. Hit songs include “Put on a Happy Face,” “One Last Kiss,” “One Boy,” “A Lot of Livin’ to Do,” “Kids!” and “Rosie.”

ONCE ON THIS ISLAND
June 6 – July 1, 2018
by Lynn Ahrens and Stephen Flaherty

Ti Moune, a peasant girl, falls in love with a wealthy boy from the other side of the island, Daniel. Unbeknownst to her, the pompous gods of the island make a bet over which is stronger, love or death – the stakes being Ti Moune’s life. When Daniel returns to his people, Ti Moune is shunned because of her lowly status. Her determination and capacity to love is not enough to win Daniel’s heart. Will Ti Moune pay the ultimate price? Winner of the 1995 Olivier Award in London for Best New Musical, this show features exciting island-flavored songs, including “Waiting for Life,” “One Small Girl,” “The Human Heart” and “Why We Tell the Story.”

THE MYSTERY OF IRMA VEP
July 11 – August 5, 2018
by Charles Ludlam

A sympathetic werewolf, a vampire, an ancient Egyptian princess brought to life, a lonely British Lord named Edgar, his new wife, her snooty maid, a disappearing/re-appearing groundskeeper and other macabre and madcap characters make this a comedy that has everything – especially when you consider that they’re all played by only two actors in a bewildering series of costume changes and clever scenes that will make your head spin! Can Lord Edgar’s expedition to Egypt discover the secrets of immortality? This is the kind of fun that gets people hooked on theater in the first place. Far and away the funniest two hours you’ll experience on stage!

JESUS CHRIST SUPERSTAR
August 15 – September 9, 2018
Music by Andrew Lloyd Webber; Lyrics by Tim Rice

What’s the buzz? Jesus Christ Superstar has wowed audiences for over 40 years. A timeless work, the rock opera is set against the backdrop of an extraordinary and universally-known series of events but seen, unusually, through the eyes of Judas Iscariot. Loosely based on the Gospels of Matthew, Mark, Luke and John, Superstarfollows the last week of Jesus Christ’s life. The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers and the Roman Empire. The iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him” and “Gethsemane.”

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Cincinnati Opera Returns to Music Hall for Its 2018 Summer Festival

co_logoU.S. Premiere of Another Brick in the Wall
Based on Pink Floyd’s legendary rock album The Wall 

Giuseppe Verdi’s La Traviata opens the season in a sumptuous production starring Norah Amsellem 

Richard Wagner’s The Flying Dutchman returns to the Music Hall stage
for the first time in over 20 years in a new co-production 

Company premiere of Claudio Monteverdi’s The Coronation of Poppea at the
Corbett Theater at the School for Creative and Performing Arts 

Laura Kaminsky’s transgender coming-of-age opera, As One, makes its company premiere as part of Cincinnati Opera’s new initiative, CO Next: Diverse Voices

Company Leadership Extends Contracts Through 100th Anniversary Season

CINCINNATI, OHEvans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, announced the repertoire and casting for Cincinnati Opera’s 2018 Summer Festival, which will run from June 14 to July 31. The 98th anniversary season celebrates the company’s return to Cincinnati Music Hall following the icon’s 16-month renovation.

The season begins with a magnificent production of Giuseppe Verdi’s La Traviata in Music Hall’s Springer Auditorium, followed by the company’s first-ever production of a work by the first major opera composer, Claudio Monteverdi, with The Coronation of Poppea at the Corbett Theater at the School for Creative and Performing Arts. The season continues with Richard Wagner’s The Flying Dutchman, on the Music Hall stage for the first time in over 20 years. The season closes with two groundbreaking new works in repertory. First, Cincinnati Opera presents the United States premiere of Another Brick in the Wall, based on the legendary Pink Floyd album The Wall, brought to full operatic realization in a stunning multimedia production that earned standing ovations at every performance of its sold-out world premiere run at Canada’s Opéra de Montréal. Finally, the chamber opera As One, the coming-of-age story of a transgender woman, will be presented in the intimate new Wilks Studio at Music Hall.

A New Initiative Launches: CO Next: Diverse Voices
With As One, Cincinnati Opera debuts a fifth production as part of its summer festival, with a new initiative called CO Next: Diverse Voices. CO Next: Diverse Voices will showcase new or existing works by diverse composers or librettists, or works that prominently feature diverse characters in the storyline. These productions, which will be presented in a variety of smaller venues on the Opera Campus in the Over-the-Rhine neighborhood, are also envisioned to include a collaborative element with a community partner. This new initiative is the first of several which will be launched as the result of the company’s internal strategic planning process.

Song from the Uproar, the company’s first mainstage opera by a female composer and presented in partnership with concert:nova, provided a soft launch of this initiative in the Opera’s 2017 season. In 2018, CO Next: Diverse Voices begins in earnest with the intimate opera As One, to be performed in the brand-new Wilks Studio in the renovated Music Hall.

Company Leadership to Continue Through 100th Anniversary
Gary “Doc” Huffman, President of Cincinnati Opera’s Board of Trustees, announced that the company’s leaders will continue in their roles for the next several years. Patricia K. Beggs, The Harry Fath General Director & CEO, and Evans Mirageas, The Harry T. Wilks Artistic Director, have extended their contracts through the 2020 season, which will mark the company’s 100th anniversary. Beggs began working at the company in 1984, and has managed Cincinnati Opera since 1997. Mirageas took on his full-time role as artistic director in 2006.

CINCINNATI OPERA 2018 SUMMER FESTIVAL 

LA TRAVIATA
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Sung in Italian with projected English supertitles

  • Thursday, June 14, 2018 at 7:30 p.m.
  • Saturday, June 16, 2018 at 7:30 p.m.
  • Wednesday, June 20, 2018 at 7:30 p.m.
  • Friday, June 22, 2018 at 7:30 p.m.

Springer Auditorium, Music Hall

In Giuseppe Verdi’s beloved opera La Traviata, the heroine has put away thoughts of love, favoring instead the comfort and frivolity of wealth, but true love comes to find her. Cincinnati Opera presents an opulent, “larger-than-life” period co-production with Florida Grand Opera, last seen here in 2008, filled with “whirling ball scenes” and “glittering costumes” (Cincinnati Enquirer).

French soprano Norah Amsellem will sing the lead role of the famed courtesan Violetta Valéry in her second appearance with Cincinnati Opera. Amsellem has performed the role to great acclaim at Covent Garden, Vienna Staatsoper, Teatro Real Madrid, and Teatro Communale di Bologna. The Financial Times praised not only her singing in the role, but her powerful acting, holding the audience “spellbound.” Amsellem previously impressed Cincinnati audiences in the role of Liú in Turandot (2015).

Korean tenor Ji-Min Park, possessed of “a very attractive and gilded tenor” (Opera Brittania), returns to Cincinnati Opera as the headstrong and passionate Alfredo Germont. He has recently sung the role at Korean National Opera and Opera North. Park made his company debut in 2015 as Ernesto in Don Pasquale. Called a “rising star” (Opera Magazine), Korean baritone Youngjoo An will make his company debut singing the role of Alfredo’s disapproving father, Giorgio Germont.

Bliss Hebert will stage direct the production designed by Allen Charles Klein. Hebert and Klein’s previous collaborations at Cincinnati Opera include the 2008 debut of this Traviata production, as well as their magnificent Aida from 2007 and 2013. Renato Balsadonna will conduct, and lighting design is by Thomas C. Hase.

Company Premiere, Brand-New Production
THE CORONATION OF POPPEA
Music by Claudio Monteverdi
Libretto by Giovanni Francesco Busenello
Sung in Italian with projected English supertitles

  • Thursday, June 21, 2018 at 7:30 p.m.
  • Saturday, June 23, 2018 at 7:30 p.m.
  • Tuesday, June 26, 2018 at 7:30 p.m.
  • Thursday, June 28, 2018 at 7:30 p.m.
  • Sunday, July 1, 2018 at 7:30 p.m.

Corbett Theater, School for Creative and Performing Arts

Cincinnati Opera presents a brand-new production of The Coronation of Poppea by Claudio Monteverdi, the first presentation of a Monteverdi opera by the company and only the second Baroque opera to be produced, after Cavalli’s La Calisto in 2014. The opera tells the story of Poppea, the ambitious mistress of the Roman emperor Nero, and her quest to be crowned empress. The production will be directed by the “superbly imaginative” (Parterre BoxZack Winokur, who made his Cincinnati Opera debut as the choreographer of La Calisto. Cincinnati Opera’s strategic partner, Catacoustic Consort, will provide period instrumentalists for the production, following previous collaborations on La Calisto and Songs of Love and War in 2014.

Anthony Roth Costanzo, a “world-class” (Opera Magazine) American countertenor, will make his Cincinnati Opera debut singing the role of Nero, the Emperor of Rome. Performing on various stages from opera to Broadway to concert and film, Costanzo has earned the title of “a bona-fide star” (The New Yorker). Following a recent engagement at the Spoleto Festival USA, The Post and Courier wrote “Costanzo is a force of nature…because of his stunning voice…and because of his magnetic stage presence and acting abilities.”

Grammy-nominated American soprano Talise Trevigne will sing the role of Drusilla. American countertenor Aryeh Nussbaum Cohen, credited with a voice of “velvety gentleness” by The New York Times, will sing the role of Poppea’s former lover, Ottone, and American bass Alex Rosen will sing the role of the elder statesman Seneca. Trevigne, Cohen, and Rosen will all be making their Cincinnati Opera debuts.

The opera will be conducted by American conductor Gary Thor Wedow in his mainstage company debut. The new production’s scenic designer is Adam Charlap Hyman, and the lighting design is by Thomas C. Hase.

New Production
THE FLYING DUTCHMAN
Music and libretto by Richard Wagner
Sung in German with projected English supertitles

  • Thursday, July 5, 2018 at 7:30 p.m.
  • Saturday, July 7, 2018 at 7:30 p.m.

Springer Auditorium, Music Hall

Cincinnati Opera presents a new production of Richard Wagner’s The Flying Dutchman, the eerie nautical ghost story of a cursed Dutchman doomed to wander the seas until he finds a wife. The co-production with The Atlanta Opera and Houston Grand Opera promises to bring the old folktale to the stage in a new and modern way, with stunning visual projections.

American soprano Marcy Stonikas, who “sings with power, grace, and effortless fluidity” (Washington Times), leads the cast as Senta. Following her stunning turn as the title character in Turandot (2015), the Cincinnati Enquirer hailed Stonikas as “a mesmerizing storyteller.” Praised by the Financial Times as “a brilliant actor and a palpable stage presence,” Canadian bass-baritone Nathan Berg will make his company debut singing the role of the Dutchman. American tenor Jay Hunter Morris will make his company debut as Senta’s fiancé, Erik, after performing the role at Washington National Opera, Los Angeles Opera, Seattle Opera, Opera Australia, and the Glimmerglass Festival. American bass Arthur Woodley, a frequent performer at Seattle Opera and Opera Philadelphia, will sing the role of Senta’s father, Daland. Woodley has previously appeared with the company as Sarastro in The Magic Flute (2001) and Colline in La Bohème (1999).

The role of the Steersman will be sung by the “vibrant” (Opera News) American tenor Frederick Ballentine, Jr., and “the vocally lustrous and moving” (The New York Times) American mezzo-soprano Elizabeth Bishop will sing the role of Mary, Daland’s housekeeper. Both Ballentine and Bishop will make their company debuts.

Christof Perick will conduct the opera following his company debut with Der Rosenkavalier in 2013. Tomer Zvulun, the general and artistic director of The Atlanta Opera, will direct the production after previous company appearances directing Don Giovanni (2013) and The Magic Flute (2011).

Sets and costumes for the striking new production will be designed by Jacob Climer, with projections by Katy TuckerThomas C. Hase will be the lighting designer.

United States Premiere
ANOTHER BRICK IN THE WALL
Original words and music by Roger Waters
Operatic version composed by Julien Bilodeau
Sung in English with projected supertitles

  • Friday, July 20, 2018 at 7:30 p.m.
  • Saturday, July 21, 2018 at 7:30 p.m.
  • Thursday, July 26, 2018 at 7:30 p.m.
  • Saturday, July 28, 2018 at 7:30 p.m.
  • Tuesday, July 31, 2018 at 7:30 p.m.

Springer Auditorium, Music Hall

Transforming Pink Floyd’s 1979 album The Wall onto the operatic stage, Another Brick in the Wall tells the semi-autobiographical story of a rock star’s troubled journey after an incident with a concertgoer at Montreal’s Olympic Stadium in 1977. Another Brick in the Wall completely transforms Roger Waters’s original work into a standard operatic form, with eight soloists, 48 chorus members, and a 70-piece orchestra. The opera received its world premiere at Opéra de Montréal in March 2017, with ten sold-out performances. Cincinnati Opera is a co-producer of the opera with Productions Opéra Concept M.P., Inc., led by executive director Pierre Dufour.

Singing the role of the progressive-rock superstar Pink is rising Canadian baritone Nathan Keoughan in his Cincinnati Opera debut. Canadian soprano France Bellemare will sing the role of Pink’s mother. A finalist in the 2015 Montreal International Music Competition, Times Argus hailed Bellemare’s performance as exploding with “exhilarating beauty and passion.” Singing the role of Pink’s father is French-Canadian tenor Jean-Michel Richer. Canadian soprano Caroline Bleau, recognized for her “excellent lyric soprano” and “beautiful presence on stage” (ResMusica) will sing the role of Pink’s wife. Bellemare, Richer, and Bleau are reprising their roles from the world premiere, and will all make their Cincinnati Opera debuts.

Reprising his conducting role from the world premiere is Canadian Alain Trudel. The concept and stage direction for the production was created by Dominic Champagne, renowned for his work on such Cirque de Soleil productions as LOVEVarekai, and Zumanity. Set design is by Stéphane Roy, with costumes by Marie-Chantale Vaillancourt. The video designer is Johnny Ranger, and the lighting design is by Étienne Boucher. Sound design and numeric orchestration are by Louis Dufort.

Limited Engagement Presale: Single tickets for Another Brick in the Wall performances on July 26, 28, and 31, 2018 are available in a limited engagement presale through July 31, 2017. For additional information or to purchase, visit www.cincinnatiopera.org/the-wall or call (513) 241-2742.

Company Premiere
AS ONE
Music and concept by Laura Kaminsky
Libretto by Mark Campbell and Kimberly Reed
Sung in English

July 2018
Wilks Studio, Music Hall

As One marks the first official offering of Cincinnati Opera’s new initiative, CO Next: Diverse Voices. In this chamber opera for two singers and string quartet by composer Laura Kaminsky and librettists Mark Campbell and Kimberly Reed, a mezzo-soprano and a baritone depict the experiences of its sole transgender protagonist, Hannah, as she endeavors to resolve the discord between herself and the outside world. The work has previously been presented by Seattle Opera, Opera Colorado, Long Beach Opera, Pittsburgh Opera, Urban Arias in Washington, D.C., and Brooklyn Academy of Music. Cast and creative team information will be released at a future date.

Cincinnati Opera will partner with the University of Cincinnati College-Conservatory of Music and Equality Ohio on the production of As One. The production will be directed by Robin Guarino, who made her Cincinnati Opera directing debut with Die Fledermaus in 2016, following recent engagements at the Metropolitan Opera and San Francisco Opera. Guarino is the J. Ralph Corbett Distinguished Chair in Opera at the University of Cincinnati College-Conservatory of Music and the co-artistic director of Opera Fusion: New Works.

SPECIAL PERFORMANCES AND EVENTS

Opera in the Park
Sunday, June 10, 2018
Washington Park

On Sunday, June 10, Cincinnati Opera will kick off the season with Opera in the Park, a free concert in Washington Park featuring opera and musical theater favorites performed by stars from the 2018 season, the Cincinnati Symphony Orchestra, and the Cincinnati Opera Chorus.

Community Programs
The 2017-2018 season will also include Cincinnati Opera’s signature programs, including Back to the Zoo, performances by The Opera ExpressOpera Goes to Church, and Opera Goes to Temple. Details will be announced at a future date.

Cincinnati Opera will also present the third installment of The Essentials touring education series with a reduced version of La Traviata, touring Greater Cincinnati in April 2018.

Evening performances take place at 7:30 p.m., with matinee performances at 3:00 p.m. All performances feature the Cincinnati Symphony Orchestra. A free Opera Insights lecture is presented one hour prior to each performance.

Cincinnati Opera subscriptions are now on sale, with single tickets on sale in spring 2018. For additional information, please visit cincinnatiopera.org or contact the Cincinnati Opera Box Office at (513) 241-2742.

Founded in 1920 and the second oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every June and July. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative teams.

Cincinnati Opera’s 2017 Summer Festival continues through July 23, featuring Wolfgang Amadeus Mozart’s

The Magic Flute as well as Missy Mazzoli’s Song from the Uproar, in collaboration with concert:nova. Cincinnati Opera’s 2017 Season Presenting Sponsor is PNC. The 2017 season is also made possible with support from ArtsWave, Ohio Arts Council, Macy’s, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations. 

cincinnatiopera.org

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New Edgecliff Celebrates 20 Years of Creating Powerful Artistic Experiences with Plays About Theatre

NETNew Edgecliff Theatre is proud to announce the lineup for their 20th Anniversary Season: Life in the Theatre.  The season will be not only a celebration of NET but of Theatre itself.  The plays explore some of the dramatic moments in the life of any performer: lessons learned, getting the role and the inevitable passing of the torch.

  • MASTER CLASS by Terrence McNally October 5-21, 2017
  • Sweet Suspense: THE HOUND OF THE BASKERVILLES October 22, 2017
  • VENUS IN FUR by David Ives February 15 – March 3, 2018
  • A LIFE IN THE THEATRE by David Mamet April 12 – 28, 2018

New Edgecliff Theatre returns to Northside to perform at The Hoffner Lodge, 4120 Hamilton Avenue.  Set in the heart of one of Cincinnati’s coolest and most vibrant neighborhoods, NET produces in the Hoffner’s spacious second-floor hall with stage. The first floor store-fronts on Hamilton Avenue now houses The Listing Loon  — a new craft beer and wine store– Spun Bicycles  a new full service bike shop, and Hoffner Gallery.  The Hoffner Lodge is just minutes away from some of Northside’s best dining and nightlife venues including Tillie’s Lounge, Django, Ruth’s Parkside Café, the Northside Tavern and Tickle Pickle.  Free parking is conveniently located across the street at the Northside Bank and Trust.

Established in 1998, New Edgecliff Theatre built on the concept of locally-produced professional educational theater that founder Michael Shooner first experienced at Edgecliff College in the 1970s.  Since then they have been dedicated to creating powerful artistic experiences utilizing local professionals and stressing the fundamental communion between actor and audience.

About the plays:

MASTER CLASS by Terrence McNally looks at the lessons performers learn, both from masters of the craft and as said masters.  Maria Callas is teaching a master class in front of an audience (us). She’s glamorous, commanding, larger than life—and drop-dead funny. An accompanist sits at the piano. Callas’ first “victim” is Sophie, a ridiculous, overly-perky soprano, dressed all in pink. Sophie chooses to sing one of the most difficult arias, the sleepwalking scene from La Sonnambula—an aria that Callas made famous. Before the girl sings a note, Callas stops her—she clearly can’t stand hearing music massacred. And now what has started out as a class has become a platform for Callas. She glories in her own career, dabbles in opera dish and flat-out seduces the audience. Callas gets on her knees and acts the entire aria in dumb show, eventually reducing the poor singer to tears. But with that there are plenty of laughs going on, especially between Callas and the audience. Callas pulls back and gives Sophie a chance to use what she’s learned. As soon as Sophie starts singing, though, Callas mentally leaves the room and goes into a sprawling interior monologue about her own performance of that aria and the thunderous applause she received at La Scala. Callas wakes up and sends Sophie off with a pat. The next two sessions repeat the same dynamic, only the middle session is with a tenor who moves Callas to tears. She again enters her memories, and we learn about Callas’ affair with Aristotle Onassis; an abortion she was forced to have; her first elderly husband whom she left; her early days as an ugly duckling; the fierce hatred of her rivals; and the unforgiving press that savaged her at first. Finally, we meet Sharon, another soprano, who arrives in a full ball gown. With Sharon singing, Callas is genuinely moved, for the young singer has talent, but Callas tells her to stick to flimsy roles. Sharon is devastated and spits back every nasty thing you’ve ever heard about Callas: She’s old, washed up; she ruined her voice too early in her career; she only wants people to worship her, etc. Sharon rushes out of the hall, and Callas brings the class to a close with a beautiful speech about the sacrifices we must make in the name of art.

David Ives’ VENUS IN FUR brings a whole new meaning to “getting” the role.  Thomas, a beleaguered playwright/director, is desperate to find an actress to play Vanda, the female lead in his adaptation of the classic sadomasochistic tale Venus in Fur. Into his empty audition room walks a vulgar and equally desperate actress—oddly enough, named Vanda. Though utterly wrong for the sophisticated part, Vanda exhibits a strange command of the material, piquing Thomas’ interest with her seductive talents and secretive manner. As the two work through the script, they blur the line between play and reality, entering into an increasingly serious game of submission and domination that only one of them can win. A mysterious, funny, erotic drama that represents yet another departure for the multifaceted David Ives.

IN A LIFE IN A THEATRE, Pulitzer Prize-winning author of Glengarry Glen Ross and Speed-The-Plow David Mamet, takes us into the lives of two actors: John, young and rising into the first flush of his success; the other Robert, older, anxious, and beginning to wane. In a series of short, spare, and increasingly raw exchanges, we see the estrangement of youth from age and the wider, inevitable and endless cycle of life, in and out of the theatre.

In addition to the regular season NET will once again present its annual radio drama fundraiser, Sweet Suspense on Sunday October 22.  Celebrate Halloween with New Edgecliff Theatre as they present Arthur Conan Doyle’s Sherlock Holmes classic THE HOUND OF THE BASKERVILLES.  Sir Henry is heir to the vast Baskerville fortune, a legacy that comes with a family curse – death at the fangs of a horror that prowls the moor. Only Holmes can stop the beast. As mysterious lights signal Baskerville Hall and the hound terrifies the countryside, the sleuthing begins. Who wrote the letter that summoned the hound? Is the supernatural at work?  Sit on the edge of your seat as our actors present another tale of suspense from the Golden Age of Radio. Then join us for an extended intermission featuring a dessert buffet with tasty treats from some of Cincinnati’s finest restaurants, bakeries and caterers.

About the Directors:

Farley Norman (Master Class) is the Artistic Director for Brilliantly Different Productions, LLC. Current projects include developing new works in the Cincinnati area, working as a lighting designer in multiple regions, and directing productions throughout the year.

Former NET Artistic Director Proccacino (Venus in Fur) returns to direct once again, having last directed the successful productions of Other People’s Money, Proof and [title of show]. During his four years as Artistic Director, he also directed such shows as Fool for Love, Fat Pig and Cyrano [Rehearsed]. Greg currently chairs the Theatre Department at Thomas More College.

Elizabeth A. Harris (A Life in the Theatre) is also a former New Edegecliff Theatre Artistic Director, and is thrilled to be working with NET once again.  Past NET directing credits include The Night of the Iguana, American  Buffalo, Lives of the Saints, Power Failure, The Blue Room and 3 X the Tail.  She most recently directed The Shape of Things.  Currently Elizabeth serves as co-artistic director for Cincinnati LAB Theatre and runs the theatre program at St. Xavier High School. She also teaches acting for NKU and is the Director of Theatre Arts for the University of Cincinnati-College Conservatory of Music Preparatory Department.

 

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