Category Archives: Season Announcements

2026-2027 Season Announced by The Drama Workshop

AND THEN THERE WERE NONE
By Agatha Christie
Directed by Amy Eyers
August 2026

Building off our successful run of The Mousetrap, we are thrilled to present Agatha Christie’s And Then There Were None, a tightly-crafted, edge-of-your-seat mystery. The classic Christie mystery that has inspired dozens of copycats and spoofs will be brought to life on the Drama Workshop stage by Amy Eyers, who directed TDW’s Mousetrap.  Ten strangers are invited to a remote island under vague pretenses, only to find that they must face a terrifying truth: the killer is among them, and no one is safe.

MISERY
by Stephen King, adaptation by William Goldman
Directed by Dane Rogers and Sarah Rogers
September 2026

You asked for more suspense, and we’re bringing it. Misery, adapted by William Goldman from Stephen King’s chilling novel, delivers a nerve-tightening thriller. When famed novelist Paul Sheldon crashes his car in a snowstorm, he’s “rescued” by Annie Wilkes, his self-proclaimed number-one fan. Directed by Dane Rogers and Sarah Rogers, this battle of wits and survival unfolds in this gripping, claustrophobic psychological drama — perfect for the intimacy of the TDW stage.

Ken Ludwig’s THE GAME’S AFOOT
By Ken Ludwig
Directed by Micheal Kiser
December, 2026

In classic TDW fashion, we are excited to bring you another non-traditional holiday offering. We’re lightening things up a bit with Ken Ludwig’s hilarious The Game’s Afoot, a witty comedy brought to you by Calendar Girls director, Micheal Kiser. Broadway star William Gillette invites his fellow cast members to his lavish mansion for a holiday gathering, but the night takes a wild turn after a mysterious attack, and theatrical chaos ensues.

HOME BREW #10

TDW’s popular festival of 10 minute plays by local authors will be back for a tenth time in 2027. Tickets are an option for Season Ticket purchasers.

MAN OF LA MANCHA
Book by Dale Wasserman
Music by Mitch Lee
Lyrics by Joe Darion
Directed by Dennis Murphy
March, 2027

And next, we are overjoyed to share with you that we dreamed an impossible dream and are making it a reality! Our Spring musical is Man of La Mancha, book by Dale Wasserman, music by Mitch Lee, and lyrics by Joe Darion – and directed by Dennis Murphy! This sweeping, inspirational musical brings Miguel de Cervantes’ legendary Don Quixote to life with passion, humor, and unforgettable songs!

PAINT NIGHT
By Carey Crim
Directed by Rose Vanden Eynden
May, 2027

After the heartwarming success of Calendar Girls, we’re excited to bring you another female-driven story that blends humor, vulnerability, and unexpected bravery. Paint Night, written by Carey Crim and directed by Rose Vanden Eynden, is a humorous, heartfelt exploration of friendship, second chances, and starting over. Reminiscent of the warmth and spirit of Steel Magnolias, Paint Night explores a group of women gathering for what should be a simple evening of wine and art but that evolves into an exploration of big emotions and buried truths.

Leave a comment

Filed under Press Releases, Season Announcements

2026 Summer Season Announced by Warsaw Federal Incline Theatre

FOUR Shows. ONE Hot Summer. Only $128!
The 2026 Summer Classics Season is bringing the heat with four incredible musicals:

  • DISASTER!
    April 15-May 10
  • 1776
    May 27-June 21
  • ALWAYS…PATSY CLINE
    July 8-Aug. 2
  • CRAZY FOR YOU (change announced 1.7.26)
    Aug. 19-Sept. 13

Secure your seats now for a lineup packed with laughter, music, history, and a whole lot of heart.

When you subscribe, you get premium seating and serious savings.

Subscription Price: Just $128 for all four shows!
Subscribe today at CLPShows.org and step into the spotlight of Summer 2026!

Leave a comment

Filed under Season Announcements

Mariemont Players Announces 2026–2027 Season — Celebrating 90 Years of Theatre Magic

It’s a milestone year at Mariemont Players, Inc., and we couldn’t be more excited to share the lineup for our 90th Season!

This year’s selection process was extra special — after 1,504 votes from 151 patrons, we narrowed it down to a Top 12 list of fan-favorite shows. Then, 18 directors were interviewed and invited to select three productions from that list or choose a wild card from our 90-year history.

The result? A season that perfectly blends beloved classics, fresh energy, and the spirit of community theatre.

September 10–27, 2026 – ARSENIC AND OLD LACE (Directed by Jennifer Day)
A darkly hilarious tale of two sweet old ladies with a deadly secret — and the eccentric family that keeps things interesting!

November 5–22, 2026 – A TUNA CHRISTMAS (Directed by Debbi & Douglas Berlon)
Featuring Danny Davies & Wayne Wright, the original MPI “Tuna” duo, returning to reprise their iconic roles! This laugh-out-loud holiday favorite brings the chaos and charm of small-town Texas to the stage.

January 7–24, 2027 – BLITHE SPIRIT (Directed by David Derringer)
Noël Coward’s witty comedy of manners turns otherworldly when a séance brings back a spirited ex-wife with unfinished business.

March 4–21, 2027 – THE LION IN WINTER (Directed by Jerry Wiesenhahn)
Royal power, passion, and betrayal collide in this gripping family drama about love and legacy in medieval England.

May 6–23, 2027 – ENCHANTED APRIL (Directed by jef brown)
Four women escape to an Italian castle and rediscover joy, love, and hope under the Mediterranean sun.

July 8–25, 2027 – 12 ANGRY JURORS (Directed by Michael Kiser)
A timeless, powerful exploration of justice and conscience as twelve jurors decide the fate of a young defendant.

As we celebrate this incredible milestone, we’re also Lighting the Way for the Next 90 Years — raising funds to replace our aging lighting system with modern, flexible LED technology that will illuminate our stage for generations to come.

Learn more about our Lighting the Way Campaign and how you can help us reach our $75,000 goal: mariemontplayers.com/lighttheway

Explore our full 2026–2027 90th Season lineup here: mariemontplayers.com/2026-27-season

Join us as we celebrate 90 years of creativity, community, and connection — and light the way toward the future of Mariemont Players!

Leave a comment

Filed under Press Releases, Season Announcements

Cincinnati Opera Announces its 2026 Summer Festival

Highlights of the season:

• A bold new chapter begins with the world premiere of Lalovavi, an Afrofuturist opera by Kevin Day and Tifara Brown, inaugurating Cincinnati Opera’s Black Opera Project

 • Strauss’s scandalous masterpiece Salome returns to Music Hall for the first time in more than 25 years

• Bizet’s beloved Carmen returns in a vibrant new-to-Cincinnati production infused with fiery passion

• Ricky Ian Gordon’s hauntingly beautiful Orpheus and Euridice receives its company premiere

• Two Studio Sessions performances offer rare, up-close musical experiences curated by the artists themselves


Cincinnati Opera presents a new-to-Cincinnati production of Bizet’s CARMEN as part of its 2026 Summer Festival. Photo by Steven Pisano, courtesy of Opera Philadelphia.

CINCINNATI (July 23, 2025)—Tonight, from the stage of Cincinnati Music Hall, Cincinnati Opera’s Harry T. Wilks Artistic Director Evans Mirageas unveiled details of the company’s 2026 Summer Festival. Performances will run from June 18 through August 2, 2026, at Music Hall, featuring internationally renowned artists in works from reinvigorated classics to the boldly future-focused.

The 2026 season opens with Richard Strauss’s psychological drama Salome (June 18 and 20), which takes the Music Hall stage for the first time since 2000 with a powerhouse cast: Kathryn Lewek, Alfred Walker, Chad Shelton, Michelle DeYoung, and Zach Borichevsky. The season continues with the world premiere of the thrilling Afrofuturist opera Lalovavi by Kevin Day and Tifara Brown (July 9 and 11), the first work in Cincinnati Opera’s three-part Black Opera Project; the cast is led by Brittany Olivia Logan, Talise Trevigne, Morris Robinson, Adrienne Danrich, Zoie Reams, Terrence Chin-Loy, Michael Preacely, and G. Thomas Allen. Georges Bizet’s iconic Carmen returns (July 25, 29, and 31; August 2) in a vibrant, new-to-Cincinnati production starring J’Nai Bridges, Matthew White, Teresa Perrotta, Ryan McKinny, and Kayleigh Decker. Presented alongside Carmen is Ricky Ian Gordon’s intimate and moving Orpheus and Euridice (July 28 and 30; August 1). Following a sold-out 2025 run, two Studio Sessions (June 25 and July 1) round out the season, featuring artist-curated repertoire in a cabaret-style setting.

Said Mirageas, “When opera is at its best, it has the potential to open doors to joy, empathy, and understanding. Our 2026 season was built on this aspiration, celebrating works that make us feel deeply, reflect on our world, and connect with one another through profound shared experiences. From the bold imagination of Lalovavi and the fierce power of Salome and Carmen, to the intimacy of Orpheus and Euridice and our artist-curated Studio Sessions, we invite audiences both longtime and new to discover themselves within these stories and become immersed in their inspiring artistry.”

Echoed Chris Milligan, Cincinnati Opera’s Harry Fath General Director & CEO, “As we launch our 2026 Summer Festival, we do so with incredible excitement and a deep appreciation for the city and region that has sustained and energized us for 106 years. We planned the 2026 season with this guiding belief in mind: anyone can enjoy opera, and everyone should have the opportunity. By sharing diverse voices and stories and presenting experiences rooted in and reflective of our community, we hope to offer meaningful pathways for everyone to find connection and belonging at Cincinnati Opera.”

Season and ticket information for Cincinnati Opera’s 2026 Summer Festival are available below and at cincinnatiopera.org.


Cincinnati Opera
2026 Summer Festival

SALOME
Music by Richard Strauss
Libretto by Hedwig Lachmann

Thursday, June 18, 2026 | 7:30 p.m.
Saturday, June 20, 2026 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in German with projected English translation

Drawn from the scandalous play by Oscar Wilde, Richard Strauss’s searing one-act opera Salome is set to a libretto by poet Hedwig Lachmann that explores obsession and the consequences of unchecked desire. The teenage princess Salome develops a singular fixation on Jochanaan (John the Baptist), which leads her to defy both her stepfather Herod and the rules of society to win her prize. Through its intense psychological drama and richly modernist score—including the provocative “Dance of the Seven Veils”—Salome is a tour de force that leads to a shocking, unforgettable conclusion.

Jose Maria Condemi, who directed Cincinnati Opera’s acclaimed production of Tosca last season, will lead this new imagining of Salome with lighting design by Thomas C. Hase. Internationally acclaimed maestro Robert Spano, current music director of the Washington National Opera, Fort Worth Symphony Orchestra, and Aspen Music Festival, and Music Director Laureate of the Atlanta Symphony Orchestra, conducts the Cincinnati Symphony Orchestra.

Soprano Kathryn Lewek, called “a sensation” (Cincinnati Business Courier) after her recent Cincinnati Opera appearances as Gilda (Rigoletto), makes her role debut as Salome. Jochanaan will be sung by the “rich-toned and charismatic” (The New York Times) bass-baritone Alfred Walker. As Salome’s stepfather, Herod, tenor Chad Shelton has been praised for “singing with heroic amplitude and thrust and bringing the text to vivid life” (Opera Magazine). Mezzo-soprano Michelle DeYoung, called a “powerful singer with a warm, seductive tone” (The New York Times), reprises the role of Herodias, Salome’s mother, which she recently sang at the Metropolitan Opera. Zach Borichevsky brings his “exciting tenor” (Cincinnati Business Courier) to the role of Narraboth, returning to Cincinnati Opera after appearing as the Duke of Mantua in last season’s Rigoletto.


LALOVAVI
Music by Kevin Day
Libretto by Tifara Brown

Thursday, July 9, 2026 | 7:30 p.m.
Saturday, July 11, 2026 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in English and Tut with projected English lyrics and translation

Cincinnati Opera is proud to continue its commitment to new works with the world premiere of Lalovavi, featuring music by Kevin Day and libretto by Tifara BrownLalovavi is the first work in Cincinnati Opera’s Black Opera Project, a nationally unique, three-opera commissioning initiative that brings together visionary artists to develop work that celebrates the resilience, richness, and creativity of the Black American experience.

Set 400 years into the future, Lalovavi is an Afrofuturist adventure that follows Persephone, the youngest daughter of Titan, the ruler of Atlas—the city once known as Atlanta. Currency and status in Atlas are determined based on the presence of Syndica, a gene that promotes vitality and longevity. When Persephone is found to possess a variant of Syndica that confers immortality, she is betrayed by her family and must run for her life. She is thrust into an epic journey, uncovering a hidden past that leads her to discover love’s true meaning and the power to determine her destiny.

Kimille Howard, a prolific director of new works at companies such as Opera Theatre of Saint Louis, the Glimmerglass Festival, and Washington National Opera, leads the new production as both stage director and dramaturg, with scenic design by Lawrence E. Moten III, costume design by Kara Harmon, and lighting design by Thomas C. Hase. Acclaimed pianist Kevin Miller makes his conducting debut guiding the Cincinnati Symphony Orchestra through Day’s richly layered and cinematic score.

Soprano Brittany Olivia Logan, praised for her “voice clear and rich, capable of burnished color and shocking lightness” (The Washington Post), leads the cast as the heroine, Persephone. Soprano Talise Trevigne, a “mesmerizing” artist with a “ravishing voice” (Cincinnati Business Courier), is Niamara, leader of the rebel nation. Grammy Award-winning bass and Cincinnati Opera Artistic Advisor Morris Robinson, lauded for a voice that “stunned with its richness and gravity” (Seen and Heard International), sings the role of the Atlan ruler, Titan Musan. Emmy-winning soprano Adrienne Danrich, called a “standout, a singer of unusual might” (The Washington Post) is Dinah, Persephone’s nursemaid. Hailed for her “velvety mezzo” (Opera News), Zoie Reams is Persephone’s older sister, Zipporah, and as Lucian, the leader of Titan’s elite guard, Terrence Chin-Loy will showcase his “beautiful lyric tenor voice” (Opera News). The cast also features more award-winning singers: baritone Michael Preacely as Atlas’s head geneticist Dr. Apollos and vocalist G. Thomas Allen as the rebel guardian Ivavi.


CARMEN
Music by Georges Bizet
Libretto by Henri Meilhac and Ludovic Halévy

Saturday, July 25, 2026 | 7:30 p.m.
Wednesday, July 29, 2026 | 7:30 p.m.
Friday, July 31, 2026 | 7:30 p.m.
Sunday, August 2, 2026 | 3 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in French with projected English translation

Returning to Music Hall after more than a decade is Carmen, Georges Bizet’s iconic story of passion, freedom, and fate. The captivating Carmen draws others into her orbit with her magnetic allure and fierce independence. When the soldier Don José becomes the latest to fall for her, he abandons everything and succumbs to a perilous obsession, hurtling them both toward deadly consequences. Carmen’s riveting drama is propelled by Bizet’s rhythmic score and irresistible melodies audiences will immediately recognize, including the famous “Habanera” and “Toreador Song.”

The new-to-Cincinnati production, a co-production between Opera Philadelphia and Seattle Opera originated by Paul Curran, designed by Gary McCann, and featuring lighting design by Thomas C. Hase, transports the story to an imaginary setting akin to late-1950s Havana. Frequent Cincinnati Opera guest artist and artistic director of Opera Naples, dynamic conductor Ramón Tebar takes the podium with the Cincinnati Symphony Orchestra.

J’Nai Bridges, known for her “plush-voiced mezzo-soprano” (The New York Times) and “calmly commanding stage presence” (The New Yorker), returns to Cincinnati Opera in the title role. Fresh off of his triumph in last season’s Tosca, Matthew White brings a “distinctive tenor [with a] dark and powerful lyric sound” (New York Classical Review) to the role of the soldier Don José. Appearing as Micaela is soprano Teresa Perrotta, a winner of the prestigious Metropolitan Opera Laffont Competition praised for her “sweet, rich voice” (Classical Voice North America), and bass-baritone Ryan McKinny, recognized as “one of the finest singers of his generation” (Opera News), sings the role of the toreador Escamillo. Kayleigh Decker shares a “shimmering mezzo-soprano” (Seen and Heard International) as Carmen’s friend, Mercedes.


ORPHEUS AND EURIDICE
Music and text by Ricky Ian Gordon

 Tuesday, July 28, 2026 | 8 p.m.
Thursday, July 30, 2026 | 8 p.m.
Saturday, August 1, 2026 | 3 p.m. and 8 p.m.
Wilks Studio | Cincinnati Music Hall
Sung in English

Composer Ricky Ian Gordon’s lyrical chamber opera Orpheus and Euridice retells the ancient myth from a contemporary perspective. When Euridice mysteriously dies and descends into the Underworld, Orpheus follows, playing music to appease the infernal deities he encounters and earning a second chance at life with his beloved. As Orpheus leads Euridice back to Earth, he looks back at her too soon, and she vanishes forever. Shattered, Orpheus’s sorrow is transformed into music that echoes throughout the world.

Scored for soprano, piano, clarinet, and string quintet and conducted by Stephen Mulligan, soprano Heidi Middendorf will serve as both narrator and Euridice, while Christopher Pell, Principal Clarinet with the Cincinnati Symphony Orchestra, gives haunting voice to Orpheus. The original production will be shaped for Music Hall’s intimate Wilks Studio by stage director Audrey Chait with choreography by Cincinnati Ballet’s Yoshihisa Arai.


Studio Sessions

Thursday, June 25, 2026 | 8 p.m.
Wednesday, July 1, 2026 | 8 p.m.
Wilks Studio | Cincinnati Music Hall

Cincinnati Opera will host two Studio Sessions in Music Hall’s Wilks Studio, each offering an artist-curated, up-close, and personal performance experience. These concerts immerse audiences in a unique atmosphere where artists take center stage, guiding the evening through storytelling and song. Featured artists and programming will be announced at a later date.

Tickets

Subscriptions for Cincinnati Opera’s 2026 Summer Festival are now available and start at $60 for 3-show packages. Tickets to individual performances go on sale November 21, 2025, and start at $21. Discounts are available for seniors, educators, U.S. veterans and active military personnel, full-time students, ArtsWave Pass members, and SNAP cardholders. For more information, visit cincinnatiopera.org or contact the Cincinnati Opera Box Office at 513-241-2742.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera receives funding from the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund and the Harry T. Wilks Family Foundation, along with many other generous individuals, corporations, and foundations. The Black Opera Project has been made possible, in part, with support from the Mellon Foundation, Susan and Joseph Pichler, the Carol Ann and Ralph V. Haile, Jr. Foundation, Ann and Harry Santen, and Procter & Gamble. Lead funder for Lalovavi is the David C. Herriman Fund of the Greater Cincinnati Foundation, with additional support from The Louise Taft Semple Foundation, ArtsWave Flow, the H.B., E.W. & F.R. Luther Charitable Foundation, Arts Midwest, and the Aaron Copland Fund for Music, Inc. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

# # #

Leave a comment

Filed under Press Releases, Season Announcements

CPI Announces 30th Anniversary Season

Local Playwriting Group Selects Scripts for Staged Readings

Cincinnati, Ohio—July 10, 2025—At its June board meeting, Cincinnati Playwrights Initiative
(CPI) Board of Directors announced the selected scripts for its New Voices 30th Anniversary 2025/2026 season which will showcase both new and emerging local playwrights.

The following CPI members will have their Full-length, One-Act and Short plays performed as
staged readings at the Fifth Third Theater in downtown Cincinnati on the following six Tuesday evenings at 7:30 p.m.

  • September 16, 2025
    HOLLYWOOD MASALA
    A full-length play by Sanjay Puligadda
  • October 28, 2025
    FRIGHTFEST
    CPI’s annual ten-minute play festival fundraiser returns with a Halloween theme to
    support the Cincinnati Care Center Animal Blood Bank. 8 short plays will be selected and
    announced in July.
  • November 18, 2025
    THANKS FOR CALLING a One-Act play by Dave Doster
    STILLWATER DEPOT, CENTER STREET, AND SGT. SKINNER GOES FOR COFFEE
    Three ten-minute plays by Clint Bramkamp
  • February 10, 2026
    WELCOMING ECHOES
    A one-Act play by Paul Bergman
    MUST BE THE MUSIC, OFF THE BEATEN PARTH CAFE, NEXT TRAIN AT PLAYFORM 22, and THE HOLY TERRORS
    A Playwright’s Potpourri: Four Ten-Minute Plays by Roger Collins
  • March 10, 2026
    THE ANGELS OF MERCY
    A one-act play by Charles Stephan
    WHAT ARE THE ODDS
    A ten-minute play by Charles Stephan
  • April 14, 2026
    MARTHA’S WILL
    A full-length historical fiction play by Susan and Doug Decatur

Twenty-minute audience talkback sessions are conducted for staged readings at the end of each performance. Written feedback will be obtained from the audience for FRIGHTFEST.

Season tickets go on sale at 10 a.m. Friday, July 11 through Tuesday, September 16, 2025 for $55 which includes all 6 dates for the price of 5 and can be purchased online at
www.cincinnatiarts.org/events/detail/cpi-new-voices-2025-2026-series or by calling the Aronoff box office at 513-621-2787. Single event tickets also go on sale July 11, 2025 for $11 per person. FRIGHTFEST tickets will be $16.50 each with a portion of the proceeds benefitting the Cincinnati Care Center Animal Blood Bank. All ticket prices are inclusive of service fees.

CPI is a non-profit theater arts organization whose mission is to support playwrights in the
Cincinnati Metropolitan Area by offering free playwriting workshops, cold and staged readings to provide valuable feedback so that scripts can be further developed to potentially become fully produced or published.

To join CPI, visit the website at https://cincyplaywrights.org or follow on social media both on
Facebook https://www.facebook.com/cincyplaywrights and X https://x.com/cincyplaywright.

###

Leave a comment

Filed under Press Releases, Season Announcements