Category Archives: Reviews

CLYBOURNE PARK Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

CLYBOURNE PARK presented by Cincinnati Playhouse in the Park through Feb. 16.

Photo by Sandy Underwood.

Photo by Sandy Underwood.

The 2014 season continues its momentum with another talented ensemble taking to a local stage, this time at Cincinnati Playhouse in the Park. Due to the two acts of the play taking place 50 years apart inside the same house, we get to see some fun character work, especially from the ladies. Strong direction by Timothy Douglas keeps the play moving well and takes advantage of the space available, especially when nearly the entire cast is on stage. The script is smart and funny with some clever parallels between the acts, in characters and staging, that I really enjoyed.

Both acts start off Seinfield-esque in tone before the script addresses the weightier issues. There were times in both acts where these conversations seemed a bit slow in pick-up and pacing. I’m sure this will work itself out quickly with a few more performances. It was also unclear to me what the meeting in Act II was regarding until a bit later in the act.

Tensions flare in the Cincinnati Playhouse in the Park’s production of Bruce Norris’ CLYBOURNE PARK, a razor-sharp satire of race and real estate.

Tensions flare in the Cincinnati Playhouse in the Park’s production of Bruce Norris’ CLYBOURNE PARK, a razor-sharp satire of race and real estate.

The set design by Tony Cisek is truly impressive, especially the transition into Act II where the attention to detail is phenomenal and easy to get lost in. I did find the wallpaper in Act I to be a bit visually overwhelming, mainly due to the square footage of it on the walls.

Lena (Deonna Bouye) expresses her frustrations to Steve (Rex Young) about his plans to tear down her aunt’s former home. Photo by Sandy Underwood.

Lena (Deonna Bouye) expresses her frustrations to Steve (Rex Young) about his plans to tear down her aunt’s former home. Photo by Sandy Underwood.

I was also unclear about the epilogue at the end of Act II. It seemed a bit confused linearly to me.

Overall a well-done and thought-provoking production. The topic of racism (like many that plague our nation) evokes such extreme reactions that its hard to find middle ground to even discuss it. At least for two hours we experienced laughter together, even when we saw aspects of ourselves on stage that struck a little to close to home.

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My rating: 4.25 out of 5

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THE SOUND OF MUSIC Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

THE SOUND OF MUSIC presented by The Carnegie and Kentucky Symphony Orchestra through Jan. 26.

Photo by Mikki Schaffner.

Jared Joplin as Captain George von Trapp & Abigail Paschke as Maria Rainer. Photo by Mikki Schaffner.

Like many people, I have fond memories of the annual broadcast of the classic movie around the holidays. Its popularity results in it being often performed on local stages, many times with mixed results. After having seen Marie Osmond and Barry (Greg Brady) Williams perform the leads, I found myself burned out for several years.

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The Sisters & Maria Ventura as the Mother Abbess. Photo by Mikki Schaffner.

Then, something wonderful happened last Friday night at The Carnegie. I fell in love with THE SOUND OF MUSIC again.

One of the best parts of this production is the sound. Vocally, the cast is extremely strong and they are beautifully accompanied by the Kentucky Symphony Orchestra under the baton of James. R. Cassidy. Thanks to an excellent sound design by Kevin Semancik, assisted by A. J. Bierschwal, you can hear nearly every note and word.

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Jared Joplin as Captain George von Trapp & Abigail Paschke as Maria Rainer. Photo by Mikki Schaffner.

Director Brian Robertson has assembled an excellent cast, including the children, and the show flows well with clever staging that uses the entire set well (designed by Angelina Vyushkova). Abigail Paschke shines as Maria Rainer. Paschke and Jared Joplin as Captain George von Trapp make a charismatic pair.

The scene featuring the Captain’s reaction to hearing his children sing for the first time was very well done and it was at this point I realized how vested I had become in the production.

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Maximillian Jansen as Rolf Gruber & Kathryn Miller as Liesl. Photo by Mikki Schaffner.

 

 

Other standouts include Kathryn Miller as eldest daughter Liesl and Maria Ventura as the Mother Abbess who closes both acts with a powerful and moving “Climb Ev’ry Mountain.” I also enjoyed the strong character work of Kemper Florin as Elsa Schraeder and Mike Hall as Max Detweiler.

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Jared Joplin as Captain George von Trapp and the von Trapp children. Photo by Mikki Schaffner.

The costumes worked well, although the fabric of the children’s uniforms was a bit stiff, making sitting awkward for the older girls. Regarding the set, the “floating frames” would have worked better for me, if they had been placed closer to the scrim. Depending on where you sat in the audience, the projected images were partially blocked by the frames.

Overall a well-done and truly enjoyable production. For me, the best collaboration between The Carnegie and The Kentucky Symphony Orchestra yet.

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My rating: 4.25 out of 5

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HAMLET Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

 

Brent Vimtrup as Hamlet. Photo by Rich Sofranko.

Brent Vimtrup as Hamlet. Photo by Rich Sofranko.

HAMLET presented by Cincinnati Shakespeare Company through Feb. 9.

Cincinati Shakesperae Company kicks off 2014 with a solid production of Wiliam Shakepeare’s HAMLET.

Scenic and Lighting Designer Andrew Hungerford continues excellent work on this production. Hats off also to Technical Director Travis McElroy, Carpenters Charlie Cromer & Zach Schute and Scenic artists by Sara Both Hall & Teresa McElroy for an impressive and functional set.

Bruce Cromer as Cladius & Sherman Fracher as Gertrude. Photo by Rich Sofranko.

Bruce Cromer as Cladius & Sherman Fracher as Gertrude. Photo by Rich Sofranko.

Another strong ensemble showing led by Brent Vimtrup, Bruce Cromer, Sherman Fracher, Darnell Pierre Benjamin and Travis McElroy.

Good work by costume designer Heide Jo Schiemer on the female characters, but the men’s costumes didn’t seem as coherent. Where I found Caludis’ costumes to be sharp, the coat of Hamlet’s initial costume seemed over-sized and box-y on the actor.

The direction was focused and the show flowed well. It did seem like the pacing near the end of Act I noticeably slowed. The “ghost effect” worked well and was a fun bit of stage magic. I appreciate the effort in giving the audience that moment.

Brent Vimtrup as Hamlet & Darnell Pierre Benjamin as Horatio. Photo by Rich Sofranko.

Brent Vimtrup as Hamlet & Darnell Pierre Benjamin as Horatio. Photo by Rich Sofranko.

During the play within a play, it was hard to see the King and Queen’s reaction. The royal couple being more upstage and the dim lighting challenged this old eyes from the back of the house. 🙂

Overall a fine production which leaves me excited to see the upcoming ROSENCRANTZ AND GUILDENSTERN ARE DEAD with the same cast.

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My rating: 4 out of 5

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THE BOOK OF MORMON Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

Mark Evans as Elder Price.  (c) Joan Marcus, 2013.

Mark Evans as Elder Price. (c) Joan Marcus, 2013.

THE BOOK OF MORMON presented by Broadway in Cincinnati through Dec. 22

The musical juggernaut that is THE BOOK OF MORMON comes to Cincinnati for a three week mission. As I hoped, this production definitely lives up to its reputation.

When writing a review, I try to choose my words carefully. So when I describe a show as hilarious, it means the show had me laughing out loud throughout its 2+ hours. This show is hilarious.

First National Tour Company. (c) Joan Marcus, 2013.

First National Tour Company. (c) Joan Marcus, 2013.

THE BOOK OF MORMON was written by the creators of South Park. Yes, there is profanity. In fact, there is alot of it. If you are easily offended, I suggest you gift your tickets to a friend. Profanity and sexual innuendo aside, the comedy is smart and very funny with several ongoing gags and well-timed call backs.

First National Tour Company.  (c) Joan Marcus, 2013.

First National Tour Company. (c) Joan Marcus, 2013.

Vocally and visually the show is stunning. The talent level of the entire cast is impressive. Mark Evans as Elder Price and Samantha Marie Ware as Nabulungi do excellent work, but it is Christopher John O’Neill who steals the show as ne’er-do-well Elder Cunningham.

My only complaint was that the orchestra had a tendency of overpowering the lyrics in several of the ensemble numbers.

Mark Evans, Derrick Williams. (c) Joan Marcus, 2013.

Mark Evans, Derrick Williams. (c) Joan Marcus, 2013.

Overall an excellent show that I would love to see again, especially to try to hear some of the lines I missed due to the audiences’ laughter. Creators Parker and Stone blunt, in-your-face comedy is balanced by the heart of the characters and the underlying themes of faith, humility and humanity.

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My rating: 4.95 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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A KLINGON CHRISTMAS CAROL Quick-Review

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Donald Volpenhein as SQuja’. Photo by Mikki Schaffner.

A KLINGON CHRISTMAS CAROL presented by Hugo West Theatricals through Dec. 22

Director Mike Hall and the HWT gang succeed with an ambitious production of this Star Trek-themed take on a holiday classic. The humor of the show works well without being forced or over the top. Kudos to the cast for the effort they put into the production and for tackling the lines in Klingon. Makeup wise, the women’s appliances and overall looks worked well. Some of the men’s appliances though, looked a little worse for wear in places.  The limitations of the performance space resulted in some clunky scene changes which caused the overall pace to fluctuate. Two “issues” that I did have that could be easily addressed would be the skin tone of the Ghost of Kahnless Past. A darker complexion would be a better homage to the original series. Also it would help to temporarily gel the hall light behind the stage exit.

Definitely a fun time for Star Trek fans and non-fans alike. Hearing Burgess Byrd growl “SQuja'” is worth the price of admission alone. K’plah!

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My rating: 3.75 out of 5

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