Category Archives: Reviews

A KLINGON CHRISTMAS CAROL Quick-Review

HWT_Klingon Xmas Carol1

Donald Volpenhein as SQuja’. Photo by Mikki Schaffner.

A KLINGON CHRISTMAS CAROL presented by Hugo West Theatricals through Dec. 22

Director Mike Hall and the HWT gang succeed with an ambitious production of this Star Trek-themed take on a holiday classic. The humor of the show works well without being forced or over the top. Kudos to the cast for the effort they put into the production and for tackling the lines in Klingon. Makeup wise, the women’s appliances and overall looks worked well. Some of the men’s appliances though, looked a little worse for wear in places.  The limitations of the performance space resulted in some clunky scene changes which caused the overall pace to fluctuate. Two “issues” that I did have that could be easily addressed would be the skin tone of the Ghost of Kahnless Past. A darker complexion would be a better homage to the original series. Also it would help to temporarily gel the hall light behind the stage exit.

Definitely a fun time for Star Trek fans and non-fans alike. Hearing Burgess Byrd growl “SQuja'” is worth the price of admission alone. K’plah!

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My rating: 3.75 out of 5

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Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! Quick-Review

Grinch Company. Photo by PAPARAZZIBYAPPOINTMENT.COM

Grinch Company. Photo by PAPARAZZIBYAPPOINTMENT.COM

Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! presented by Broadway in Cincinnati through Dec. 1

HOW THE GRINCH STOLE CHRISTMAS! is a great holiday musical for the young and the young at heart. Visually it’s very impressive. The sets, costumes and wigs succeed in bringing Dr. Seuss’ world to life. All your favorite songs from the classic cartoon are there plus several new, passable songs for the stage. Stefan Karl is very fun and funny as the title character. Bob Lauder looks and sounds great as Old Max. Brooke Lynn Boyd is adorable as Cindy-Lou Who. The company is vocally strong and very fun to watch. Opening night, the children who attended seemed to be mesmerized for the entire 90 minutes. I Hate Christmas #Grinch

My rating: 3.5 out of 5

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TWELFTH NIGHT Quick-Review

Maggie Lou Rader as Viola, Justin King as Fabian, Justin McCombs as Sir Andrew Aguecheek and Jim Hopkins as Sir Toby. Photo by Rich Sofranko.

Maggie Lou Rader as Viola, Justin King as Fabian, Justin McCombs as Sir Andrew Aguecheek and Jim Hopkins as Sir Toby. Photo by Rich Sofranko.

TWELFTH NIGHT presented by Cincinnati Shakespeare Company through Dec. 15

The hits keep coming at Cincinnati Shakespeare Company with William Shakespeare’s romantic comedy TWELFTH NIGHT, well-directed by Sara Clark. The production includes another set of strong performances from the CSC Company, highlighted by Justin McCombs as the ginger peacock that is Sir Andrew Aguecheek. Fun and entertaining, you can’t beat a show that starts the second act with ten choruses of a drinking song.

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My rating: 4.25 out of 5

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BULL Quick-Review

George Alexander as Carter, Kate Glasheen as Isobel, Dylan Shelton as Thomas & Jay Stratton as Tony

George Alexander as Carter, Kate Glasheen as Isobel, Dylan Shelton as Thomas & Jay Stratton as Tony

BULL presented by Know Theatre of Cincinnati through Nov. 30

Director Brian Robertson leads a strong ensemble (George Alexander as Carter, Kate Glasheen as Isobel, Dylan Shelton as Thomas & Jay Stratton as Tony) through this excellent production. What begins with workplace school-yardish bullying quickly and naturally evolves into something shocking and much darker in an intense 50 minutes. Clever use of florescent lighting and a cage-like set, both by Andrew Hungerford, serves as a great platform for show.

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My rating: 4.5 out of 5

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BOEING, BOEING Quick-Review

Sarah Vargo as Gloria, Spencer House as Bernard & Hannah Halvorson as Berthe. Photo by Mikki Schaffner.

Sarah Vargo as Gloria, Spencer House as Bernard & Hannah Halvorson as Berthe. Photo by Mikki Schaffner.

BOEING, BOEING presented by The Carnegie and UC College-Conservatory of Music Drama through Nov. 24

Opening night’s performance of BOEING, BOEING was fine but still needed some polishing. The timing felt off and it didn’t have the pacing that makes a farce truly entertaining. The male leads almost reached the manic energy level needed near the end of the first act, but that momentum was lost over intermission. Berthe would have worked better with a French accent that allowed more of her lines to be understood.

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My rating: 3 out of 5

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