Category Archives: Reviews

ALL SHOOK UP Review

ALL SHOOK UP presented by Northern Kentucky University through Feb. 26. Click here for more information on the production. I attended the opening Sunday matinee performance.

nku_all-shook-up1

The Cast.

The songs of Elvis Presley, the King of Rock and Roll, take center stage in the jukebox musical, ALL SHOOK UP at Northern Kentucky University.

The cast of 25 showcases the depth of talent in NKU’s theater program. Soloists were strong across the named roles with Brittany Hayes’ “There’s Always Me” being a personal favorite. The harmonies on the Act I finale, “Can’t Help Falling in Love,” were goosebump-inducing and a great way to send the audience into intermission.

nku_all-shook-up4

Melissa Cathcart as Natalie Haller & Xander Wells as Chad.

Director Brian Robertson wisely goes broad in the performance-style, emphasizing both the comedy and the relationships in the book.

The simple, multi-level set allowed for quick entrances and exits, especially when the whole ensemble was involved in a number. The screens upstage served as a nice backdrop and added a bit a color to the scenes.

nku_all-shook-up5

Aaron Marshal as Dennis & Ellie Chancellor as Miss Sandra.

The concept of a completely black and white color scheme for the costumes was successful and an impressive amount of work. The only one I misinterpreted was Dean Hyde’s outfit, thinking he was the Mayor’s chauffeur until he was introduced as her son. Perhaps some black accents would have helped it read a bit more military.

It was great to have the 11-piece orchestra, under the direction of Jamey Strawn, visible on stage and the sound was rich and full. Speaking of sound, hats off to sound designer Kevin Havlin and his team. The blend, balance, and execution were outstanding. I’m pretty sure I heard every word and note.

Overall, the production was highly energetic and highly enjoyable.

My rating: 4.25 out of 5.

nku_all-shook-up2

The Cast.

Leave a comment

Filed under Reviews

THE ROCKY HORROR SHOW Review

THE ROCKY HORROR SHOW presented by Warsaw Federal Incline Theater through March 5. Click here for more information on the production. I attended the opening Saturday night performance.

wfit_the-rocky-horror-show1

The Cast. Photo by Mikki Schaffner Photography.

I imagine staging a musical based on a movie, especially one with such a rabid fan base, would present a challenge in finding that balance between the two mediums. Since I’m not part of the film’s fan base, I’ll be talking about the theatrical side of things.

Vocally I thought the cast was really strong, but unfortunately at the performance I attended, there were several issues working against them. The sound execution was clunky. Mics were not hot on entrances and the balance was off between the orchestra and both the backup and lead vocals. I also felt the tempos on several of the rock-n-roll numbers were too fast which made it hard to understand the lyrics if you don’t know them.

wfit_the-rocky-horror-show3

Caroline Schisholm as Janet & Dakota Mullins as Brad. Photo by Mikki Schaffner Photography.

Matt Krieg does well as Frank-n-Furter, but I would like to have seen him be bigger and take command of the stage. Dakota Mullins was fun to watch as Brad and I felt he had a good sense of the character that he maintained well throughout the zany situations of the show. Solos and group numbers aside, it seemed like the bulk of the ensemble spent most of the show standing in small groups upstage, so they tended to fade into the background. Their blocking seemed tied to their characters’ lines so there were stretches where the show seemed visually stagnant.

The pacing also felt slow to me. It almost seemed like the cast was holding for expected laughs that just didn’t come. Other times cast members would make a long cross and hit their mark before speaking. The audience participation aspect of this performance exacerbated the problem when the video cues for the audience callbacks were late. Some of the comic bits were over-milked in the sense that longer doesn’t always translate into funnier.

wfit_the-rocky-horror-show2

Marissa Poole as Magenta, Heather Hale as Columbia, Matt Krieg as Frank-n-Furter, Chris Logan Carter as Riff Raff & Michael Wright as Phantom. Photo by Mikki Schaffner Photography.

I enjoyed the multi-level set design by Brett Bowling. It had several fun surprises with the front door being a personal favorite. I also thought the “machine” was visually a great compilation of mixed/matched found objects. Costumes worked well and I thought the similar but different looks of the bustiers across the cast was great. The one “head scratcher” was Frank’s blood-stained smock which looked like he had tried to “Shout” out the blood stain before returning to the stage.

While I understand the decision to present the cast on video during the curtain call, I’d much rather applaud the actual actors who have worked so hard the past couple of hours.

Overall I found the show fun, but at times uneven. If this is your first time experiencing THE ROCKY HORROR SHOW, I’d strongly advise you to avoid the audience participation performances. Despite the pre-show warnings, we still wound up with alot of “Brads” in the audience.

My rating: 4 out of 5. If you are a Rocky fan, make it 4.25. With corrected sound issues make that a 4.5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

RICHARD III Review

RICHARD III presented by Cincinnati Shakespeare Company through March 11. Click here for more information on the production. I attended the opening night performance.

csc_richard-iiia

Billy Chace as Richard III (Kyle Brumley and Geoffrey Warren Barnes in the background). Photo by Mikki Schaffner Photography.

Congratulations to Cincinnati Shakespeare Company! With the opening of RICHARD III, CSC becomes only the second theater company in the United States to complete Shakespeare’s entire history cycle in chronological order.

Billy Chace is exceptional as Richard, Duke of Gloucester who manipulates (and murders) his way to the throne through friend and foe to become King Richard III. Chace plays the role with great humor and zeal, giving us a King who is fully aware of his misdeeds and unapologetic in his quest for the crown.

csc_richard-iiid

Aiden Sims as Lady Anne and Billy Chace as Richard III. Photo by Mikki Schaffner Photography.

Director Brian Isaac Phillips again keeps the action focused and brisk. The ensemble, across the board, was excellent, giving the production great energy and scope. Favorite scenes included Lady Anne’s (Aiden Sims) confrontation with Richard over the dead body of Henry VI, the grief-stricken, half-mad, curse-flinging Queen Margaret (Kelly Mengelkoch), and Queen Elizabeth (Sara Clark) going nose to nose with Richard after the death of her children.

The haunting dream shared by Richard and Henry, Earl of Richmond, was visually striking and appropriately creepy. The special stage effect added a unique element to the final battle between their forces.

csc_richard-iiic

Sara Clark as Queen Elizabeth and Billy Chace as Richard III. Photo by Mikki Schaffner Photography.

Overall, a perfect and immensely satisfying conclusion to CSC’s four-year epic endeavor. Bravo!

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

THIS WIDE NIGHT Review

THIS WIDE NIGHT presented by The Clifton Players through March 4. Click here for more information on the production. I attended the opening night performance.

cp_this-wide-night1

Miranda McGee as Marie & Dale Hodges as Lorraine.

Can dreams of the future made by cellmates survive the reality of life outside of prison? That possibility is explored in Clifton Players’ production of the two-person play, THIS WIDE NIGHT.

Miranda McGee, perhaps more known for her comedic turns, shines in the challenging role of Marie. Throughout the performance, I was struck how the emotional swings of her character emanated from the actress and always rang true.

As Lorraine, Dale Hodges enters as an adrift soul trying to find solace with the only “family” she has known during her long incarceration. She brings a great vulnerability to the role but there are these great moments of seemingly innocent manipulation that remind the audience she’s not as innocent as she appears.

cp_this-wide-night2

Miranda McGee as Marie & Dale Hodges as Lorraine.

Faults aside, I was surprised how invested I had become in these two ladies. True to its source material (interviews from recently released inmates) the script doesn’t answer all questions or provide a happy ending.

Director Kevin Crowley keeps the movement within the confirmed space of the studio apartment natural and motivated. There are several great stage pictures created in response to lines in the script that could easily be missed by a less experienced director.

Re-configuring the play space worked well to create Marie’s below street level apartment. I would encourage the covering of the windows above the apartment door as the foot traffic outside was a bit distracting at times.

One element that was unclear to me was how much time had passed between the various scenes. The dialogue in the scenes doesn’t always help. A bit of period underscoring during the scene changes might have helped define the time period. Speaking of the time period, the use of a CD and a shopping bag printed with a web site address were a bit anachronistic. One of the downsides of such an intimate venue. 🙂

Overall, a smartly directed production with strong, emotional true performances.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

SUMMERLAND Review

SUMMERLAND presented by Cincinnati Playhouse in the Park through March 5. Click here for more information on the production. I attended the opening night performance.

pip_summerland2

Michael Rothhaar as William H. Mumler & Whitney Maris Brown as Mrs. Mumler. Photo by Mikki Schaffner.

A taste of Halloween comes late (or early, depending on your point of view) to the Park’s Shelterhouse with SUMMERLAND. If you are unfamiliar with the term, “Summerland” is the name given by Theosophists, Wiccans and some earth-based contemporary pagan religions to their conceptualization of an afterlife.

Arlitia Jones’ play uses the now infamous image taken by Spirit Photographer William H. Mumler as a jumping off point for her play. In the photo, a seated Mary Todd Lincoln is captured with the ghostly image of her late husband standing beside her.

Director Michael Evan Haney elicits unique and believable performances from his talented ensemble of three. Billy Finn is strong as the young and driven Jospeh Tooker, determined to prove Mumler is the fraud Tooker is convinced he is. Michael Rothhaar charms as William H. Mumler, a man who appears to genuinely believe his work is a comfort to the living. Playing Mrs. Mumler, Whitney Maris Brown is mesmerizing as the enigmatic and otherworldly wife and possible conspirator.

pip_summerland1

Whitney Maris Brown as Mrs. Mumler & Billy Finn as Joseph Tooker. Photo by Mikki Schaffner.

My favorite scene of the play is the beginning of Act II. The “confrontation” between Mrs. Mumler and Tooker is immensely satisfying to watch. Brown is a force of nature as she assails, cajoles and taunts Mr. Tooker, keeping him completely off balance.

For me, one of most successful aspects of the play is how well the technical team set the mood for the piece. The special effects worked well and the theater magic stayed well-hidden in the intimate performance space. The end of Act I is indeed “spooky.”

pip_summerland3

Billy Finn as Joseph Tooker & Michael Rothhaar as William H. Mumler. Photo by Mikki Schaffner.

As a new work the play could still use a bit of editing. The first scene went a bit long in exposition considering how quickly it becomes apparent that the young man is there for more than his portrait sitting. The epilogue also seems a bit anti-climatic, working hard to establish a connection between the two men after all that has transpired.

Overall, an engaging and unique historical drama with a supernatural bent.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews